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2 June 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

2.2: Sleeper

Oh Torchwood, it was a valiant effort but a difficult one to keep up with after a triumphant first episode. “Sleeper” is an episode that tries to combine the elements of Paul Cornell’s Virgin New Adventure “Human Nature” but with more grown up themes of violence, death and alien spies. 

 

We start the episode with a very happy couple sleeping away in their bed, when a noise disrupts them as burglars break into the house. There’s a lot of close up camera shots to create a sense of distraction and confusion, as murderous screams ring through and dissolve into the Torchwood theme. 

 

The Torchwood team once again are called in by the police as they try and investigate how the two burglars were murdered, as there were puncture wounds to chest and forehead and one was thrown from the window onto the car below. Not a typical self defence technique. This is a very true typical Torchwood style kind of story, however this is when it all starts getting a bit messy.

 

Owen and Gwen go to the hospital to interrogate the couple from the flat. This is when the plot moves at a million miles an hour. We’re introduced to Beth who was in the flat and all of a sudden we’re dragged into the Torchwood interrogation room with Jack screaming “We know you’re an alien”. We then take a trip around Torchwood and on to meet Janet the Weevil, who is scared of her. Unfortunately all of this happens in the space of about 5 minutes and it really detracts from the emotional connection we’re supposed to feel towards Beth, as we can’t slow down enough to take in everything she’s feeling. Jack again seems to be really unlikable for no reason. I know we had a lot of this through series 1, but there’s usually a reason that builds up and Gwen confronts him. This time, his attitude is almost down played as Ianto sees the interrogation and Jack as a joke. It’s all very strangely paced and again I found this really distracting to what’s going on. 

 

The direction of the story is also somewhat distracting, with quick pans and zooms in scenes that don’t appear to require it, such as a conversation between the Torchwood team as they try to work out who she is. Unfortunately this technique happens quite a few times though the story and iit really distracted me from the plot.

 

The Torchwood team think it’s a good idea to use the mind probe. What!? No, not the mind probe I hear you cry? Well I like what James Moran was trying to do, as most Doctor Who fans will know the mind probe is something you do not mess with; however, other than the shock factor, the whole design of it disappointed me a bit. I liked the archive shots  which were used to show how the mind probe digs through the subconscious and suddenly we find Beth is a sleeper agent.

 

As they discover this, suddenly all the other sleeper agents activate and go on a murderous rampage around Cardiff. I like what they were trying to do by taking out the military base and use the nuclear war heads to destroy the world to take over, however there’s not enough build up in the episode and too much exposition to take in before we even start to care about the situation.

 

What makes this episode stand up is the relationship between Beth and Gwen. It challenges the conventions of what it takes to be human, as Beth discovers she’s an alien. Beth explains she is someone who fell in love and wants to start a family and Gwen takes it upon herself to say “What is it that makes us human, anyway?” It’s not about the body, it’s about your mind and how you feel, which was a nice take on her facing this identity crisis.

 

Once Jack and the team take out the last sleeper agent, Beth knows she can’t go on. She’s seen the devastation the sleeper agents have caused and makes the ultimate sacrifice by getting herself killed, by pretending to attack Gwen before being gunned down. Beth chose to be the person she wanted to be and I think that’s the clear moral message here.


Ellie (TARDISMonkey) 


 

 

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28 April 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

2.1: Kiss Kiss, Bang Bang

We kick series 2 off in true Torchwood fashion, with a Blowfish driving a sports car in a high speed car chase. I laugh at the fact that the Blowfish lets a little old lady cross the street before speeding off, then Gwen pulls up in the Torchwood mobile asking if she has seen a blowfish driving a sports car? The lady points in the general direction of where the car drove off towards, shouting "Bloody Torchwood” at them. Torchwood is meant to be a top secret organisation, so to then have a little old lady know who they are, If that doesn’t set the theme of what Torchwood is about, I don’t think anything will.

 

It’s all feeling like a very typical scenario, as the Blowfish holds a family hostage to try and get away from the team. This part does feel slightly clunky as the Fish recounts all the characters flaws. Without having Captain Jack with them, it’s almost like having a ‘Previously on Torchwood’ mid episode to remind the audience of who the team are. However just as the Blowfish vindictively taunts Ianto about not being able to kill him, who should pop up in the knick of time, Captain Jack himself with probably one of the most iconic lines of the show; “Hey kids. Did you miss me?”

 

We cut back to the famous Cardiff rooftop carpark, where an altercation is taking place. However at the same time, a sparkly rift appears with a very distinguished looking man appearing in a redcoat military uniform to confront the attacker. As the audience, you start thinking oh great, here we have another person who could join Torchwood, before he grabs the attacker by the throat and throws him off the top of the carpark. This mysterious anti-hero becomes more and more intriguing as the story progresses. He swiftly moves onto the local club for a celebratory drink.

 

Meanwhile back at the Torchwood hub the team are not happy with Jack’s disappearance. It’s never clearly explained for how long Jack left the team. It could be months, or even years? With time being reset in “Last Of The Time Lords”, this is another time, when we as an audience know a lot more about what happens with Jack and the world, than the Torchwood team itself. Is Jack keeping the meeting with the Doctor a secret because he doesn’t want to explain the trauma he had to go through to get back here? But there’s no time to confront this before the team zoom straight off again as Jack’s vortex manipulator beeps for the first time. Then, who should be leaving a message, but the mysterious redcoat man himself. There’s a great reference to ‘Star Wars’ before Jack shoots off again. This person seems very familiar with Jack, however maybe not the best of friends, as Jack doesn’t want the team to follow him. The Torchwood team have learnt too many times not to do this, as Ianto quickly whistles for a Taxi as soon as possible.

 

The bar scene is brilliant. It carries all the connotations of a true western movie, as Jack walks through the saloon style doors with the redcoat stranger at the other end of the club. Both of them have pure hatred in their eyes as they walk towards one another. You think this is going to be a full on fight before suddenly, they start kissing! It’s a moment that makes you think, why is Jack so familiar with such a brutal character, before they end up in an all out fist fight. It’s almost like they have a mutual level of respect, in a weird way, as they stop the fight once the guns come out. After a heavy drinking session, we see Jack’s face, hilariously showing his disgust and the Torchwood team nearly getting fired upon. The myserious man finally reveals himself as Captain John Hart (James Marsters) a Time Agent and former partner of Captain Jack. Again it’s a reference into Jack’s past. Is this something that’s going to be divulged more as the series goes on? 

 

Captain John explains the reason why he’s come to this time and place is to find three radiation cluster bombs, before they go off affecting the future of the world. Captain Jack has the look of a man who is going with this story, just to find out what’s going on, however the Torchwood team seem pretty convinced by it. I mean with everything that’s happened in the previous series, would you really dispute it?

 

The Torchwood team are still very cautious of this new stranger, especially Gwen. There’s a nice moment when Jack holds Gwen’s hand for comfort when he realises she’s got engaged. It’s a moment when you think, yes she listened to Jack about keeping some normality in life when Gwen actually says “No one else will have me.” It creates a sombre mood, as Gwen has not only been rejected by Owen but she’s lost that love she once had for Jack.

 

Jumping back straight into the action in true Torchwood fashion, they locate all three canisters for Captain John and split up to go and search for them. Now again if anyone has watched Scooby Doo, you know this is not a good idea. Surprise, surprise, Captain John quickly poisons Gwen once they found the first canister, smacks Tosh in the face and shoots Owen in the hip. Now I'm not saying it was stupid to leave Gwen on her own… but it was stupid to leave Gwen on her own. 

 

We then find Captain Jack and Ianto searching a very bland office, which Jack surprisingly treats  like a winter wonderland. There’s a lovely moment between Ianto and Jack as he finally asks Ianto on a date. Ianto agrees, but does it in a shy school boy way as he doesn’t look at Jack through embarrassment. It doesn’t take long for Captain John to find Ianto before shoving him in a lift to have Jack all to himself.

 

Captain Jack up on the roof (I mean where else would you find him), finds the last capsule. Jack having none of John’s game ,mocks him, calling the capsules “radiation cluster bombs” John in this scene, genuinely wants Jack to come back with him and there are moments that you think, oh Jack, don’t trust him, it’s a true conflict of emotions. John’s failing conviction in his speech, makes Jack throw the canister over the edge. It’s a moment you finally feel that Jack has one up on John but suddenly with a push and a “Whoops!” he shoves Jack off the roof. Now this moment is shocking, with pure dark humour, as you cut to a shot of Jack almost split in half on a concrete bench. This is the moment you know, nothing will stop John.

 

Tosh and the team use her tech to find Gwen in one of the containers and honestly this moment really shows how close and united the Torchwood team have become. They all use their skills to save Gwen before her organs shut down from the nerve toxin gloss.

 

We then go back to John in the Torchwood hub, putting all the pieces of the canister together  where it almost seems he’s won a swift victory, before the Torchwood team rock up in a bad ass fashion. It’s a moment when AC/DC Back in Black could start playing. John seeming surprised isn’t put off by this, until Jack rocks up. John really acts as if he’s just seen a ghost and in his disbelief seems to be out of his depth this time. It’s a fantastic contrast between the cocky man we saw at the start of the episode.

 

So what’s this episode about? John wants to steal one of the most precious gems in the universe, kills his lover and his lover takes revenge. It’s a moment that feels triumphant before he kidnaps Gwen, nearly killing her with a bomb. However, in true Torchwood fashion, they find a way to save her and the anti-hero gets away. It’s a feeling that this won’t be the last time we see him. 

 

It’s a brilliantly, well balanced episode and a strong starter for the second series. Welcome Torchwood series 2.


Ellie (TARDISMonkey) 

 

 

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14 April 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.13: End Of Days

Here we go ladies, gentleman and everyone in between. If you want a proper Russell T. Davies era finale, look no further. Written by the current Doctor Who show runner Chris Chibnall, we look on how the whole of series 1 is summarised into the most climatic and emotional episode we’ve had of the series. 

