Manufacturer: Big Finish Productions

Written By: Gerry Davis (adapted by John Dorney)

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: March 2021

Reviewed by: Robert Emlyn Slater for Doctor Who Online

"The Doctor, Sarah Jane Smith and Harry Sullivan return to Space Station Nerva in search of the TARDIS. Instead they find peril, disease, and… Cybermen!

These cybernetic monsters have devised a plan to eliminate the greatest threat to their existence. And if the Doctor and his human compatriots do not play their part in this scheme, they are to be destroyed." 

WARNING: The following review contains spoilers. You have been warned!

Written by Gerry Davis, co-creator of the metal monsters from Mondas, and adapted by John Dorney, Return of the Cybermen is the story that never was. Initially intended to be made as part of the show’s 12th season back in 1975, Davis’ script was heavily rewritten by then-script editor, Robert Holmes. The reworked adventure aired as Revenge of the Cybermen in the end, and Davis’ original story was lost in time — until now. 

Thanks to Big Finish, Return of the Cybermen finally gives us a chance to see how Davis’ version of the story could have turned out if it hadn’t been so heavily changed 47 years ago. Bringing back the ever-popular TARDIS crew of the Fourth Doctor, Harry Sullivan, and Sarah-Jane Smith, Return of the Cybermen gives us an interesting and exciting side-step into an alternate Doctor Who universe, where we get a glimpse at what could have been in April 1975.

In short, this audio drama is about the Doctor, Sarah-Jane, and Harry returning to Space Station Nerva in search of the TARDIS. However, a deadly plague has swept throughout the station, killing most of the crew. When Cybermats attack the TARDIS team, the Doctor must face down his old enemies, the Cybermen, and make sure that they don’t get what they want. To smash the space station into an inhabited asteroid that is rich in gold. 

Return of the Cybermen is also significant in the fact that it sees the debut of Sadie Miller as Sarah-Jane Smith and Christopher Naylor as Harry Sullivan. With Elisabeth Sladen and Ian Marter sadly no longer with us, it’s down to Naylor and Miller to make us believe that they are the characters that we know and love already. It’s safe to say that they absolutely succeed in doing that. 

Sadie Miller, Elisabeth Sladen’s real-life daughter, undoubtedly has a tough job here in being asked to recreate the character her mother bought to life so beautifully, but I’m very happy to say that she is more than up to the task. Nicholas Briggs says it best in the behind-the-scenes feature at the end of the play. Whilst Miller may not sound exactly like Elisabeth Sladen, there are definitely moments during the story where the vocal resemblance is almost uncanny. It does take some getting used to, but Sarah-Jane is definitely in there, and that’s all that really matters. 

It’s a shame, however, that for a significant portion of the story, Sarah-Jane is out of action due to falling victim to the Cybermen’s plague. It almost reduces her to a damsel in distress, which is something I would expect more from some of the stories from the 60s, rather than from the mid-70s. 

Christopher Naylor also does an excellent job of capturing the voice and spirit of Harry Sullivan in this piece, and his banter with Sadie Miller’s Sarah-Jane is a joy to listen to. 

And, of course, Tom Baker is, as he always is, on top form, bringing a lighter, perhaps even sillier version of his Doctor to proceedings here. Hearing this TARDIS team back together again after so long was a wonderful experience, and one that I hope happens again in the not-too-distant future. 

The story rattled along at a nice pace, and I never found my attention drifting or waning. The first half of the story is a game of hide-and-seek of sorts, with the Doctor and Harry searching for the Cybermen aboard the station, whilst the latter half of the play is a race against time as everyone tries to thwart the metal monster’s plans. 

A particular highlight for me was the scene in the oxygen tanks, which was claustrophobic, creepy, and had me on the edge of my seat. The Cybermen advancing on the Doctor and Harry in the enclosed space, and the rising panic as they tried to escape was brilliant. And the reveal of the Cyber Leader smashing through the wall and revealing his plan gave me chills. He was menacing and sounded unstoppable, and that’s all down to Nicholas Briggs’ fantastic performance. 

Listening to the behind-the-scenes feature after the play, it was obvious how much of a passion project this release actually was for Briggs, with him acting, script editing, and doing the sound design too. 

