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7.2: Dinosaurs on a Spaceship - DWO Spoiler Free Preview

DWO have seen 7.2: Dinosaurs on a Spaceship and have put our spoiler-free preview together:

When Steven Moffat referred to this new series as "filmic" and "like standalone movies", it's difficult to think how such a thing would be possible with the restriction of a 45-minute time-slot - not to mention BBC budgets, but the Doctor Who team being who they are, only went and did it - in spades!

Dinosaurs on a Spaceship sees us travel from Egypt 1334 B.C. to Earth 2367 A.D. and then back in time to the African Plains of 1902 A.D., before we're brought crashing back down to the mundanity of real life in the Pond household. And that's all before the title sequence!

Sure, there's a lot crammed into this 45-minute episode, but rather cleverly (and miraculously) it doesn't feel cluttered or rushed. The Doctor has a total of 5 companions with him on this particular outing (not all of them are willing), and it leads to a surprisingly refreshing gear change that, on paper, shouldn't work, but to watch on screen is thoroughly entertaining.

The idea that The Doctor can pick up a companion of his choosing, anywhere in time and space is really quite fun and explored rather mischievously here - especially when they turn out to be Queen Nefertiti (Riaan Steele) and big-game hunter, John Riddell (Rupert Graves). An odd pairing, but one that works all the same - and with dinosaurs abound, The Doctor is going to need all the help he can get!

We mustn't forget Amy and Rory, though! There's plenty of Pond action for you to be getting on with. Amy in particular comes forward and shows off some of the skills she has learnt from her time travelling with The Doctor. Rory feels a little underused, however, which is a shame considering the momentum of his character development in recent episodes.

Together with a particularly unlikable villain (played by the wonderful David Bradley of Harry Potter fame) as well as two equally unlikeable (though slightly irritating) robot servants (voiced by comedians David Mitchell and Robert Webb), Dinosaurs on a Spaceship is incredibly well-rounded.

But lets get to the bit everyone wants to hear about, The Dinosaurs!!! Firstly, they are fantastically well done. The CGI shots are of the highest calibre (kudos to The Mill) and the model shots are so realistic, they give Spielberg's Jurassic Park a run for its money. Speaking of which, there are a couple of obligatory nods to the aforementioned movie, with Murray Gold's awesome score feeling quite John Williams-esque in places.

Writer, Chris Chibnall, has to be commended for this script. It would have been so easy to get carried away with the concept of throwing Dinosaurs into a Doctor Who story, but they're not overused. Everything and, more importantly, everyone, fits together nicely. Action-packed would be a bit of an understatement for this episode, and when you throw the words 'Doctor', 'Triceratops' and 'Golf Ball' together…well…just wait and see!

Five things to look out for...

1) Were introduced to another member of the Pond family (or should that be Williams).

2) It's been 10 Months since the events of Asylum of the Daleks.

3) The Doctor has a gang now!

4) The Doctor still has a Christmas List!

5) "Doctor, after all this time…"

[Source: Doctor Who Online]

New BBC Two drama to mark 50th anniversary of Doctor Who

The BBC today announced that a special BBC TWO drama has been commissioned to mark the 50th anniversary of Doctor Who next year.

An Adventure In Space And Time will tell the story of the genesis of Doctor Who since its first broadcast on 23rd November 1963. Exploring all aspects of the longest running science fiction series to date, the special one-off 90-minute drama will also look at the many personalities involved in bringing the series to life.

Written by Mark Gatiss, it is executive produced by current Doctor Who showrunner, Steven Moffat, and Caroline Skinner. The single drama was commissioned by Ben Stephenson Controller, Drama, and Janice Hadlow, Controller of BBC Two.

Mark Gatiss said: "This is the story of how an unlikely set of brilliant people created a true television original. And how an actor - William Hartnell - stereotyped in hard-man roles became a hero to millions of children. I've wanted to tell this story for more years than I can remember! To make it happen for Doctor Who's 50th birthday is quite simply a dream come true."

Steven Moffat, Executive Producer, said: “The story of Doctor Who is the story of television - so it's fitting in the anniversary year that we make our most important journey back in time to see how the TARDIS was launched.”

The production and transmission schedule will be confirmed next year, along with casting.

[Source: BBC Media Centre]

Diana Rigg and daughter Rachael Stirling to star in Doctor Who

Mother and daughter Dame Diana Rigg and Rachael Stirling are to star side by side in a Doctor Who adventure to be broadcast next year. It is the first time the pair have worked together on screen.

The actresses will play a mother and daughter with a dark secret alongside Matt Smith, as the Doctor, and new companion Jenna-Louise Coleman. Filming began this week at Roath Lock Studios in Cardiff.

Dame Diana Rigg, who played Emma Peel in The Avengers in the 1960s, will play "a Yorkshire local". She said:

"The first time Rachie and I will be working together is on an episode of Doctor Who specially written for us by Mark Gatiss. How lucky is that?"

Rachael Stirling said:

"I'm looking forward to the madness of Doctor Who enormously. Mark Gatiss has written a gift of a script and an on-screen relationship between Ma and I that is truly delicious. We have never before worked together because the offers have not been tempting, but when such a funny and original script comes through you know the time has come."

Stirling's TV work includes Women In Love and Tipping the Velvet.

Doctor Who's executive producer Steven Moffat said:

"Dame Diana Rigg, Rachael Stirling and a Mark Gatiss script - a combination of talents you could only get in Doctor Who! Frankly, I'm terrified already!"

[Source: BBC News]

Nebula Award Win For The Doctor's Wife

Writer, Neil Gaiman and Director, Richard Clark have scooped up an a win at this years Nebula Awards for their work on the Series 6 story; The Doctor's Wife.

The award was won in the 'Ray Bradbury Award for Outstanding Dramatic Presentation' category, which also signifies the first time Doctor Who has ever won at the awards. It was the only television episode to make it to the category and was up against stiff competition from The Adjustment Bureau, Attack the Block, Captain America, Hugo, Midnight in Paris, and Source Code.

On winning the award, Neil Gaiman (@NeilHimself) took to Twitter with the following words:

"Just won a Bradbury award at the #nebs2012 for The Doctor's Wife. Thanked everyone, including Verity Lambert and Sydney Newman. #glowing"

Gaiman also tweeted a picture of the award [pictured right].

Steven Moffat (@Steven_Moffat) congratulated the pair via Twitter with the following tweet:

"Hey, you two! FANTASTIC news. Doctor Who has never bagged one of those, tho' we've tried. Clearly we needed YOU."

Richard Clark (@rclarkie) replied with the following tweet:

"Too kind. It's not everyday you can claim to have stolen a march on Scorsese AND Woody Allen. Giggle."

DWO would like to extend its congratulations to Neil, Richard and the whole of the Doctor Who team on winning this fantastic award.

[Source: SFWA]

Steven Moffat to receive Special BAFTA

Doctor Who Showrunner and Sherlock co-creator Steven Moffat is to receive a special prize at this year's BAFTA TV awards, organisers have announced.

Recognising his "outstanding creative writing contribution to television", the award will be presented on 27 May at London's Royal Festival Hall.

Previous recipients include Russell T. Davies, who preceded the 50-year-old Scot as Doctor Who's head writer.

"Blimey! A special award!" said Moffat, "I didn't even know I was ill."

The accolade follows the writing prize he received at last Sunday's BAFTA Craft Awards for A Scandal in Belgravia, the first episode of Sherlock's second series.

The Paisley native won his first Bafta in 1991 for Press Gang and was further recognised for his work on Doctor Who and Sherlock in 2008 and 2011 respectively. Moffat said he was "so thrilled" to be recognised again, "especially after two years of [working on] my two favourite shows ever".

Bafta chair Tim Corrie described him as "one of the finest exponents of his craft" and said the special award - presented in honour of Dennis Potter - was "very well deserved".

Sherlock star Benedict Cumberbatch is up for the best actor prize at this year's awards, which will also see his co-stars Martin Freeman and Andrew Scott go head to head in the supporting actor category.

[Source: BBC News]

List: 10 Things Inspired by The Moff's Hair

We regularly get requests from our visitors wanting us to post some Top 10 lists, so we thought we'd get the ball rolling with one that can only be described as the stuff of legend; Steven Moffat's Hair!

DWO therefore proudly present:

10 Things Inspired by The Moff's Hair!

Thing #1 - The Portugese Water Dog

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Perhaps the biggest influence The Moff's hair has ever given was to that of the Portugese Water Dog. The breed formally known as 'Poodle' decided to take the next step in its evolutionary path, after a chance viewing of Dogtor Who Confidential way back in 2005. The breed, which no-one has ever heard of until now, is also the dog of choice in the Obama household!

Thing #2 - Purple Sprouting Broccoli

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Up until 2005 all we had was green Broccoli, sure it tastes good, but we can all agree it was lacking something - that was, until The Moff arrived on the scene. Suddenly, TV chefs everywhere, up and down the country were using a suspiciously new variety touted as the 'purple sprouting broccoli'. This lead to the Vegetable Patch craze (known as 'patching') that swept the country in 2006, where fans (believing they had sighted The Moff) arrive en-masse to allotments and vegetable patches in the hopes of a sneaky autograph. Alas, Anthony Worrall-Thompson was made the scapegoat, and blamed for stealing the regular green varieties (from Tesco), painting them a dark purple, and planting them nationwide.