 

The episode starts with everything seeming quite normal. Gwen watches Rhys as he sleeps and it all seems a calm morning until Captain Jack calls Gwen to watch the news. It appears as if a weird cascade of events are occurring, as if people and aliens are falling through the cracks in time.

 

Back in Torchwood, Ianto reads apocalyptic accounts in order to find some resolution to what has happened to the world. (Quite an apt thing for Torchwood to face, as we battle our own troubles in 2020. Owen and Jack aren’t convinced by the readings as they abruptly interrupt Ianto describing a creature known as Abaddo, but that won’t appear, will it? Captain Jack brings the conversation right round to the point in hand, and that is if the splinters in time are anything to do with them? Well, yes but more to the fact, it was Owen. Owen denies any responsibility for his actions, as he proclaims he opened the rift to save Jack and Tosh. This may be partly true, however as the audience ,we know he was doing it to prove whether he could go back and see Diane again. Captain Jack can’t even respond to Owen’s claims or even thank him. The conflict between the team and Jack becomes even more visible during this episode.

 

Despite the cracks in time affecting the world, Captain Jack and the team appear to have it all under control. In Doctor Who this would be a good laugh to try and get everyone back to their own time zones, however what happens if the people who fall through the cracks, end up brining something with them? Owen and Tosh have a harrowing shock when they discover a person who has fallen from the 14th century, has infected a whole hospital with the black death. The Doctor (no not that one) in disbelief, shouts at Owen “You’re Torchwood! You’re supposed to fix all this!” However as Owen knows he’s responsible for this outbreak, all he can do is manage the situation and leaves it in the Doctor’s hands.

 

With the cracks in time becoming more and more apparent, Tosh is suddenly stopped in her path, as if she has seen a ghost and more importantly, the ghost of her mother. The shock on Tosh’s face, shows her mother had possibly died sometime in the past, as she has blood running down her forehead. Her mother claims only “It’s coming, out of the darkness.” A series arc that has followed through with people who have died seeing some thing which is too scared to describe. But what is it? What are they afraid of? Not only does Tosh have this ‘vision’ but Gwen also stumbles across Bilis Manger sitting in the cell of the police station. Gwen appearing to be hypnotised, stares at Bilis as he telepathically says “I’m sorry. I’m so sorry.” Is this a coincidence that he appears at the same time as Tosh’s mum? It all seems to be a tangled spiders web and Bilis is in the centre, a spider waiting for his prey.

 

What raises even more questions, is while Ianto is in the cell block of Torchwood, Lisa appears in front of him. No cyber conversation, just as she was before the battle of Canary Wharf. She proclaims opening the rift will save the lives of everyone on Earth.

 

This scene hits home quite hard at the moment with what’s going on in 2020. Owen arguing with Jack, as he says they need to be more prepared for the eventualities of a new virus or plague coming through the rift, as Jack wants Owen to fix it. Jack appears to be taking a step back from the role of leader, to force Owen to come up with a solution as he was the one to cause all these problems. Owen feeling guilty wants Jack to take control, but Jack proclaims “this was never meant to happen.” He has no resolution to his problem and it’s at that moment we see Jack being vulnerable for the first time. At this moment he may have turned to the Doctor for help, however he needs to be that leader, delivering guidance. The situation quickly escalates as Jack fires Owen. The Torchwood team stand motionless as they can’t believe what they’re hearing, as their leader isn’t who they thought he was. Owen questions Jack, as they found out his secret past from the World War. How can anyone trust a leader who lies? Owen staggers away as he knows he’ll be RetConned in 24 hours and can’t face the fact he won’t remember Torchwood or being able to fix the devastation of the rift.

 

The Torchwood team need to find what Bilis is up to and quickly. They track him down to an antique clock repair shop in Cardiff. Bilis explains how he can walk through time, however it comes at a price. He claims to see the past, as well as the future and suggests to Jack and Gwen the only way to save the world is to open the rift. Jack errs on the side of suspicion but Gwen looks on slightly convinced by Bilis’s words. Bilis in what he portrays as an accident, shows Gwen a vision of Rhys, horribly murdered in their flat. ‘Cue Murray Gold running music’

 

Gwen reaches the flat, but all seems well. Rhys is cleaning the oven without a care in the world. Gwen in a state of panic tells Rhys to come along before tasering him to the floor. I do feel sorry for Rhys, first drugged, now tasered, Gwen has really changed her attitude to dealing with her home life / Torchwood situation.

 

After everything that has happened to Owen, he is now face to face with his vision of a love, long lost - Diane. She claims she is lost within the rift and begs Owen to open it. Now you’d hope by this point all the Torchwood team would have spoken to one another about seeing these visions and being highly coincidental, but the team are now too broken to fix any of their problems. 

 

Just as the team think they have some kind of control by keeping Rhys locked in a cell, a security breach opens the door and lets him out. Rhys spots Bilis and asks what’s going on, before Bilis brutally stabs him, killing him. Eve Myles plays Rhy’s death brilliantly. You can feel the pain of grief and guilt from Gwen as she knows she’s failed him. It’s a heart breaking scene that makes me cry every time I watch it.

 

Bilis’s plan all seems to be falling into place as Owen comes back to open the rift, no matter how much Jack convinces the team their visions of their loved ones are too strong for everyone to think clearly. In a last attempt to stop the team, Jack becomes almost the villain as he plays on their weaknesses. Jack takes it one step too far when he attacks Gwen “You’re so in love with Rhys you spend half your time in Owen’s bed.”Gwen in a fit of rage at losing her loved one, punches Jack in the face as Owen takes the gun from him. It’s a dramatic scene with fast cuts and close up on the team members and it really becomes claustrophobic. Jack ,in one last attempt to stop them is shot down by Owen to the horror of the team.  

 

There’s no turning back.

 

The Torchwood team open the rift with Captain with Jack reviving just as the rift opens to the shock of the team. Their whole world is turned upside down as the Torchwood hub is blown to pieces. It’s a brilliant build up as as Bilis Manger is waiting for them to unleash the evil onto the world that has been living under the rift. Abaddon. Now I know this is 2006 GFX and need to take this into consideration, however I believe there is too much happening right now. Bilis should have been the central villain or Abaddon. Abaddon does feel like the cousin of the demon in Doctor Who, The Satan Pit For me, seeing less of the monster, creates more of a sense of threat, as what you imagine can be more powerful than what is shown on screen. The shadow cascading over Cardiff killing everyone, is a brilliant and terrifying scene, as you don’t see what the beast looks like.

 

In the final battle between Jack and Abaddon, I take my hat off to John Barrowman for playing the role so well. He really makes the final sacrifice of his life so convincing and emotional, that you can feel the love he has for his team and the duty he shows in protecting them. It’s a powerful scene as Jack appears to have finally used up his remaining life force given to him by Rose.

 

Gwen doesn’t give up on Jack as he doesn’t revive as quickly as before. As the Torchwood team give up, Gwen accepts that Jack is not coming back. She kisses him on the cheek before only taking a few steps before Jack’s very weak voice says “Thank you.” It’s a complete fist bump in the air moment, which gives hope for the team and the audience. 

 

The final scene is very much silent. Tosh runs over to hug Jack.  Ianto in a comedic light goes to shake Jack’s hand before they kiss,  which makes for a sweet final moment between them. There’s one last resolution to fix as Owen steps in front of Jack. When Jack says “I forgive you,” you can feel all the pain and guilt just wash away, ready for the Torchwood team to come back stronger than ever.

 

Jack goes on one last trip with the Doctor, as we faintly hear the TARDIS landing in the distance. We as the audience know what happens, but for the Torchwood team… well they’ll just have to wait and see.

 

There’s a lot of things that need tying up in End of Days but I applaud the ambition of what it achieved with the limitations of both the budget and 2006 effects. With its flaws, it's a well paced story and filled with brilliant character development and emotion. It has to be said it’s a great conclusion for the first series.


Ellie (TARDISMonkey) 

 

 

Follow @Tardis_Monkey on Twitter!
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[Source:
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7 April 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.12: Captain Jack Harkness

After all this time, we finally take a glimpse into the life of Captain Jack.

 

The story starts with Jack and Tosh entering an old abandoned building to check out reports of music coming from inside the building. (Any eagled eyed viewer will spot the Vote Saxon posters and the Bad Wolf graffiti in the building). Jack is very much enchanted by the music of the past, as both Tosh and Jack think they’re seeing ghosts of the past. It’s been done before with the ghost machine, however this time feels different, more real. It doesn’t take long before the distressed room is filled with a grand party for the airforce, ready to take on WW2. This is when Tosh and Jack realise they haven’t just seen ghosts, they’ve time travelled.

 

The transition of the scene is done very fluidly as the camera pans around the room. Of course the Torchwood team get into a tight spot straight away, even when trying to blend in, however who should be the person helping out the fight, but the original Captain Jack Harkness (Matt Rippy). Jack finally gives the explanation about his name to Tosh and his past history of being a conman, something we all know from “The Empty Child”. However, when Tosh confronts Jack about who he was before becoming Captain Jack, he doesn’t reply. And so the mystery still lives on.

 

The Torchwood team are very much split up for this entire story, as we have Jack and Tosh stuck in the past, Owen and Ianto wanting to tear the rift apart to take them back to the future and Gwen who uses her police initiative to explore the old building. Owen’s obsession with losing Diane never seems to leave him, as he’s desperate to solve the equation of opening the rift from Tosh’s partial equations.

 

Tosh has to get her laptop data to the future. This is where the manager, Bilis Manger (Murray Melvin) comes into play. This oddly dapper, yet sinister looking gentleman strangely enough has a type of polaroid camera. You don’t have to be a Time Lord to know the technology is way advanced of anything that should be around in World War 2. What are the Manager’s motives as he sneakily takes out a folder labelled ‘Torchwood’ from his desk?

 

The plot involves a lot of going to the past and you suddenly have the Caretaker, Bilis Manager appear again, without having aged a day. Gwen uses a cover story about Torchwood exploring the building with her mates, to enable them to have a look around. But we all know Bilis Manager knows exactly what’s going on. Its that forward knowledge that makes you want to scream at the TV, Gwen get out of there!

