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22 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 721: Survival, Episode One

Dear diary,

I can’t quite believe that I’m actually at Survival. I’ve said plenty of times throughout the course of this marathon that I never expected to actually make it much past The Sensorites Episode Three, but now I’m staring down the final story of the programme’s original run. There’s something really rather exciting about that, and if I’m honest, I’m a little bit proud of myself for actually getting to this point!

And how brilliant that this final story should start out so well! I’ve never really cared all that much for Survival. I don’t mean that I’ve actively disliked it, but my memories of watching it before are that it was ‘okay’, but a bit of a strange way to end the programme*. Therefore, as I’ve moved closer and closer to seeing this one, I’ve been setting up its importance as a milestone for the Diary, but not especially looking forward to it on its own merits. How wrong that may have been!

The first thing to note is just how closely this resembles the 21st century series. I’ve brought that up a few times in the last week or so, but it’s never more prevalent than it is in this one episode. We’re set in ‘modern day’ London, with ordinary people whose worlds just happen to collide with the Doctor and the monsters. There’s a great central mystery in the disappearance of the locals, and there’s even the perfect ‘pre-titles’ sequence, in which the man washing his car gets chased by an un-seen ‘something’ before completely vanishing and leaving us with an empty street. Already, I’m wondering about an edit of this story compressing it down to 45 minutes…

While I’m on the subject of that opening scene, I just want to draw attention to how beautifully directed it is - and that goes for the rest of the episode, too. It was no surprise during the credits to see that this one is directed by Alan ‘The Greatest Show in the Galaxy’ Wareing, who was responsible for Ghost Light, too. That shot I’ve mentioned, as the camera pans up and then chases its prey from that height is so simply effective, and it becomes a great visual shorthand for what’s happening. Late in the story, when we watch the same camera move happen while framing Ace in shot, it’s actually scary, because we know just what it’s signifying.

And it’s not just the direction that’s standing out for me in this one - the script itself is wonderful. As I’ve said, it’s far closer in style to the modern series than it is anything else from the ‘classic’ run, and I’d love to see what Rona Munro would do with another story. It seems such a shame that we’ve only got the one story from her. There’s a way that she writes all these characters - including Ace - and makes them instantly real and relatable. Ace has always felt like a more naturalistic character than some of the previous companions did, but it’s a credit to Munro’s skill that she can be so brilliant when placed back in her natural setting. The way she interacts and speaks with people she knows from her old life is lovely, and different from the way she reacts to the Doctor. It means that Sophie Aldred is given more chances to shine, too, which is always welcome.

I’m looking forward ti seeing just how well the story holds up now that more of the action has been shifted away from the benign normality of Perivale, and out onto an alien planet, but it looks like the ‘classic’ run is going to be going out with a bang…

*Truth be told, and I only remembered this last night when talking to Emma; when I first watched Ghost Light, I thought that was the end of the ‘classic’ run. I’d obviously read somewhere that it was the final story to be recorded, and just sort of assumed from there. I think that ended up adding to my general not understanding of that story, because it seemed such an odd note to leave things on! When the time finally came to see this one, there was that lovely final speech, but it still seemed like an odd place to leave the programme - of course, I didn’t know the full behind-the-scenes story at that time, but I’m sure I’ll discuss that more in a few days.

21 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 720: Ghost Light, Episode Three

Dear diary,

Watching this episode today, I’m not sure quite how I was left confused by Ghost Light on my first viewing. It does all make sense… but you have to think about it, because there’s a few key pieces that simply aren’t actually said. I think the only thing I’m not entirely sure about is what ‘Light’ actually is. A god? A living embodiment of light? That’s the one bit left puzzling me, and I may have to do another watch of the story again with this particular question in the front of my mind to try and make a decision on it. Not that it’s any hardship to watch again - I’ve enjoyed these three episodes. I think it is a story which you need to be paying attention to, though, so that’s probably where I went wrong before.

Yesterday, I mused that this felt like the show regaining confidence again after the cancellation in the middle of the decade, and I’ve been thinking a lot about that overnight. I worry that I made it sound there like the programme has all of a sudden managed to pull itself up again suddenly, almost four whole seasons on. No, Doctor Who has been getting its confidence back again for some time now - having really lost it, I think, during Season Twenty-Four - and you only have to look at stories like Remembrance of the Daleks to see a programme every bit as good (and sometimes better than) it was in the 60s, 70s, and early 80s. I think what I mean is simply that Ghost Light is a great example of this; you can really see how well everything has been done, from the writing to the design to the direction. Show this to someone who dismisses the last few years of the programme as rubbish, and they’ll struggle to say it comes off any worse than some other areas of the show’s past. What we’re seeing here is a team working together at the height of their ability, and it’s creating a product which could rival the fabled Hinchcliffe years no trouble. It really is a shame that the seasons are so short in this period - because I’d love to see what they could do with a full twenty-six episode run, especially in regards to Ace’s character story.

The more I thought about this, the more I thought about the programme’s position in general. With Doctor Who up to about the hiatus in the mid-1980s, I can tell you when it was on - if not specifically to the minute, then generally. I know that the first eighteen seasons were on Saturday nights from about 5-ish. Then Peter Davison comes along and it switches to twice-weekly in an early evening mid-week slot, bouncing around the various days over the course of three years. Once Colin Baker takes up residence in the TARDIS, we’re back to Saturday nights, at a slightly later time than before. Fine, that’s all the detail I need to have enough context for the show at those stages. I realised, though, that I didn’t know much about how or when the McCoy era was broadcast. Obviously, I knew that it was pitted against Coronation Street at the time - the ratings giant of British TV - but I realised that I didn’t really know what this meant. A quick look at the recently digitised Radio Times archive tells me that it was a little after 7:30 on a Wednesday evening that the programme aired at this point in its life… which isn’t the slot the programme is being made for at all.

I tried explaining this to a friend this morning, and he couldn’t get his head around what I was trying to say. There’s a high likelihood that I was simply doing an appealing job of making my point, but I’ll try again here. The programme in Seasons Twenty-Five and Twenty-Six doesn’t feel like the type of show you’d sit and watch on a Wednesday evening. The tone is all wrong. Now, I don’t think it’s being made for a Saturday evening, either. To me, it feels more like the type of show you’d air on a Sunday, late afternoon. Is this me just being incredibly strange, or do people know what I mean? Please leave a comment to let me know if I’m mad. I’ve often seen it said that the programme did well to survive for three years, sustaining fairly decent ratings considering that it was up against the big ratings hitter, but I think I’m more impressed that it’s managed to survive in this time slot at all, because it doesn’t feel right for the show in general, and the show at this point isn’t right for it!

