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Steven Moffat Video Interview By Ed Stradling

Doctor Who DVD Producer, Ed Stradling recently conducted a video interview with Steven Moffat for last weekend's Gallifrey One convention in Los Angeles.

The 13-minute interview offers a few insights into the new series, and the 50th Anniversary special, with Steven stating at one point:

"Doctor Who, the 50th is approaching - various different things - a lot of different things. Don't believe the nonsense about one 60-minute film, that is complete nonsense."

You can watch the full interview with Steven Moffat below:

[youtube:h7VQrnMzjrU]

+  Follow @EdStradling on Twitter.

+  Follow @DrWhoOnline on Twitter.

[Source: Gallifrey One]

Moffat Teases New Series & 50th Anniversary Episode

Doctor Who executive producer Steven Moffat has been talking about what viewers can expect from the new series, which is set to resume on Saturday 30th March on BBC One

Speaking at the Radio Times covers’ party, Moffat teased:

“We’ll be up in the air, we’re under the water, we’re on a fantastic alien planet, we’re back in time, we’re forward in time, and the Doctor’s greatest secret is in jeopardy.” 

The upcoming eight episodes - which see Matt Smith teaming up with new companion Jenna-Louise Coleman - will include instalments written by Moffat, as well as Luther creator Neil Cross, Neil Gaiman and Mark Gatiss

In November, Doctor Who will, of course, celebrate its 50th anniversary and Moffat was also asked about whether he was apprehensive as regards the forthcoming anniversary: 

“You can’t do this job if you’re nervous all the time. So, seriously, I’m mostly excited, a little bit nervous and aware of trying not to let people down.” 

When probed about how big the event would end up being, the writer replied:

"Pretty big. But, you know, I don’t want people to get bored just yet. So let’s just wait and get our next eight episodes out of the way before we start talking about it.”

+  Series 7: Part 2 begins on Saturday 30th March 2013 on BBC One.

[Source: Radio Times]

7.6X: The Snowmen - Press Pack

The BBC has released a Press Pack for this year's Doctor Who Christmas special '7.6X: The Snowmen', featuring interviews with Steven Moffat, Matt Smith, Jenna-Louise Coleman, Richard E Grant and Tom Ward.

Christmas Eve 1892, and the falling snow is the stuff of fairy-tales.

When the fairy-tale becomes a nightmare and a chilling menace threatens Earth, an unorthodox young governess, Clara, calls on the Doctor for help. But the Doctor is in mourning, reclusive and determined not to engage in the problems of the universe. As old friends return, will the Doctor really abandon humankind or will he fight to save the world – and Christmas – from the icy clutches of this mysterious menace?

Executive produced by: Steven Moffat and Caroline Skinner
Directed by: Saul Metzstein
Written by: Steven Moffat
Produced by: Marcus Wilson

Steven Moffat introduces The Snowmen

Lead writer and executive producer Steven Moffat gives us an insight into the monsters and adventures that we can expect from the Christmas special.

What can we expect from the Christmas special?

The Christmas episode is Doctor Who, only more so, and this year we're going for more epic. The Doctor, when we meet him, isn't in a good place. A bit like when we first encountered William Hartnell as the Doctor in 1963 - or indeed Christopher Eccleston in 2005 - this a cold and withdrawn Time Lord, wanting no part of the world around him. It's going to take a lot of Christmas spirit to get him back out those TARDIS doors.

Are there any new monsters?

Well there are Snowmen. You've probably guessed that from the title. But that's not all. Dear me, no! But monsters should always be a bit surprising, so that's all I'm saying.

How do you find writing the Christmas special as opposed to a regular episode? Does it differ at all?

You're very aware of the time of year, and the noisy, sugared-up, slightly tipsy household. Sometimes we play along with something a bit frothier. Though this year, we might just give them a fright!

Last time we saw the Doctor he said goodbye to the Ponds. Will we see a different side to the Doctor in this episode?

The Doctor is almost defined by his friendships. When they end, and the TARDIS is silent again, he's a very different man. He's lost a lot of people in the time we've known him, and this Christmas he's decided he's finally had enough...

This episode welcomes Jenna-Louise Coleman. What can you tell us about her character?

It's going to quite a journey of discovery with Jenna and her character - and it doesn't start here, it starts on Christmas day. For now, enough to say, that the Doctor in his darkest hour, long ago in a Victorian winter meets the exactly the right person. Or does he?

Matt Smith on what fans can expect from this year's Christmas Special

Returning to screens on Christmas Day, it’s all change for Matt Smith’s Doctor with a new costume, a new hat and minus Amy Pond. Here he talks about what fans can expect from this festive treat and family tradition.

"Lots of snow and a rather good villain." Matt is chatting enthusiastically about this year’s Christmas special, The Snowmen. Set in a Victorian snow-covered England, the episode opens with the Doctor feeling more ‘bah humbug’ than festive, as he struggles to get over the loss of his companions the Ponds. 

"He is slightly removed and not at his best," explains Matt. But after the Doctor meets a feisty young governess, Clara, played by Jenna-Louise Coleman, do we see a change in the Doctor? "You get to see a different side to him," Matt explains. "She is a very different to Amy Pond. That is the great thing about this show," he continues, "reinvention - it keeps me as an actor on my toes!"

As well as seeing Matt Smith’s Doctor for the first time without his old companions, Matt will be sporting a new costume, complete with top hat. "It is a bit like the Doctor meets the Artful Dodger," says Matt. 

So can we expect to see a period of grieving following the loss of the Ponds? "Grieving has its place," says Matt, "but it is important to show that and then propel back into adventure!"  

And that is exactly what this Christmas special does. Matt reveals that this Christmas the Doctor will embark on a dangerous adventure – a quest that leads him to Darkover House, where something sinister is lurking. 

As well as guest starring Tom Ward (Silent Witness), Richard E Grant features as this year’s villain, Doctor Simeon. "He was a delight and brilliant at being villainous. Some actors are just made for the show and he was one of them. And he looked wonderful in Victorian garb," says Matt. 

Now a family tradition, Matt is chuffed to be part of the Christmas special. "I love being part of them. Family TV on Christmas day is a great tradition and Doctor Who is at the heart of that."   

So will Matt be making an appointment to watch on Christmas day? "Absolutely, I can’t wait."

Jenna-Louise Coleman talks about her character, Clara

Having made a surprise appearance in the series opener Asylum of the Daleks in September, fans have already met the new companion... or have they? Here, Jenna-Louise gives a little bit of insight in to the character she plays in the festive episode and what we can expect from Clara.

"She is from the Victorian era and a mysterious one," explains Jenna. "Very down to earth, but feisty and curious too with numerous jobs," she continues, revealing more about new girl Clara.

Set in Victorian England, we first catch a glimpse of Clara as a barmaid in the ‘Rose and Crown’ pub, but after meeting the intriguing Doctor, she soon sets about following him, because as Jenna explains, "He has the answers to her questions." With his self-imposed solitude, the Doctor appears uninterested, but eventually gets drawn in as an army of evil snowmen cover London and it becomes apparent that Christmas and the world are at risk.

With Matt Smith revealing that she is a very different to Amy Pond, how does Jenna explain the dynamic of the relationship between the Doctor and Clara, following the loss of the Ponds in the epic mid-series finale The Angels Take Manhattan? "She isn’t intimidated by the Doctor," says Jenna. "Instead, she finds him amazing and ridiculous. But she is on her own mission and lives by her own means. She is very resourceful."

As well as a barmaid, Clara adopts the role of governess to two children in Darkover House, where something sinister is lurking in their garden and whose last governess hasn’t yet left the premises...

After being selected for the coveted role of companion, Jenna started filming in BBC Cymru Wales’ Roath Lock studios earlier this year and made her first appearance in series seven opener Asylum Of The Daleks. So how has she found the job so far? "Everyday is really surprising," she explains. "For the last two years, I have mainly been doing period dramas, so to be thrown into this world with loads of CGI is very different. Whole new sets are built in the space of a couple of weeks. For this episode, we had snow machines and it does make you feel like a big kid!"

Stepping into Karen Gillan’s shoes, who played Amy Pond, did Jenna receive any advice? "Karen has been great," explains Jenna. "She has texted me advice on Cardiff, like where to eat. And Matt always has an ear out for me."

Unlike the Doctor in this festive episode, Jenna isn’t a Christmas grump: "I love Christmas and will probably be sitting down with the family to watch this adventure on Christmas day! It is one of the shows that can do Christmas properly and this is a proper Christmas treat."

Richard E Grant talks about his character, the villainous Doctor Simeon

Having previously played the Doctor in the 2003 online animated series Scream Of The Shalka and during a Comic Relief spoof some years ago, Richard E Grant returns to Doctor Who, but this time as the villainous Doctor Simeon.

"I have been told that on pain of death I am not allowed to reveal anything about my role in the Christmas Special," explains Richard, "other than that this character has never been in Doctor Who before..."