Thing #3 - The Health Lottery

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2011 saw the arrival of The Health Lottery - complete with Moff-hair-wearing mascots. The principle behind the scheme was that for every £1 spent, 50 pence will go to the Hair & Make-Up department at BBC Wales to ensure the future preservation of The Moff's hair. The other 50 pence is channelled directly into the NHS to fund patients looking to recreate their icon's famous bounce. Winners who correctly matched all 5 numbers win £100,000 as well a curling iron made out of pure gold, laser signed by The Moff himself.

Thing #4 - James Nesbitt in Jekyll

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In the year of our Moff, 2007, Steven Moffat approached the BBC with a pitch for a brand new series based on the story of Jekyll and Hyde. Having seen Steven's recent Doctor Who episodes, they jumped at the chance and so casting began. James Nesbitt was the actor of choice for The Moff, but despite being offered the role flat out, Moffat was thrice turned down by the actor owing to Nesbitt wanting to emulate Moffat's hair in the role as it "just felt right". Moffat finally agreed and production was fast-tracked for the June air date.

Thing #5 - The Microphone

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In 1876, Emile Berliner invented the first Microphone, but history forgets that it was his partner Douglas McBarnet Moffat (great-grandfather of The Moff), that actually inspired the design. Carrying the same genes transported through time in what can only be described as a 'timey-wimey' transference, Douglas passed down the famous follicles, and in 2012 they are just as inspirational today as they were all those years ago.

Thing #6 - Black Tennis Balls

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You heard it here first! Back in 2008, the Duchess of Kent - a huge fan of The Moff, tried to pass a bill through to the Wimbledon Board of Governors to allow the use of Moffat-inspired Black Tennis balls. Deemed as "too radical" and "too distracting to one's eye", the bill was sadly not passed, and the image above is the last surviving reminder of what we believe could have changed the face of Tennis as we know it.

Thing #7 - Sideshow Bob from The Simpsons

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Cast your mind back to 1990 and you will remember the appearance of the villainous Sideshow Bob in The Simpsons. Matt Groening, creator of the show, was a huge fan of Moffat's work and after watching his ITV production of The Devil Wept in Leeds, he wanted to immortalise The Moff in his own show. Although the hair colour may not be the same as Moffat's (save, that time in the summer of '69 when The Moff experimented with Lemon juice), the texture of Sideshow Bob's hair was identical, and thus a popular recurring character was born.

Thing #8 - David Tennant's new look

   

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In 2008 David Tennant took a short break from Doctor Who to perform his now famous portrayal as Hamlet for The Royal Shakespeare Company. Tennant had a few months before he had to return to the show, and wanted to try out some new hairstyles. The Moff was top of his list for inspiration and paid a whopping £5000 on achieving the new look. Unfortunately the RSC were not very happy with his new locks and ordered him to wear a beanie [pictured] until it grew out a little longer.

Thing #9 - River Song

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2008 also saw the first appearance of River Song, as played by Alex Kingston. Having being asked to return to Series Five with new Doctor, Matt Smith, Kingston had a few 'requirements' to settle before signing the contract. Having been good friends with James Nesbitt and seeing his success in Jekyll, Kingston wanted to emulate the same hairstyle (originally inspired by The Moff). Once more Moffat reluctantly agreed. Kingston was keen on knowing how Moffat achieved his legendary look, to which Moffat replied "I will tell you when we begin production on the next series, but you can not tell anyone, not a soul, not even Matt, Karen or Arthur - at least not until Episode 7."

Thing #10 - The H Bomb

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Bit of a controversial one, but it is a known fact that the first H Bomb was exploded in 1952 - just 9 years before The Moff was born. Coincidence? Well...yes, actually. But you gotta admit, the shape of the explosion is almost identical to that legendary do! 

[Source: DWO]

Series 7 to Premiere 25th August / 1st September

Series 7 of Doctor Who will begin airing on either Saturday 25th August or Saturday 1st September.

The possible airdates come after the announcement that Episode One of Series 7 will be getting its premiere at the MediaGuardian Edinburgh International TV Festival in August.

The festival, which takes place between 23rd-25th August 2012, will be screening the new Dalek episode (rumoured to be titled 'Asylum of the Daleks'), as well as hosting a Sherlock Masterclass led by Showrunner, Steven Moffat, Co-creator, Mark Gatiss, and Producer / Wife of The Moff, Sue Vertue.

DWO have therefore deduced (see what we did there) that Series 7 will either get its BBC One premiere on Saturday 25th August, or Saturday 1st September.

[Source: The Guardian]

Doctor Who Magazine - Issue #447

The Daleks are back and Doctor Who's boss Steven Moffat is spilling the beans in DWM #447.

"We’re going to have the most Daleks we’ve had on screen ever – but they will be from every era, quite deliberately. We’re calling them in from everywhere! All of them! Even the Special Weapons Dalek. They'll all be there…" STEVEN MOFFAT talks in depth about his version of Doctor Who in an exclusive, revealing, in-depth, eight-page interview…

ALSO THIS ISSUE:

CONQUER AND DESTROY!

The Daleks are the most feared race of creatures in the entire universe and will stop at nothing to achieve their goal of total intergalactic domination. And they've concocted more than a few audacious schemes to achieve this aim – not all of which, it has to be said, have been entirely successful. JONATHAN MORRIS unearths the Daleks' own assessment of their successes and failures.

I AM NOT THE MOFF YOU ARE LOOKING FOR!

Doctor Who's commander-in-chief, Steven Moffat, writes exclusively for DWM in PRODUCTION NOTES! Find out what the Moff things of his nickname, how he's getting along (or not) with the script for the Christmas Special and what he had for lunch in New York! 

FAREWELL TO PHILIP

PHILIP MADOC, who played four notable roles in Doctor Who in the 60s and 70s – including the War Lord in The War Games and Doctor Mehendri Solon in The Brain of Morbius – passed away in March of this year, at the age of 77. Marcus Hearn takes a look back at the actor's distinguished career and at his contribution to Doctor Who.

END OF AN ERA

COUNTDOWN TO 50 continues its season-by-season analysis of Doctor Who, and the mood is sombre as we reach 1980/81 with Series 18 and bid farewell to Romana, K9 and, of course, Tom Baker's Fourth Doctor as he takes his fateful fall from the Pharos Project radio telescope.

LOST IN TRANSLATION

Shopping can be dangerous to your health as Amy and Rory have found out when the Monos menace strikes London. Meanwhile, as the capital's inhabitants succumb to Monos mania, the Doctor and his new friend Bill discover the source of the trouble. Monos! Monos! Monos! It's the second instalment of STICKS & STONES, written by SCOTT GRAY with art by MARTIN GERAGHTY.

CHEMICAL REACTION!

The Third Doctor, Jo Grant and UNIT become involved in a green movement – in more ways than one – in a Welsh mining village. Giant maggots, toxic chemical waste, an insane super computer, a rather tasty fungus, and angry Welshmen – 1973's THE GREEN DEATH takes its turn under the microscope in THE FACT OF FICTION.

ALL BY MYSELF?

JOHNNY CANDON and TOBY HADOKE cross swords once again in their latest BATTLE OF WITS! This issue, the hot topic for debate has been inspired by the imminent departure of companions Amy and Rory: should the Doctor travel with a regular companion or is he better off alone? 

A SILVER SIDE-STEP

THE TIME TEAM has been upgraded to four pages this month as Chris, Emma, Will and Michael sit down to watch the Tenth Doctor, Rose and Mickey's battle with the Cybermen on a parallel Earth in the two-part story RISE OF THE CYBERMEN/THE AGE OF STEEL. 

OUT OF STOCK

A History of Doctor Who in 100 Objects reaches number 18 and finds The Watcher mourning the last use of film for a live action sequence in Doctor Who in The Serving Hatch of Rassilon. Plus the latest Top Ten Pop Acts, the challenge of The Six Faces of Delusion, the oh-so painful Stockbridge English Dictionary, the hapless Supporting Artist of the Month – all crammed onto one fabulous single page, it's WOTCHA!

PLUS! All the latest official news, TV and merchandise reviews, previews, competitions, a prize-winning crossword and much, much more!

+  Doctor Who Magazine Issue #447 is out on Thursday 3rd May 2012, priced £4.50.

+  SUBSCRIBE and get a FREE Doctor Who Audiobook, 1 x Special and Worldwide Shipping for £85 via CompareTheDalek.com!

+  Check Out DWO's Guide to every issue of Doctor Who Magazine!

[Source: Doctor Who Magazine]

Karen Gillan Officially Joins Twitter

Karen Gillan has officially joined the Twitter Social Networking site.

Fans can now interact with Karen through her Twitter account (@KarenGillan2), which has also been confirmed by co-star Arthur Darvill (@RattyBurvil) and Showrunner, Steven Moffat (@Steven_Moffat).

It is beleved that DWM scribe, Benjamin Cook (@Benjamin_Cook) may have had a slight hand in helping convince Karen to join during the current filming block taking place in New York, and he's apparently working on getting Matt Smith to join also, so watch this space!

Please note that anyone else claiming to be either Karen or Arthur is an impostor, and only the accounts listed above are official.

+ Check Out The DWO Guide to Doctor Who on Twitter.

[Sources: DWO; Twitter]

6 Doctor Who Episodes This Year - 8 Next Year

The BBC have confirmed the scheduling and some further details for Series 7 of Doctor Who.