20 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 719: Ghost Light, Episode Two

Dear diary,

Going in to this story, I told myself that I’d steer away from the ‘default’ thing to say about it - that the set design is lovely. It’s something that I’ve trotted out time and time again when the programme is visiting a historical location, and it’s a phrase that I’ve found to be most commonly associated with this story in particular. Indeed, on some DVD feature, somewhere (I’m tempted to say that it’s the look at the proposed Season Twenty-Seven on the DVD for Survival), Andrew Cartmel cites this story as one of the reasons that they’d have continued with lots of Earth-based adventures in the future. It’s hard to not mention the look of this story, though, because it really is beautiful. So yes - one last time for the ‘classic’ series - I’m going to point out what a fantastic job the design departments do when asked to realise a period location.

That entrance hall, for example, with the massive stairwell dominating it, is absolutely stunning - it’s by far the best example of this type of set we’ve ever seen in the programme, and we’ve seen our fair share of ‘country’-style houses over the years (largely in the 1970s…). But beyond that, the spaceship in the basement is rather beautifully realised, too, managing to be simple and somehow just as elegant as all the wood paneling and period detail ‘upstairs’. I loved the spaceship set in Battlefield, too, so I’m wondering if perhaps the programme is just really managing to find its feet again in terms of the ‘look’ for the series.

The gorgeous style in Ghost Light isn’t just confined to the sets, either. Going for the Victorian era means that we’ve got the chance for some lovely Victorian costumes, too. The costumes in Doctor Who often tend to get overlooked when I’m discussing these stories - I often praise (or otherwise) the sets, or the guest cast, or the direction, but the costumes tend to go a little bit unloved by me. This story is probably the perfect time to bring them up, and I love the gorgeous dress that Ace is put in for the remainder of the adventure. I think what works about it is not only how much it suits Sophie Aldred, but how unlike Ace it is. As with the period costume in The Curse of Fenric, it’s a completely different style for the character. At the same time, we’re not abandoning Ace’s past for the sake of a pretty costume - she gets to mess around with clothes before the dress arrives, trying to upset the regular Victorian norms in just the way you’d expect from Ace by now.

I also realised that I’ve never really mentioned the Seventh Doctor’s costume, and he’s been in it for a month or so now! I’m something of a fan of his look - though I prefer the darker jacket that we see in this final year - right down to the jumper! Yes, it’s a bit ridiculous for the Doctor to wander around with question marks all over himself, but it’s almost become enough of an icon in itself as to be quite fashionable in some ways! I think I’d wear one were it given to me (though I’m not sure I’d actually go out and buy it for myself…), and Emma has actually asked for one more than once in the past (Christmas is only a few days away, so she might well have a surprise under the tree this year…).

I’ve little else to actually add to this entry in terms of the story itself, because I’m still piecing everything together as the episode plays out. It doesn’t seem to be as complex as I remember it being, which is probably a good thing, and I’m hoping that it all hangs together in the end because I’m still rather enjoying it! There’s a sense that Ghost Light may be a story where - when you understand everything that’s going on - you can just stick on the TV and watch for the sheer brilliance of how everything gels together. This is Doctor Who being made with a confidence that we’ve rarely seen since the hiatus knocked it for six a few seasons ago, and it’s really rather nice…

19 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 718: Ghost Light, Episode One

Dear diary,

Ghost Light has something of a reputation for being the most confusing Doctor Who story ever made. I’ve only seen it the once before, and I have to confess that - yes - I was left confused by it. I think it was largely because when I saw it for the first time, I didn’t realise that there were any three-part stories, and so I wondered where the rest of it was on the DVD, and also because I was watching with a friend who really didn’t ‘get’ Doctor Who at all, so I was having to answer lots of his questions about all manner of other things, which probably distracted my attention during a few crucial moments. The sad thing is, though, that it means my memories of the story are tainted, and I’ve never had a desire to watch it again because my mind automatically associates it with being confusing and not one I particularly enjoy. I understand the concepts at the heart of the story, though, so I’m hoping that I’ll be better poised to go along with it this time around…

I’m certainly finding it easier to follow today, but then this first episode is largely about setting up the mysteries and introducing us to all the various characters for the rest of the story. All the same, I think it’s the type of tale which benefits from a second viewing, because I’m watching today largely aware of who everyone is, which means that I can focus more energy into enjoying the rest of the episode. There’s still one or two questions hovering around my head, but I’ll hold off on them for now and see if they’re dealt with in the upcoming episodes.

Something that I’m really revelling in throughout this episode is the Doctor’s Dialogue.. Three of my favourite pieces of Seventh Doctor dialogue all come from this episode (I knew they were all in this story, but didn’t realise that they came so close together); namely, the description of why someone might not like him, the list of things that he despises, and of course;


We all have a universe of our own terrors to face.

In much the same way that Pertwee’s Doctor got the speech about courage, this is another one of those lines which so completely sums up the Doctor, and I’m surprised that I don’t hear it quoted in fandom more often.

I’m also surprised to find just how much this story is about the Doctor pushing Ace to confront her fears. I’ve mentioned in the past that the line between what actually gets stated (or strongly implied) on screen, and what was added to their relationship later on in the novels and within fandom, has often been a little blurry for me. In the past, I’ve always assumed that the Doctor had brought Ace to this house simply to confront her demons, and that we’d retroactively made it part of his ‘tests’ for her. Actually, though, it’s explicitly laid out as a kind of ‘initiation test’ for Ace, and I think I rather like that. It feels again - and I’m well aware that I’m saying this about once a week at the moment - like the relationship between the Doctor and Ace has moved on once more, and I really can’t help but feel that the time between adventures is much longer for this pair than perhaps any other in there programme’s history. I don’t know what kind of time frame I’d put on this one, but it doesn’t feel like the events of Battlefield were recent - something about their relationship just feels so much different here.

It’s definitely the harshest that we’ve ever seen the Doctor be towards Ace, and the discussion they share towards the end of the episode about her history with this house is a lovely chance for a great Doctor/Companion pairing to shine opposite each other. It’s an idea that’s always fascinated me - that Ace knows this house in 1983, long after its prime, and yet she’s been taken back in time now to become an intrinsic part of the building’s story a hundred years earlier, and tied in to the ‘evil’ that she felt there before. I’ve always loved the idea that building’s can have such long lives, and can experience so much over the years, and seeing images of old buildings in years gone by is the kind of thing which fascinates me. I know the lines get a little blurred later on in the story with some sirens, but it’s almost a shame that we don’t get to see this house in the dilapidated state that Ace did, because it’s exactly the kind of thing that would set my imagination on fire.