 

Ianto suddenly realises where and to what time Captain Jack and Tosh have travelled, as he finds the polaroid photo from the dance. Owen in a blind panic, realises that Jack and Tosh are in the Cardiff Blitz and will do everything to get them out of there, or is this just to prove a theory of time travelling to see Diane again? They make it their duty to find the key to the equation to using the Rift Machine.

 

In complete juxtaposition, Jack seems so relaxed and at home with his memories of the past. He’s having a good few drinks with the real Captain. There’s a huge sense of guilt in this moment, as the real Captain kisses his girlfriend with a lack of passion on the cheek as a goodbye. Our Jack, knowing this will be the last time he sees her, pleads with the Captain to give her a proper goodbye. It’s the fact that Jack and the Captain have only just met which shows how much trust and love there is between them; something straight out of Disney, is what Owen might say, aye?

 

Jack and the Captain share a heart to heart as they confront their fears of the conflict they’ve seen during the war. Jack mentions about his friend getting tortured and killed however, was this during WW2 or was this a fight that took place many years in the future? We never find out, but it’s the conflict connection which brings both Jack and the Captain even closer. Indeed, Murray Gold’s music strikes again in my heart for this scene.

 

As the bombs fall in the past, the team in the present day are desperately trying to find the missing piece to fix the rift machine. Owen turning Mangers’ office upside down, suddenly realises this is a mystery of time. It was quite apt for Manger to hide the missing piece in a clock. Gwen also manages to find the rest of Tosh’s equation written in Tosh’s blood, however Bilis has got there first and scribbled out the last few numbers. Why didn’t he destroy the whole thing? Is this a trick the Torchwood team are not seeing? The heart breaking message from Tosh, “Tell my family I love them,” makes the team even more determined to get them back. 

 

Jack tells the Captain to spend one last night with his girlfriend but this doesn’t last long, as the Captain returns to face his true self. The moment they sit together and hold each others hands is the moment of acceptance between both of them. This is the last night they’re both going to have together and Jack wants the Captain to be true to who he is.

 

In contrast we have Ianto and Owen beating each other up in a desperate show of loyalty, love and anger to try and get Jack and Tosh back from 1941. The conflict between Ianto and Owen becomes very clear as Ianto raises his gun. Their friendship is truly tested as hateful words are thrown about their past mistakes. Owen goes to open the rift but in a moment of loyalty to Jack, Ianto takes the shot. The close up shows the desperation in Owen’s and Ianto’s eyes, as Owen finally uses the key to open the rift. 

 

Now the moment that makes my heart flutter. The Captain finally accepting who he is, grabs Jack’s hand and takes him on the dance floor. The 1940’s music blends in with Murray Gold’s masterpiece, a unity between the past and the present. The rift opens for Tosh and Jack to escape, but just as Tosh calls, Jack in a moment of love runs towards the Captain for his true goodbye kiss. In a moment, the Captain fades away in one last salute, before he fights his last battle.

 

Jack and Tosh make it back to the present day. In a true send off, they both have a glass of scotch and toast his name. Tosh said the Captain would have been proud of him for taking his name, something I believe is a consolation to Jack after all these years.

 

However, what happened to Bilis?


Ellie (TARDISMonkey) 

 

 

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[Source:
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31 March 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.11: Combat

We kick this episode off with a fast cat and mouse chase, between Captain Jack and a Weevil through the streets of Cardiff. Captain Jack getting a little ahead of himself, thinks he’s trapped the Weevil, until it evades his capture. I love Jack’s response of  how bad things always happen when he gives the Torchwood team time off.

 

Gwen and Rhys are on what is supposed to be a romantic date, well, Rhys wants it to be a romantic date. Gwen is heavily distracted by the world of Torchwood and you can see in her face the normality of  how Rhys doesn’t interest her anymore. Gwen doesn’t exactly cover this up very well, as Jack comes racing along, chasing the Weevil down the street. Captain Jack trying to apologise for ruining the dinner, isn’t convincing Rhys at all that this is worthwhile interrupting. Rhys. In a brutish manner, he orders Gwen to sit down. I think Gwen responds in the only way she could in this situation by telling him “Don’t ever speak to me that way again.” It’s the pinnacle moment, showing how difficult life is to balance with the world of Torchwood.

 

This episode is very much about Owens’ suffering from his first real love that we’ve seen. We see the mental impacts which time travel has on someone and the lengths people will go to if they’re desperate to get back to their own time. This is something which Owen has difficulty grasping, as we find him getting into a bar fight after a jealous boyfriend sees him being comforted by the bar worker. However, even taking down the guys in the bar doesn’t improve his mood as he quickly hangs up on a phone call from Torchwood.

 

Gwen tries to reconcile her problematic relationship, by calling Rhys and leaving a few messages. It’s a sombre moment as he nearly goes to grab the phone, seemingly to forgive her as he’s always done, only to grab it and delete her messages. Captain Jack asks Gwen not to let her life drift apart, as it’s the quality he likes in her. This scene suggests that Jack is still feeling the loss of Estelle from ‘Small Worlds’ and his connection to life and death from being immortal. But does Jack have the right to suggest this?

 

Gwen’s normality in Torchwood itself comes crashing down as Owen in his very charming and unique way tells her she’s boring and doesn’t want to continue this affair. His manner still suits him, but his approach to relationships and love has vastly changed over the few stories we’ve got to know Owen. Quite rightly so, Gwen calls him a wanker before driving off. Owen’s face is one of despair and loss as to what he wants in life.

 

However, this is something we’re forgetting. Oh yes, a Weevil that’s been captured by random people with a white van. The Torchwood team go to investigate the problem as a huge amount of people seem to be turning up to hospital with Weevil wounds. Tosh and Jack investigate an old warehouse in search of the missing one, when a ringtone sends me straight back to 2006 (Crazy Frog if anyone sadly remembers that) informing Jack to not continue in his pursuit. Of course, he doesn’t pay attention to this and threatens them in the true Liam Neeson style of Taken.

 

In true Torchwood style, you need a gimmicky cover story to track down these criminals by making Owen a jellied eel salesman. With the cover story in place, they send out Owen to meet Mark Lynch, the man who owns the warehouse where the Weevil was last sighted. This is when the whole narrative becomes a loose plot based around ‘Fight Club’.

 

Mark takes quite a liking to Owen after they go to the same bar at the beginning of the episode and have another fight all over again. You’d think having a fight in front of a businessman that he would be put off from letting anyone near your business, however this seems to do the opposite. Mark invites Owen back to his house, which you think is going to end up as a one night stand, however with Mark’s interrogating approach, you realise he’s seeing how much rage there is in Owen and wanting him to find what Mark believes is his true self. Or is it we find Marks’ true self? 

 

There’s a real class divide with the rich feeling they’ve accomplished everything in life but feeling nothing for it. And that’s where the Weevils come in. Owen breaks into one of the locked rooms in Mark’s apartment, with a Weevil chained up. Mark trying to establish some kind of twisted dominance, punches the Weevil as if a punch bag, to the huge disgust of Owen. Mark claims the Weevils are the future of the human race and this is where just a glimmer of hope seems to come back to Owen, as you can see this is not what he thinks the future will be like.

 

Meanwhile Gwen and Rhys are in a middle of standoff in a very tense atmosphere, as Gwen finally confesses, she’s been having an affair with Owen. It’s a hard scene to watch as you can see in Rhys’s face the complete betrayal of someone he thought he knew and loved, but Torchwood has changed all of that.  It also shows how much Gwen has changed as a person, as she now drugs Rhys into forgetting about the whole confession, something previously Gwen would never have dreamt doing.

 

The final conflict is Owen facing the weevil in the cage. Owen lets the tension of his life envelope him as he closes his eyes and exhales, all the thought and loss he’s had. He is one with the weevil for that moment, as he knows he’s going to lose his life. It’s a brutal scene, as Gwen and Jack try to save Owen from being ripped apart. In this moment, Jack knows he’s losing the unity of his team.

 

Combat, is a downright decent and solid “Torchwood” story. It’s got some brilliant character development from Owen, showing his more emotional side. This is alongside Captain Jack’s almost heartless approach to the aliens he encounters, as he faces conflict with his team over respecting the Weevils in a surprising twist, in a story written by none other than, Noel Clarke, aka Mickey from “Doctor Who”. 


Ellie (TARDISMonkey) 


 

 

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17 March 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.10: Out Of Time

What would you do if you suddenly went on an airplane to find yourself in a completely different timezone? Well three very unlikely time travellers didn’t have to imagine for very long.

 

We start with the Torchwood team waiting for an airplane to land however, it’s not a modern aircraft, but the Sky Gypsy plane which appears to be a vintage twin-engined aircraft, landing on the runway. Three passengers, John (Mark Lewis Jones), Emma (Olivia Hallinan) and pilot - Diane (Louise Delamere) appear to be very confused when Captain Jack asks what year it is. When they answer the year is1953, the whole team know something is seriously wrong.

 

What is really interesting about ‘Out of Time’ is that the episode is very much split up into 3 subplots which come to their separate and very different outcomes for our newly discovered time travellers. The episode really focuses on the mental health aspect of being stuck in a completely different timezone, something Captain Jack knows all too well. However, this is a theme that has never been explored in ‘Doctor Who’ before, dealing with the idea of how people would cope with the thought of never being able to return to their own time. It’s again what ‘Torchwood’ is best at, exploring mental health aspects as it has more adult themes in comparison to ‘Doctor Who’. It tackles them by dealing with the grief of losing their parents, families, friends and even their pets, which makes for thought provoking and upsetting moments.

 

The first thing the Torchwood team needs to do is help the time refugees in their new lives. Each person is set up with a member of the team to help them deal with missing 50 wish years of time. Their attitudes and the way they deal with John, Emma and Diane, speaks volumes about the Torchwood Team characters.