It was announced at today's press conference, which also saw the confirmation that Jenna-Louise Coleman would be the new Doctor Who companion, that there will be 6 episodes of Doctor Who (including the Christmas Special) this year, and 8 episodes next year.

Steven Moffat also confirmed that Rory and Amy's last episode will be Episode 5, and that "Amy & Rory will leave in a final encounter with the Weeping Angels. Not everyone gets out alive and I mean it this time".

More news to follow...

[Source: BBC]

Matt Smith discusses Doctor Who future

Matt Smith reckons he'll get traded in for a "younger, cooler person" on Doctor Who some day.

The actor has won critical acclaim - and a best actor gong at last week's National Television Awards - since he was announced as the 11th Timelord in 2009. But the 29-year-old admitted he wouldn't be playing the role forever.

"I just sort of take each year as it comes really. We've got all the rest of this year to get through and then we'll just sit down and review it from there and see where it goes," Matt said.

"But I love playing the part and I love working with (writer) Steven Moffat."

Referring to Tom Baker, the longest-running Doctor from 1974 to 1981, he added: "I think there will need to be a younger, cooler person than me - or maybe an older, cooler person, who knows? But I don't think I'll be doing it as long as Mr Baker."

Shooting on the new series starts mid-February and Matt - who will be joined by a new sidekick following the departure of co-star Karen Gillan - said he stays healthy to cope with the hectic filming schedule.

"Fruit, vegetables, good sleep if you can and preparation is the key," he explained.

[Source: Press Association]

Amy and Rory to Leave During Series 7

Karen Gillan and Arthur Darvill - who play Doctor Who companions Amy Pond and Rory - are to leave the show during the next series.

Doctor Who boss Steven Moffat made the announcement at a screening of the Christmas episode at BBC TV Centre in London.

"The final days of the Ponds are coming," Moffat said. "I'm not telling you when or how, but that story is going to come to a heartbreaking end."

He said the Doctor, played by Matt Smith, was going to meet "a new friend". It is believed that role has not yet been cast.

On the departure of Gillan and Darvill, Matt Smith said:

"We had the most incredible journey. We took over the show and we've really had to hold hands and help each other through it. So it's very disappointing, but one has to remember that this show is about change and regeneration, and that's what galvanizes it and pushes it forwards."

[Source: BBC News]

Moffat Talks Doctor Who Series 7

Speaking in Issue 442 of Doctor Who Magazine, Doctor Who showrunner, Steven Moffat, gives an insight into how Series 7 is shaping up.

"I'm back at work and I've started on Epiosde 1. Other writers are out there writing. It really is a chance for us to get several scripts - quite a few scripts, I'd say - in place before we get anywhere near actually filming. We're making more episodes than ever before, we've got other things planned for the big year [2013, the show's 50th anniversary]."

Steven explains why there may be no two-parters:

"The big thing is, nothing in the next run is starting out as a two-parter. At this stage, everything is a single episode, and the only reason anything will become a two-parter is if we think it needs to be; not so much that the story is too long for 45 minutes, but if it feels as though there are two distinct stages to the story. I was looking at the facts and stats, and it's not true that the two-parters save us money. We've assumed it for years. They don't save us money at all. Not a penny. So what's the point in them? I want to be able to say, every week, we've got a big standalone blockbuster, and then a trailer that makes it look like nothing compared to what's going to happen next week! That's the form next year."

On titles and plots, Steven adds:

"I want slutty titles and movie-poster plots. I want big pictures and strap lines. The first episode I'm writing is called [Spoiler] of the [Spoilers]! And it feels a bit like Die Hard, that first episode. Everyone is expecting us to do another year like 2011. You're not going to get that at all. You're going to get the biggest, maddest set of episodes ever."

+  Subscribe to Doctor Who Magazine via Unique Magazines.

[Source: Doctor Who Magazine]

Moffat Clarifies Doctor Who Movie Rumours

Speaking in the latest issue of Doctor Who Magazine (442), Doctor Who Showrunner, Steven Moffat had the following to say regarding the recent Doctor Who movie rumours:

"The very brilliant David Yates was talking off the cuff and a little prematurely: there simply are no developed plans for a Doctor Who movie at the moment. But it's an incredibly exciting idea to get that magic blue box flying across our cinema screens, so stand by for further developments.

However, if and when the movie happens, it will need to star television's Doctor Who - and there's only every one of those at a time. And it would need to come out of the same production operation that makes the series. Doctor Who is a vitally important BBC brand with a huge international audience and not even Hollywood can start this one from scratch.

So sorry if there's been any confusion, but on the plus side it has reminded us all what an exciting prospect this could be. Whatever happens, the BBC and BBC Worldwide will work together to ensure that we don't just get a movie, we get the movie everyone wants. But keep asking me about it - maybe I'll surprise you with an answer!"

+  Subscribe to Doctor Who Magazine via Unique Magazines.

[Source: Doctor Who Magazine]

Official Doctor Who Convention

BBC Worldwide today revealed details of the first ever official Doctor Who Convention since the series’ regeneration in 2005. The event will take place on the 24th and 25th March 2012 at the Millennium Centre in Cardiff, Wales - the current home of the show.  

Billed as the ‘Ultimate Doctor Who Fan Event’, there are just 1500 tickets available for each of the days – the programme is the same on each day to give attendees the most  in depth experience possible. Fans who manage to snap these up will gain unrivalled access to Eleventh Doctor star Matt Smith, Series Lead Writer and Executive Producer Steven Moffat and many more key members from the award-winning cast, crew and production team including Doctor Who Special FX Supervisor Danny Hargreaves, Production Designer Michael Pickwoad, Doctor Who Producer Marcus Wilson and the award-winning Millennium FX team. 

The unique interactive programme will include theatre sessions and Q&As with cast and crew; behind the scenes sessions show-casing the script to screen process; discussions with episode directors and writers and demonstrations from Special FX and prosthetics experts that will illustrate the challenges and scale of their work on the world’s longest running sci-fi show. Autograph and photo opportunities will also be available with attending cast members and there will be official Doctor Who merchandise and collectables on sale.

Convention attendees will be let into the secrets of Doctor Who special effects as Danny Hargreaves and his talented team, reveal the tricks used to create the stunning physical effects that leave audiences on the edge of their seats. Watch them recreate a spectacular battle scene with live pyrotechnics, amazing explosions and laser effects. 

Even more tricks of the trade will be unveiled by the award-winning Millennium FX team responsible for creating some of Doctor Who’s most iconic monsters including the Silence; the Silurians; the Weeping Angels and the Ood. The team will be giving a live demonstration of the skilful process involved in prosthetics application that fans can watch up-close and learn from the team how each stage is achieved. 

Convention attendees will also be able to get up close and personal with rare costumes and props from the show where designers and experts will be on hand to answer questions about the origins and history of the items on show. The Millennium Centre itself has starred in several episodes – it was the setting for a hospital in New Earth in Series 2 run by the cat-like Sisters of Plentitude, in Tom McRae’s episode The Girl Who Waited in Series 6 the building featured as a principle location on Apalapucia – the kindness facility where people were quarantined, see if you can spot the top floor balcony where Amy fought with a Handbot!

Matt Smith commented on the convention’s announcement: “It’s brilliant that the first official convention is being held in Cardiff, the home of Doctor Who. I’m really looking forward to seeing the fans there, and remember – bow ties are cool!” 

Steven Moffat said: “A whole weekend dedicated to all things Doctor Who, brilliant! We’re going to be celebrating the whole team behind the show, people who bring to life the Doctor's craziest adventures and letting fans into some of our trade secrets. If you want to get under the skin of Doctor Who this is an unmissable event!”           

All tickets will include:

-  Official Doctor Who Convention souvenir ticket.

-  Official Doctor Who Convention souvenir lanyard and pass.

-  Official Doctor Who Convention exclusive behind the scenes images postcard pack.

-  Official Doctor Who Convention bag.

+  Tickets are priced £99 will go on general sale on November 14th from 9am from: www.dwconvention.com.

[Source: BBC Worldwide]

Steven Moffat On Plans For Doctor Who's 50th Anniversary

Thursday saw the launch of BBC Books The Brilliant Book of Doctor Who 2012, and lurking within the (completely awesome) 164 pages of Doctor Who goodness, lies a wonderful interview with showrunner, Steven Moffat, who goes on to talk about the 2013 series.

Speaking to renowned interviewer, Benjamin Cook, Moffat describes the anniversary year in one word: "Scale".

...And then a few more words: "Epic, huge, massive, indulgent... all your treats at once. The BBC is committed to the 50th anniversary, everyone is committed to it... and I guarantee you it's going to be the best year ever to be a Doctor Who fan. We're going to be in production for longer than ever, just to do everything that we intend to do".

+  The Brilliant Book of Doctor Who 2012 is Out Now, priced £12.99.

+  Compare Prices for this product on CompareTheDalek.com!

[Source: The Brilliant Book of Doctor Who 2012]

AOL interview with Steven Moffat

AOL have recently added an interview with Steven Moffat looking at his tenure on Doctor Who, River Song and iconic villains (to name just a few topics).

I'm really interested in an idea you've been exploring this season, that the Doctor's past choices and actions -- all these things are coming home to roost for him. Was that always where you wanted to take the show or the character, or was this something that came to mind after your first season on the show?