That said, the descriptions we’re getting of the place so far are lovely, and a great chance for Sophie Aldred to show us her acting skills. Ace has been with us for a while now, and while I’ve praised the way that the character works with the Doctor, I don’t think I’ve ever really made mention of Aldred herself. I think it’s to her testament that I was so able to buy her as a sixteen-year-old in Dragonfire, and yet feel as though I’ve watched her grow up as the stories have rolled by. She’s giving a lot of thought to the way that Ace works, and I think she’s largely been well-served by a production team who are paying more attention to the way the companion’s story is told than at any point in the last decade. It’s so nice (and also a massive shame) to see the programme going out with such a strong team, both in front of and behind the cameras, and Aldred is a massive part of that. 

18 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 717: Battlefield, Episode Four

Dear diary,

I’ve decided that in my own ‘head canon’, it’s the Eleventh Doctor who gets caught up in all the events over in Morgaine’s dimension, and has the adventures as ‘Merlin’. This episode, with the note left to the earlier Doctor, managed to feel again like a Steven Moffat idea, so it seems quite fitting that one of his Doctor’s should be worked in somewhere. Plus, there’s a sense of fun about this story which I think the Eleventh Doctor could fit in to quite well!

I’ve continued to enjoy this one, and it really is much to my surprise. I wasn’t expecting to outright hate Battlefield, but I certainly thought that it would come out as the weakest part of this season. I’m really pleased that one final time before the ‘classic’ series is out, it can manage to surprise me in this way, because it’s times like this that doing the marathon of every episode in order really comes in to its own. I’ll be looking back on Battlefield as one of my favourites, which isn’t a title that I’d have given it even a few days ago!

You can’t talk about this story without mentioning the fact that it was to originally feature the Brigadier’s death - giving his life to defeat the Destroyer. I’ve never been sure if I like the idea or not. On the one hand, I’m keen on the Brigadier being given a final send off in that way, but on the other, I like that he can return home again at the end of the adventure, and that he can go on to have a few more adventures before he finally does meet his demise. There’s something really wonderful about the way that he takes charge of the situation here, by knocking out the Doctor and putting his own life on the line. It’s just so perfectly true to their relationship that we’ve watched grow over the years, and its one of the Brigadier’s finest hours.

On the subject of which, I think that the Destroyer may be the ‘classic’ run’s finest hour when it comes to prosthetic monster costumes. Let’s be honest - it’s a gorgeous design (in a sort of hideous way…), and it’s been realised so well. Certainly, it makes some of the other creatures we’ve had over the years look especially poor! I touched on this subject briefly during The Curse of Fenric while heaping some praise on to the Haemovores, too, but even then I’d forgotten just how well done this creature was. I’d never even noticed the way that he drools while breaking free of his chains, and it’s a pity that the creature isn’t on display anywhere - does anyone know if it still survives somewhere?

I’ve got so many other notes about things I could say in regards to this story, but I don’t want to bring up every little thing that I’ve written down and not mentioned in the last few days, so I’ll just focus quickly on the big one that I’ve been writing down over and over without finding a chance to bring it up in one of these entries. The design of the spaceship - both in terms of the model exterior, and the full-scale interior - is fantastic, and it look rather good whenever we get a good look at it. I don’t really have anything else to add on that point, but I wanted to mention it somewhere before I move on to the next tale!

17 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 716: Battlefield, Episode Three

Dear diary,

I really do love it when a story comes along that I’m not really expecting a great deal from, and then I end up absolutely loving it. Battlefield is one of those stories. As the closing credits kicked in on today’s episode, I declared to the empty room that this is brilliant, and that I’m really - really - liking it. Oh, I’ve still not really forgiven that nonsense in the first episode about no one having the faintest clue about the Doctor, and opening the season with a shot of a garden centre is unforgivable (even if that wasn’t the original plan), but there’s an awful lot to enjoy about this one.

And I keep coming back to the fact that I know I’d have loved this as a kid. The more the story goes on, the more I’m watching it with the mind of an excited child as opposed to a ‘grown up’ fan. During the first episode, I thought that Bambera was rubbish - with far too much comedy for the character she’s supposed to be. Now, though, I’m actively embracing the comedy, and it’s a shame that we only ever get to see her this once! I’ve often mourned the lack of a consistent ‘UNIT family’ outside of the Pertwee years (which is why occasional returns for characters such as Magambo between Turn Left and Planet of the Dead, or the team headed up by Kate Stewart in the more recent episodes really appeal to me), and I’d quite like to see how one would have been handled in the early 1990s, with Bambera as the head of the organisation, and our faithful Lethbridge-Stewart cropping up from time-to-time to lend a hand.

Oh, and I have to mention him here, don’t I? There’s something quite bold about not having the Doctor and the Brigadier meet until this third episode, but the actual greeting is rather well handled when it does arrive; ‘who else would it be’ is absolutely perfect for the Brig we know and love. He settles in with the Seventh Doctor pretty much instantly, and they continued to amuse me as a pairing throughout the rest of the episode. I commented the other day about the programme bringing back as many of its icons as possible before the end, but I’m terribly glad that they got the Brig back for this one - his final appearance in Doctor Who proper (he’ll be cropping up for Dimensions in Time in a couple of weeks, and then for a Sarah Jane Adventures story later on, which I’ll certainly be watching, even if I don’t write about it in the Diary).

While we’re on the subject of bringing back old companions, I’d better make mention of Jean Marsh, too. In the special features on this DVD, Jean goes into quite a lot of depth about the way that she saw her character, and how she chose to play it based on the material she was given… you sort of get the impression that she’s giving it quite a lot more thought than perhaps anyone else. That said, I’m glad I listened to her opinions on the part last night, because it means I’ve been watching her performance in today’s episode with a slightly different view. She really is giving all she can to the character, and it’s coming off the better for it. Marsh talks at some length about the way that she thinks nothing of killing someone, but then restores the sight of a blind woman, and it’s really beautifully done in this episode; I’d sort of forgotten just how close together the two acts are, as part of the same scene.

