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25 November 2014

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 694: Dragonfire, Episode Two

Dear diary,

During Time and the Rani, I said that the McCoy era was home to some of the best monster designs and costumes that the programme has ever seen - and yes, I did mean the Tetraps! Oh hush, I like them. Today’s episode is another great example with the dragon itself - there’s something really nice about the whole creature, and I even think the fact that the body is so spindly and hymn works, which is the one thing that I’d always been put off by. The actual head design is absolutely gorgeous, and I’d completely forgotten that it opened up to reveal the Dragonfire inside - I think I’d convinced myself that we simply saw it overlaid or something. I’m also fond of the fact that it’s a nice ‘monster’ - it feels like a while since we had one of those (yeah, yeah, the Navarinos in Delta and the Bannermen were friendly, but they were presented as aliens rather than monsters - the same can be said of the Lakertians at the start of the season).

Indeed, I’m rather liking the design on this story as a whole, I think. There are some seasons which seem to have their own very distinct ‘visual identity’ - Season Twenty-One is the most recent that comes to mind before this one - whereby you could show assorted screen captures of the episodes to people who don’t know which seasons they’re from, and they’d likely be able to group them together just by style. That’s been very true of Season Twenty-Four, which I’ve continually referred to as being a bit ‘comic book’. I don’t necessarily mean that in a negative way, it’s just the dest description I can find for the look of this season - very bright, and artificial.

Because I’ve not been enjoying Season Twenty-Four all that much on the whole, I’ve been thinking of Remembrance of the Daleks as something of a light at the end of the tunnel. As strange as it may sound, it’s the thought of grimy brick walls, and roads, and playgrounds that makes it feel better- something real and tangible. I know Delta and the Bannermen was set in Earth’s recent history, but the holiday camp setting and the way the whole piece came together still gave it more of that ‘Season Twenty-Four’ artifice than I’d have liked!

All that said, Ice World manages to fit the visual style of this year’s stories perfectly, but also look rather good on its own merits. I recently had to put together a kind of ‘ice world’ for a design commission, and found myself automatically trying to replicate the style of the walls seen in this story - though I didn’t immediately realise that this was where the inspiration was drawn from! The various corridors look lovely, and Kane’s lair works simply because of the size of the set, and the various levels and platforms (long-term readers will know that I’m a sucker for a set with levels!) The only slight let down is that McCoy is really trying to sell the ‘ice’ factor of these sets, slipping and sliding around on the floor as though it’s near impossible to remain upright… while no one else really bothers to do the same. Sophie Aldred has some nice moments of watching her feet and carefully choosing her steps, but then slips back into the way that Tony Selby and Bonnie Langford are playing it - as if there’s no ice at all!

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