27 October 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 665: Timelash, Episode Two

Dear diary,

I don't know if I'm just in a more forgiving mood today, but this episode has been much more enjoyable than the first one was. Even some of the sets that seemed ridiculously bland yesterday have grown on me - and I rather like the light design on the wall of the Council Chamber! Not all the decor is to my tastes, though - the mural of the Third Doctor I could do without. It just seems far too much a fan-pleasing exercise than a good idea…

If I'm being honest - there's lots that I've enjoyed in this episode, but I think the whole is a great deal less than the sum of its parts. Lots of the things that I've liked don't really bare talking about at any length, so among them are the android's voices (and the way that they seem to be so at odds with the stature and shape of the creatures), The Timelash itself (I know it looks a bit rubbish, but an image of Colin being lowered down it on a rope is another one that captivated me as a young fan, seeing it for the first time), the cell that Peri is chained up in very briefly (possibly the best set in the entire story - a great design that wouldn't feel out of place in a German Expressionist film), and the smug look that Colin has on his face when he's ten seconds in the future and gets to push people; he science is nonsense, even by Doctor Who standards, but he just looks so pleased about it.

There's two things in today's episode that really are worth mentioning separately. The first is the make up on the Borad. Let's be honest, it's some of the best make up in all of Doctor Who, from 1963 right up to now. It's a great design, it's been well applied… yeah, it's hard not to like. I think I'd go as far as to say that it's the best thing in the entire story, and it's sort of a shame that it's let down by everything else around it - make up like this would still be the best thing in a fairly good story, so why waste it here!

The other thing I've loved… Herbert! Haha! I've never noticed before, but you wait nineteen years for a real-life historical figure to put in an appearance (the last such instance was right back in 1966 and The Gunfighters), and then you get two in one season! After George Stevenson, we've not got H. G. Wells, too. And you know what? I rather like the way that he's been used in this story - usually, we go in to them knowing who our famous 'historical celebrity' is going to be, but this time it comes as a surprise reveal in the final few minutes. There's loads of allusions to Wells' work throughout Timelash, but I'm not overly familiar with his stories, so I can't claim to have picked up on them all.

I just think that Herbert works ridiculously well with Colin's Doctor, and he's even become another one of those characters that I'd love to see return in an audio adventure some time - putting him up there with the likes of Duggan! I laughed out loud ridiculously hard when the Doctor has forcibly removed Peri from the TARDIS, only to take off and be confronted with Herbert. There's something about the way that they exchange 'hello' before getting in to everything! I love the scene in the first episode, too, where Herbert comes wandering out from the TARDIS corridors to explain that the ship is bigger on the inside… and the Doctor simply replies 'I know!'

Sadly, Herbert getting on so well with the Doctor comes at a price - he's especially awful to Peri in this story. Their relationship has never been quite as pleasant as, say either the Third or Fourth Doctor with Sarah Jane, or the Second Doctor with Zoe, but it's felt in the last couple of stories that they've settled into a groove where they bicker and argue, before they hug and make up, and simply love being with each other. In Timelash, he's perhaps worse to her than at any other time (even when trying to kill her!), and that's also put me off the story just a bit.

Sorry, Timelash, but great make-up and Herbert just isn't enough to stop you from becoming my lowest-rated story.

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