Returning to Doctor Who for the third time, Richard explains, "I have had two 'brushes' with the Who phenomenon before, playing the Doctor in the cartoon digital version and the Comic Relief spoof some years ago, before the franchise was re-booted with Christopher Eccleston."

Richard is tasked with playing this year’s villain, the mysterious Doctor Simeon, who, with a vendetta to settle from childhood, recruits an army of evil and hungry snowmen to bring together his plan.

So how did Richard enjoy playing the villain? "When you're born with a 10-foot-long face, you don't get hero roles, but I'm not complaining, as I have hugely enjoyed the wide variety of parts I've got to play."

Growing up in Swaziland, Richard has had to devote time to catching up on the British institution, he explains: "Having grown up in a country without TV, I missed seeing Doctor Who through my childhood, but I have made up for lost time since with box sets."

As the Doctor battles to defeat Doctor Simeon and his army, Richard shared many scenes with Matt Smith - so what did he make of working Matt? "I have really admired Matt from when I first saw him in a play called That Face at the Royal Court Theatre some years ago," says Richard, "and have keenly followed his career progress. He is the perfect fit for Doctor Who. His interpretation is very kinetic and fast-talking." 

So will Richard be watching this Christmas? "I love Christmas and everything about it. I will be at home and watching TV after lunch, hoping I can stay awake after the feast!"

Tom Ward talks about his character, Captain Latimer

Tom has been star of Silent Witness for over 10 years, so that Doctor Who presents a departure for him - from the modern day to the world of sci-fi. Here he explains what we can expect from his character and whether he will be watching on Christmas Day.

"He hasn’t been used to dealing with his children," explains Tom, as he reveals a small insight into his character, Captain Latimer. "He wants to love them, but he is an old naval captain that has struggled to build a relationship."

Tom plays an archetypal Victorian gent, complete with a rather good beard. "Yes it is," laughs Tom, as he confirms the beard is real. "You often get the obligatory moustache in a Victorian drama, but I wanted to go further and the beard seemed appropriate."

Having spent 10 years in a drama not necessarily accessible to his children, Tom reveals he is excited to have done something they can watch. "My children are very excited that I am in Doctor Who and I am glad they have something that they can finally watch! My oldest child is 10, so this will give him bragging rights at school and hopefully me a little bit of school gate currency."

So what drew Tom to the role? "It was one of the best scripts I had read in a long time, and the thought of doing a period sci-fi was really fun."

With Tom admitting that his Doctor is Tom Baker, he expresses admiration for current Doctor, Matt Smith. "He is brilliant. He kept the set feeling happy and is full of energy," says Tom. "He has a great relationship with the crew." As well as co-starring Tom, the Christmas episode will also feature Richard E Grant. "I had one scene with him," explains Tom, "and he was a legend. An absolute delight."

In this episode we also meet Clara, played by Jenna-Louise Coleman for the first time. "She is a brilliant actress," says Tom, "full of life and energy, so funny and has a great rapport with Matt."

With Tom confirming that his children are fans, will he be watching on Christmas day? "We have just moved into the country, so it will be the family round and the fire blazing. I don’t normally like to watch myself on TV, but this time I think I will make an exception..."

+  7.6X: The Snowmen will air on Christmas Day at 5:15pm on BBC One.

[Source: BBC Media Centre]

Doctor Who: The Eternity Clock - More Details & Competition

Today sees the worldwide release of one of the finest Doctor Who games to date; The Eternity Clock - so what can we look forward to in the game?

You can play as the Doctor and River Song as they race to save the universe and time itself, whilst trying to unravel the mystery of The Eternity Clock and stop its deadly path of destruction before it’s too late.

Equipped with the Doctor’s sonic screwdriver, River’s Blaster and other fantastic gadgets, journey through four London time periods and a number of alien locations in search of the answers. Face up to the most fearsome monsters including Silurians, Cybermen, Daleks and the Silence.

Outwit and destroy foes, solve puzzles and make the right choices in an epic action-adventure to save the future.

Other great gameplay features:

•  Explore the universe of the Doctor, across 4 distinct 'London' time periods.
•  Play as the Doctor and River Song to solve the riddle of The Eternity Clock.
•  Collaborative multiplayer - play together simultaneously and in different time periods.
•  Time travel gameplay mechanics - changes to one time period affect the layout of another, solve puzzles across the centuries.
•  Innovative 2D to 3D camera switch play.
•  Experience 'being the Doctor' - face challenging decisions and puzzles.
•  Cross platform play between PS3 and Vita game.
•  An intriguing, expansive and yet simple plot developed in collaboration with the team behind the TV show  - set across 600 years of history and into the alternate futures of earth.

DWO are offering our visitors a chance to win a Download Code to get the game for FREE. Simply pop over to our Competitions page and answer the question to enter.

[Source: BBC Games]

<mce:script

The Eternity Clock - Making An Interactive Episode

BBC Worldwide have sent DWO another video for the upcoming Doctor Who: The Eternity Clock video game, focusing on making an interactive episode, introduced by Simon Harris (Executive Producer) and Nick Dixon (Design Director).

The Eternity Clock launches on 23rd May for PS3 and 13th June for PS Vita on the PlayStation Network.

[youtube:LWyFuklyRp8]

[Source: BBC Worldwide]

<mce:script

The Eternity Clock - The Monsters

BBC Worldwide have sent DWO another video for the upcoming Doctor Who: The Eternity Clock video game, focusing on the monsters featured in the game, introduced by Simon Harris (Executive Producer) and Nick Dixon (Design Director).

The Eternity Clock launches on 23rd May for PS3 and 13th June for PS Vita on the PlayStation Network.

[youtube:OOc7ULEuoVk]

[Source: BBC Worldwide]

<mce:script

The Eternity Clock - Video Introduction

BBC Worldwide have sent DWO a video introduction featuring interviews with Simon Harris (Executive Producer) and Nick Dixon (Design Director) for the upcoming Doctor Who: The Eternity Clock video game.

The game will be launched on 23rd May for PS3 and 13th June for PS Vita on the PlayStation Network.

[youtube:_1H8AotHo5g]

[Source: BBC Worldwide]

<mce:script

Event: Gary Russell Signing in Cardiff - [21/4/2012]

Doctor Who Script Editor, Author, Ex-DWM Editor and Ex-Big Finish Producer, Gary Russell will be taking part in a signing at Cardiff's Comic Guru store this Saturday.

The event, which kicks off from midday on Saturday 21st April, will be held at The Comic Guru, 13 Wood Street, St.David's House, Cardiff (Next to the Millennium Stadium).

The Comic Guru team have also recorded a 9-part video interview with Gary Russell, the first video of which can be viewed below:

[youtube:QcLHmF0zlso]

+  Check Out The Comic Guru website.

[Source: Andy Frankham-Allen]

Steven Moffat On Plans For Doctor Who's 50th Anniversary

Thursday saw the launch of BBC Books The Brilliant Book of Doctor Who 2012, and lurking within the (completely awesome) 164 pages of Doctor Who goodness, lies a wonderful interview with showrunner, Steven Moffat, who goes on to talk about the 2013 series.

Speaking to renowned interviewer, Benjamin Cook, Moffat describes the anniversary year in one word: "Scale".

...And then a few more words: "Epic, huge, massive, indulgent... all your treats at once. The BBC is committed to the 50th anniversary, everyone is committed to it... and I guarantee you it's going to be the best year ever to be a Doctor Who fan. We're going to be in production for longer than ever, just to do everything that we intend to do".

+  The Brilliant Book of Doctor Who 2012 is Out Now, priced £12.99.

+  Compare Prices for this product on CompareTheDalek.com!

[Source: The Brilliant Book of Doctor Who 2012]

Hypable Interview with Doctor Who Director Peter Hoar

Fandom features website Hypable have been in touch regarding their latest interview with Doctor Who Director, Peter Hoar.

Nicholas Myers (NM) -  Now that Doctor Who has been renewed for another series, would you like to return as to direct another episode? Have you been asked already?

Peter Hoar (PH) – I haven’t been asked as yet but wouldn’t turn down a great offer!

NM – How much did you know about River in order to gauge a feel for how best to deliver the ending? Did Steven inform you of anything prior to filming that we don’t know?

PH – Steven tells us only what’s in the script. I had no idea for example of the recent developments in ‘Let’s Kill Hitler’. And that’s the truth!

NM – This episode featured quite a cliff-hanger. What is your all-time favourite Doctor Who cliff-hanger?

PH – Sarah Jane being left behind at the end of Hand of Fear or Tegan being left behind at the end of Time Flight.. Maybe there’s a pattern here…

+  Read the full interview with Peter Hoar at Hypable!

[Source: Hypable]

AOL interview with Steven Moffat

AOL have recently added an interview with Steven Moffat looking at his tenure on Doctor Who, River Song and iconic villains (to name just a few topics).

I'm really interested in an idea you've been exploring this season, that the Doctor's past choices and actions -- all these things are coming home to roost for him. Was that always where you wanted to take the show or the character, or was this something that came to mind after your first season on the show?