Not all the credit can be given over to Ms Marsh, though, because a lot needs to be laid at the door of Ben Aaronovitch, who’s back on writing duties this time around. I was very impressed with his script for Remembrance of the Daleks last season, and he’s managed to bring the same skill in to this story. He’s managed to balance the comedy and the drama particularly well, and once again slipped in several continuity references to the past without them feeling overbearing or shoehorned in. It’s a pity that this is the last script we’ll be seeing from him in the programme - I’d have loved to see what he’d do in the early days of the 21st century series.

One final thing to bring up - Sylvester McCoy. During The Happiness Patrol last week, I seemed almost surprised by the fact that he was rather good in the part - having been so unsure about him during those first few stories. The one thing that’s always troubled me about McCoy’s performance, though, is when he’s asked to do something big, and angry. There’s a few sequences that stand out in my mind (notably from Survival), which I recall as not being very good, because he simply couldn’t handle such ‘big’ moments. But then you’ve got this episode, in which he runs in to the middle of a battlefield and bellows at the combatants… and it’s wonderful. It’s one of his greatest moments as the Doctor, and it’s really won me round on his ‘angry’ acting. I’m just hoping now that I’m mis-remembering the scenes from Survival, and they they won’t be tainting this one in the near future… 

16 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 715: Battlefield, Episode Two

Dear diary,

I’m almost surprising myself when I say that this one is really good! Yesterday, I mentioned that Battlefield didn’t have the strongest reputation behind it, and I’d sort of resigned myself to thinking that it would probably be the weak link in Season Twenty-Six, but actually, I’m really caught up in things, and I’m really enjoying it!

In many ways, this feels a lot like a Matt Smith episode. There’s strange goings on with time, with the suggestion that a large chunk of the guest cast have encountered the Doctor at a point later in his time stream than he is currently, a lot of bluster on the part of the Doctor as he tries to remain in charge while piecing everything together, and lots of little moments that wouldn’t feel at all out of place in a more recent Steven Moffat episode. The Doctor looking down at the mysterious inscription in the ground and commenting that it says ‘dig hole here’ in his own handwriting elicited a huge laugh from me, and I love him working out how to open a door inside the space ship simply by barking ‘open up, it’s me’. It’s giving McCoy a chance to flex his more ‘entertainment’ muscles again, too, which is always fun.

Even the mythologising of the Doctor that we get in this story seems to fit better with the depiction of the Doctor in the 21st century version of the programme. Oh, sure, there’s been elements of it right the way through the programme, going right back to almost the very beginning, but there’s some lovely descriptions of the Doctor here - that he ‘rides the ship of time’ and that he has ‘worn many faces’ - which would sit right at home in the modern programme, and are really rather lovely. It often gets said that the McCoy years are very much a basis that the 2005 rival picks up from, and I’m seeing that more and more as the episodes roll by. Add in the on-going character arcs for Ace and the Doctor, the relationships with the companions’ family (this was perhaps more prevalent with Tegan, but there a new relative just popped up when they needed to put someone in danger), and the fact that the programme has become far more Earth-centric in this final season - there’s a solitary alien world in Survival, but even that’s tied to Perivale - I can really see where the comparisons come from.

Aside from all of that, there’s also the sheer fun of the idea at the heart of this one. It’s Doctor Who does the Arthurian legends… and being Doctor Who, they can’t just go for setting it in a time of myths and magic, but they instead make the knights dimension-hopping soldiers who’ve been caught up in a time-travel based plot with a future version of the Doctor, and they pit them against UNIT. I mean, come on, that’s a brilliant Idea, and it really is something I’d have loved as a kid. I was so completely in to castles and knights, and wizards… give them laser guns and point them towards a nuclear convoy, and it only gets better!

15 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 714: Battlefield, Episode One

Dear diary,

I’ve never noticed before just how neatly the final two seasons of the ‘classic’ run bring back all of the programme’s icons for one last outing before the end. Of course, the Daleks and the Cybermen turn up in Season Twenty-Five (they had to, somewhere in this era), but then you’ve got the return of the Brigadier here for the first time since The Five Doctors, UNIT back for the first time - really - since The Seeds of Doom, even Bessie is back out of mothballs, and the Master will put in an appearance before the year is out, having become such a regular part of the show for a few seasons before taking some time out.

Sadly, the appearance of Nicholas Courtney here as the Brigadier doesn’t quite have the same impact it did when he turned up in Mawdryn Undead, and it may all be down to the way that he’s introduced to us. In that story, we’ve watched two boys crash an antique car, and witnessed deals with the ‘devil’ before a figure turns around and it’s the Brigadier that we’ve not seen for ages. This time around we meet him - indeed, we join the entire story - in a garden centre. Where we then get some quite forced in dialogue to remind us who he is. Oh dear. I think the fact that the seasons have been so short lately means that even though it’s been six years since we last saw him (in The Five Doctors), it’s not been all that long for me. Between Terror of the Zygons and Mawdryn Undead, there were loads of adventures for the Doctor and his companions. This time around, it just doesn’t feel like that long since the Brig was last in the show (it’s not that long - he was in Silver Nemesis last season!)

I’ve also got major issues with the way that the Doctor is being dealt with here, which I’ve never actually noticed before. When he arrives at UNIT early on, Brigadier Bambara doesn’t have a clue who he is (even allowing for the change of face), and has to be told by one of her officers who served under Lethbridge-Stewart (when he was about eight years old, by the look of him!) that there was a man called the Doctor, who had occasionally changed his face. He goes on to say that the rumour was that he changed everything about himself, as if he’s not entirely sure. I can almost buy that the Doctor’s involvement with UNIT is so top secret that he’s effectively been struck from the official records, and the cases that relate to him have been conveniently ‘lost’, perhaps, so Bambera - even as head of UNIT in the UK - may not know all the precise details about him… but if there’s people still serving with UNIT at this point who were around when the Doctor was, then surely she’d have at least heard of him? A scientific adviser who used to work for them, was friends (sometimes) with their head of operations, and changed appearance from time to time? Even if the official story is that different people took over the role under the codename of ‘the Doctor’, there’s clearly rumours about this shape-shifting scientific advisor - because Zbrigniev knows about it! Can you tell, this wound me up a little while watching…

Oh, but it’s nothing compared to a few scenes later, when Geneva phones for the Brigadier. There’s something quite lovely about the idea that the Brig doesn’t care who it is on the phone, he’s retired and he’s doing his gardening. There’s also something really lovely about the fact that as soon as the Doctor is mentioned, he’ll drop everything to be there. It’s a beautiful kind of loyalty to the man, and it works really nicely. But then the Brigadier’s wife has to ask who the Doctor is?!?! I’ll accept that they’ve possibly not been married for long - although Doris was mentioned back in the day, she certainly didn’t seem to be on the scene when we last caught up with the Brigadier in 1983 (and I’m sure I’ll need to touch on the dating of this story at some point in the next couple of days…) - but good grief! She knows about his soldier days to some extent, because she brings it up at the garden centre, and the Brig can make a joke about Sergeant Benton, and yet he’s never told her about the Doctor? Really?