 

John is your stereotypical 1950’s dad, who seems to be the breadwinner of his family, working as a shopkeeper and demonstrates very protective qualities over Emma as if she was his daughter. Emma is an18 year old girl, with only one ambition of settling down with a husband and having her own family, as she’s been told that’s what girls of her age do. Whereas, in stark contrast, we also have Diane, a pilot who has strong ambitions in life and doesn’t want to be tied down or limited by other people, something which will definitely be divulged later in this episode.

 

The Torchwood team take the time refugees into a safe house to help them establish their lives again. It seemed like a good idea for about two seconds, then John has a very heated argument with Emma after finding her getting drunk with two more girls in the house. Who are the other girls? Who knows? It’s never explained apart from being a plot device to move the story onto Gwen and Emma moving in together. This does however really delve into what happens when Gwen takes her work home?

 

Gwen who has a softer approach than Jack or Owen to situations, takes on a motherly/older sister attitude towards Emma, as she has to lie to Rhys about Emma being a semi-distantly related cousin, in order for him to feel comfortable having a stranger in the house. Gwen really comes into her own by showing Emma there’s more to life than just settling down with a husband, as time has moved on and there are more possibilities for women in life. What works for Emma, is being a younger more adaptable person; this allows her to accept and come to terms with how times have changed e.g. from getting her own career to being able to have sex before marriage. It becomes quite a comedic moment when Gwen delves into the lovers she’s had in the past, before Emma asks if it’s ok for her to do it. Gwen’s attitude immediately turns as she suggests the first time sleeping with someone should be special, but realises her rational behind this is a bit lame, as Emma asks if having sex with Rhys is the best, to which Gwen says ‘Well…’. It’s the moment Gwen knows she isn’t the most convincing person to tell someone to settle down with just one man. However, Emma ultimately wants to wait for “Mr Right.” Emma takes the final option of moving to London to pursue a career in fashion design. It’s a lovely send off scene, as Gwen looks on tearfully as she’s sending her almost daughter away into the big wide world after a week. It’s a bold move, however it shows how strong and independent Emma is, even after the 1950s wanted her to stay in that stereotypical bubble. It’s such brilliant character development in just a 50 minute story.

 

We then move swiftly over to Owen, who has taken it upon himself to look after Diane. He fancies the pants off of her, of course. I think this is the first time as a character I’ve liked Owen. His love and devotion to Diane in just a week is quite impressive. The moments of the past and the present mixing, is something that really shines on their relationship, from their attitudes of going out to dinner together and Owen pulling Diane’s chair out, to Diane’s attitude towards sleeping with Owen, suggesting that sex should never be casual. There’s a moment when Owen suddenly has an epiphany that he doesn’t want to sleep around with loads of women anymore which is somewhat sudden, but a real character development after sleeping with not one but two Torchwood employees. Is Owen finally finding some stability in his life? The relationship between Diane and Owen does work so well, as Diane can really swap the gender roles. The prime example for this is when Diane takes the decision to leave Owen, something that really breaks his heart for the first time. It’s a moment that really echoes the film “Casablanca" as Diane hands her scarf over to him, she decides she can’t live in a time in which she doesn’t belong. There’s an adventure out there in the sky which she loves and it calls upon her to go and find the rift to get home. The final shot of the plane in the sky, is a true homage to the films of the 40s and 50s but with a slight 2006 twist of the pilot being Diane.

 

For John, life doesn’t adapt to 2006 quite so easily. The troubled moments start as soon as Captain Jack forges new passports for all of them and changes their names, something John immediately calls Jack out on and quite rightly so. For someone who has lost everything, his family and his own time, having his own name is the only thing that establishes his identity and self worth. John and Captain Jack have some emotional bonding moments, as they both reminisce over their lives in the 50s and how Jack came to terms with being stuck in one time. John trying to act like the father figure, finds it hard to maintain that persona. John finds out his son is still alive and goes to see him in a care home in Cardiff. Time travel can be a cruel and wicked thing to use, as John’s son is much older than him and has Alzheimer's disease. You can really see in John’s face this is when he loses all hope for the world and this sparks a very controversial scene in my eyes. John takes it upon himself to try and commit suicide in his car at his original home address. Captain Jack races to his aid and stops him. Jack with all his good will and intentions, tries to convince John he can live a new life, start a new family, see another day; however Jack’s words seem so empty to John. John says “Don’t condemn me to live” which is a sentence that really impacts on me. For me, I wished Jack became the figure of hope and actually showed John what life could have been like. A moment of weakness is only brief and will pass, but it’s the people around you who make the difference. The moment however is played out really well, as Captain Jack looks on in shock and despair as John slowly lets go of Jacks hand as he passes away. 

 

At the end of this whole episode, I admired what Jack, Owen and Gwen were trying to do. The casting and themes of the episode, is how I remember Torchwood from watching it the first time around. From the moment where they’re running around Asda buying everything they can set their eyes on, brings the comedic light hearted moments to Gwen finally being discovered having lied to Rhys (Kai Owen) about her job. It’s the juxtaposing position that Torchwood as a series is good at, and really leaves a cliffhanger between Gwen’s predicament of being part of the team, while trying to maintain a stable relationship. The series itself, is finally finding its feet and I can’t wait to see what kind of resolution takes place at the end.


Ellie (TARDISMonkey) 


 

 

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10 March 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.9: Random Shoes

This episode starts off with a very different style by the narration of a man called Eugene Jones (Paul Checquer) as he describes the effect of different scientific forces and how life can really run away with you. As the camera pans down from the sky, feeling like we’re descending from Heaven, we see a helpless Eugene laying on a country road before getting up and running over to the Torchwood team, acting as if they have been best friends for years. Everything appears to be quite happy and normal, until we see the dead body of Eugene on the side of the road. But how can he both be alive and dead at the same time? Is he a ghost? A projection? Something the Torchwood team or more specifically Gwen, wishes to find out.

 

The other members of Torchwood dismiss the whole event as a typical RTA and as Owen says “No alien involvement” so he’s not particularly interested in the situation whatsoever. It’s an interesting take on narrative for an episode that’s 3/4 of the way through the series, as we have a very Torchwood team light story.

 

Random Shoes’ revolves heavily around flashbacks to previous events in Eugene’s life, as we see a younger version of himself in school losing at a Math’s quiz competition against another school. The narration from Eugene makes it clear that he feels all the bad mistakes that have happened in his life originated from this one moment. Eugene freezes as can’t answer the questions he knows, showing huge disappointment in his father who is eagerly taping the show. However this is Torchwood, it’s never as simple as losing a maths quiz and having a resolution of a story revolve around that. No, one of Eugene’s teachers takes pity on him and decides to show his collection of weird and wonderful scientific discoveries, as he takes out an unusual looking memento of an alien eye. 

 

This is where Eugene’s world is really turned around. The alien eye becomes an obsession, as it’s something that distracts him from ‘real world’ situations, such as his dad running away from the family. The scene is so perfectly composed; we hear the parents screaming at each other in the background, as Eugene is distracted by looking at the planets on his bedroom wall. The audio includes screaming and slowly mixes with David Bowie’s Starman, as Eugene narrates the wonder of the universe and how he wants to get the eye back to the original owner. It’s a fabulous juxtaposition of reality and fantasy and how it impacted Eugene’s decisions, up until his death. You could call this episode the ‘Love & Monsters version’ of Torchwood. The parallels between this scene and Elton running around his room to ELO, are just uncanny.

 

We establish how Eugene knows Torchwood, as we cut to a flashback of him meeting the team with only Gwen acknowledging his presence. It all just seems a very normal encounter as Eugene just appears to be a very eager nerd who wants to help out Torchwood and get some answers about this alien eye. He’s a very hopeful person and one who always wants to meet the alien owner. LINDA awaiting for the Doctor anyone? The theme of the narrative is played as very light hearted but  with the subject of Eugene being dead, it does hold over your head like a great stormy cloud waiting for the conflict to occur on this theme.

 

Gwen takes the whole situation under her own belt, as she has a ‘feeling’ that the whole death of Eugene is more than just a RTA. There’s a really emotional moment when Eugene is starting to come to terms as to how his death is making an impact on his family and friends, as he stares through the window to see his mum crying her heart out and yet he can do nothing about it. The accompaniment to the montage of 'Hope there's someone’ by Antony and the Johnsons, really makes it a heartbreaking moment and you really feel as if you’re in his shoes, experiencing his pain.

 

Eugene, throughout the episode, is talking to himself quite happily as no one can hear him. That is until Gwen decides to carry on her investigation work without the team and winds up at Eugene’s local cafe and Gwen orders Eugene’s typical lunch of, ham, egg and chips. It almost feels like it’s breaking the fourth wall down, as we the audience, relate to him as he narrates his life to us. She also responds to Eugene’s apology relating to the £34 charge for a DVD rental, from what appears to be one of the most stereotypical 2006 fashion styles I’ve ever seen in my life. The shop owner is a huge creep. however, Gwen completely keeps her cool in the situation to help get the clues she needs to find out why Eugene died.

 

What makes ‘Random Shoes’ so unique in its story, is it seems to be so mundane. Eugene appears to have led a pretty solitary life, only speaking to a few people in the office where he worked and obsessing over an alien eye and artefacts with a few mates. The story also revolves around the themes of mental illness as many of his friends asked if he committed suicide. It’s a hard hitting subject which really contrasts with the style of Eugene’s upbeat narration. Eugene’s tone in the narration quickly shifts as he realises once the investigation is over, that is it, but what will happen to him?

 

Gwen discovers the eye that Eugene has been so obsessed with is actually a Dogon Sixth Eye, which allows people to reflect on their past. You could say Eugene has been reflecting on his past pretty well. It’s a rollercoaster ride of his friends trust, as they try to swindle their own friend out of £15,000, when Eugene tried to sell the eye on eBay, as well as finding out his dad didn’t run away to America but to a MOT garage in Cardiff. The build up of emotions his final moments, is really touching, as the story comes full circle when Eugene runs away with the eye after swallowing it to keep it safe, after his friends tried to steal it and accidentally runs into the path of an oncoming car.