I think there's just some weird thing that happens with a character like the Doctor. When you bring him back in 2005, he's the lone drifter that no one's ever heard of, but gradually and inevitably, he becomes the greatest hero in the universe. He can stand up in the center of Stonehenge and say, "Come on, do you think you're hard enough?"

And what does the man who just wants to be a drifter, who just wants to just knock around a bit, think about that? And I think within the mad, mad, mad world of 'Doctor Who,' it's not an incredible development that, of course, the Daleks would be sort of wetting themselves when he turns up. Of course, he'd become a legend. Of course, all of those things would be happening.

But why would he be comfortable with that? And you know, he actually abuses this to some degree in [the mid-season finale] 'A Good Man Goes to War,' he abuses the power of it and starts calling in favors and it doesn't work out for him. So that's interesting.

I'm interested in the conception of the River Song story. In 'Silence in the Library,' did you already know she was going to be the daughter of a companion?

Oh no, no. I mean, it was one possible theory. Why is it somebody who's got such connections, who would that be? Is it just a future companion? What if it's somebody's got a lifelong commitment to the Doctor or his companion? So when I introduced Amy, I kept my options open [and used the name Pond]. I thought I was doing [the name thing] in plain sight and nobody [caught] it for a long while. But I didn't know at the time Karen was going to stay long enough for that story to come off. I didn't know if Alex would keep coming back.

So Plan A held, but there were other ones, including the [Plan B] that maybe River never came back at all and you could just imagine that she knows the 59th Doctor in the far future.

+  Read the full interview at AOL TV.

[Source: AOL TV]

5 Questions with... Simon Fisher-Becker - Interview

DWO caught up with New Series Actor, Simon Fisher-Becker, to discuss his character, Dorium Maldovar, his early Doctor Who memories, Doctor Who fandom and bringing the universe together!

6.7: A Good Man Goes To War isn't the first time we have seen Dorium Maldavar. Did you know at the time of filming 5.12: The Pandorica Opens, that your character would return in Series 6?

No, complete surprise. I was very happy with my scene opposite the delicious Alex Kingston. Yes I hoped there would be more - thanks to Steven Moffat's imagination Dorium Lives...! 

Without giving too much away, tell us a bit about Dorium. What kind of a man is he and can we expect to see more of him in future Doctor Who episodes?

As episode 7 has revealed, there is a decent moral fibre hidden deep inside Dorium. He lives and thrives on the murky side of society where he survives on his wits. His temperament is somewhat murcurial which adds a little danger - others can be nervous around him, but Dorium is multi layered. Very few really 'know' Dorium but when push comes to shove he is loyal, reliable and teflon coated.

How aware of the Doctor Who universe were you before you got the part? Were you a fan, and if so, what is your first memory of the show?

I was born in 1961 and was 2 when William Hartnell first appeared. I do remember him. In particular the change to Patrick Troughton. I refer to myself as a 'follower' of Doctor Who rather than a Fan. I take great pleasure in having been bullied in the past for supporting Dr Who I can laugh and gloat that I am now part of the huge BBC flagship phenomenon that IS Doctor Who. 

How have you found the fan reactions to your character, and how does the impending prospect of convention appearances appeal to you?

The Fan reaction is very exciting and humbling at the same time. What really surprised is the immediate response to Dorium. Having only one scene with six lines initially, it is amazing how he caught everyone's imagination. Thankfully Steven Moffat loves Dorium too. 

The conventions have been frightening and thrilling. Those who know me will tell you I'm a bit of a gas bag, there is nothing more I enjoy than mixing with people having a good chin wag. I have broad interests and am happy to pontificate on anything for hours.....! The only practical downside of the conventions is fatigue. The hands can start to ache with all the handshaking but I am delighted to help fans enjoy their day.

Finally, if you could have one round trip in the TARDIS, anywhere in time and space, where would you go and why?

Rather than a Place or Time I would go on a mission. I would collect all the Deities from ALL Faiths, Galaxies and the known Universe, sit them down and say '...We Need To Talk.....!!!!'

+  Post a Question to Simon Fisher-Becker in the DWO Forums Ask & Answer section.

+  To read more DWO Interviews, check out the DWO Features section.

[Source: Doctor Who Online]

<mce:script

5 Questions with... Frances Barber - Interview

This weekend sees the Doctor Who mid-season finale, featuring Olivier Award-winning Actress, Frances Barber as the mysterious eye-patch lady. DWO caught up with Frances for a quick interview to discuss her character, her love for Doctor Who and saving President Kennedy:

We've seen you quite a bit in Doctor Who this season (albeit with fleeting appearances behind sliding panels in walls) but in this week's episode we will finally get to see a bit more of your mysterious character. How easy was it to get your head round the script when you first received it, and were you aware at the time that your character would be placed throughout the series?

I wasn't aware at the time that my character would be placed throughout the first part of Series 6. I knew I had some mysterious appearances from behind an equally mysterious hatch, but I didn't realise the ongoing arc of the storyline. As you know, its all very top secret at Doctor Who headquarters, which actually meant that I had the luxury of creating a character from the script and my own imagination.

How aware were you of Doctor Who growing up as a child? Did you watch it and were you a fan?

I have always loved Doctor Who...Tom Baker was my first very strong memory of a Doctor and Sylvester McCoy is a friend of mine. I have always wanted to be a part of it in any way, and I am absolutely delighted to be in this particular season.

You have had a long and varied career working in TV, Film and Theatre. Do you have a preference, and what do you hope for most when your agent gets in touch?

I don't have a preference with any of the various forms of acting in either film or theatre. I just choose whatever I think is the most interesting project.

You have great chemistry and indeed a great relationship with fellow Actor, Ian McKellen. Is it true he bought you a library? What is your favourite book of all time?

Ian gave some money to a charity in which he paid for a library in India to be built in my name. This often gets misrepresented. I don't live in a mansion! My favourite book of all time is The Grapes Of Wrath by John Steinbeck.

Finally, if you could have one round trip in the TARDIS, anywhere in time and space, where would you go and why?

If I had one round trip in the TARDIS, I would like to be in the car when President Kennedy was shot, with a perfect view of who pulled the trigger! Then The Doctor could prevent it!

+  To read more DWO Interviews, check out the DWO Features section.

[Source: Doctor Who Online]

<mce:script

What's On TV Interview with Arthur Darvill

Arthur Darvill took time out to talk to What’s On TV about playing Rory in Doctor Who and to fill them in on his latest adventure set in an acid mine. The second part of this Doctor Who story begins this Saturday with Rory in terrible danger as he looks for ‘ganger’ Jennifer in the monastery... 

Rory seems to have a bigger role in this series?

“Absolutely, he’s really part of the gang now. I think getting married and proving himself to everyone. Waiting 2000 years for Amy has helped his confidence. It hasn’t made him ‘Mr Total Confidence’ because I don’t think he’ll ever be that, but he definitely feels like he deserves to be there, and has a role to play and can help out with whatever adventure they have. There are still various tensions there, but he’s not still trying to work out what’s going on between the Doctor and Amy and the whole time travel thing. He’s got it now!”

Do you see him as a fully fledged companion this time then?

“Absolutely and his nursing skills have definitely come into play this time around. The Doctor finds him more useful now. Their relationship is growing and it’s a very complicated relationship, but they are getting quite close. They’re now good friends and can tell each other what they think, rather than Rory kind of shying away from that.”

Rory has quite a big part to play in this latest two-parter?

“This is quite a good adventure for Rory because he’s really at the point where he really wants to prove himself. Here he knows he’s useful and can help out. He really goes for it in these episodes. There’s a big war going on between the ‘gangers’ and people, and it’s really a battle of humanity. He sometimes thinks the Doctor gets swept away to solve a situation and forgets about individual people who are being hurt.”

This episode is a big one for Amy, is that right?

“Right I’m going to be very diplomatic about this. There are really things that up the stakes about how much danger they’re in, affecting each other, and how much danger the Doctor is putting Amy in. But Rory feels a responsibility to keep everyone safe. There’s the ending to end all endings in this episode. I’m not saying exactly what it is, but it’s a biggie! Saying that, there’s a terrific cliffhanger in the next story, in episode seven. You won’t want to miss that either.”

Have you got over having to sport a ponytail, like in the last series?

“I’d like Rory to cut himself a Mohican and travel back to the 1970s to the punk rock era. Everyone, friends and family, loved that ponytail! It was really attractive, wasn’t it?”

Were you ever a sci-fi fan before you joined Doctor Who?

“I was just a kid when Doctor Who was on before and caught the end of Silvester McCoy’s Doctor. I’ve now caught up on Tom Baker’s stories on DVD and they were brilliant - he’s the Doctor I really like. I do dip in and out of sci-fi stuff. I think Star Trek The Wrath of Khan is one of the best films ever made! And I did watch Masters Of The Universe the other day and that’s a classic.”

+  Check Out the What's On TV website.