I’m willing to suspend my belief pretty far when watching Doctor Who - it’s a programme about an alien who travels through time in a phone box, after all - but this pushes me just that bit too far. It doesn’t feel consistent within the show’s own continuity that the Brigadier wouldn’t have brought this man up at all over the years, considering how close they were during lots of the Pertwee era, and it feels wrong that UNIT don’t even remember who he is, either. It’s convenient for story reasons, to build up a little bit of mystery around the character, which fits in well with the themes of the programme at the moment, but it took me right out of the narrative on more than one occasion.

All that said, I’ve still somehow managed to rather enjoy this one. Battlefield is a story I first watched on VHS years ago, and I don’t really have any strong feelings one way or the other about it. Over the years, it’s managed to build up a bit of a poor reputation, but I don’t particularly recall not liking it. I’m sure I’ll be going in to more detail over the next few days about where things work for me, but I’m hoping that now everyone’s up to speed with who the Doctor is, I can stop worrying a bit, and just enjoy the action… 

14 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 713: The Curse of Fenric, Episode Four

Dear diary,

The cliffhanger to yesterday’s episode, leading in to this one, must surely rank among the very best that the programme has ever done? It’s so firmly embedded on to my mind that I can’t help but quote along as it plays out - right down the the intonation of each word. It’s also quite telling that the use of the words ‘Time Lord’ here carry real impact. We’re in a period of the show where there’ve been several references to the Time Lords and Gallifrey quite vital to the stories (Remembrance of the Daleks and Silver Nemesis both go so far as to namecheck Rassilon and Omega, while inventing new parts of the Gallifreyan mythos), and yet somehow, the whole concept of the Time lords feels more distant than at any time since - quite possibly - the 1960s.

By the time Pertwee’s Doctor arrives on the scene, the Time Lords are always sending him off on missions, and they begin to lose some of their grandeur. Once you’re into the late 1970s, you’ve got the likes of The Deadly Assassin letting us actively in to their world, and then The Invasion of Time littering it with cheap plastic furniture. I’ve mentioned enough times in the last six months how much I dislike the 1980s version of the society, with its marble effect and pastel colours, but suddenly here it’s become something rather special again.

Our last actual contact with another Time Lord was the Rani at the start of Season Twenty-Four (and it’s strange how long ago that feels now - the programme really does evolve in to a different beast in these final two years), and then the season before that was littered with Time Lords, but we never get to visit Gallifrey because it’s in political turmoil. Suddenly, the idea that this entity knows that the Doctor is a Time Lord and can make the word sound so sinister - in a story where you’re so not expecting to hear it - is wonderful, and it might just be my favourite part of the entire story. I can wholeheartedly guarantee that I’ll have watched the closing moments of Episode Three several times over before I next watch The Curse of Fenric in its entirety.

Add to all this the fact that Fenric is really rather good, thank you very much. I love it when villains in Doctor Who are given a vein of comedy, and Dinsdale Landen plays the possessed Judson so perfectly. He manages to make the performance camp, but without pushing it too far. I love the way he reacts to the Ancient One not being around ready for his revival, and I’ve more than once used the line ‘don’t interrupt me when I’m eulogising’. Frankly, I find excuses to slip it in to my day-to-day life. I think the only issue that I have with Fenric is that he’s defeated very easily, isn’t he? We’ve had three episodes building up to his release, with the stakes (and the stress) growing steadily across those episodes. We then find out that he’s been manipulating other recent events in the Doctor’s life - citing the chess set in Lady Peinforte’s study and Ace’s arrival on Ice World as examples. He’s supposedly this great cosmic force, evil since the dawn of time… and yet he struggles very much with a chess problem until Ace gives him the answer, then he grandstands for a bit before being wiped out with a deadly poison. It feels as though he should be a bit more of a problem to dispose of…

Which brings up a point that I’ve been musing a bit in the last couple of weeks. As I’m making my way through the McCoy years, I’m becoming ever more determined to listen to all of the Seventh Doctor’s audio adventures. Don’t worry - I’m not suddenly going to be dropping them in to this marathon and extending it out by another year, but I’m certainly more eager than ever before to hear them all. I’ve dipped in and out of them from time to time, but I’d love to follow the continuing story, because it very much builds on what we see on screen in this period of the programme. I know, for example, that Fenric shows up again at one stage, and I’ve head an episode in which the Doctor and Ace manage to check in on little Audrey; there’s something very appealing about the idea of hearing this story continue to play out, and I think it’s probably going to be my next ‘marathon’ undertaking once this whole watch-through is over in a few months.

13 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 712: The Curse of Fenric, Episode Three

Dear diary,

Once upon a time, when I was living in my flat in Norwich, I used to have a shelf of Doctor Who action figures up in the living room. Each Doctor - from Hartnell to Smith at the time - was accompanied by an enemy from their era. Hartnell had a Dalek, Troughton had an *Invasion*-style Cyberman, Pertwee had a Sea Devil (and/or the Master, depending on my mood), Tom Baker had the K1 Robot, Davison had the Ainley Master (or, as Nick likes to point out, Kameleon), Colin Baker had an Earthshock-era Cyberman, and McCoy had two Haemovores. Now, Character Options have never produced any Haemovore figures, but I had a friend who made some really great custom models to suit the range, and when I saw that he was selling off a few of the vampiric creatures, I leapt at the chance to own them. Specifically, it was the couple that we see peering round the tombstone here - presumably the Sundviks? 

I love the design of the Haemovores, and I really think that they’re a great example of just how brilliant the monster design is in this season. In the next story we’ve got the Destroyer coming up - which is another fab design that I’m surprised hasn’t yet been immortalised in action figure form - but the Haemovores really made an impact on me early into my journey to becoming a *Doctor Who* fan. Regular readers will no doubt be surprised that they were etched on the my mind while reading Doctor Who: The Legend, and every time I come back to this story, I’m a little bit delighted to find that I’m loving the look all over again. That we get to see them besieging the church is just a bonus, really!