 

‘Not the biggest turn out you could hope for.’ is the view Eugene takes on his future life, the life he wouldn’t get to live; however he’s always grateful for what he has, and how his death created a bond between his dad and his mum again, when Gwen finally makes the phone call announcing Eugene’s death. Is this the resolution that sets him free from the eye’s influence? Not quite. We come to the final scene of the story, with Gwen walking away from Eugene’s family’s house and nearly getting hit by a car herself, however Eugene somehow manages to manifests himself into existing again and pushing her to safety. The whole family and the Torchwood team watch in shock until Eugene quickly starts ascending into they sky as if he’s finally going to heaven to rest. If anything, this is a nice if not slightly weird conclusion to the story. Was it him saving Gwen that made him finally free, or fixing all his past mistakes giving Eugene peace at last?

 

There are some questions that are left unanswered such as, who was trying to buy the eye? How was his soul or consciousness trapped in the eye? The story tried its best, even if certain aspects seem a little clunky for my taste.

 

The last narrative line is, live your best life, and that is a pretty upbeat motto for Torchwood by far.


Ellie (TARDISMonkey) 


 

 

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3 March 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.8: They Keep Killing Suzie

We kick-start this episode in true Torchwood style as they walk onto a crime scene already being investigated by the police. They’re met by Detective Swanson (Yasmin Bannerman), who her and her team think Torchwood’s approach to situations are a little unorthodox and quite rightly so. As the team enter an average looking suburban house, a horrendous murder has taken place with a slightly more unusual clue to the suspect. In huge blood soaked words on the wall, “TORCHWOOD” takes central place, which immediately alarms Captain Jack, with a true heroic ‘Doctor Who’ cliffhanger camera zoom to the face… Titles roll!

 

Tosh examines the DNA evidence left at the murder site which the analysis reveals that the murderer had an unknown compound, “B67.” Owen immediately identifies it as the RetCon drug, which was also the same drug Jack used on Gwen. Gwen in a state of panic becomes incredibly worried as to the implications and side effects of the drug, as the Torchwood team themselves realised they’ve screwed up massively. I mean an organisation who drugs not just one but 2008 people, is slightly problematic in itself… again. Not only that, but the team are now questioning if the drug can cause violent tendencies. Jack quickly jokes that Gwen shouldn’t go near sharp objects however, the joke doesn’t sit well with me.

 

But with no time to wait, as in true Torchwood style we’re off, as Gwen suggests using the Resurrection Gauntlet from ‘Everything Changes’ to question the murdered people to find out if they saw anything. Jack and Owen quickly disapprove of the idea, with their closed body expressions as they try to turn away from Gwen; the pain of Suzie’s death still haunts them, even now. Gwen being the determined police officer she is, suggests they have a duty of care following the murder victims death; they have responsibility for their actions in respect of drugging people, which is a very just cause in my opinion.

 

Captain Jack tries the glove on their first murder victim, however this instantly fails. Owen immediately passes up the opportunity to try the glove again, stating only Suzie was the one who managed to get the glove to work. Gwen being the badass she is, volunteers to wear the glove as a cautious glance is exchanged between Jack and Owen, stepping up to the role to try it on with immediate success. The first victim, Alex Arwen, screams out. Gwen trying to show some humanity as Jack shouts at him trying to get a clue, immediately dies again. The rage shows in Gwen’s face as she is determined to use the glove not to just use the murdered victims but to get justice for them. It’s a true showmanship to her police training and her character. The next victim Mark, gives an emotional performance which is beautifully accompanied by Murray Golds’ music, as he tries to help the team with clues as to who the killer could be but also just wanting to see his wife one last time. Mark reveals a couple of names Pilgrim, Max and in a shocking twist, Suzie. Coincidence? I think not!

 

The Torchwood team dig up some more evidence related to Suzie and Pilgrim, which turns out to be a a religious support group. Tosh and Owen are completely dismissive of the idea that Suzie would join a group like this, when Gwen questions how much do the team really know each other? It’s a true testament to their characters about how they all get so wrapped up in fighting aliens and the unknown, that they forget the fundamental point of sitting down and talking. Jack accepts the fact he messed up and makes the ultimate decision, they need to wake Suzie up.

 

The Torchwood crew gather around a frozen Suzie as they assess the situation as to what they’re about to do. Tosh who can’t bare to look her former colleague in the eye quickly departs the room. The others braving their fears of Suzie herself, gear themselves up ready to get their last clue and to leave Suzie to rest. This is what is amazing about Torchwood, alien monsters can be frightening, but a person who has been dead for 3 months can still send a shiver down your spine from their past actions and this is what makes for a great villain for a story. After a few false starts and a life knife through the heart in a completely brutal fashion, the camera circles around them all;, Suzie is back from the dead. It’s a brilliant scene that builds up the confusion and frustration of everyone in the room, as they desperately want to stop the killing and settle their difficulties once and for all. Gwen using the glove for too long is shot back across the room, as Jack very angrily shouts at her for getting hooked on the glove as well. Jack has a tendency of learning from his mistakes and almost plays a father figure to the team, however his younger team mates want to prove themselves and almost get killed in the process. We soon learn that there are consequences which become a reality for unfortunate Gwen. They think it’s all over until Ianto claims that Suzie’s heart is still beating.

 

The Torchwood fam (yes I’ve used it) wanting to give Suzie the benefit of the doubt about her past incriminating life, ask for her help to catch the killer who is after them. They go to a club where one of the members from Pilgrim works before she becomes the next victim. After a brief punch up and Gwen getting hit again, goodness me does Gwen take some punches, they catch the killer.

 

All of this seems simple and straight forward, a very typical Torchwood episode until Gwen is suckered in by Suzie’s guilty charm and her own revelations of the team not being sympathetic towards other members and decides to take Suzie to see her dying father. Now this is when the tangled web of evil and villainy comes into force. Owen to his horror, discovers why Suzie isn’t dead again. She’s draining the life force away from Gwen. This is where the differences lies between Gwen being a part of the team rather than Suzie; the team actually spring into action to help her. They've been fooled twice; shame on them.

 

I love Torchwood, it always seems to be the most bonkers plot to cram into a 50 minute story. So here’s a break down of Suzie’s plot, Shaun of the Dead style:

 

Gwen takes her car, drives over to Suzie’s dad, Suzie kills her dad. Gwen immediately starts getting a headache because the gun shot wound that killed Suzie is being exchanged and she gains her energy back. Suzie then drives to the docks to get rid of Gwen’s body. Torchwood calls on Detective Swanson who breaks them out using a secret code to counteract the other secret code announced by the original killer who Suzie drugged to help her get back from the dead. They get to the docks before Suzie gets away on a boat to live forever.

 

I tip my hat off to the writers, Paul Tomalin and Dan McCulloch for getting in so much plot without the story feeling too fast.

 

The final stand off between Jack and Suzie resulted in me making the most satisfying air punch I’ve ever done. The part where Jack finally takes Suzie down and Tosh takes the glove out with one final shot to break the tie between Suzie and Gwen, was just so perfect in tying up the elephant in the room of everyone feeling sorry that Suzie killed herself, when actually she was the real monster all this time.


Ellie (TARDISMonkey) 

 

 

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25 February 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.7: Greeks Bearing Gifts

We finally have our Tosh specific episode and it's about time.

 

The episode starts off in Cardiff 1812, with what appears to be just a young woman running through the forest with her solider boyfriend. Not quite… It appears she is a prostitute winding up the redcoat solider, as it seems he is a virgin or as she jokes about her name “My name’s Mary, like the Virgin.” The teasing of this doesn’t seem to settle with the soldier as he slaps her viciously across the face before Mary sees an ominous light through the trees, It's something straight out of an alien abduction film. There’s a brief chase before the solider goes to shoot Mary stating “Do whores have prayers?” - bit extreme in the circumstances - before making a harsh cut in the edit and going straight into present day. 

 

The Torchwood team are sent out to a building site (which if you look in the background you can see the filming vans.) as there is a skeleton found with mysterious wounds. It’s the team working in these situations that really show the difference between Doctor Who and Torchwood. It brings a sense of realism around death, the consequences of it and the investigation work that happens afterwards. Owen claims the body is a woman with a single gun shot wound to the chest. However in contrast to the discovery, the camera pans over the crime scene to what appears to be Mary in 2006 watching over them. Spooky.
What happened? Why is Mary still alive? All will be discovered.

 

Ever felt like a third wheel? Well Tosh is the perfect character in this moment as Gwen and Owen play around like a couple of teenagers in love. To Tosh’s horror she discovers they’ve accidentally kicked out the computer plug ruining her alien translation. Gwen and Owen are the perfect example of opposites attract, as Gwen apologises for damaging Tosh’s computer whereas Owen doesn’t seem to own up to any kind of responsibility and in fact becomes defensive by asking Tosh “Does the stick up your ass have a stick up its ass?”. Tosh understandably annoyed by this, goes out on the town on her own.

 

Tosh sitting all by herself still reminiscing about her interest in Owen, isn’t alone for very long as suddenly Mary walks up to Tosh claiming a random man is trying to hit on her. It’s interesting as an audience, knowing that something is amiss with Mary as she was alive 200 years ago and almost feel a need to protect Tosh. The mystery around Mary becomes more apparent as she suddenly knows Tosh’s name without Tosh telling her. As Mary explains the situation of knowing how she knows Tosh, it becomes clear from Tosh’s expression there's a deep trust now between them, over Torchwood and alien tech. Sound familiar between Gwen and Owen?