I was particularly impressed with the sound design (again, the oxygen tank scene being a highlight), and the music seemed to have been dragged straight from the 1970s. Briggs well and truly knocked it out of the park with this one. 

Return of the Cybermen is an enjoyable, interesting look at what could have been, with great performances from the whole cast, Tom Baker, Sadie Miller, and Christopher Naylor in particular. Briggs’ Cybermen were a menacing presence throughout, and Kellman (Nickolas Grace) was a great villain for the Doctor to come up against. 

I for one would love to see some more alternate takes on classic stories if they’re going to be anything like this one. I’m also hoping for more adventures with the Fourth Doctor, Miller’s Sarah-Jane, and Naylor’s Harry Sullivan in the near future. The sixth series of The Lost Stories is definitely off to a good start! 

+ Return Of The Cybermen is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

+ ORDER this title on Amazon!

Researches for a forthcoming biography of a ‘60s Doctor Who writer have turned up an intriguing curio: a draft script of William Hartnell’s final episode which doesn’t end with the Doctor regenerating.

William Hartnell’s Doctor bowed out in October 1966 with the four-part adventure “The Tenth Planet”, a story which not only introduced the concept that the Doctor could change his appearance, but also saw the first appearance of the Cybermen.

Now author Michael Seely, who’s working on a biography of the story’s co-author, Dr Kit Pedler, has unearthed draft scripts of all four episodes which predate the decision to write out William Hartnell.

“I found these scripts and two more from ‘The Moonbase’ (known then as ‘The Return Of The Cybermen’) among a very large collection of Kit’s papers which one of his children had kept in their attic,” explains Seely. “As I looked through it, I realised it was the first draft [script editor and co-writer] Gerry Davis prepared when Kit fell ill in June 1966."

"The structure is more or less the same, though a lot of the dialogue is different. Some things were cut, especially involving the Cybermen. For example, the Cybermen planned to convert [companion] Polly and the Doctor into Cybermen towards the end of the story, and kept them prisoner in what they described as a waiting room. The most eye-catching difference is what didn’t happen at the end of the episode.”

The fact that this script was written in June 1966 and rehearsals for the story began on 14 September only underlines that the actor’s departure was decided upon rather late in the day (Hartnell’s wife’s diary records that he told her on 16 July 1966).

“Gerry Davis and [producer] Innes Lloyd were always very diplomatic and tactful in their interviews,” says Seely. “Both died in 1991, long before ‘warts and all’ interviews became the norm. We know that William Hartnell was being persuaded to give up the role he loved over the summer of 1966, and that they were sounding out replacements. He only decided to leave in the middle of July, the month after this draft was written.”

The cache of Pedler’s papers also includes five original storylines for Doomwatch, the 1970-1972 eco-thriller TV series he co-created with Gerry Davis - including several that were never made - as well as proposals for further TV shows, a couple of never-recorded radio plays, and various unfinished books and short stories.

+  The Quest For Pedler by Michael Seely is due for release in Early 2014. Visit www.miwk.com for more details.

[Source: SFX]

AudioGO have sent DWO the cover and details for the forthcoming Doctor Who CD release of Doctor Who And The Tomb Of The Cybermen.

Product Synopsis: 

The Cybermen – silver, indestructible monsters whose only goal is power – seem to have disappeared from their planet, Telos. When a party of archaeologists, joined by the Doctor, Jamie and Victoria, land on the Cybermen’s barren, deserted planet, they uncover what appears to be their tomb. 

But once inside it becomes clear that the Cybermen are not dead, and some in the group of archaeologists desperately want to re-activate these monsters! How can the Doctor defeat these ruthless, power-seeking humans and the Cybermen? 

Michael Kilgarriff, who played the Cyber Controller in the original BBC TV serial, reads Gerry Davis’ complete and unabridged novelisation, first published by Target Books in 1978.

+  Doctor Who And The Tomb Of The Cybermen is released on 7th March 2013, priced £13.25 (CD) / £10.99 (Download).

+  Compare Prices for this product on CompareTheDalek.com!

+  Check Out the DWO Release Guide entry for this product! 

[Source: AudioGO]