Over the last couple of days, I’ve been complaining that even though I knew where The Curse of Fenric was heading, it had completely lost me along the way. There’s been so much going on in this story, and it was all happening so quickly, that I’d completely failed to keep up with everything. Suddenly, today, I’ve realised why I’ve struggled so much - you’re not really supposed to understand what’s happening here. All the stuff with the Russians, and the vampires, and the evil fog… that’s all just to keep you interested and watching for two-and-a-half episodes, before you’re suddenly given some information about what’s happening at the same time as Ace. Quite how I’d managed to forget this beautiful exchange is beyond me;


You know what's going on, don't you? 




You always know. You just can't be bothered to tell anyone. It's like it's some kind of game, and only you know the rules. You knew all about that inscription being a computer programme, but you didn't tell me. You know all about that old bottle, and you're not telling me. Am I so stupid? 


No, that's not it. 


Why then? I want to know. 


Evil. Evil since the dawn of time. 


What do you mean? 


Will you stop asking me these questions? 


Tell me!

It’s the kind of scene that we’ve been needing to build towards for some time now with this pair - Ace has been caught up in the Doctor’s schemes since her second story, and while that’s not all that long ago at a time when the seasons are so short, it’s felt like a real through-arc building up to this. It’s taking that final scene from Silver Nemesis, and building on it before we move on to Ghost Light and seeing the Doctor push his companion into ever darker places.

And it’s something I’ve mentioned before, but you really do get the sense that Ace is growing up during her adventures. I’ve said elsewhere that I’d happily believe the pair of them have spent around two years beetling around the galaxies by this point, and I think all of Ace’s comments here in regards to not being a little girl any more and starting to change her mind about marriage and her future would certainly fit her at about eighteen years old. Yes, we all cringe a little bit during that flirting scene (‘faster than the second hands on a watch?’), but it’s another part of Ace’s evolution that feels right to be shown.

12 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 711: The Curse of Fenric, Episode Two

Dear diary,

I don’t know what’s wrong with me this week, but I’m completely lost with this story! I mean… I know where it’s all building, as I said yesterday, and I’m enjoying it on the whole… but I’m struggling to keep up with it! Everything is moving very fast, with characters darting from one location to another, sometimes only remaining there for the duration of a very brief scene, before heading off to the next place. The Doctor is especially bad as a culprit of this, and I’ve very quickly lost track of everything. Is it just me? It’s not a particularly complex story, but it’s at a pace I’m simply not used to seeing from Doctor Who!

Still, as I’ve said, I’m enjoying the story irregardless of my ability to follow it. There’s just so much atmosphere to The Curse of Fenric, isn’t there? Something about the way the mist rolls in while Phyliss and Jean go for their swim sums up the entire story so perfectly, and it’s the first time in a while that I’ve been able to claim that it’s the kind of thing that would have taken a hold of my imagination as a child and hooked me right in to the programme. It continues to get better from there - when we next see them, having ended their previous scene on a shot of the empty water, it takes a moment to really register what’s happened. Have they been zombified? Are they simply okay? It’s not for a good few seconds that it hits you that their fingers and nails have grown long and spindly, and that they’re pale and drained of blood. They then tempt the Russian soldier in to the water, and watch on as the hands emerge from the water to drag him down. Later on in the episode, when those same creatures come marching from the sea, I always remember a note in the About Time books that makes reference to the fact that this is the late-1980s version of ‘monster emerges from water’, citing Full Circle’ and ‘The Sea Devils’ as earlier examples in the programme. It’s *such a great shot, though, isn’t it? And I think this may be the best example of it yet.

The thing I’m enjoying most about this episode has nothing to do with the effects or the eerie atmosphere, but is relevant to something I read recently. During Series Eight, I read a comment online regarding Frank Skinner’s appearance in Mummy on the Orient Express. Someone complained that it was ‘pushing stunt-casting to the same levels we got under John Nathan-Turner’, and suggested that it was bad for the show, citing ‘Beryl Reid, Ken Dodd, Nicholas Parsons, and Hale & Pace’ as examples. Now, I spoke about Beryl Reid’s casting during Earthshock and concluded that actually she probably wan’t quite right for the role. I also discussed Ken Dodd during Delta and the Bannermen, and decided that he was absolutely perfect for the part - and looking back he’s probably my favourite thing about that entire season; I still love the way he’s shot in the back as he tries to get away!

But I sincerely doubt I’m alone in saying that Nicholas Parsons in this story completely justifies the practice of casting well known ‘names’ for the show. He’s most well known for hosting Sale of the Century or for charing Just a Minute, and that’s often brought up when people take a pot shot at him taking on a dramatic role in this story, but he’s frankly wonderful as the vicar here. His performance is honestly one of the best that a guest actor has ever given to the programme, and I could quite happily spend time just watching him. I’ll admit that it doesn’t always work - again, Beryl Reid, I’m looking at you - but surely this is the ultimate example that just because you cast someone who’s mostly known for ‘light entertainment’, it doesn’t mean that they’re not right for Doctor Who, also?

11 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 710: The Curse of Fenric, Episode One

Dear diary,

Just as a recap to those of you who may not have been keeping up with the Diary over the last few weeks - I’m watching lots of Seasons Twenty-Five and Twenty-Six out of broadcast order because… well, because they work a bit better being watched in the order that they were intended to be seen in! I’m also going all out with The Curse of Fenric, and watching the Special Edition on the DVD, though I’m still breaking it down into individual days, just pausing the DVD at the appropriate cliffhanger points. I can’t tell you how tempting it was today just to carry on and watch it as a movie-length version, though! I think this story may have been the first McCoy tale that I ever saw, and there’s certainly a fair bit that I like about it…

Perhaps largely, it’s the relationship between the Doctor and Ace. It’s something I’ve been touching on for a while now, but they really do gel together as a team in a way that other Doctors and companions haven’t since about the time Romana was on the show. Don’t get me wrong - Davison worked very well with Tegan, and Colin Baker went well with Peri (even when they were arguing, in an odd sort of way) - but McCoy and Ace just fit, don’t they? I speculated during Remembrance of the Daleks that up to six months may have passed for the pair between their first meeting and the events of that story, and by the end of last season I’d decided that they’d already spent a year together. I think I’m willing to take another big leap here and say that we might well be coming up on the two-year mark. Something about the fact that the seasons are so short in this period (over in a fortnight!) makes it feel automatically as though there must be a lot of off-screen adventures happening somewhere, and the relationship between our leads just fits that idea beautifully.

