Home Forums News & Reviews Features DWO Minecraft Advertise! About Email

The 50 Year Diary - Day 309 - The Dæmons, Episode Four

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 309: The Dæmons, Episode Four

While I'm sorry to say that I'm still not really bothered at all by The Dæmons, I am pleased to report that today is by far my favourite episode of the serial. There's just so many moments in here that have really appealed to me, and most of all, it's raised a few laughs, too.

This is the point where I start to become a yo-yo, and I tell you that despite my dislike for the way the Doctor was behaving in yesterday's episode, I've really enjoyed him today! I knew that things were on the up when the Brigadier asked the Doctor if he was positive that he knew what he was doing, and he replies 'my dear fellow, I can't wait to find out!' The whole exchange reminded me of a similar one between the Second Doctor and Jamie (in which the Highlander asks the Doctor if he knows what he's doing and the response comes as 'oh what a question! Of course I don't!')

From there, we get another action sequence as the Doctor hurries back to the village on a motorbike and finds himself shot at (still nothing all that special in the direction, sadly), and then the best scene that we've had in the entire story, as the Doctor finds himself trapped by a troupe of sinister Morris Dancers. The whole scene of entrapment is great to start with, as it moves from playful fun to something genuinely scary, but I think it's the following scene in which the Doctor is revealed to be a 'wizard' which really works for me.

I'm pleased to see that Bessie's remote control feature is being used for an actual plot reason - it seems just that bit too convenient at the start of the story when he used it to trick Jo, having installed it at just the right time - and it's a brilliant sequence from start to finish. When the Third Doctor is having fun, I think I can enjoy him a whole lot more, and this scene is the perfect example of that.

Perhaps the thing that's striking me the most about this story is the sets. I don't often draw attention to them, because they don't always stand out in every single story, but the ones we've got here are pretty special. I think it's a testament to the work that's been put in that I spent several minutes today trying to figure out if Jo's room at the pub was a set or filmed on location with everything else (I think I'm right in saying that The Dæmons has one of the highest film-to-video ratios of the era, so it's not too unbelievable). It's the little set of steps down to the door that does it - you don't normally get that kind of attention to detail.

The set of the cavern is pretty good too, and again there's a set of steps to help give the space a slightly different feel. The lighting used here is pretty good, too, which always helps. I can't help but wonder how Azal fits, though. We're constantly told how tall he can grow, and it would somewhat undermine the cliffhanger if he has to start crouching down under a low ceiling after a while…

 

Add comment