[Source: What's On TV]

<mce:script

5 Questions with... Julian Simpson - Interview

Tonight sees the airing of 6.5: The Rebel Flesh, part one of a two-part adventure directed by Julian Simpson. DWO recently caught up with the new series director who spared us some time for a quick interview:

The Rebel Flesh / The Almost People is your Doctor Who directional debut, were you a fan of the show before, and owing to the huge fan base, did you approach the job with any nerves or anxiety?

I was a huge fan when I was a kid, back in the Tom Baker days, but I have to confess to not being particularly taken with much of the "new" Who (despite my wife featuring as DiMaggio in "Dalek"!). The episodes that did really grab me, though, were those written by Steven Moffat (I know that sounds horribly crawly but it's true!) When Steven took over the show and Matt, Karen and Arthur were cast, DW suddenly became everything I'd hoped it could be and I was glued every Saturday night for the first season. 

I don't recall being particularly nervous about directing DW but I was acutely aware that, if I did a good job, there was a chance that this storyline could stay with some members of the audience for years, just as "City of Death" has always stayed with me. 

On the flipside of that, of course, was the constant nagging fear that I might screw it all up and be responsible for the most hated episodes in the show's history...

You've worked on other high profile shows such as Spooks, Hustle, Hotel Babylon and New Tricks. How does Doctor Who compare, and how do you find adapting to directing for the Science Fiction genre?

I wasn't conscious of having to adapt to Doctor Who, perhaps because I've always been such a huge sci-fi fan. If anything, I've had to adapt more to some of the shows you mention above. But directing is about telling a story clearly and with the right tone and style, really you should be able to turn your hand to any genre.

The art department on this season of Who, under designer Michael Pickwoad, is the best I've ever worked with and the sets and props they built for me were a constant source of inspiration. I'd like to steal the lot of them and force them to work with me forever.

Marcus Wilson was one of the great producers. He was incredibly supportive and, once we'd established that we liked the same movies and TV shows and had almost identical comic book collections, he gave me as much freedom as I've ever had to tell the story my way and in the style I thought was appropriate. Matthew Graham, the writer, gave us a great script full of brilliant ideas and scary moments and he and I also shared many of the same references, so it was a very happy collaboration.

There's no internal politics on Doctor Who, at least none that I was aware of. Steven, Piers, Beth and Marcus all just wanted to help Matthew and I do the best job we could. They're all incredibly ambitious for this show and want it to be the best it can possibly be and that creates a fantastically challenging and creative environment in which to work.

There's no getting away from it, this is a dark, creepy two-parter, with bags of atmosphere. Your use of shadows are particularly effective in achieving the mood of the stories. How difficult is it to get the desired effect and what are the pro's and con's of working with light in this kind of setting?

That's more a question for my brilliant Director of Photography, Balazs Bolygo, who is ultimately responsible for the lighting (and lack thereof) in these episodes. The look comes from the story; there's no way you could make this work if it looked like THX 1138.

We referenced the James Whale "Frankenstein" along with Alien3, Shutter Island, The Thing and a whole host of others.

It helped that most of this story was filmed on location in various castles in and around Cardiff. These places have a creepy atmosphere of their own and lend something to the atmosphere  that would have been very hard to fake. 

Much credit for the creepiness must also go to my editor, Jamie Pearson, who has the most uncanny talent for constructing sequences that just drip with atmosphere.

The stories rely on some pretty impressive make-up – both real and CGI. How challenging is it working with make-up in these mediums, and as the director, which do you think gives the overall greatest result?

I'd hate to have to choose; each is good for certain things. Once prosthetic make-up is applied, it's easy to shoot on over and over again and it bears greater close-up scrutiny than a lot of CGI work but if you look at a movie like Benjamin Button, there's no way Brad Pitt could have been aged so convincingly with physical make-up.

Within these two episodes, we've used a mix of make-up and CGI. Sometimes you'll be able to tell which is which but there are times where an actor might be wearing a prosthetic but we've used CGI to alter their eyes. The result is pretty seamless and we couldn't have done what we did without using both tools.

Finally, if you could have one round trip in the TARDIS, anywhere in time and space, where would you go and why?

I'm currently nursing an obsession with Charles Babbage and Ada Lovelace, the Victorian inventors who NEARLY built the first computer in the mid-nineteenth century. The world would be a very different place now if they had succeeded. My fascination grew from reading Sydney Padua's awesome webcomic detailing their adventures, which I heartily recommend to everyone. Anyway I'd love to visit them, show them an iPad, and tell them they're on the right track.

+  Post a Question to Julian Simpson in the DWO Forums Ask & Answer section.

+  To read more  ;DWO Interviews, check out the DWO Features section.

[Source: Doctor Who Online]

<mce:script

5 Questions with... Richard Clark - Interview

DWO recently caught up with New Series Doctor Who Director, Richard Clark, who spared us some time for a quick interview:

When you found out you would be directing the hotly anticipated Neil Gaiman episode, what was your first reaction, and how much input did he have?

I was absolutely thrilled. The Sandman blew me away when I first came across it and I loved American Gods. Having said that I hadn't been aware of this episode or any of the feverish anticipation surrounding it. And frankly I'm glad. The first I knew of Neil's script when it landed on my desk with his name on it, so I just approach it as I would any other story.

As for Neil's input, well I guess the honest answer would be very little. Like all good writers he understands that once you pass a script to a director you're in some ways saying goodbye. A writer's responsibility ends at the words on the page. It's then the director's job to turn those words into a walking, talking visual exciting reality, on time and on budget. 

However what did inevitably happen is that, because of our practical restraints, we did go back to Neil on several occasions to see if he could write us out of a corner. Hence there are a number of scenes, characters, locations and dialogue that never made the final film.

3.3: Gridlock, 3.6: The Lazarus Experiment, 6.4: The Doctor's Wife - Which has been the most challenging of all the Doctor Who stories you have directed to date and why?

Tricky one. Either Gridlock or The Doctor's Wife. In both cases you've got to create an entire alien world which is always a challenge. Gridlock had some very elaborate CGI work - David Tennant jumping from car to car and the Macra snapping at Martha's vehicle. 

However there was a visual ambition to The Doctor's Wife that we all just really went for. Just take the lighting for example (Owen McPollin was my wonderful DP). We tried to use it to really tell the story which meant we had all sorts of complex lighting changes going on all the time (look at when the Tardis first lands on the planet). And then the production design was a massive undertaking. Infact I'm n ot sure Dr Who hasn't seen sets built on that scale before.

When it comes to directing actors, do you prefer minimal input so that they bring more to the table or a more hands-on approach to get more out of them?

For me directing actors is about instinct. You have to get a feel for who they are and how they work. They all have different approaches and need supporting, encouraging or guiding in different ways. Matt for example knows his character, but I wanted this to be a really emotional episode for him (as did he) and so it was about teasing that out of him. However Suranne, as a guest on the show, had to create a character from scratch. In that case I had a clear idea of what that should be so it was very much about giving her the confidence to go for it. It was very ballsy of her to trust me because, had I got it wrong, she would have been the focus of fans anger! 

The other thing I should add is that actor's spark off each other and affect each other's performance. They create possibilities that you as a director couldn't have imagined.

Bearing in mind DWO is a non-spoiler site, what can you tell us about your upcoming episode written by Mark Gatiss?

Almost nothing I guess! Except to say that I absolutely love it. It's very creepy (young viewers might well need a cushion to hide behind). Oh and Danny Mays is brilliant. Great chemistry with Matt.

Finally, if you could have one round trip in the TARDIS, anywhere in time and space, where would you go and why?

Now that's tricky. 

Either I'd take a trip into the future, say 2000 years after mankind first inhabits another planet, and go to the planet with the most established human civilization but furthest from earth, just to see where we're all heading. OR. I'd go to the most advanced alien civilization that exists right now and see if they know about us.

[We also asked Richard another question in case he couldn't answer Question 4. The reply was so good, we have included it below]

Owing to the huge success of The Doctor's Wife, and your clearly successful partnership with Neil Gaiman, is there any possibility of a future collaboration in Doctor Who between the pair of you?

Neil and I would love to collaborate on something together. And we'd love to collaborate on another Dr Who. (a feature?) But the t ruth is it's not up to us. With Steven Moffat, Beth Willis and Piers Wenger in charge the show is in very capable hands and they will make the right choices about how to keep it moving forwards.

But I have to say I'd love to direct a Dr Who episode for each new Doctor across my lifetime!

+  Post a Question to Richard Clark in the DWO Forums Ask & Answer section.

+  To read more DWO Interviews, check out the DWO Features section.

[Source: Doctor Who Online]

<mce:script

SFX Steven Moffat Interview

SFX Magazine have added a recent interview with Steven Moffat to their website:

So your second year as showrunner is upon us. What did you learn from your first?