I think there's just some weird thing that happens with a character like the Doctor. When you bring him back in 2005, he's the lone drifter that no one's ever heard of, but gradually and inevitably, he becomes the greatest hero in the universe. He can stand up in the center of Stonehenge and say, "Come on, do you think you're hard enough?"

And what does the man who just wants to be a drifter, who just wants to just knock around a bit, think about that? And I think within the mad, mad, mad world of 'Doctor Who,' it's not an incredible development that, of course, the Daleks would be sort of wetting themselves when he turns up. Of course, he'd become a legend. Of course, all of those things would be happening.

But why would he be comfortable with that? And you know, he actually abuses this to some degree in [the mid-season finale] 'A Good Man Goes to War,' he abuses the power of it and starts calling in favors and it doesn't work out for him. So that's interesting.

I'm interested in the conception of the River Song story. In 'Silence in the Library,' did you already know she was going to be the daughter of a companion?

Oh no, no. I mean, it was one possible theory. Why is it somebody who's got such connections, who would that be? Is it just a future companion? What if it's somebody's got a lifelong commitment to the Doctor or his companion? So when I introduced Amy, I kept my options open [and used the name Pond]. I thought I was doing [the name thing] in plain sight and nobody [caught] it for a long while. But I didn't know at the time Karen was going to stay long enough for that story to come off. I didn't know if Alex would keep coming back.

So Plan A held, but there were other ones, including the [Plan B] that maybe River never came back at all and you could just imagine that she knows the 59th Doctor in the far future.

+  Read the full interview at AOL TV.

[Source: AOL TV]

Remaining Series 6 Episode Titles

Radio Times have printed Steven Moffat's guide to the rest of Series 6, complete with all episode titles.

Episode 8: Let's Kill Hitler

Written by Steven Moffat

Amy and Rory have waited a long time for news of their daughter. Too long. But when they summon The Doctor, the consequence will change all their lives. The TARDIS crashes into Belin in the 1930's and they find themselves face to face not only with Hitler, but with a unique assassin from the distant future - and that's only the beginning. In the Fuhrer's office, at the heart of the Third Reich, The Doctor is in for one of the biggest shocks of his very long life...

Episode 9: Night Terrors

Written by Mark Gatiss

Horror in Doctor Who comes in many forms and many places, and a cry of distress reaches the TARDIS from the darkest and scariest place in universe. But where is it exactly? This story began with Mark Gatiss and me chatting on the set of Sherlock. "I'd like to do scary," he said. "Do you know where the scariest place in the universe is?" I've known Mark for a while. If he's decided to tell me where the scariest place in the universe is, I'd better listen. "Where?" I quavered from behind my rapid-deployment Doctor Who fear sofa. "A child's bedroom" he answered.

Parents of Britain - sorry, and good luck!

Episode 10: The Girl Who Waited

Written by Tom MacRae

Time Travel is more than just an element of Doctor Who - it's one of the main characters. I'm going to boast now and say that Tom MacRae's stylish and moving script is one of the best uses of time travel in any story anywhere - mind-blowing and heart-breaking in every twist and turn. The Doctor has been in Amy and Rory's life for a long while now - far longer than he ever intended. What if something were to go wrong?

When they step from the TARDIS into a strange white waiting room, they're all about to learn just how wrong time travel can go...

Episode 11: The God Complex

Written by Toby Whithouse

The brief to brilliant writer Toby Whithouse was just this - a hotel: make a hotel scary. All those corridors, all those identical rooms, those bleak and soulless bars and waiting rooms, that tinkling musak - surely all that was made for Doctor Who, where the scariest things of all come bleeding through the ordinary world.

If you've seen Toby's wonderful Being human, you've probably already decided he's a sick and twisted man. Doctor Who is delighted to confirm this simple truth for a BBC1 audience. (Oh, and do you have a ventriloquist dummy lurking somewhere in your house? Just asking, no reason...).

Episode 12: Closing Time

Written by Gareth Roberts

The Lodger was a surprise hit of last year's Doctor Who. It was a simple tale of a barmy Time Lord in a flatshare with a nice man called Craig. Except when you say one them's Matt Smith and the other is James Corden, then frankly you've got enough going on for a whole other series. I leapt at the chance of a sequel and writer Gareth Roberts leapt at the chance to take up his story again.

Events have moved on in Craig's life when The Doctor turns up on his doorstep for a second time; there's a terrible alien threat, of course, but never mind that - dear God, there's a BABY!

Episode 13: The Wedding of River Song

Written by Steven Moffat

"I don't want to marry you."

"I don't want to murder you."

And here it is at last - the episode with all the answers, as The Doctor journeys to Lake Silencio for his date with destiny. While I was writing this, my wife asked me, "What happens?" and when I frownedm and pondered my answer, she hurriedly added, "In one sentence. Quite a short one." I thought a moment and said, "The Doctor goes to his certain death - and it doesn't work out as well as he'd expected."

So welcome to what is, without doubt or serious competition, the wedding of the year! Wary reports indicate that it could make On Her Majesty's Secret Service look like a fairly successful honeymoon...

+ Buy this issue of Radio Times from CompareTheDalek.com.

[Source: Radio Times]

New Executive Producer Announced

The BBC Doctor Who website has confirmed details via an interview with Steven Moffat, of the show's new Executive Producer, Caroline Skinner, who replaces Piers Wenger:

These are exciting times for fans of Doctor Who. We've recently had the very welcome announcement that 14 new episodes have been commissioned along with confirmation that Matt Smith will be onboard for them. Hurray! Now comes the news that a new executive producer has been appointed. We felt it was the perfect moment to catch up with lead writer and executive producer, Steven Moffat, who revealed all about the new exec...

What can you tell us about Doctor Who's new executive producer?

Steven Moffat: The exec joining me on Doctor Who is Caroline Skinner - fresh from the wonderful Five Days, and still finishing up on a brand new show called The Fades (a fantasy horror series, written by Jack Thorne - I've seen episode 1, and it's BRILLIANT.) Somewhere between me laughing in a basement and choosing planets to invade, and Marcus Wilson raising armies, there has to be a Prime Minister actually running the whole thing. That's the job Piers Wenger and Beth Willis have been doing so wonderfully for the last few years. Now that Piers is off to movie land, that's the furnace Caroline will be walking into.

How did you meet her?

SM: It's a funny thing about this show: the people who work on it, get so attached and so passionate about it, they can't just leave - they have to make sure it's going to be okay after they're gone. Just as when Russell was leaving, he sounded me out about taking over, Piers had strong views on who should be his successor. And as soon as I met Caroline, I knew exactly why. It takes a particular kind of person to work on this show - you have to be prepared to work every day of the week, laugh in the face of holidays, and above all, understand that Doctor Who is completely impossible to make and then make it anyway. I could see all that in Caroline - so off we go!

When will she actually start on the show?

SM: This has been in the works for a very long while, and a smooth succession is vital on this show. Caroline starts work almost immediately on the Christmas Special, alongside Piers Wenger. They've worked together before so this will be the smoothest hand-over we've done - and since Piers is determined to go out with a bang, that means Caroline will arrive with one. Just as it should be!

What are you working on at the moment? Is there anything you can tell us about the Christmas Special?

SM: I think I spent the entire budget on the first page. A baptism of fire for Caroline Skinner. Literally fire. And aliens!

[Source: BBC Doctor Who website]

14 More Episodes With Matt Smith Confirmed!

Sam Hodges, the Head of Communications for BBC One and Fiction has confirmed that Doctor Who and Matt Smith will return for 14 more stories (2011 Christmas Special + 13 x Episodes).

Confirmation came via Hodges' Twitter account today:

"#DoctorWho is returning. Fourteen new episodes have been commissioned with Matt Smith as The Doctor #bbc1"

Doctor Who Showrunner, Steven Moffat retweeted adding the following twees:

"14 eps + Matt DEFINITELY. I've got a plan and I'm NOT TELLING YOU WHAT IT IS. Now hush or River shoots you with her Spoiler Gun.#formaqueue"

DWO's own Twitter account has been innundated with messages from fans wanting to know what will happen to The Doctor during this season, with Moffat responding to one of the followers:

"@EuroboiSteve @DrWhoOnline What, you don't think he's got time, in those 200 years, to have LOTS of adventures. He DIED - you saw him."

Further confirmation is expected from the BBC shortly, and more details are coming up in the next issue of Doctor Who Magazine.

[Sources: Sam Hodges; Steven Moffat]

Moffat To Give The Daleks A Rest

The Daleks are to be given "a rest" from battling Doctor Who, writer Steven Moffat has told the Radio Times.

Moffat, who is also the BBC television show's executive producer, said: "They aren't going to make an appearance for a while. We thought it was about time to give them a rest."

The Daleks were voted the scariest villains in the history of Doctor Who in a poll of fans in 2007.

Moffat said they had been defeated by the Doctor "about 400 times".

Created by Terry Nation, the Daleks are the Doctor's hugely popular enemies who have made regular appearances in the long-running science fiction show since first appearing in 1963.

Moffat said: "There's a problem with the Daleks. They are the most famous of the Doctor's adversaries and the most frequent, which means they are the most reliably defeatable enemies in the universe."

Recent episodes of the show, which stars Matt Smith as the timelord, have been criticised for being "too scary for children".

But Moffat said: "It is horror, but horror for children. It's scary in the way that a fairy story can be scary."