I’m finding this episode a bit strange to come to now, because it’s a story that I’m so familiar with. I know that the Doctor will go on to battle with Fenric by the end, and that Ace is a pawn in this game, and yet this first episode doesn’t really give you many clues as to what’s going on. The Doctor has obviously come here with a distinct purpose (Ace is even dressed for the period when they arrive), and then he spends the episode running from location to location, but he seems to switch between knowing what’s going on, to not having a clue. I think I’m right in saying that he’s worked out that Fenric is involved somewhere (or, at the very least, he’s almost entirely certain that it must be him), but that he’s not entirely sure how everything factors in to Fenric’s plan? Or is he looking in to all of these things to confirm his theories about what’s happening? The problem is that because I’ve become so used to looking at this story as part of the ‘bigger picture’ within the era, it’s suddenly throwing me to be watching it properly again - it’s been a good few years!

From tomorrow’s instalment, I’m going to try and block all of that out of my mind, and just go along with the story. Certainly I’ve enjoyed today’s episode, but perhaps not as much as I was expecting to because there’s so much back and forth trying to get everything in to place so that the story can progress. It’s one of those occasions when knowing too much can have a detrimental effect - but I’m also quite keen on the idea of watching this story again in the very near future, once I’ve regained a better grounding of how the story works in itself, as opposed to being part of the overall story.

10 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 706: Silver Nemesis, Episode Three

Dear diary,

Right then, you might want to hold on to something, because I’m about to bang on about the Time War again. My friend Alex loves the Seventh Doctor. I mean, really loves him. His first exposure to the programme was through watching this era as a kid, and in the 1990s, it was picking up the spar odic McCoy-era video tapes that really kicked off his enthusiasm for the programme. Oddly enough, the last Seventh Doctor story that either of us saw is the one I’ll be starting tomorrow - The Happiness Patrol. He’d purposely put off watching it for years because he liked there being a little bit of the Seventh Doctor out there somewhere that he had yet to experience. Anyway, I’ve known Alex for years and years now. We used to work together, we even lived together for a while, and earlier this year I made the trek home from Cardiff to be at his wedding. In all that time, we’ve discussed a lot of things about Doctor Who, and one of my favourite things that we do is theorise. I don’t really do it as much with any of my other friends, but with Alex, we go over all the little details to build up our own head canon on any trivial point that we care to think of. The big one, and the one that’s relevant for today’s episode, is our theory on the Time War.

Back when we first met, we didn’t actually know an awful lot about the Time War. It was this vast and mythical event which took place at some point between the TV Movie and Rose. It had wiped out all but one Time Lord, and almost all of the Daleks. It had raged for millennia in various forms, and occasionally the Doctor would throw in a reference to some event that he witnessed in the war. As the seasons rolled by, we slowly got drip-fed more and more information about that time, and Alex built up a fairly intricate theory about the war, which I’ve always rather liked, and which largely fits with what we’ve seen on screen since - or, rather, it does with a bit of squinting.

The general gist of it for the purposes of this entry are that the Seventh Doctor knew the Time War was coming (he was the one who fired the first real blow in Remembrance of the Daleks, after all, having kicked things off way back in Genesis), and that what we see on screen between Seasons Twenty-Four and Twenty-Six is him preparing the battlefield. He wipes out Skaro - a seat of power which could easily be used to unify the scattered Dalek forces. He takes out the Cyberfleet here, so that they won’t be in the way while the battle is raging, and they’re one less destruction. I’m sure in the books there’s another similar incident which Alex had built in to his theory (and I’ve always loved one of Jamie Lenman's fab Doctor Whoa cartoons from Doctor Who Magazine, in which the Doctor is trying to offer the Ice Warriors an ancient Gallifreyan weapon). Then there’s the whole oft-stated plan that Season Twenty-Seven would have seen the Doctor pack Ace off to the Academy on Gallifrey. We theorised that he’d be doing this specifically to shake them up a bit, provide a kick up the arse, and get them out of their stuffy ‘observers’ role that many Time Lords have been stuck in for centuries.

Why would it be the Seventh Doctor doing this? Two reasons - firstly, the war could kick off at any point once he’d made that shot at Skaro, and secondly because he knew that his next incarnation wouldn’t be up to the job. When Night of the Doctor came along and the Eighth Doctor was presented as a conscientious objector to the war, it fitted the theory perfectly - and it meant that we felt even more sure about it being the Eighth incarnation who tried to save Davros from the ‘jaws of the Nightmare Child’*, because while the Seventh Doctor had gone around the universe wiping out all these old foes in an attempt to ‘clear the stage’ for the war, the Eighth Doctor was desperately trying to cling on to anything that made him still ‘the Doctor’, and knowing that Davros was out there somewhere plotting a new ridiculous scheme is part of that.

The bit that I most enjoyed about the theory is that it all works very nicely with the Doctor’s words in this episode - when he’s talking to the Nemisis statue about the future;


You might need me in the future, then?


I hope not.


That is what you said before.

In Alex’s theory, the Doctor hoped not to need the Validium any more, because he was hoping to find a way of averting the war.

Watching this story again now, there’s a few more ideas that crop up which I’m sure I’ll want to incorporate in to the theory, in light of the events of last year’s anniversary special. I’ve not quite got them worked out in my mind yet, but I love that Lady Peinforte knows who the Doctor is because the Nemesis told her - and in my head the Nemesis is such a complex construct that it can easily see all possible futures, but knows that the Doctor is the man who will one day use ‘the Moment’. Greater than the Hand of Omega, or the Validium, that’s the one weapon that should never be used. I love the thought that when Peinforte is saying that she knows who the Doctor truly is, it’s because she knows he’s the man who will destroy his own people and live to tell the tale.

I’m sure you don’t particularly care about all these Time War theories I keep throwing out there, trying to retroactively shoehorn modern continuity into the older stories, but it keeps me interested, and otherwise you’d have had a day of ‘there’s a lot to like again here, but also a fair bit of padding’…

*Incidentally, in Alex’s visions of the war, the ‘Nightmare Child’ is actually a Time Lord battleship made of pure Validium, and piloted by none other than Ace!