“The trouble with Doctor Who is that it’s so story-specific. There isn’t a set way of making Doctor Who. With a lot of shows, like Press Gang or Coupling, you think, ‘Well, that’s how we make it, that’s what it looks like and generally speaking there’ll be a scene like this…’ That sounds very reductionist and awful, but my favourite series of all time, The West Wing, falls into that category. Most of them are pretty much the same. You could, pretty much, take various different episodes of The West Wing and stitch them together in a different order, graft the sub-plot of one onto the main plot of another. It’s a genius work of art, but you do realise at a certain point you know how to make it. Doctor Who isn’t like that. You’re doing pirates one week, and then you’re doing a spaceship – possibly in the same episode!”

And you never get a sense of confidence making it?

“I think we’re much, much more confident now than we were in the beginning, just because at the very start you’re simply flailing. It’s like being strapped to the front of a train and trying to shout instructions to the driver. You have no idea how fast it’s going to go, the speed it’s going to go…”

You cast the Doctor spectacularly well. What strengths did you see in Matt’s performance last year that you wanted to capitalise on this year?

“That was a very, very gradual process. It was obvious from the get-go, from the very first scenes he did where they’re on the beach in the Angels episodes and he’s perfect as the Doctor. He’s not as good as he is now, but he’s perfect. He came through the door tonally perfect. He absolutely got what sort of show it would be. Quite purposefully, and sensibly, I said that if this new Doctor is a bit David Tennanty at the beginning then that makes perfect dramatic sense. I was still probably writing him a bit David Tennanty. David had made such a huge impression in the role that it made sense. But also, a few minutes before he meets little Amelia Pond, he was David Tennant, so why would he immediately not be like that? So Matt stretched into the part and took it over and made it his own, and sort of obscured his predecessor. It’s instinctive but he becomes much dafter, much sillier, and curiously more the old boffin than David ever was, in a way, even though he’s the younger one. Just more sort of basically mental!”

Did you spot stuff like Matt being really good with kids, and think, “That’s something that I can use”?

“Well, that was purely by accident. I’d already written the scene where he meets Amelia. But he’s fantastic with children. When I started writing it I was vaguely writing the Doctor as I roughly wrote it for Chris and for David. At a certain point you realise that you are writing stuff that you would never have written for Chris and David – the daffiness, the fact he forgets things, the fact he’s hopeless with women and flirtation and all that stuff, which David’s Doctor and Chris’s Doctor were very, very good at. All that gangliness… you get influenced by his weird body language, and the fact that he does seem like a completely different creature from a young, good-looking 28 year-old, which is, in fact, what he is. He’s resurrected the idea of the Doctor being mad. Not just eccentric but properly mad. I think Gareth Roberts’ episode ‘The Lodger’, which was the last one we did in the first series, was the fullest Matt performance. All that stuff where he’s doing the air-kissing because he thinks, “Is that how we talk?” – you sort of buy it. And he drinks wine and just goes bleurghh and spits it out. And even though that’s in direct contradiction of things that we know about the Doctor being a sophisticate, it completely sits with him, and those are moments that you would never have bought with Chris or David.”

“The Beast Below” had a particularly jolting moment where he suddenly lashed out in anger. But that wasn’t something that you seemed to revisit.

“We do revisit it. You will see scary Doctor again, without doubt. That wasn’t a particular decision. I quite like writing a grumpy Doctor. It just didn’t really come up in the stories. It wasn’t moving away from that at all. And we do have proper grumpy Doctor returning. And moments of scary Doctor, as well. Because he’s very, very good at them. It’s quite alarming – I’m used to the Doctor’s anger, and indeed his sadness being, in a very good way, quite theatrical, whereas Matt’s not that sort of actor, so when he does anger or tragedy or any of those big emotional things it’s quite visceral; it’s quite serious and heartfelt. It’s horrible to think that you’ve brutally disappointed this sweet man. And he is. Let’s not pretend otherwise about the Doctor, he is fundamentally incredibly sweet and incredibly kind, and all the things that he has to be to be the Doctor. But there are moments when he loses that, or he can’t sustain it.”

Is it quite a collaboration between you and Matt in shaping the Doctor?

“I don’t think we’ve ever – or certainly not for a very long time – had a proper sit down conversation about it. It’s more a collaboration in the sense that I’m writing stuff, seeing what he’s doing, instinctively following him, and then he’s following the script. Oddly enough, like David before him, he’s absolutely punctilious about dialogue. He never paraphrases. If he wants to change a line he’s on the phone. He’s very, very precise, very exacting, never ‘make it up’. But I do think the show is the Doctor, so you have to leave a blank space in a way and let the new Doctor, the current Doctor, occupy it.”

Can you talk about the decision to split the series in two? What drove that creatively?

“I think there was a very, very odd shape to last year, because we had nothing but event episodes for a while. David’s last year was occasional specials, and every one of them, of course, was promoted as an event. And then you had the huge event of David’s last two episodes, and then you had the huge event of Matt arriving. And then you think ‘And now it’s just on television…’ That’s good, but it starts to feel routine. And I kept saying, ‘We need a mid-season finale.’ It’s a long time to expect people to follow a big old arc plot, 13 weeks. You need something in the middle that makes it big. But of course the term mid-season finale literally means nothing. You can say that as many times as you like. It’s not a finale. It’s bollocks. It’s on next week. In fairness the idea has been floated several times for Doctor Who, and this time I thought let’s have that, let’s just do it twice. Because there’s a moment in the middle of a series where everyone just thinks ‘Well, it’s been back on for a few weeks, you can rely on it, it’s always there…’ So they think if they miss an episode it doesn’t matter so much, it can’t be a very important one this week. I know people think that way, because I think that way about some other television series, that I really, really like, but I don’t completely love. And the interesting thing about Doctor Who, and the challenge of it always is, if we do a special episode with all this publicity and all guns blazing, we can get 11, 12 million viewers. That’s a fact. But the core audience, the audience that we don’t ever drop below is probably around 6.5 million. And I would like to know how we can more often access those other six million, and try and keep them onboard. And say to them ‘Don’t just leave because Christmas is over. Maybe you want to see the next one too? And maybe the one after that?’ Just lure more of them in.”

So how does that impact on your storytelling? Is it as simple as chopping the season in two?

“Well, no, because it forces you to say ‘Well, there’s going to have to be a finale.’ You can’t just pretend that episode seven is going to be just another episode, and it will suddenly stop. No, there has to be a big va-voom, and then there has to be another va-voom that reintroduces the series.”

How did you want to kick off the series?

“My big thing was starting with a two-parter, and starting with quite a dark, quite an actiony, quite scary one, as opposed to our traditional approach of starting with a romp.”

And you filmed in America for that one.

“It does make more difference than you feel morally that it should. You suddenly see them standing in the desert, and you can see miles to the horizon. It feels properly American that two-parter. I think it’s a very, very convincing America that we pull off.”

Can you talk about the diversity of stories that you’re giving us this year?

“Curiously enough, I never really believe that you approach a television series by balancing it all. Would you want it to be properly balanced or have all of them just be really good? In other words, if you had two historicals in a row and they were both fantastic, who’s going to write in and complain? How many people are going to do that? How many people noticed in the second series of Doctor Who that ‘Tooth And Claw’ was only two weeks away from ‘Girl In The Fireplace’, and they were both celebrity historicals? Who cared? Did anybody care? So you don’t worry about that. So, yes, there’s diversity because it’s Doctor Who, but frequently the diversity is about the genres you move into. Matt Graham gives us quite a dark one, a dark, clever, very funny a two-parter. And I’d say Matt Graham’s Doctor Who is slightly different, it’s more like a police procedural somehow, in a way! You’ll throw those words back at me when you see it, but he takes a different angle on it.”

Most Doctor Who writers have just absorbed the style of the show in childhood, haven’t they?

“I think they have. I mean, you can try and define it – are you entertaining eight year-olds, are you exciting 14 year olds, are you making 40 year-olds laugh their heads off? You could answer all those questions yes and still not get it right. You have to be engaging every age group by all possible means. I’m no longer in touch with online fandom but I remember when I was – when I was just writing for the show, not running it – I did think at times, on some of those forums, that these are the people in the whole world who understand Doctor Who the least. They’ve stared at it so long, and invested so much in it that they no longer understand what it is. They can’t see it for what it is. Everyone else in the whole world gets it better than they do. That in itself is unfair, because loads of them aren’t like that at all, but you know what I mean? You just think ‘No, it’s not that kind of show, it’s not like that…’”

How much joy do you take in keeping secrets from various members of your cast? Matt tells us he’s frustrated that Alex Kingston knows more than he does, Arthur doesn’t know what’s going on at all…

“It was fun. It was just a laugh. It wasn’t anything serious. We wanted Alex to come back to be River again, so I thought I’d phone her up as I didn’t know how she was feeling about it. She’s a very successful, very glamorous actress and we make her film at night in the mud. At some point you think ‘Hm, maybe she won’t want to…’ I phoned her up and said ‘Look, I’ll talk you through what’s going to happen with River next year…’ And I realised quite quickly into that conversation that she was just going ‘Ooh, hooray!’ and had no idea why I was telling her, because she was perfectly happy to come back. Now I do have a general belief that if you want to have a secret, keep it. Don’t ever tell anybody who doesn’t need to know, because you’re not only trusting them, you’re trusting everybody that they trust, and everybody that those people trust. So I just didn’t tell the others. And then it became funny. I’d turn up on set and Alex would come over to me and cover her radio mike and have a whispered conversation with me, while I could see out of the corner of my eye Matt standing there going ‘But… I’m the star of the show!’ So that was just a laugh. At the same time, he should learn when the Doctor learns, which was when he read the script.”