 

There begins a touching moment as Tosh in mid conversation starts spilling all of Torchwood trade secrets to Mary as they’ve had a glass or two of wine. It's a very quick bonding session which as an audience makes you question has something happened to Tosh, until she realises she shouldn’t divulge such confidential information. Has this plan of Mary’s failed, or is there a lack of trust again? To solidify this uncertainty, Mary gives Tosh a gift of a pendant which innocently she tries on, to shockingly discover she can hear everyones thoughts in the room. Tosh seems completely overwhelmed by this situation, however it would have been nice to see her come to terms in a more scientific approach, as she is the go-to woman for working out how alien technology works. The moment makes for a good bond between Tosh and Mary, but does it make Tosh too dependent on Mary too quickly? The close ups on the camera and the sound that closes in around Mary’s voice, makes it a compelling and intimate scene, that makes Tosh question her sexual identity, before Mary claims “That I want to kiss you.” Is it the pendant that makes it so irresistible to Tosh or the alien herself, Mary? There seems to be a lot that is not divulged or explained in this episode.

 

Ok, so this is where the alarm bells ring. Mary comparing herself to a god, while giving away a so called family heirloom, I don’t know about you, but that just sounds a little creepy to me. 

 

Tosh with all her common sense and justice is dissuaded from showing the Torchwood team the pendant, however instead uses it to read her friends thoughts. Is this a good idea? Maybe not around Gwen and Owen. This scene is a great way in showing how through a voice over of their thoughts, the tone and expression in their voices gives away how they’re completely hormonal for each other, while keeping composed in their facial expressions in front of Tosh. The way everyone keeps themselves so composed is a true testament to their characters as finally Tosh has to break it off as it all becomes too overwhelming for her.

 

As Tosh walks home, who should be waiting right outside her front door but Mary. Now if someone came to me in a bar, knowing who I was and then waited outside my house after work, I don’t think I’d be the person leaving the door wide open for them to walk in. However this very uncharacteristic trait of Tosh, allows Mary to walk straight into her house and then sleep together. Again it's never explained if it’s the power of the pendant that makes Tosh fall for Mary or Mary herself. There’s some very unusual camera transitions and angles that suggest some force is at work but again is never explained on screen. Mary finally bows down to Tosh to reveal her real name, Philoctetes.

 

The whole episode seems to be a theme of fun and games about who wants to sleep with who and peoples thoughts about being a James Bond villain, when it suddenly takes a dramatic turn as a man wants to kill a group of people and himself. Time for super Tosh to come to the rescue. The scene is a huge juxtaposition to the story, which would have been a great theme to stick with rather than the alien manipulating Tosh. You could have Tosh become this power hungry superhero who the team have to help, rather than the school playground scenario with the 'who likes who' narrative. This side plot is very quickly resolved and does feel very out of place in terms of how it affects the main story.

 

Back in Torchwood, Tosh can’t read captain Jack’s mind and the secret of the pendant is slowly being revealed to the team. Gwen, Owen and Captain Jack are playing around whilst trying to discover what happened to the skeleton found in the pre-titles. In another Cardiff arial shot later, Gwen is working out why Owen doesn’t want to look at her, whilst Jack is observing an alien object found at the building site and talking to the prime minister. Torchwood has a very good reputation of squeezing in as much plot minute by minute every time.

 

Mary in a last minute attempt to not face the Torchwood team reveals her true self as a ghostly purple skeletal alien in front of Tosh, in some kind of hope that Mary won’t have to face them as she fears she’ll be locked away. This is kind of true if you’ve watched the last 6 episodes so far. (Also anyone recognise the alien from The Sarah Jane Adventures here?) This again is where my mind wonders as to why Mary is still alive? Is she now just Philoctetes? Or both? Again a question never explained or as to why she stole Mary’s body.

 

In true Torchwood style and an aerial shot of Cardiff later, Owen quickly discovers his analysis of the body is completely wrong and is in fact the murdered remains of our redcoat soldier at the beginning of the story. The tangled web of this story is slowly unravelling itself as Tosh seems to be losing control of her own thoughts, as the camera spirals around Torchwood as if we’ve entered a nightmare. 

 

Mary contradicting herself now wants to get into Torchwood to retrieve the transporter. Tosh again agrees out of the blue; even with this being a very light Captain Jack story, he comes to save the day by showing how much of a fraud Mary is. It’s a nice touch to see that Jack can still have a huge impact on concluding complicated situations even when he’s not majorly involved in the whole story. It gives a sense he’s always watching and not as gullible as the villainous aliens make him out to be. Tosh focusing on Jack’s voice shows the true loyalty to the team and no matter what mistakes happen, Torchwood will always have their backs.

 

The final reveal of Mary being the person ripping out people’s hearts and getting her comeuppance rounds off the story in a neat little present with a bow on top. Jack tricking Mary into doing it herself makes it even more perfect.

 

Tosh owning up to listening to everyones thoughts makes a difficult but touching scene between the team. Tosh being completely apologetic about invading their personal space is equally balanced with Gwen apologising about how they are not the ones to take the moral high ground. It shows that actions have consequences; no human is perfect and that what the series is all about. Gwen telling Tosh “Love suited you,” is such a heartwarming place to finish their friendship at that moment.

 

Now I understand why Tosh smashes the pendant but it also makes me slight saddened. It would have been a perfect moment for her to stand up to her fears and explore them, however it's just metaphorically trodden on, to be forgotten forever.

 

Overall this episode has been very mixed in terms of themes and characters. Some didn’t live up to my expectations but there are moments which work so well and a key highlight for the series. We’re now half way through the series and moments are now becoming more established with the Torchwood teams friendship and Captain Jack’s mysterious personality.


Ellie (TARDISMonkey) 

 

 

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11 February 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.6: Countrycide

The pre-title sequence is a scenario that has been lifted straight out of a typical slasher style film, with a poor unfortunate woman being dragged out of her car with blood curdling screams by a mysterious figure… Torchwood has diverged into the world of horror. 

 

Jack and co start investigating recent disappearances in the area. Owen begins to complain about being outside the city, making a quite delightful bit of banter between Gwen and Owen;  Gwen takes great joy in Owen’s disdain of the outdoors. The team feel as if they’re a proper family unit going on their first outing together, with the kids bickering in the back. With night approaching, the team set up camp in the middle of the field. With everyone circled around, Gwen gets the team to recall their most recent kisses with people. It all starts off as fun and games when Tosh mentions her kiss with Owen at Christmas. However it’s quickly turned as Owen mocks her for not being as promiscuous as the rest of the team. Captain Jack quickly steers the conversation by asking if non alien lifeforms count, followed by Owen’s smug response referencing his and Gwen’s make out session whist being chased by the Cyberwomen. It all seems to being going so well, until the mood shifts as Ianto mentions his last kiss was with in fact, his now deceased girlfriend Lisa. Oops. 

 

Avoiding the now awkward situation, Owen and Gwen go away to search for firewood, or that’s what Gwen thinks. As they walk through the forest, Gwen, who is understandably annoyed about Owen mentioning their kiss – is grabbed by him and pushed against a tree. In a heat of passion, Owen describes how great they’d be together. As they almost lock lips, they see a shadowy figure in the distance. It was a scene I was slightly worried about, as Owen leans closer and closer towards Gwen – leaving almost no space between their lips as they whisper their plans on how to catch the mysterious person. It’s a very sexually charged scene which depicts the whole theme of Series One in general. It's a great moment of passionate tension which quickly juxtaposes to the horror they’re about to endure.

As they give chase, they stumble across a body in the forest, however; this is no ordinary body. The whole of the flesh has been stripped back to the bone. Sorry for anyone who doesn’t like gore, this is not the episode for you. The contrast between the scenes depict the characteristic of Torchwood’s themes. One moment it’s horny passion and then the next, body horror. It's a technique that gives the show it's uniqueness for story telling. The Torchwood team have been rumbled, as they hear the Torchwoodmobile drive away. Thankfully, Ianto is able to track the vehicle and follows the car for 4 miles where it appears to have stopped. Said the spider to the fly...

 

We join the team as they encounter a rather abandoned looking village, something straight out of ‘Village of the Damned’. The environment has all the 'horror film' hallmarks of a place you really shouldn’t visit. The setup feels almost claustrophobic as they are very much cut off from the outside world. The intercutting with a POV shot, makes the scene feel uncomfortable as they’re being watched from the inside. 

 

The Torchwood team foolishly split up to find the Torchwoodmobile (have they not seen an episode of Scooby Doo?) and to check out the pub for any ideas as to what’s going on in the area. Gwen very quickly discovers another body carved exactly the same as the one she and Owen found previously in the woods, and a mysterious noise echos from the distance. As Gwen and Jack give chase, Gwen is dramatically shot in the stomach with a shotgun. Who or what can weald a shotgun and create such horrors to humans? Typically here, the camera would go to a close up of the situation, however in a more interesting editing choice – the audience is taken through a long POV shot, almost as if we’re an animal watching its prey. It’s this 1st person perspective that really makes for carnal viewing, and adds to the intrigue of the story. Thankfully Doctor Owen is on hand to take care of Gwen’s wound, which in the spirit of Torchwood, makes even that a sexy scene between Gwen and Owen.


Meanwhile, if that wasn’t enough, Ianto and Tosh are kidnapped and locked away in what appears to be a dark cellar. A blood covered fridge catches their eyes as Tosh anxiously opens it up to discover why they’ve been captured; they’re going to be the main course. The suspense leads up to the horror across Ianto’s face as he quickly closes the door with an echoed bang. Their fate has been sealed. The story is very plot heavy; not a scene goes by that doesn’t expand the characters, or the unravelling situation that they find themselves in.

 

There is a huge amount of plot that happens within this story, however it never detracts from developing the characters of the whole team, such as Jack’s concern over Gwen and the unity between Ianto and Tosh when they’re captured by the cannibals! In a shocking plot twist, it transpires that the villains are actually humans.. cannibals. This is the first time we’ve had a villain who isn’t an alien, which we the audience wrongly assume. It’s a horror/slasher film lover’s dream. In true Torchwood style, Captain Jack comes to save the day by driving a tractor through the main barn doors and shooting the place up in slow motion. I don’t think we could get anymore 2006 with that dramatic moment.

 

Owen Teale (Ewan) and Maxine Evans (Helen) give fantastic and down right skin-crawling performances as a couple who, along with the rest of the village it seems, take part in a ‘harvest’ once a decade, on unsuspecting tourists. The line, ‘because it made me happy’, as Gwen confronts Ewan about the horrors they’ve committed, is spine tingling. As he sits there with a grin like a Cheshire Cat, with no remorse or care, it’s an image that will haunt my dreams forever. It really makes for uncomfortable, disturbing viewing.