[Source: BBC News]

Success for Steven Moffat's Sherlock at the BAFTAs

Steven Moffat and Mark Gatiss' Sherlock won in two categories at this year's BAFTAs.

Sherlock won the best Drama Series award, beating Being Human, Downton Abbey and Misfits. Martin Freeman also won under the Sherlock banner for best Supporting Actor.

Matt Smith sadly missed out on winning the Leading Actor award for his role as The Doctor in Doctor Who. Smith lost out to Daniel Rigby for his role in Eric and Ernie. Smith, however, is commended for being the first Doctor Who actor to be nominated for a BAFTA.

[Source: BAFTA]

Vote for Who (and Sherlock too)!

This year's TV Choice Awards are upon us, and Doctor Who is nominated in 3 categories.

First up is the show proper, where Doctor Who is nominated in the Best Drama Series category, along with The Sarah Jane Adventures.

Matt Smith is nominated in the Best Actor category for Doctor Who, along with David Tennant (Single Father) and Christopher Eccleston (The Shadow Line), as well as numerous other actors that have appeared in the show.

Karen Gillan is nominated in the Best Actress category for Doctor Who, as well as Elisabeth Sladen (The Sarah Jane Adventures) and numerous other actors that have appeared in the show.

Also worthy of a vote in the Best New Drama Series category is Steven Moffat's Sherlock.

Finally, just as we were about to press publish on this news item, Steven Moffat tweeted that Sherlock needs your votes for the BAFTA YouTube Audience Award.

+  Click Here to vote in the 2010 TV Choice Awards.

[Sources: TV Choice; Steven Moffat]

DWO Forums - Now 100% Spoiler-Free!

Following today's comments from Steven Moffat on BBC Radio 5 Live, DWO have made the decision to make our online Forums, completely spoiler-free.

The site itself has already been spoiler free since 2006, and our forums have spoiler related discussion contained in one board. However, we now feel that any spoiler discussion at all has no place on our forums, and therefore, as of today, will be removed. Instead we will allow speculation and mild teasers, as per the BBC format, and have renamed the Spoiler & Speculation board to Speculation (No Spoilers).

We are aware that a few fans will not like this decision, and may not wish to use the forums anymore, but we feel it is the right decision, and one that the majority of our members will see as a good thing.

This may sound like a drastic step, but we think this is what the show, the fans and indeed the production team deserve, especially considering how much hard work and effort goes into the making of Doctor Who.

+  Link: The DWO Forums.

[Source: Doctor Who Online]

Moffat Speaks Out Against Spoilers

Doctor Who Showrunner, Steven Moffat, has spoken out against fans who leak spoilers of the show ahead of transmission.

Speaking this morning to BBC Radio 5 Live, Moffat had the following to say regarding the recent plot leaks that were posted online for the series 6 opener:

"You can imagine how much I hate them, it's only fans who do this, or they call themselves fans, I wish they could go and be fans of something else."

"It's heartbreaking in a way because you're trying to tell stories, and stories depend on surprise, so to have some twit who came to a press launch, write up a story in the worst, most ham-fisted English you can imagine, and put it on the internet. I just hope that guy never watched my show again, because that's a horrific thing to do."

"Stories depend on shocking people. Stories are the moments that you didn't see coming, that are what live in you and burn in you forever. If you are denied those, it's vandalism."

On a personal note, hearing Steven speaking about this was quite upsetting, as you could clearly hear how deeply hurtful it was to find out that so called fans of the show could do this. We remember reading the plot twist at the end of 3.11: Utopia, and wishing that we hadn't. It was after that point that we made the decision to be a spoiler-free site.

Following today's comments, we are going to be extra vigilant against spoilers, and are taking the drastic step of making our online forums completely spoiler free. We originally partitioned off any spoiler related discussion on our online forums to a specific section to enable the rest of the forums to be 100% spoiler free, but as of right now the Spoilers and Speculation section of the forum has now become the Speculation forum, and all spoilers removed.

We are aware that a portion of fans will be angry at this decision, but owing to the fact of how much we love this series, and the work everyone puts into it, we feel this is the right thing to do.

+ Join the DWO Forums for Spoiler-Free discussion of Doctor Who.

[Source: BBC Radio 5 Live]

SFX Steven Moffat Interview

SFX Magazine have added a recent interview with Steven Moffat to their website:

So your second year as showrunner is upon us. What did you learn from your first?

“The trouble with Doctor Who is that it’s so story-specific. There isn’t a set way of making Doctor Who. With a lot of shows, like Press Gang or Coupling, you think, ‘Well, that’s how we make it, that’s what it looks like and generally speaking there’ll be a scene like this…’ That sounds very reductionist and awful, but my favourite series of all time, The West Wing, falls into that category. Most of them are pretty much the same. You could, pretty much, take various different episodes of The West Wing and stitch them together in a different order, graft the sub-plot of one onto the main plot of another. It’s a genius work of art, but you do realise at a certain point you know how to make it. Doctor Who isn’t like that. You’re doing pirates one week, and then you’re doing a spaceship – possibly in the same episode!”

And you never get a sense of confidence making it?

“I think we’re much, much more confident now than we were in the beginning, just because at the very start you’re simply flailing. It’s like being strapped to the front of a train and trying to shout instructions to the driver. You have no idea how fast it’s going to go, the speed it’s going to go…”

You cast the Doctor spectacularly well. What strengths did you see in Matt’s performance last year that you wanted to capitalise on this year?

“That was a very, very gradual process. It was obvious from the get-go, from the very first scenes he did where they’re on the beach in the Angels episodes and he’s perfect as the Doctor. He’s not as good as he is now, but he’s perfect. He came through the door tonally perfect. He absolutely got what sort of show it would be. Quite purposefully, and sensibly, I said that if this new Doctor is a bit David Tennanty at the beginning then that makes perfect dramatic sense. I was still probably writing him a bit David Tennanty. David had made such a huge impression in the role that it made sense. But also, a few minutes before he meets little Amelia Pond, he was David Tennant, so why would he immediately not be like that? So Matt stretched into the part and took it over and made it his own, and sort of obscured his predecessor. It’s instinctive but he becomes much dafter, much sillier, and curiously more the old boffin than David ever was, in a way, even though he’s the younger one. Just more sort of basically mental!”

Did you spot stuff like Matt being really good with kids, and think, “That’s something that I can use”?

“Well, that was purely by accident. I’d already written the scene where he meets Amelia. But he’s fantastic with children. When I started writing it I was vaguely writing the Doctor as I roughly wrote it for Chris and for David. At a certain point you realise that you are writing stuff that you would never have written for Chris and David – the daffiness, the fact he forgets things, the fact he’s hopeless with women and flirtation and all that stuff, which David’s Doctor and Chris’s Doctor were very, very good at. All that gangliness… you get influenced by his weird body language, and the fact that he does seem like a completely different creature from a young, good-looking 28 year-old, which is, in fact, what he is. He’s resurrected the idea of the Doctor being mad. Not just eccentric but properly mad. I think Gareth Roberts’ episode ‘The Lodger’, which was the last one we did in the first series, was the fullest Matt performance. All that stuff where he’s doing the air-kissing because he thinks, “Is that how we talk?” – you sort of buy it. And he drinks wine and just goes bleurghh and spits it out. And even though that’s in direct contradiction of things that we know about the Doctor being a sophisticate, it completely sits with him, and those are moments that you would never have bought with Chris or David.”

“The Beast Below” had a particularly jolting moment where he suddenly lashed out in anger. But that wasn’t something that you seemed to revisit.

“We do revisit it. You will see scary Doctor again, without doubt. That wasn’t a particular decision. I quite like writing a grumpy Doctor. It just didn’t really come up in the stories. It wasn’t moving away from that at all. And we do have proper grumpy Doctor returning. And moments of scary Doctor, as well. Because he’s very, very good at them. It’s quite alarming – I’m used to the Doctor’s anger, and indeed his sadness being, in a very good way, quite theatrical, whereas Matt’s not that sort of actor, so when he does anger or tragedy or any of those big emotional things it’s quite visceral; it’s quite serious and heartfelt. It’s horrible to think that you’ve brutally disappointed this sweet man. And he is. Let’s not pretend otherwise about the Doctor, he is fundamentally incredibly sweet and incredibly kind, and all the things that he has to be to be the Doctor. But there are moments when he loses that, or he can’t sustain it.”

Is it quite a collaboration between you and Matt in shaping the Doctor?

“I don’t think we’ve ever – or certainly not for a very long time – had a proper sit down conversation about it. It’s more a collaboration in the sense that I’m writing stuff, seeing what he’s doing, instinctively following him, and then he’s following the script. Oddly enough, like David before him, he’s absolutely punctilious about dialogue. He never paraphrases. If he wants to change a line he’s on the phone. He’s very, very precise, very exacting, never ‘make it up’. But I do think the show is the Doctor, so you have to leave a blank space in a way and let the new Doctor, the current Doctor, occupy it.”

Can you talk about the decision to split the series in two? What drove that creatively?