I did wonder if it was you trying to feed the performances…

“You wouldn’t need to. Matt’s good enough that he could have done it anyway. But if they don’t need to know, why tell them? Poor old Arthur! This became a running joke. I’d be talking to Karen and Matt about Doctor Who, and he’d always be walking i n just as I’d be finishing a very, very long spiel. And it happened the other day, at a readthrough; I was filling in all the principals on what was going to happen in episode 13, how it was going to end, how we were going to get out of the problem that we’d set ourselves. And I realised as I ended that the door had banged and in walked Arthur. And we all just fell around laughing, saying ‘Oh, I’m sorry, you’ve missed it… again!’”

When you got the Doctor Who gig did you have the long game fully formed? Or is it something that changes year by year?

“It changes year by year. The danger of a long game or a big old plot arc is that you can start sacrificing the current episode because you think ‘Ooh, this’ll pay off later.’ And that’s no use in a show like Doctor Who. You can’t say ‘Well, it’s rubbish now, but wait til you see how it pays off.’ You can’t be driven too much by your big story idea. In truth, the big stories we tell tend to be very, very lightly sketched in. It’s more great, grand allusions rather than a great big masterplan. You have a sort of idea but I would throw it all out tomorrow if I suddenly thought of a great new story idea. If it contradicted it I’d just get rid of it. It’s about satisfaction every Saturday.”

How is Doctor Who seen by the BBC these days?

“I think all of us as fans probably don’t appreciate just how utterly loved Doctor Who is at the BBC, because no show performs like Doctor Who. Alright, there are shows that do slightly better, but not after this number of years, and not shows that sell all over the world. Think how many people have now seen ‘Rose’, that first Christopher Eccleston episode. Never mind who saw it in the first week, or even the first year. People are still watching that for the first time. Just imagine if we were able to add up everybody who eventually, over a period of years, watches an individual episode of Doctor Who, which unlike The X-Factor, unlike EastEnders, unlike any of those shows, continues to exist on your shelf. We’d be the biggest show in the country. One of the biggest shows in the world. If they measured book sales this way we’d be saying, ‘Well, it only counts if it sells on the day!’ Doctor Who carries on gaining new viewers. I’d love to know what percentage of Britain has now seen Christopher Eccleston’s first episode, say, or David Tennant’s first episode. I’m sure it’s way, way over half. That’s what we don’t quite appreciate, especially as television is going to change and we’ll be more like publishers than broadcasters, because the time of transmission is now just the date of publication, isn’t it? You know you can catch it on iPlayer, on iTunes, you know you can see it later… There’s no impetus, or not the same impetus, to see it at the time. And that’s the world in which Doctor Who will triumph. Which is why I got so ratty at the time they were saying our ratings were down when they weren’t. I remember yelling at some journalist, which I shouldn’t have done, saying do you even know that iPlayer isn’t counted in the ratings? You know there’s a whole 2 – 2 ½ million we’re not even allowed to mention, in typical BBC style. The only absolutely verified members of the audience, the only ones who are definitely there, aren’t counted in the ratings! We just use the big guess. But anyway, that’s me ranting on…”

Do you think Doctor Who embodies the best of the BBC? Is it a flagship for values that are under threat?

“Yes. I think it’s the most BBC show in the world. I can’t imagine anything more BBC than Doctor Who because I can’t imagine anyone else who would make it, and continue to make it, and continue to cherish it. It can look like madness to a tiny mind, as indeed the BBC can look like madness to a tiny mind, but that’s just what genius looks like if you’re an idiot. It’s not madness! It’s utter brilliance. This is one of the very few characters entirely created by television and for television and sustained by television, that is a legend alongside James Bond and Sherlock Holmes and Dracula. It is an extraordinary thing. I’m not even trying to be mean about American networks, but can you imagine them doing Doctor Who? It’s half Hammer Horror, half Generation Game, a genuinely frightening horror series aimed at young children. It’s all those mad conflations of ideas. But at the same time while it is the most wondrous and magical and fairytale thing, it’s born out of a scheduling decision. It’s born out of them saying, and how clever they were, ‘We need to join the children’s audience here to the adult audience there, and let’s have a show that everybody watches’. A problem they solved so brilliantly in 1963 that it still works now! Who else and where else would it ever happen? It’s all of the BBC in one barking mad show.”

** Interview conducted by Nick Setchfield for SFX Magazine.

[Source: SFX]

Producer Marcus Wilson Interviewed on ShortList.com

ShortList.com have added a brand new interview with New Series Producer, Marcus Wilson to their website:

THE NEW VILLAINS ARE AMAZING

“The Silence [which we’ve heard about since last series] have a special power to make people forget them. They’re scary. And Lily Cole plays a Siren, a type of demon who lures soldiers to their death. Then, in episodes five and six, we’ve got something called The Flesh. It’s a technology that lets humans create duplicates of themselves — but this being Doctor Who, things don’t run smoothly.”

WE GO TO GREAT LENGTHS TO KEEP THINGS A SURPRISE

“For the final scene of the last episode before the mid-series break, we only gave the actors their final lines. Everyone else had a script that just said ‘interior of a spaceship hanger’ and that was it. We get papped every day and there are Facebook groups dedicated to where they think we’re going to be filming next. They’re right a freakish amount of the time, so on location we have to black out car windows so that they can’t see the guest stars and monsters. It’s unfair to spoil it for the fans.”

JAMES CORDEN WANTS TO BE A REGULAR

“What’s lovely about Doctor Who is that people want to guest star in it. We set out the story commissions for this series and we knew that we wanted to do a sequel to [episode] ‘The Lodger’. James said, ‘Tell me when, I’ll be there.’ We thought that his episode would be a one-off, but it did so well that everyone was keen to do another. Now he’s pitching to us for a trilogy.”

MATT SMITH’S ROLE AS THE DOCTOR SET TO GO ON AND ON…

“Matt Smith makes the show a great environment to work in. He turns up with a lot of energy, welcomes the guest cast and is ready to work. Matt and Karen [Gillan, Amy Pond] have a sweet brother/sister relationship. You cut the camera and immediately they’re dancing to some tune that they’re singing. They both love it. Matt especially is very keen to continue in the role.”

[Source: Short List]

Series 6 - Press Pack

The BBC Press Office have issued a Press Pack for Series 6 of Doctor Who:

Doctor Who returns to UK screens later this month for a seven-episode run which opens with a spectacular two-parter set in the USA and penned by "Who supremo" Steven Moffat.

In the opening two episodes, co-produced with BBC America, key scenes have been filmed in Utah for a story set in the late Sixties in which the Doctor, Amy and Rory find themselves on a secret summons that takes them on an adventure from the desert in Utah – right to the Oval Office itself.

The new series follows on from the Doctor Who Christmas Special which featured guest stars Katherine Jenkins and Michael Gambon, and has been split into two blocks, with the second block to be shown in autumn 2011. By splitting the series Moffat plans to give viewers one of the most exciting Doctor Who cliff-hangers and plot twists ever, leaving them waiting, on the edge of their seats, until the autumn to find out what happens.

Steven Moffat on Series 6:

Steven Moffat is Lead Writer and Executive Producer. After taking over the reins on Doctor Who last year, Steven Moffat has certainly been kept busy. He's answered seven quick-fire questions on what to look out for when the show returns at Easter.

How has this series evolved from last year?

Well we've moved through the funfair a bit – we've done the rollercoaster, now we're on the ghost train. Last year, in a way, was all about saying, don't worry, it's still him, it's still the same show, nothing's really been lost. Losing a leading man like David Tennant is seismic – unless you gain a leading man like Matt Smith. It's been the biggest joy to see him stride in and just claim that TARDIS for his own. But now he's really here, and the part is his, and the bow tie is cool, he's ready to lead us places we didn't know existed. Last year we reassured you – this year, to hell with that, we're going to worry the hell out of you. How well do we really know that man, or what he's capable of? We're putting the "who?" back in the Doctor.

Is there a major story arc to look out for?

Oh, there's a big story being told this year, and major mysteries from the very off. As ever, in this show, the stories all stand alone, and every episode is a perfect jumping-on point for a new viewer. But at the same time the over-arching plot will be a bigger player this year. More than hints and whispers – we're barely 10 minutes into episode one before our heroes face a dilemma that they'll be staring at months from now. And there will be no easy answers.

Will there be new monsters?

They're ... scary. Very scary. And, ohh, I don't want to say more – there's the Silence in episodes one and two, the Siren, in episode three, the Gangers in five and six, all these are more than just freaky costumes and masks; there are SCARY ideas here. And just wait till you meet Idris in episode four.