 

However, I love the contrast in the final scene as Gwen narrates how she could have had a normal life, having kids and staying with Rhys, but Torchwood has set her on a new path. It’s just that moment when you think she’s talking to herself or to us as the audience, until Owen appears in the reflection of the window, showing her how her life is changing. She’s not the same woman we saw at the beginning of the series. She’s seen things that nobody else could comprehend and wants to take comfort in someone that does. Is Owen and the Torchwood team the right choice? We’ll have to wait and see...


Ellie (TARDISMonkey) 


 

 

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4 February 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.5: Small Worlds

Grab the tissues everyone, this is an emotional ride. 

 

We are greeted by the adorable character of Estelle Cole, played by Eve Pearce, as she explores the hidden and enchanted world of fairies. It's a classic opening to a Brother’s Grimm.

 

Estelle starts taking pictures on her film camera of these seemingly harmless looking creatures until she starts walking away, satisfied with her discover; however the creatures turn into evil demons ready for the kill… Cue title sequence. (I can safely say this is the first Torchwood episode that has gripped me straight from the off.) 

 

The camera pans through Torchwood until we see a sleeping and very shirtless Captain Jack, which is a shot definitely for the men, ladies and anyone in-between. We’re thrown back in time to what appears to be a nightmare with Jack seeing his army platoon on a train, dead,with flower petals in their mouths. A disturbed Captain Jack quickly leaps out of bed from the nightmare, prepared not to sleep for the rest of the night. However he finds a petal on his desk. Was this a dream?

Small Worlds offers an array of themes here, but the most interesting has to be the exploration of Captain Jack’s past. This is the first time we’ve had real hints and stories about Jack’s history, and the troubles that he’s been so good at covering up so far.

Murray Gold’s music creates a dream like world as if we’re living in a childhood fairytale, thus creating the perfect introduction to Jasmine Pierce, a primary school girl waiting for her parents who are late picking her up. In a sharp turn of events and a harsh cue from Gold’s music, a disturbing man watches her from afar. Jasmine continues to walk from school on her own, as the predatory man creeps behind her in his car, but is she alone? The camera cuts to a green eyed perspective as the man tries to grab Jasmine, until a strong wind whirls around the paedophile who gets his comeuppance as his face smashes against his car. He runs away in terror as Jasmine watches in glee and skips away. Not a way I would react if someone tried to grab me or having an unknown entity save the day. It creates a divide of are these creatures the good or the bad guys?

Torchwood really brings that grey area into the world that is so typically written as black and white. However there is justice when the paedophile man starts coughing up petals and water, as he runs through Cardiff Market wanting to be arrested by a police officer nearby. It’s a true body horror moment that makes for an uncomfortable watch. Are these creatures forcing him to repent or filling him with pure terror as they have taken guardianship of Jasmine. As Gwen quotes ‘One persons’ good, could be somebody else’s evil’.

Meanwhile, Jack and Gwen attend a talk about the legend of Fairies – hosted by none other than Estelle. Gwen, seemingly very unconvinced by the whole situation, dismisses the theme of fairies existing and questions whether Estelle’s either making it up or has a really distorted view on the world. That is until Gwen starts to notice Jack and Estelle getting very close, hinting at a past intimacy. As they turn up to Estelle’s house, Gwen notices a man who looks very similar to Captain Jack, however Jack is adamant it’s his father. It’s a great twist on the norm here, for the audience who know the picture is our Jack – it’s good to see it play the other way around, with Gwen using her detective powers to work out it’s not Jack. It’s a very similar style to ‘Columbo’ where we know who the murderer is before the story is introduced.

The main part I love about this story, is the relationship between Jack and Estelle. It feels that there is such a strong bond between them, as if they’d been married for years. It’s a nice moment to see Captain Jack as we’ve never really seen him before. It’s a softer approach to his character, exploring his long term relationships during the war. It’s a love that seems could last forever.

Elsewhere Jasmine appears to be forming a stronger bond with the fairies everyday, as her parents become increasingly more and more worried about her relationship with her friends and staying out in the garden. As we see into Jasmine’s home life, it becomes more apparent that her stepdad Roy is seemingly despondent and uninterested in poor Jasmine. Dismissing her left, right and centre, which contributes to family conflict and Jasmine’s increasing feeling of loneliness, this is the fairies time to strike everyone down.

The first attack starts off with the typical Torchwood style alien murder mystery, as the paedophile finally gets his comeuppance as he’s attacked in his empty prison cell by the Fairies, in much the same way as previously seen – he chokes to death on flower petals. However, the fairies don’t stop there.

We come to the changing of the equilibrium in one of the most emotional sides of Torchwood so far. The death of Estelle. The fairies in their chance to get their chosen one, Jasmine, will try anything to make sure the Torchwood team and especially Captain Jack, from stopping their plans. Estelle is so brutally taken away from us and it easily becomes one of the most heartbreaking deaths. I will not be afraid to admit I cried my heart out. It shows how incredible Peter J. Hammond’s writing is, to create such a bond with a character in the first 20 minutes of the show. John Barrowman equally makes it such a heart breaking moment as he holds her in his arms one last time, before kissing her on the forehead as he leaves. It creates a truly upsetting moment as Captain Jack will never be able to reveal his secret of who he actually was. (Damn you Murray Gold and your stunning music to this scene) - a scene that will be the pinnacle moment which reveals how Torchwood was such a fantastic show and pushed those boundaries like never before.

Captain Jack now has to make an impossible choice, a theme that is regularly brought up in Doctor Who. Torchwood has the same flexibility in its story telling, being able to confront the horrific demons of the past, as Jack knows the fairies need a chosen one or they’ll destroy the world. How do you make that decision when the chosen one is a child?

The final showdown between the fairies and the Torchwood team ends up in Jasmine’s garden, as her stepdad is brutally killed by the fairies shoving petals down his throat. Jasmine’s mum in complete distress, looks upon Captain Jack for the reassurance that the Doctor would show. However, unlike the Doctor, where some impossible choices are taken from him, Captain Jack faces them.

We approach the forest where it all started and a struggling Jasmine wants to join the fairies in eternal life, but in a shocking turn of events Jack lets her go. The second crying moment ensues. Jasmine’s mum watches in horror as her little girl runs away and disappears as if she never existed. This is a heartbreaking moment, in which Jasmine’s mum blames Jack for the loss of her family and is also the moment Captain Jack realises he had no choice, no matter how broken he would feel afterwards. It’s a true testament again to the relationship between Captain Jack and his team, that would so easily have created a TARDIS team to separate. (Damn you Murray Gold again and your stunning music). 

 

Small Worlds is real horror story and a great theme for a true Grimm’s Fairy Tale. The only criticism I have is the CGI of the fairies do somewhat let some of the scenes down. For me, I would have love to have seen the fairies still looking small and innocent but with razor sharp teeth, rather than a full sized, green alien style. It just creates a juxtaposition that no matter how innocent something appears, there’s something always deceptive underneath its appearance.

Captain Jack’s love for Estelle and the guilt he felt for letting Jasmine go, is one of the most powerful performances we’ve had in the series so far. (Ok Gareth David-Lloyd did give a hell of a performance is ‘Cyberwoman’). This episode has been a true testament of stunning performances from the supporting cast, as well as the main team. 


Ellie (TARDISMonkey) 

 

 

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28 January 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.4: Cyberwoman

Our next episode once again, is written by current Doctor Who show runner Chris Chibnall. We start with the Torchwood team playing a friendly game of basketball while a pterodactyl flies around because reasons? Its quite nice to see Gwen finally being accepted as one of the team, however there’s a figure who appears to be left standing in the shadows, Ianto.

 

Ianto has been a character whom we just assume is taking up the role of the butler. He just stays in the background, cleaning up the mess of the Torchwood team. However, this episode starts turning into a case of a whodunnit as Ianto runs off to meet a mysterious Doctor, while the team goes out for drinks.

 

We’re introduced to the secretive world of Ianto Jones, as it is discovered he has been keeping Lisa Hallett, a former employee of Torchwood One down in the basements of Torchwood Three. Although in a shocking revelation tying into the aftermath of the battle of Canary Wharf, Lisa is part Cyberman or should I say Cyberwoman! The story of Ianto doing everything he can to save the woman he loves, is a dynamic way to quickly explore his character. It’s a tragic tale of two people in love, which drives this episode forward in its themes.

 

However, what should be a very emotional scene between the reveal of Ianto and Lisa is let down slightly, in the design of the Cyberwoman. Unfortunately the design of the cyberbra and cyberknickers isn’t exactly what I had in mind when cybermen converted people. Does this mean other people get cyberboxers or cyberbriefs? It detracts from the overall seriousness of the situation, whereas I would have had more of a Frankenstein’s monster look proving no matter what you look like, there’s always someone who will love you, no matter what.

 

Ianto with the help of Dr Tanizaki, try to save Lisa by reverting part of the cyber process to help her live as a human again. In true Torchwood style, this all goes horribly wrong. Lisa’s cyber programming kicks into gear as she tries to process an unfortunate Dr Tanizaki, killing him. What creates a shocking twist is she is doing this out of love? The idea of human emotions and partial cyber conversion is a great concept, briefly explored originally in Doctor Who with Yvonne Hartman crying as a Cyberman. The Torchwood team quickly discover what Ianto has been doing all this time and try and stop his plans. Again this questions the loyalty of the team, as Ianto admits he couldn’t trust Torchwood to protect Lisa from being destroyed.

 

I know I mentioned the theme of Frankenstein’s monster earlier, but this literally happens within the ending of the episode. It created a major shock factor with Lisa trying to prove her love and not processing human emotions properly. She kills a poor pizza delivery woman and swaps her brain out to replace it with Lisa’s.