“I think there was a very, very odd shape to last year, because we had nothing but event episodes for a while. David’s last year was occasional specials, and every one of them, of course, was promoted as an event. And then you had the huge event of David’s last two episodes, and then you had the huge event of Matt arriving. And then you think ‘And now it’s just on television…’ That’s good, but it starts to feel routine. And I kept saying, ‘We need a mid-season finale.’ It’s a long time to expect people to follow a big old arc plot, 13 weeks. You need something in the middle that makes it big. But of course the term mid-season finale literally means nothing. You can say that as many times as you like. It’s not a finale. It’s bollocks. It’s on next week. In fairness the idea has been floated several times for Doctor Who, and this time I thought let’s have that, let’s just do it twice. Because there’s a moment in the middle of a series where everyone just thinks ‘Well, it’s been back on for a few weeks, you can rely on it, it’s always there…’ So they think if they miss an episode it doesn’t matter so much, it can’t be a very important one this week. I know people think that way, because I think that way about some other television series, that I really, really like, but I don’t completely love. And the interesting thing about Doctor Who, and the challenge of it always is, if we do a special episode with all this publicity and all guns blazing, we can get 11, 12 million viewers. That’s a fact. But the core audience, the audience that we don’t ever drop below is probably around 6.5 million. And I would like to know how we can more often access those other six million, and try and keep them onboard. And say to them ‘Don’t just leave because Christmas is over. Maybe you want to see the next one too? And maybe the one after that?’ Just lure more of them in.”

So how does that impact on your storytelling? Is it as simple as chopping the season in two?

“Well, no, because it forces you to say ‘Well, there’s going to have to be a finale.’ You can’t just pretend that episode seven is going to be just another episode, and it will suddenly stop. No, there has to be a big va-voom, and then there has to be another va-voom that reintroduces the series.”

How did you want to kick off the series?

“My big thing was starting with a two-parter, and starting with quite a dark, quite an actiony, quite scary one, as opposed to our traditional approach of starting with a romp.”

And you filmed in America for that one.

“It does make more difference than you feel morally that it should. You suddenly see them standing in the desert, and you can see miles to the horizon. It feels properly American that two-parter. I think it’s a very, very convincing America that we pull off.”

Can you talk about the diversity of stories that you’re giving us this year?

“Curiously enough, I never really believe that you approach a television series by balancing it all. Would you want it to be properly balanced or have all of them just be really good? In other words, if you had two historicals in a row and they were both fantastic, who’s going to write in and complain? How many people are going to do that? How many people noticed in the second series of Doctor Who that ‘Tooth And Claw’ was only two weeks away from ‘Girl In The Fireplace’, and they were both celebrity historicals? Who cared? Did anybody care? So you don’t worry about that. So, yes, there’s diversity because it’s Doctor Who, but frequently the diversity is about the genres you move into. Matt Graham gives us quite a dark one, a dark, clever, very funny a two-parter. And I’d say Matt Graham’s Doctor Who is slightly different, it’s more like a police procedural somehow, in a way! You’ll throw those words back at me when you see it, but he takes a different angle on it.”

Most Doctor Who writers have just absorbed the style of the show in childhood, haven’t they?

“I think they have. I mean, you can try and define it – are you entertaining eight year-olds, are you exciting 14 year olds, are you making 40 year-olds laugh their heads off? You could answer all those questions yes and still not get it right. You have to be engaging every age group by all possible means. I’m no longer in touch with online fandom but I remember when I was – when I was just writing for the show, not running it – I did think at times, on some of those forums, that these are the people in the whole world who understand Doctor Who the least. They’ve stared at it so long, and invested so much in it that they no longer understand what it is. They can’t see it for what it is. Everyone else in the whole world gets it better than they do. That in itself is unfair, because loads of them aren’t like that at all, but you know what I mean? You just think ‘No, it’s not that kind of show, it’s not like that…’”

How much joy do you take in keeping secrets from various members of your cast? Matt tells us he’s frustrated that Alex Kingston knows more than he does, Arthur doesn’t know what’s going on at all…

“It was fun. It was just a laugh. It wasn’t anything serious. We wanted Alex to come back to be River again, so I thought I’d phone her up as I didn’t know how she was feeling about it. She’s a very successful, very glamorous actress and we make her film at night in the mud. At some point you think ‘Hm, maybe she won’t want to…’ I phoned her up and said ‘Look, I’ll talk you through what’s going to happen with River next year…’ And I realised quite quickly into that conversation that she was just going ‘Ooh, hooray!’ and had no idea why I was telling her, because she was perfectly happy to come back. Now I do have a general belief that if you want to have a secret, keep it. Don’t ever tell anybody who doesn’t need to know, because you’re not only trusting them, you’re trusting everybody that they trust, and everybody that those people trust. So I just didn’t tell the others. And then it became funny. I’d turn up on set and Alex would come over to me and cover her radio mike and have a whispered conversation with me, while I could see out of the corner of my eye Matt standing there going ‘But… I’m the star of the show!’ So that was just a laugh. At the same time, he should learn when the Doctor learns, which was when he read the script.”

I did wonder if it was you trying to feed the performances…

“You wouldn’t need to. Matt’s good enough that he could have done it anyway. But if they don’t need to know, why tell them? Poor old Arthur! This became a running joke. I’d be talking to Karen and Matt about Doctor Who, and he’d always be walking i n just as I’d be finishing a very, very long spiel. And it happened the other day, at a readthrough; I was filling in all the principals on what was going to happen in episode 13, how it was going to end, how we were going to get out of the problem that we’d set ourselves. And I realised as I ended that the door had banged and in walked Arthur. And we all just fell around laughing, saying ‘Oh, I’m sorry, you’ve missed it… again!’”

When you got the Doctor Who gig did you have the long game fully formed? Or is it something that changes year by year?

“It changes year by year. The danger of a long game or a big old plot arc is that you can start sacrificing the current episode because you think ‘Ooh, this’ll pay off later.’ And that’s no use in a show like Doctor Who. You can’t say ‘Well, it’s rubbish now, but wait til you see how it pays off.’ You can’t be driven too much by your big story idea. In truth, the big stories we tell tend to be very, very lightly sketched in. It’s more great, grand allusions rather than a great big masterplan. You have a sort of idea but I would throw it all out tomorrow if I suddenly thought of a great new story idea. If it contradicted it I’d just get rid of it. It’s about satisfaction every Saturday.”

How is Doctor Who seen by the BBC these days?

“I think all of us as fans probably don’t appreciate just how utterly loved Doctor Who is at the BBC, because no show performs like Doctor Who. Alright, there are shows that do slightly better, but not after this number of years, and not shows that sell all over the world. Think how many people have now seen ‘Rose’, that first Christopher Eccleston episode. Never mind who saw it in the first week, or even the first year. People are still watching that for the first time. Just imagine if we were able to add up everybody who eventually, over a period of years, watches an individual episode of Doctor Who, which unlike The X-Factor, unlike EastEnders, unlike any of those shows, continues to exist on your shelf. We’d be the biggest show in the country. One of the biggest shows in the world. If they measured book sales this way we’d be saying, ‘Well, it only counts if it sells on the day!’ Doctor Who carries on gaining new viewers. I’d love to know what percentage of Britain has now seen Christopher Eccleston’s first episode, say, or David Tennant’s first episode. I’m sure it’s way, way over half. That’s what we don’t quite appreciate, especially as television is going to change and we’ll be more like publishers than broadcasters, because the time of transmission is now just the date of publication, isn’t it? You know you can catch it on iPlayer, on iTunes, you know you can see it later… There’s no impetus, or not the same impetus, to see it at the time. And that’s the world in which Doctor Who will triumph. Which is why I got so ratty at the time they were saying our ratings were down when they weren’t. I remember yelling at some journalist, which I shouldn’t have done, saying do you even know that iPlayer isn’t counted in the ratings? You know there’s a whole 2 – 2 ½ million we’re not even allowed to mention, in typical BBC style. The only absolutely verified members of the audience, the only ones who are definitely there, aren’t counted in the ratings! We just use the big guess. But anyway, that’s me ranting on…”

Do you think Doctor Who embodies the best of the BBC? Is it a flagship for values that are under threat?

“Yes. I think it’s the most BBC show in the world. I can’t imagine anything more BBC than Doctor Who because I can’t imagine anyone else who would make it, and continue to make it, and continue to cherish it. It can look like madness to a tiny mind, as indeed the BBC can look like madness to a tiny mind, but that’s just what genius looks like if you’re an idiot. It’s not madness! It’s utter brilliance. This is one of the very few characters entirely created by television and for television and sustained by television, that is a legend alongside James Bond and Sherlock Holmes and Dracula. It is an extraordinary thing. I’m not even trying to be mean about American networks, but can you imagine them doing Doctor Who? It’s half Hammer Horror, half Generation Game, a genuinely frightening horror series aimed at young children. It’s all those mad conflations of ideas. But at the same time while it is the most wondrous and magical and fairytale thing, it’s born out of a scheduling decision. It’s born out of them saying, and how clever they were, ‘We need to join the children’s audience here to the adult audience there, and let’s have a show that everybody watches’. A problem they solved so brilliantly in 1963 that it still works now! Who else and where else would it ever happen? It’s all of the BBC in one barking mad show.”

** Interview conducted by Nick Setchfield for SFX Magazine.

[Source: SFX]

Series 6 - Press Pack

The BBC Press Office have issued a Press Pack for Series 6 of Doctor Who:

Doctor Who returns to UK screens later this month for a seven-episode run which opens with a spectacular two-parter set in the USA and penned by "Who supremo" Steven Moffat.

In the opening two episodes, co-produced with BBC America, key scenes have been filmed in Utah for a story set in the late Sixties in which the Doctor, Amy and Rory find themselves on a secret summons that takes them on an adventure from the desert in Utah – right to the Oval Office itself.