Is this series scarier than the last one?

See above. Yes, I think so. But it's not JUST scary – it's funny and moving and revelling in its own insanity too.

How have the characters evolved?

The big difference, I suppose, is how long the Doctor is hanging around in the lives of his companions. His normal MO is get them while they're young, and leave them while they're young too. He's careful to put them back where he found them, before he screws up their lives. But here he is, married couple on board – and much as he loves them both, he does wonder if it isn't time he got out of the way; before something really BAD happens.

Did you always plan for Amy and Rory to get married?

Oh, always. Married couple on the TARDIS, that was the plan from the off.

What can you tell us about the cliff-hanger at the end of episode seven?

Normally our cliff-hangers are lives being threatened; with this one, three live are changed FOREVER.

Matt Smith on Series 6:

Matt Smith inhabited the role of the Doctor last year and instantly won a legion of fans with his kooky take on the iconic character. Here he reveals what lies in store for the Doctor and his fellow TARDIS travellers in 2011, and why the Fez is no longer his favourite hat.

"I think The Silence are one of the greatest monsters of recent years and certainly one of the scariest," reveals Matt Smith. "They're also very clever and I love the fact they've been silently working since the dawn of time to make The Doctor come unstuck."

Matt is talking about the new breed of monster which viewers will be introduced to in the opening two episodes of the series. He is remaining tight-lipped about what viewers can expect but he does offer some insights into the story arc for this series. "Steven [Moffat, writer] has a grand plan and some of the seeds he planted in the last series start coming to fruition and affecting the characters in drastic ways," explains Matt. "Every character is faced with the most seismic and high-stakes choices we've seen so far."

Opening the new series is a special two-part story penned by Steven Moffat and set in America, marking the first time in its history that an episode of Doctor Who has been filmed there. The cast spent three days in the desert in Utah but that didn't stop hardcore Doctor Who fans from tracking them down. "It was very strange," laughs Matt. "We were in the middle of the desert and suddenly there was a lady with a campervan and deck chair, holding an iPad up with a moving screen which read 'autograph please!'. I mean how on earth she knew we were in the middle of the desert I have no idea, but it certainly proved her dedication to the show!

"The landscape was incredible," continues Matt, "and I think being in America, filming in that terrain, has definitely added a sense of scale and a filmic quality to this series of Doctor Who. It was an amazing experience and a brilliant laugh. I have to confess that I think the Stetson has been my favourite hat for the Doctor so far, 100 per cent. Viewers may well see more of the Stetson later in the series but I couldn't possibly reveal when..."

Alex Kingston joined Matt, Karen and Arthur in Utah to reprise her role as River Song and Matt admits it was great to have her back. "I'm very fond of Alex and I simply love the part of River Song because it makes the Doctor come unstuck; she's the one person in the world who knows more than him. I think Steven has written some really revelatory stuff about the character and she's extremely important to this series," teases Matt.

"We've also been incredibly lucky to welcome a number of fantastic guest stars including Hugh Bonneville, Suranne Jones and Lily Cole. James Corden also returns later in the series," reveals Matt. "I've admired so many people who have been involved and all of them have brought a touch of quality."

Matt also has high praise for his fellow co stars, Karen Gillan and Arthur Darvill. "I think with Rory, Arthur has perfectly judged the humour and he's got some fantastic storylines with Karen. I do think that Amy and Rory now being married has changed the dynamic in the TARDIS and in many ways it's the Doctor who is perhaps the odd one out," explains Matt. "However, Karen and Arthur are hilarious and together we are always mucking around between takes and telling silly jokes to annoy each other!"

Matt also reveals that his clumsy reputation is still fully justified! "I was chatting away to someone the other day on set and I had my hand on a lamp stand. Little did I know that as I was leaning it was actually turning and suddenly it came crashing down on my head!"

Perhaps it was lucky for the rest of the cast then that Matt wasn't tasked with any sword fighting in episode three which is set on a pirate ship: "It was 4am and we had four huge rain machines making us soaking wet but we all loved it. Karen had to do the sword fighting though," chuckles Matt, "I just had to walk round and act clever in the background!"

Karen Gillan on Series 6:

Karen Gillan burst onto TV screens last year as feisty companion, Amy Pond, and immediately secured her place in Doctor Who broadcasting history which has been an integral part of British culture since the Sixties. Returning for her second series aboard the TARDIS, Karen reveals what lies in store for Amy, the naughty tricks her co-stars play on her and why she has a newfound passion for fencing.

"There were clues planted in the last series that are going to become major storylines in this one," divulges a conspiratorial Karen Gillan; a revelation which is bound to have all "Whovians" avidly watching Series Five to spot what the Inverness-born actress is referring to.

"There's a really interesting arc in this series that involves all of the major characters and it's evident from the first episode that everyone on the TARDIS is withholding secrets from one another," continues Karen. "It makes for a fascinating dynamic between the characters and it's incredibly important to the overall series."

Karen also believes that Amy has more respect for her new husband Rory after his recent adventures. "I think Rory has perhaps developed the most out of all the characters," explains Karen. "By the end of last series he became a Roman Centurion hero and he had changed a lot; it felt like he had earned his place in the TARDIS. In fact, it's hard for me to imagine the TARDIS without him now!"

But has married life changed Amy Pond? Karen quickly sweeps that concern out of the way exclaiming: "if anything she is even more Amy Pondish! I don't think it would work for Amy to completely change now that she's a married woman and I certainly don't think she should become a subdued version of herself. However, I do think being married has helped to define the Doctor and Amy's relationship and I can reveal that something takes place this series which makes Amy see Rory in a new light..." teases the actress.

While the majority of filming for Doctor Who usually takes place in Cardiff, the cast found themselves in the middle of the desert in Utah last November to film scenes for the opening two-parter. "The new series starts with a real bang," exclaims Karen. "Filming in Utah was so much fun and I spent a lot of time running around the desert; the scenery was amazing and simply wouldn't have looked the same if we had filmed it in Cardiff against a green screen. The desert backdrop really gives the opening two episodes an epic feel."

However, it wasn't all fun for the actors as temperatures plunged below freezing at night and then they had to battle searing temperatures during the day. "We were all 'thermaled' up and I had on two pairs of trousers and four tops! Then the sun would come up making it blistering hot and we'd all peel off the layers," laughs Karen.

But despite the elements, Karen enjoyed being reunited with Alex Kingston who plays enigma River Song. "Alex is so much fun to have around," reveals Karen. "She makes the TARDIS team feel complete."

But the question on viewers' lips is: "will we find out who River Song actually is?"

"The ending of this first set of episodes has been hidden from everyone!" laughs Karen. "Even I got given a dummy ending to episode seven and it was only at the read-through that Steven Moffat took me, Matt and Arthur into the corridor to read the proper version on his laptop. We then all paced around going, 'oh my God!'. It's brilliant and viewers will just have to tune in to find out more. It certainly provides a fantastic cliff-hanger to see us through until the autumn."

Karen also reveals that this series is set to be the scariest yet with the debut of a number of new monsters. "Ooh, in particular I think The Silence, which are the new monsters in the opening two episodes, actually rival the Weeping Angels in terms of scariness and they look disgusting!" says Karen, screwing up her face in revulsion. "The concept behind them is ingenious because it feels like they are undefeatable, and this series also sees the return of some of the Doctor's oldest foes, but with an interesting twist..."

A new series of Doctor Who wouldn't be complete without a number of well known guest stars; Hugh Bonneville, Lily Cole, Suranne Jones and Marshall Lancaster are all billed in upcoming episodes.

"The great thing about this show is that it attracts big names and everyone who comes on set is so excited to be part of the Doctor Who experience," explains Karen. "These actors could all be off doing other things but they choose to come on the show because they are either fans or their kids are, so it makes the whole experience enjoyable. For me, it's also a wonderful experience to watch these people at work – it's like an acting masterclass every episode."

With each story set at different points in time and occasionally on alien planets, Amy Pond has certainly experienced a lot in her relatively short time on the TARDIS. But for Karen the episode that really stands out for her this series features Hugh Bonneville as a Pirate Captain in the 1600s. "I had a brilliant time filming this episode," reveals Karen. "Swinging across a pirate ship was a particular highlight and I loved doing the sword fight. I'd never done anything like that before so I literally picked up the sword and started learning moves with a stunt guy – in fact I loved it so much that I actually want to take it up as a hobby! Luckily I caused no major injuries on set, although I did collide with Arthur at one point but that was his fault."

It is clear that Karen has become firm friends with her co stars Matt Smith and Arthur Darvill and their chemistry certainly translates on screen. "We genuinely mess around all day," confesses Karen, "but I think that works because as a viewer I'd like to see the Doctor, Amy and Rory having fun. Of course we are serious when we need to be, but in general we clown around between takes and I think that helps to create chemistry on screen.