 

The finale of the story ends up with Ianto making a choice either letting Lisa live or shooting her for the murderous rampage she undertook. I feel this part should have been left to Ianto for his redemption. However this was brutally taken away by Captain Jack shooting first. It almost detracts from Ianto’s choice, as I think it would have made a greater impact if he shot her because he loved her so much but couldn’t let her carry on murdering people.

 

Overall I did prefer this episode to ‘Day One’; the conflict between the Torchwood team and Captain Jack has become a recurring theme, as well as the secrets of Jack’s past with him not being able to die, makes the team lose their trust even more. Maybe Torchwood should get a better vetting system for their staff?


Ellie (TARDISMonkey) 


 

 

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21 January 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.3: Ghost Machine

We encounter the Torchwood team in an epic chase through Cardiff, but chasing who?

 

Gwen nearly catching the suspect through Cardiff market (where they make very nice Welsh Cakes by the way) unfortunately only grabs his coat as he runs off. Gwen thinking she failed, repeatedly apologises, while a happy Tosh shouts in her ear she’s got it. But what has Gwen discovered?

 

The opening sequence creates a fantastic juxtaposition. After an adrenaline filled chase, Gwen finds a unique piece of alien tech - changing the pace of the story entirely. Pressing its button, Gwen is unknowingly transported to, we assume, WW II. We see a young boy leaving the train station wearing a name tag, looking lost and calling for help. However in the same instance, Gwen is thrown back into the present… Looking around shocked, she utters “I’ve seen a ghost.”

 

This is the first episode which has grabbed my attention straight from the off. This episode starts to focus around Owen, which again seems to show the themes of the series that everyone has a story dedicated to them. Gwen and Owen seek out who the boy from Gwen's apparition is. They later discover via a phonebook, (which a sarcastic Owen holds in his hands), it's a Mr Tom Erasmus Flanagan. They visit the now elderly Tom and realise the alien technology was showing them a real person's past, not a fictional vision.

 

The stand out line for this episode has to be when they are trying to track down the original suspect Bernie Harris, who stole the alien tech: 'Splot' 'Splot?' 'I believe estate agents call it Splough…’. 

 

Its the brilliant comedic element that Torchwood is perfect for. The down to Earth part when they use their detective skills to find him, establishes the normal everyday aspect of working in Torchwood. This is a complete contrast to their other counterpart flying around the universe in a TARDIS.

 

As the Torchwood team have no luck ‘catching them killers then’ (Hot Fuzz reference for anyone there), Owen quickly stops in his tracks as they walk under a bridge and the Quantum Transducer activates. The whole world seems quieter and colder. Unknown to Owen, he has been transported back to the 1960's, where he unwillingly watches the rape and murder of Lizzie Lewis, coldly carried out by Ed Morgan. Owen can't move or bring himself to take action. It really does become an uncomfortable moment to watch, leaving Owen in tears as the Quantum Transducer brings him back to the present. This harrowing scene becomes the key driving force for Owen to get justice for Lizzie.

 

Posing as a Police Officer, Owen tracks down Ed Morgan to his house, which leads to an intense battle of wits. Owen describing the incident to Ed in such detail, makes us as the audience feel as insecure as Ed. The heart beat sound and the close up shots, creates the sense of panic, claustrophobia and guilt, as he’s finally been found out. It’s a fantastic scene between the characters, to which both Burn Gorman and Gareth Thomas (yes Blake’s 7), make the scene teeth clenching.

 

The Torchwood team finally track down Bernie Harris, but in a intriguing plot twist, it is revealed that there are in fact TWO parts to the Quantum Transduce; one to show you the past, the other to show you the future. Bernie, afraid of the alien tech, sees his death. Having earlier blackmailed Ed Morgan he becomes afraid of what's to come. Gwen on the other hand touches the future side of the QT, and sees herself with blood on her hands - but who's? All this builds up to be a true murder mystery tale with a side of time travel, which is what Torchwood is perfect at playing.

 

We have reached the final confrontation. Ed Morgan is about to be held to account by Owen Harper. Morgan has the knife, as previously seen in Gwen's future vision - he is ready to kill anyone before his terrible murderous secret out. It's another fantastic show of Gareth Thomas's acting as he builds up the intensity as the situation escalates. The agoraphobia is making him panic and not think rationally or logically. This is on the edge of the seat viewing. Captain Jack quickly pounces on him, while Owen takes the knife. Owen almost takes on the role of vigilante in this episode, taking justice into his own hands and fighting for the late Lizzie Lewis. Owen holds the knife to Ed's face - can he do it? He quickly realises that actually, he is the better man, and doesn't act. Sound familiar? Unfortunately this is where the ending slightly lets it down. Ed runs towards Gwen to hug her for helping him, to ultimately stab himself. Why was Gwen holding the knife pointed outwards so that someone could get stabbed? I feel the resolution is a slight let down, as it would have been nice to see Ed finally show redemption for his actions. However the final scene of Captain Jack easing the pain of Gwen accidentally killing Ed is really sympathetic and full of wonder, straight out of Tomb of the Cybermen style with the Doctor and Victoria.

 

Helen Raynor has created a diverse, atmospheric and witty script. Overall I think this has been the strongest episode so far next to ‘Everything Changes'.


Ellie (TARDISMonkey) 

 

 

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14 January 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.2: Day One 

Well, well, well. If Torchwood wanted to prove that it’s more grown up theme wasn’t the family friendly Doctor Who we all know, this is the episode that proves it. 

 

This is the first Torchwood story written by current Doctor Who showrunner Chris Chibnall. The whole theme of ‘Day One’ circulates around themes of sex, which for the Doctor Who Universe was a bold move to make.

 

‘Day One’ follows Gwen Cooper on her first day as part of team Torchwood. As a meteor crashes into Earth, Gwen leaves her very cute date with Rhys to join the gang where during some banter, Gwen quite literally throws a spanner (accidentally) in the works. It lands in the meteor letting out a purple gas cloud, which heads towards a very upset Carys Fletcher on the phone telling her boyfriend to die. This is when it all gets a bit weird.

 

The extra-terrestrial sex gas turns an unexpected Carys Fletcher into a killer by absorbing climatic energy. A sentence I thought I would never write… 

 

The episode really explores the themes of sexuality with Gwen kissing her first woman, Owen being a bit of a lad after recording both Carys and Gwen kissing and then being caught out himself by getting locked away without any clothes on. How about Tosh looking away from Owen without any clothes on, is she shy about her sexuality? The Torchwood team also question Captain Jack’s sexuality and his ties with the past again, cementing the overall story arc. It’s the start exploring the LGBTQ+ themes that will be revealed in full later on in the series.

 

What makes the episode very tongue in cheek but realistic, is the fact the cast play it seriously. You can tell that Carys Fletcher has a conflict in herself for control and the distress its causing to her when then alien kills people. Gwen faces the situation by using her police training to tell Captain Jack, eating a Chinese meal or Owen filming them kissing in the cell is not the way they should be handling any situation with a distressed person. The conflict makes a noble stance of their moral grounds, until they realise they’re both on the same level of respect, when Jack reveals he’s been analysing Carys Fletcher to get her the best help.

 

The scene in which Carys steals The Doctor’s hand and Captain Jack being incredibly protective of it, just shows the incredible bond both him and The Doctor have. This is very apparent when the jar is smashed and Jack cradles the hand as if he’s holding the hand of a loved one. It's provides a heartwarming and upsetting scenario and also reveals why Captain Jack is apart of Torchwood.

 

‘Day One’ has a dignified and emotional resolution with the alien dying, with a weirdly poignant quote ‘Travelling half way across the universe for the greatest sex… But still end up dying alone’. It again explores the overall arc of who is Captain Jack and what has happened in the past for him to think this way.

 

Even though this isn’t my favourite episode out of the series, I can understand the shock factor ‘Day One’ brings and its take on being different with its sexual themes Doctor Who hasn’t been able to do before. This is what Torchwood is all about.


Ellie (TARDISMonkey) 

 

 

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7 January 2020

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.1: Everything Changes 

Rewatching this episode has really shown how incredible Russell T. Davies is as a writer. You want a 'grown-up' version of Doctor Who? Well, look no further. Gwen Cooper; a police officer working her way up through the ranks and tackling hard cases, like a murder that has just happened outside a multi-story car park. But this is no ordinary case; a mysterious team enter the mists and bring a dead body back to life. Gwen Cooper's life has dramatically changed, forever.

 

Torchwood establishes its more grown up audience from the violence Gwen encounters when she meets her first alien, the Weevil. She tries to establish some normality to the situation by claiming the Weevil is a man in a mask, until some unfortunate soul gets his throat ripped apart.


Captain Jack takes up the 'Doctor' role in the episode, claiming to be a dark and mysterious person who wants to keep his past life a secret. Being an established character in the series really helps Torchwood have a familiar face that the audience can relate to and have some foreknowledge of Jack's history. The establishing scene that builds up the Torchwood team in their Cardiff base, when Gwen is delivering pizza, makes a nice little icebreaker when it plays on the stereotypical cheesy reveal scenes, making light hearted comedy of the situation. Seeing the teams camaraderie as Gwen enters the Torchwood base proves they are very tight knit, very much like the first episode of Doctor Who, An Unearthly Child – the existing chemistry of the gang proves they’ve already had many adventures.


Torchwood really builds itself as a series utilising these tropes, however it also throws in a grim twist to the universe we know and love from Doctor Who, with characters stealing, swearing and generally doing stuff that’s forbidden in a family show. This episode already has shocks, twists, turns and some amazing power poses from Captain Jack's figure on top of random buildings in Cardiff, which entices you to continue watching the next episode. You want to see Cardiff in all its glory? Well look no further than the fantastic amounts of establishing drone shots, which would make a good game someday.

 

(Also keep an eye out for the Doctor Who Experience sign in the background of some shots.) 

 

The first episode had everything it needed to establish characters, sets and the overall theme of the show. It’s still a little rough round the edges with slight exaggeration of the grown up themes.

Ellie (TARDISMonkey) 

 

 

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[Source:
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