The new series follows on from the Doctor Who Christmas Special which featured guest stars Katherine Jenkins and Michael Gambon, and has been split into two blocks, with the second block to be shown in autumn 2011. By splitting the series Moffat plans to give viewers one of the most exciting Doctor Who cliff-hangers and plot twists ever, leaving them waiting, on the edge of their seats, until the autumn to find out what happens.

Steven Moffat on Series 6:

Steven Moffat is Lead Writer and Executive Producer. After taking over the reins on Doctor Who last year, Steven Moffat has certainly been kept busy. He's answered seven quick-fire questions on what to look out for when the show returns at Easter.

How has this series evolved from last year?

Well we've moved through the funfair a bit – we've done the rollercoaster, now we're on the ghost train. Last year, in a way, was all about saying, don't worry, it's still him, it's still the same show, nothing's really been lost. Losing a leading man like David Tennant is seismic – unless you gain a leading man like Matt Smith. It's been the biggest joy to see him stride in and just claim that TARDIS for his own. But now he's really here, and the part is his, and the bow tie is cool, he's ready to lead us places we didn't know existed. Last year we reassured you – this year, to hell with that, we're going to worry the hell out of you. How well do we really know that man, or what he's capable of? We're putting the "who?" back in the Doctor.

Is there a major story arc to look out for?

Oh, there's a big story being told this year, and major mysteries from the very off. As ever, in this show, the stories all stand alone, and every episode is a perfect jumping-on point for a new viewer. But at the same time the over-arching plot will be a bigger player this year. More than hints and whispers – we're barely 10 minutes into episode one before our heroes face a dilemma that they'll be staring at months from now. And there will be no easy answers.

Will there be new monsters?

They're ... scary. Very scary. And, ohh, I don't want to say more – there's the Silence in episodes one and two, the Siren, in episode three, the Gangers in five and six, all these are more than just freaky costumes and masks; there are SCARY ideas here. And just wait till you meet Idris in episode four.

Is this series scarier than the last one?

See above. Yes, I think so. But it's not JUST scary – it's funny and moving and revelling in its own insanity too.

How have the characters evolved?

The big difference, I suppose, is how long the Doctor is hanging around in the lives of his companions. His normal MO is get them while they're young, and leave them while they're young too. He's careful to put them back where he found them, before he screws up their lives. But here he is, married couple on board – and much as he loves them both, he does wonder if it isn't time he got out of the way; before something really BAD happens.

Did you always plan for Amy and Rory to get married?

Oh, always. Married couple on the TARDIS, that was the plan from the off.

What can you tell us about the cliff-hanger at the end of episode seven?

Normally our cliff-hangers are lives being threatened; with this one, three live are changed FOREVER.

Matt Smith on Series 6:

Matt Smith inhabited the role of the Doctor last year and instantly won a legion of fans with his kooky take on the iconic character. Here he reveals what lies in store for the Doctor and his fellow TARDIS travellers in 2011, and why the Fez is no longer his favourite hat.

"I think The Silence are one of the greatest monsters of recent years and certainly one of the scariest," reveals Matt Smith. "They're also very clever and I love the fact they've been silently working since the dawn of time to make The Doctor come unstuck."

Matt is talking about the new breed of monster which viewers will be introduced to in the opening two episodes of the series. He is remaining tight-lipped about what viewers can expect but he does offer some insights into the story arc for this series. "Steven [Moffat, writer] has a grand plan and some of the seeds he planted in the last series start coming to fruition and affecting the characters in drastic ways," explains Matt. "Every character is faced with the most seismic and high-stakes choices we've seen so far."

Opening the new series is a special two-part story penned by Steven Moffat and set in America, marking the first time in its history that an episode of Doctor Who has been filmed there. The cast spent three days in the desert in Utah but that didn't stop hardcore Doctor Who fans from tracking them down. "It was very strange," laughs Matt. "We were in the middle of the desert and suddenly there was a lady with a campervan and deck chair, holding an iPad up with a moving screen which read 'autograph please!'. I mean how on earth she knew we were in the middle of the desert I have no idea, but it certainly proved her dedication to the show!

"The landscape was incredible," continues Matt, "and I think being in America, filming in that terrain, has definitely added a sense of scale and a filmic quality to this series of Doctor Who. It was an amazing experience and a brilliant laugh. I have to confess that I think the Stetson has been my favourite hat for the Doctor so far, 100 per cent. Viewers may well see more of the Stetson later in the series but I couldn't possibly reveal when..."

Alex Kingston joined Matt, Karen and Arthur in Utah to reprise her role as River Song and Matt admits it was great to have her back. "I'm very fond of Alex and I simply love the part of River Song because it makes the Doctor come unstuck; she's the one person in the world who knows more than him. I think Steven has written some really revelatory stuff about the character and she's extremely important to this series," teases Matt.

"We've also been incredibly lucky to welcome a number of fantastic guest stars including Hugh Bonneville, Suranne Jones and Lily Cole. James Corden also returns later in the series," reveals Matt. "I've admired so many people who have been involved and all of them have brought a touch of quality."

Matt also has high praise for his fellow co stars, Karen Gillan and Arthur Darvill. "I think with Rory, Arthur has perfectly judged the humour and he's got some fantastic storylines with Karen. I do think that Amy and Rory now being married has changed the dynamic in the TARDIS and in many ways it's the Doctor who is perhaps the odd one out," explains Matt. "However, Karen and Arthur are hilarious and together we are always mucking around between takes and telling silly jokes to annoy each other!"

Matt also reveals that his clumsy reputation is still fully justified! "I was chatting away to someone the other day on set and I had my hand on a lamp stand. Little did I know that as I was leaning it was actually turning and suddenly it came crashing down on my head!"

Perhaps it was lucky for the rest of the cast then that Matt wasn't tasked with any sword fighting in episode three which is set on a pirate ship: "It was 4am and we had four huge rain machines making us soaking wet but we all loved it. Karen had to do the sword fighting though," chuckles Matt, "I just had to walk round and act clever in the background!"

Karen Gillan on Series 6:

Karen Gillan burst onto TV screens last year as feisty companion, Amy Pond, and immediately secured her place in Doctor Who broadcasting history which has been an integral part of British culture since the Sixties. Returning for her second series aboard the TARDIS, Karen reveals what lies in store for Amy, the naughty tricks her co-stars play on her and why she has a newfound passion for fencing.

"There were clues planted in the last series that are going to become major storylines in this one," divulges a conspiratorial Karen Gillan; a revelation which is bound to have all "Whovians" avidly watching Series Five to spot what the Inverness-born actress is referring to.

"There's a really interesting arc in this series that involves all of the major characters and it's evident from the first episode that everyone on the TARDIS is withholding secrets from one another," continues Karen. "It makes for a fascinating dynamic between the characters and it's incredibly important to the overall series."

Karen also believes that Amy has more respect for her new husband Rory after his recent adventures. "I think Rory has perhaps developed the most out of all the characters," explains Karen. "By the end of last series he became a Roman Centurion hero and he had changed a lot; it felt like he had earned his place in the TARDIS. In fact, it's hard for me to imagine the TARDIS without him now!"

But has married life changed Amy Pond? Karen quickly sweeps that concern out of the way exclaiming: "if anything she is even more Amy Pondish! I don't think it would work for Amy to completely change now that she's a married woman and I certainly don't think she should become a subdued version of herself. However, I do think being married has helped to define the Doctor and Amy's relationship and I can reveal that something takes place this series which makes Amy see Rory in a new light..." teases the actress.

While the majority of filming for Doctor Who usually takes place in Cardiff, the cast found themselves in the middle of the desert in Utah last November to film scenes for the opening two-parter. "The new series starts with a real bang," exclaims Karen. "Filming in Utah was so much fun and I spent a lot of time running around the desert; the scenery was amazing and simply wouldn't have looked the same if we had filmed it in Cardiff against a green screen. The desert backdrop really gives the opening two episodes an epic feel."

However, it wasn't all fun for the actors as temperatures plunged below freezing at night and then they had to battle searing temperatures during the day. "We were all 'thermaled' up and I had on two pairs of trousers and four tops! Then the sun would come up making it blistering hot and we'd all peel off the layers," laughs Karen.

But despite the elements, Karen enjoyed being reunited with Alex Kingston who plays enigma River Song. "Alex is so much fun to have around," reveals Karen. "She makes the TARDIS team feel complete."

But the question on viewers' lips is: "will we find out who River Song actually is?"

"The ending of this first set of episodes has been hidden from everyone!" laughs Karen. "Even I got given a dummy ending to episode seven and it was only at the read-through that Steven Moffat took me, Matt and Arthur into the corridor to read the proper version on his laptop. We then all paced around going, 'oh my God!'. It's brilliant and viewers will just have to tune in to find out more. It certainly provides a fantastic cliff-hanger to see us through until the autumn."

Karen also reveals that this series is set to be the scariest yet with the debut of a number of new monsters. "Ooh, in particular I think The Silence, which are the new monsters in the opening two episodes, actually rival the Weeping Angels in terms of scariness and they look disgusting!" says Karen, screwing up her face in revulsion. "The concept behind them is ingenious because it feels like they are undefeatable, and this series also sees the return of some of the Doctor's oldest foes, but with an interesting twist..."