9 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 708: Silver Nemesis, Episode Two

Dear diary,

Somehow - even though we’ve hit the phase of the programme where three-part stories, a format that I’ve been extolling as the best possible for ‘classic’ Doctor Who since pretty much the start of this marathon, have become common place - this story still manages to feel a bit padded out! Today opens very well, with an all out battle between the Cybermen, the Nazis, Lady Peinforte, and with the Doctor and Ace caught in the middle. There’s plenty going on, and if there’s one thing that Silver Nemesis is very good at, it’s the explosions. It’s all go for this battle, and it looks great. But then, once the fighting is at an end, everyone just sort of wanders off in their own separate directions.

The Doctor and Ace at least have a certain kind of logic to their actions - they steal the bow, take the TARDIS out of the way (as the Eleventh Doctor says in The Bells of Saint John, he doesn’t want to take the ship in to battle), and then set about tracking down the statue on foot. Fine, I’ll go along with that. The Cybermen, too, have a certain logic to their movements. They head off with the statue to take refuge in Lady Peinforte’s tomb, reasoning that she will go crazy when presented with her own death. I can sort of see their thinking there, but surely if she’s a foe powerful enough for the Cybermen to know about, then they should also be aware that she’ll not be overly bothered by the sift of the tomb. Still, I’ll nod along, because they’re at least doing something meaningful. The Nazis, on the other hand, seem to just wander off to the Safari Park. Genuinely, when the Cybermen’s ship gets blown up, we see the reaction of De Flores and he just happens to be stood around, without any purpose. They haven’t thought of using their bit of Validium to track down the rest (probably for the best, since the Doctor’s stolen it without them noticing), but have just taken a stroll. Speaking of which, you’ve then got Lady Peinforte and Richard, who wander down the high street and get caught up in a little side plot with some skinheads.

There just doesn’t seem to be any real sense of urgency to the proceedings here. The Doctor is written as though he’s desperately trying to catch up with events that have started to spiral out of his control, but then we get scenes of him laying in the grass with Ace as they listen to Jazz (it doesn’t matter that said Jazz is being used to block signals from the Cyberfleet - that could be done on the move, too), or lounging around on top of fallen trees while he has a think about what’s going on. He then seems surprised by the sudden realisation that there’s an entire fleet of Cybermen out there, when the implication up to even a few seconds before the revelation is that he knows this!

Oh, but there’s a lot to enjoy about this episode, too, when it’s actually going somewhere. I love the Doctor’s discussion with Ace about the nature of the Validium - and I’m especially keen on the way that it takes the similar conversation from Remembrance of the Daleks and manages to move it on a bit. In that story, the Doctor made a slight slip up, possibly revealing too much. Here, Ace is actively digging for the information;


Validium was created as the ultimate defence for Gallifrey, back in early times.


Created by Omega?










And none of it should have left Gallifrey. But, as always with these things, some of it did.

I know there’s even more padding to come in the next episode, with the arrival of Mrs Remington, so I’m hoping that the nice mythic bits of the story outweigh the filler elements that are currently threatening to dominate…

8 December 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 707: Silver Nemesis, Episode One

Dear diary,

Silver Nemesis is something of a black sheep in Season Twenty-Five, isn’t it? Among out-and-out classics like Remembrance of the Daleks, and stories that have gone on to be re-evaluated as the years have gone by, this one has always been seen as the eek link in this run of episodes. And yet, I’ve never been able to do anything but love it.

Oh, I mean, come on! Imagine how exciting this story sounded to me when I was first learning about it! Not only is it my favourite monsters, but it’s also the official anniversary story, there’s a witch, some Nazis, the Doctor working on another plan involving an ancient Gallifreyan relic… it just sounds really exciting! All that said, there is a lot crammed in to these first 24-or-so minutes. You’re almost left a bit confused because you go so quickly through events - there’s a comet approaching the Earth, this woman is trying to get to the future, the Forth Reich is being born, the Doctor and Ace are enjoying a jazz concert, then they’re under attack from gunmen, then they’re at Windsor castle, then they’re at the witch woman’s house, then they’re back at Windsor castle… it just never lets up!

Somehow, though, there’s quite a leisurely pace to the proceedings. We’re given a chance to watch the Doctor and Ace enjoy themselves at the concert (again, this pair just look so comfortable together doing this. It’s rare that we get to see a TARDIS team simply enjoying their travels in this way. I said during Remembrance of the Daleks that I thought maybe six months had already passed for the pair since they departed together in Dragonfire, and I think I’m willing to say that another six months could have passed before this point - we’re a far cry from the Peter Davison years, when every story very rigidly led us in to the next…). It’s perhaps because so much time is given over to savouring things like this that it all gets a bit convoluted later on. When the TARDIS is shuttling back and forth all over the place, it quickly becomes very difficult to keep track of everything that’s happening.

But there’s so many lovely little touches to this episode which perfectly sets it up as being the story to celebrate a half century of the programme, and makes it just so right for airing on November 23rd. Leslie French is perhaps the actor that I’ve been enjoying the most in this one - he was originally considered for the role of the Doctor right back when the programme started, and he’s playing his role here as very much the way I remember the First Doctor being, especially around Season Two. I can’t tell if he’s been specifically asked to play it in this way (though I imagine he has), or if it’s just a nice coincidence, but it’s lovely all the same. The only downside, perhaps, is that it makes me long to see some old black-and-white episodes again! I also didn’t realise that Fiona Walker (here as Lady Peinforte) had been in Doctor Who before - way back in The Keys of Marinus! Before starting out on this story, to try and keep up with the celebratory spirit, I re-watched the ‘making of’ documentary from the Silver Nemesis VHS, and when Fiona pointed out that she’d been in the very first series, I really had to wrack my brain to think of who she could have played (and then gave up and checked Wikipedia, instead!). You’ve also got cameo appearances from several other Who alumni, including Nicholas Courtney, John Leeson, Fiona Cumming, Andrew Morgan, and Peter Moffat.

It’s also very fitting that this story - sitting at the half-way mark in terms of the stretch of this marathon from An Unearthly Child in 1963 to The Time of the Doctor in 2013 - should have some notable firsts and lasts involved. It’s the last use of the programme’s original home, Lime Grove, which is used for some sound recording, but it’s also the first time that the programme has used on-screen captions to tell us where and when we are, and the first time that the TARDIS blows up a wind as it materialises - things which will become more frequent in the 21st century version of the series.

So once again, Happy Birthday Doctor Who. I’m glad you threw a bit of a party to celebrate turning 25!

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