"Matt has also taken to hiding in my trailer and I'll go in, humming to myself, and then he'll just jump out at me and shout", giggles Karen. "The first time he did it was hilarious because he scared me so much that I fell backwards against the wall and slid down it! He also has an annoying habit of filming me when I fall asleep, while in make-up in the mornings, and it's a hideous sight – I'm not going to lie!" continues Karen. "Arthur eggs him on and the pair of them gang up but don't worry, I give as good as I get. Although it's brilliant when Alex Kingston is around because she knows how to handle them!"

So with two mischievous lads and a number of monsters to deal with, both Karen and Amy Pond have a lot to contend with, but where would Karen go if she had sole control of the TARDIS? "The tundra," she says, "no reason why! Just go with it!"

Arthur Darvill on Series 6:

Arthur Darvill won over Doctor Who fans last year playing Amy Pond's devoted boyfriend, Rory Williams. The pair are now enjoying life as newlyweds aboard the TARDIS and returning for his second series, Arthur reveals how his character has grown, what being married to the feisty companion is really like and how filming on a pirate ship made his childhood dreams come true.

Out of all the characters, Rory has perhaps been on the biggest journey since stepping into the TARDIS. "Last series I think Rory felt like he was on the outside looking into this world he was desperately trying to save Amy from," admits Arthur. "But he's very much inside that world now and married life has stopped him feeling so unworthy. He feels that he's proved himself."

Arthur believes that Rory's new-found confidence is all down to his exciting travels with the Doctor and Amy. "His sense of adventure has awoken," reveals Arthur. "But he hasn't become arrogant in any way, he's just more comfortable."

However, his new self belief hasn't helped him shake the nickname "Mr Pond". "I think Amy will always wear the trousers in the relationship. As much as Rory has proved himself, it's Amy after all, and I dare any man to be in charge of that relationship. She's a firecracker," laughs Arthur.

It's obvious that three isn't a crowd when it comes to life in the TARDIS, but how does Arthur find working with Matt and Karen? "They're brilliant, it's lucky we all get on so well. The most fun I have is when all three of us are together; it's a really good working relationship. It helps that we all came on board together because we're growing as a unit and keeping each other on our toes."

Doctor Who is known for its fantastic guest stars and the new series is no exception, featuring the likes of Hugh Bonneville as a Pirate Captain and David Walliams as a mole-like alien. Alex Kingston also makes a welcome return for Arthur, "Alex is back, which makes the team feel complete. She's just a dream to work with and is hilarious on set." But Arthur isn't daunted at the prospect of working with such household names. "Funnily enough I get more nervous meeting writers than actors," he recalls, "even more so with Neil Gaiman as he's just brilliant."

This year, the cast swapped Cardiff for Utah in the USA to film the epic opening two-parter set in the Sixties. "Filming in America was amazing, especially going to an area of America which I've seen in so many movies," says Arthur.

Asked what his highlight of the series has been, Arthur excitedly reveals that it was filming on board a pirate ship for the third episode. "Going on a pirate ship was unbelievable; it felt like we were on a movie set." But it wasn't pirates that Arthur was worried about; instead it was clumsy Karen Gillan let loose with a sharp weapon. "Karen got to do a massive sword fight and I thought she was going to be a liability. Someone was going to have their eye out at the very least! But she was actually pretty good, I think she'd been practising secretly," confides Arthur.

It appears Amy's swashbuckling skills could come in useful this series as Arthur hints that the monsters are scarier than ever before. "The ambition of the show has grown, there are a lot of surprises this year," hints Arthur. "It's not necessarily a big monster on the screen, but ideas that are presented in episodes one and two that keep building throughout the series." One monster stands out in particular for him. "I think The Silence are really going to blow people's socks off. They're terrifying," exclaims Arthur.

Rory and Amy may be settling into the routine of married life, but the honeymoon period definitely isn't over for Arthur when it comes to the show: "Everyone cares so much about it, which is what makes coming to work such a joy every day," he says.

[Source: BBC Press Office]

Interview - 5 Questions with... Charlie McDonnell

DWO caught up with YouTube video blog sensation and newly-appointed Doctor Who Confidential Reporter, Charlie McDonnell, regarding his latest projects, future prospects and his love for Doctor Who.

Some facts...You are the most subscribed YouTuber in the UK. You have over 70 Million video views. Youre in a band. You have your own album. And you've achieved all of this within the space of 3 years. At just 20 years old, you must be pretty proud of your fantastic achievements. Where would you like to be 3 years from now?

Well, first and foremost I'd definitely still like to be making videos for YouTube, though my style of video-making has changed a lot over the last three years so I don't really know what kind of stuff I'll be putting up in the future - I just know that I'll be doing it on YouTube! I love making stuff, so I have vague ambitions to work film and television in the future (whether that be in front of or behind of the camera) but only so long as I can have the kind of creative control that I'm used to getting on my YouTube channel. I've had free reign to do pretty much whatever I want recently because I've only had to answer to myself, so having decisions dictated to me my broadcasters and producers scares me a little, but it's still something that I'd love to try id I ever get the chance.

You're shortly going to be making a brief transition from YouTube to the BBC Red Button with a behind-the-scenes look at the 2010 Christmas Special. How did the opportunity come about, and what is it like having two of your passions rolled into one?

The videos are actually appearing on YouTube as well as the red button, so fortunately it's not too much of a transition for me! I n fact the whole red button thing happened very last minute and wasn't something I really thought about - I was just trying to make videos for the internet as I would normally, but within the Doctor Who theme. I also had members of the Confidential team to work with too, a cameraman and video editors, but I still directed everything in the same way that I would my normal YouTube videos, just with more people to help. Being able to combine two things that I love though, video-making and Doctor Who, has just been a joy, and a great learning experience too.

Doctor Who... Lets talk some more about that! We've seen some glimpses of Doctor Who in your YouTube videos, and we know youre a big fan. Lets get down to basics though Charlie; Favourite Episode (Classic and New), Favourite Doctor, Favourite Companion and Favourite Monster / Villain?

New Series: my favourite episode is "Blink", and has been since the moment it was aired, I can't get enough of it. I loved all of The Moff's episodes from the era before he was the Show-runner really, but I think I love Blink for the way it managed to tell such a brilliant, engaging and frightening story on such a small budget - it's something that, as a wannabe indie-filmaker, I really admire. I haven't seen much of the classic series, only a few of the best ones, and out of those I'd probably have to say "Genesis of The Daleks". I still don't have a favourite Doctor, I've never been able to pick one, Rory is by far my all time favourite companion. And for favourite monster, the Daleks. They never used to be, but I gained a real a appreciation for them and the Dalek operators when I learnt how to operate one myself during my time on set. There will hopefully be a video of that in the future, though not one of the ones building up to the christmas special.

Have you ever ventured along to any of the Doctor Who conventions, and do you collect any of the merchandise?

Unfortunately I can't say that I ever have been to a Doctor Who convention, I have a much firmer place in the YouTube community so, whenever I can go to conventions of any kind, they're usually related to something YouTubey. I do however have a few bits of merchandise sitting on desks, in cupboards, one in my bathroom, and a TARDIS T-Shirt sitting in my draw. I'm not really one to collect things like that, but apparently I haven't managed to help picking up Doctor Who kink-kacks...

If offered, would you ever like a part in Doctor Who, and have you ever considered an acting career?

For almost my entire life, my dream was to become some kind of actor, but that ambition was shattered a couple of years ago when I realised that, truly, I just wasn't very good at it. I'd love a part in Doctor Who just for the sheer thrill of being on the show, but I think the chances of me actually being on it are pretty slim, simply because, for whatever role I could fit into, they'd probably be able to find someone better to cast than me! Maybe I'll be an extra or something, but for the moment, hanging out behind the scenes will do :)

 Check Out more DWO interviews in the Interviews section of our Features area, here.

 Check Out the CharlieIsSoCoolLike YouTube Channel, here.

[Source: Doctor Who Online]

Karen Gillian in ShortList Magazine

Karen Gillan features in more ways than one in the current issue of ShortList Magazine, available online.

As well as an interview in which she discusses her career with a focus on Doctor Who, Karen also has a photo-shoot, with some images that are sure to warm the blood of even the coldest snowman this Christmas.

 Check Out Karen's Photo Shoot on ShortList!

[Source: Tom Cullen]

<mce:script

No Classic Series Monsters in Series Six?

The next series of Doctor Who will not feature any old monsters according to executive producer Piers Wenger.

The new series, the sixth since Doctor Who was revived in 2005, will instead feature new monsters. This means its unlikely that the Daleks, Cybermen or other enemies from the original series or indeed the more recent past will be back next year. When asked about the possibility of old monsters featuring in the next series Wenger said;

"No, we're bigger fans of new monsters. That's where we are. I think Steven's written the best new "Doctor Who" monsters in a long time in the [season] opening two-parter. That's where our energies are focused, really.."

The statement by Wenger could of course be a little white lie to keep fans in the dark over any planned returns.

 Read the full interview with Piers Wenger at Crave Online.

[Source: Crave Online]