A new series of Doctor Who wouldn't be complete without a number of well known guest stars; Hugh Bonneville, Lily Cole, Suranne Jones and Marshall Lancaster are all billed in upcoming episodes.

"The great thing about this show is that it attracts big names and everyone who comes on set is so excited to be part of the Doctor Who experience," explains Karen. "These actors could all be off doing other things but they choose to come on the show because they are either fans or their kids are, so it makes the whole experience enjoyable. For me, it's also a wonderful experience to watch these people at work – it's like an acting masterclass every episode."

With each story set at different points in time and occasionally on alien planets, Amy Pond has certainly experienced a lot in her relatively short time on the TARDIS. But for Karen the episode that really stands out for her this series features Hugh Bonneville as a Pirate Captain in the 1600s. "I had a brilliant time filming this episode," reveals Karen. "Swinging across a pirate ship was a particular highlight and I loved doing the sword fight. I'd never done anything like that before so I literally picked up the sword and started learning moves with a stunt guy – in fact I loved it so much that I actually want to take it up as a hobby! Luckily I caused no major injuries on set, although I did collide with Arthur at one point but that was his fault."

It is clear that Karen has become firm friends with her co stars Matt Smith and Arthur Darvill and their chemistry certainly translates on screen. "We genuinely mess around all day," confesses Karen, "but I think that works because as a viewer I'd like to see the Doctor, Amy and Rory having fun. Of course we are serious when we need to be, but in general we clown around between takes and I think that helps to create chemistry on screen.

"Matt has also taken to hiding in my trailer and I'll go in, humming to myself, and then he'll just jump out at me and shout", giggles Karen. "The first time he did it was hilarious because he scared me so much that I fell backwards against the wall and slid down it! He also has an annoying habit of filming me when I fall asleep, while in make-up in the mornings, and it's a hideous sight – I'm not going to lie!" continues Karen. "Arthur eggs him on and the pair of them gang up but don't worry, I give as good as I get. Although it's brilliant when Alex Kingston is around because she knows how to handle them!"

So with two mischievous lads and a number of monsters to deal with, both Karen and Amy Pond have a lot to contend with, but where would Karen go if she had sole control of the TARDIS? "The tundra," she says, "no reason why! Just go with it!"

Arthur Darvill on Series 6:

Arthur Darvill won over Doctor Who fans last year playing Amy Pond's devoted boyfriend, Rory Williams. The pair are now enjoying life as newlyweds aboard the TARDIS and returning for his second series, Arthur reveals how his character has grown, what being married to the feisty companion is really like and how filming on a pirate ship made his childhood dreams come true.

Out of all the characters, Rory has perhaps been on the biggest journey since stepping into the TARDIS. "Last series I think Rory felt like he was on the outside looking into this world he was desperately trying to save Amy from," admits Arthur. "But he's very much inside that world now and married life has stopped him feeling so unworthy. He feels that he's proved himself."

Arthur believes that Rory's new-found confidence is all down to his exciting travels with the Doctor and Amy. "His sense of adventure has awoken," reveals Arthur. "But he hasn't become arrogant in any way, he's just more comfortable."

However, his new self belief hasn't helped him shake the nickname "Mr Pond". "I think Amy will always wear the trousers in the relationship. As much as Rory has proved himself, it's Amy after all, and I dare any man to be in charge of that relationship. She's a firecracker," laughs Arthur.

It's obvious that three isn't a crowd when it comes to life in the TARDIS, but how does Arthur find working with Matt and Karen? "They're brilliant, it's lucky we all get on so well. The most fun I have is when all three of us are together; it's a really good working relationship. It helps that we all came on board together because we're growing as a unit and keeping each other on our toes."

Doctor Who is known for its fantastic guest stars and the new series is no exception, featuring the likes of Hugh Bonneville as a Pirate Captain and David Walliams as a mole-like alien. Alex Kingston also makes a welcome return for Arthur, "Alex is back, which makes the team feel complete. She's just a dream to work with and is hilarious on set." But Arthur isn't daunted at the prospect of working with such household names. "Funnily enough I get more nervous meeting writers than actors," he recalls, "even more so with Neil Gaiman as he's just brilliant."

This year, the cast swapped Cardiff for Utah in the USA to film the epic opening two-parter set in the Sixties. "Filming in America was amazing, especially going to an area of America which I've seen in so many movies," says Arthur.

Asked what his highlight of the series has been, Arthur excitedly reveals that it was filming on board a pirate ship for the third episode. "Going on a pirate ship was unbelievable; it felt like we were on a movie set." But it wasn't pirates that Arthur was worried about; instead it was clumsy Karen Gillan let loose with a sharp weapon. "Karen got to do a massive sword fight and I thought she was going to be a liability. Someone was going to have their eye out at the very least! But she was actually pretty good, I think she'd been practising secretly," confides Arthur.

It appears Amy's swashbuckling skills could come in useful this series as Arthur hints that the monsters are scarier than ever before. "The ambition of the show has grown, there are a lot of surprises this year," hints Arthur. "It's not necessarily a big monster on the screen, but ideas that are presented in episodes one and two that keep building throughout the series." One monster stands out in particular for him. "I think The Silence are really going to blow people's socks off. They're terrifying," exclaims Arthur.

Rory and Amy may be settling into the routine of married life, but the honeymoon period definitely isn't over for Arthur when it comes to the show: "Everyone cares so much about it, which is what makes coming to work such a joy every day," he says.

[Source: BBC Press Office]

Series 6 Opener to kill off a main character!?

In the next issue of Doctor Who Magazine (#433) - which sports 4 (yes 4) collectible covers, showrunner Steven Moffat talks exclusively to the magazine, confirming that one of the main four cast members (The Doctor, Amy, Rory & River Song) are marked for death and WILL die in the Series Six opener...

Of course, everything may not be as it seems, in what promises to be one of the biggest and most epic seasons of Doctor Who to date.

You can read Steven Moffat's full interview in DWM Issue #433, which is out this Thursday, priced £4.50.

+ Subscribe to Doctor Who Magazine from just £16.30!

Vote for who you think will 'die' in the Series 6 opener, in the DWO Forums.

[Source: @DWMTweets]

BBC Learning, Script to Screen Competition

To herald the new series of Doctor Who, BBC Learning and Doctor Who Confidential today announced Script To Screen, an exciting competition that will give one lucky team of school children the chance to write their own Doctor Who mini-adventure starring the Eleventh Doctor, Matt Smith.

To win this once-in-a-lifetime opportunity, school children aged 9 to 11 years will be encouraged to collaborate on a three-minute script that takes the resident Time Lord on a new quest travelling through space and time inside the TARDIS.

The lucky winners will travel to the BBC's studios in Cardiff where they will see their script brought to life by the Doctor Who team and cast, including Matt Smith.

Doctor Who Confidential will also be on hand to take viewers behind the scenes to show how the script gets developed from paper to television screen – from the first script meeting, a cast read-through, on-set filming... all the way to the final edit.

Saul Nassé, Controller of BBC Learning, said: "Doctor Who is loved by children across the UK, and I can think of no better programme to inspire the next generation of story tellers.

"The Script to Screen competition is a fantastic way for children to learn new writing skills, whether or not they are winners. We are delighted that the stellar cast and crew of Doctor Who are on board for this journey of learning through time and space."

Children can be as creative and imaginative as they like in order to put together a story that's filled with all the excitement and adventure of the popular BBC One sci-fi drama.

The action-packed script must feature Matt Smith and can include one of four fearsome monsters/aliens from the show: Ood, Judoon, Cyberman or Weeping Angel, as well as a brand new human character to test the wits of the Doctor.

Tailored learning resources will be available on the BBC Learning website to help guide teachers and pupils through the process.

BAFTA winner and head writer at Doctor Who, Steven Moffat, will also offer his expert advice and helpful tips on how to pull together a stand-out script with memorable characters.

Steven Moffat said: "Doctor Who made me want to write. It made me fall in love in television, script-writing and storytelling, and led me by the hand to the best job in the world. It also made me want to defend the Earth from aliens but that hasn't come up so often.

"I know the power this show has to set young imaginations alight, because I've lived it, so I'm incredibly excited to be involved in this project. Plus it's never too early to start looking for your replacement."

The winning script will be chosen by Steven Moffat, Saul Nassé and executive producers of Doctor Who, Piers Wenger and Beth Willis.

[Source: BBC Press Office]

Watch the 2011 Doctor Who Comic Relief Specials!

The BBC have added the 2 mini Comic Relief Doctor Who episodes to their YouTube Channel, which DWO have embedded below:

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+  Rate / Discuss the episodes on the DWO Forums.

Although the fundraising evening is now over, your donations are still needed. Remember that these episodes were made especially for the Comic Relief cause in the hope that us fans can get involved and help make a difference. To give you an idea of what your money can do we have included some examples below:

£5 - could pay for a mosquito net to protect a mother and child from potentially fatal mosquito bites that spread malaria.

£10 - could pay for 12 children to be tested for malaria so they can get a quick diagnosis and receive lifesaving treatment.

£30 - could pay for three people caring for loved ones with dementia to attend a support group to help them feel less alone.

£50 - could provide 40 children with severe malaria in Uganda access to the vital drugs needed to help them survive long enough to get to hospital.

£150 - could pay for a child in Kenya to have an operation that removes cataracts from both eyes, enabling them to see again.

[Sources: BBCComic Relief]

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