Manufacturer: Big Finish Productions

Written By: Simon Barnard & Paul Morris

RRP: £8.99 (CD) / £7.99 (Download)

Release Date: June 2013

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 13th July 2013

At the Doctor's request, Sergeant Benton is investigating ghosts and missing people in Kettering, while undercover as a local councillor

And that's how he comes to meet Margery Phipps.

An alien incursion in the town hall leads them on a journey to a terrible future – where Margery discovers how she changed a world, and the life of a whole civilisation hangs in the balance…

* * *

As The Companion Chronicles begins the journey towards its final season, this current one concludes with the debut of John Levene returning to reprise his role as UNIT member Sergeant Benton. Quite why it has taken so long to get a Benton story for the Chronicles is baffling as he is one of the most memorable characters from the UNIT years of the show.

Making their debut for Big Finish too are writers Simon Barnard and Paul Morris who are better known for supernatural comedy adventure series The Scarifyers. Based on their credentials it is no surprise that Council of War has some very funny moments with some very clever in-jokes.

The structure of the story is told seamlessly well between both Benton’s perspective and the character of Margery Phipps played exceptionally well by Sinead Keenan. Keenan’s performance is one of the best things about Council of War and her portrayal of Margery is utterly charming.

What about John Levene? Even though he sounds nothing like he did all those years ago, Levene still puts in a very good performance. Full of energy and character, he makes a nice addition to the range and I do hope that before The Companion Chronicles comes to an end we will get to see more of him.

The story feels a little like a Third Doctor adventure to begin with but this very much becomes Benton’s show. 

Barnard and Morris cast him as a James Bond like character, but one very unsure of himself out of uniform. It gives Benton an interesting vulnerability as he thinks the undercover work is more suited to Mike Yates rather than himself. He is just a soldier and the story does give Benton a chance to be just that towards its conclusion.

Margery Phipps is an interesting character, cast as a women’s rights campaigner stuck like a fish out of water in a council of seasoned male politicians. She is an idealist and both she and Benton make an odd but well fitted pairing. 

The story has a rather barmy premise, but it is great fun and the cast has a jolly good time playing up to all of the madness going about. Its conclusion does suggest that we might see more of these characters in a further adventure and with the final season of The Companion Chronicles just a month away, let us hope that this is the case.

Council of War is an entertaining if not perfect Companion Chronicle but a great debut at Big Finish for John Levene and a new writing team.

Manufacturer: Big Finish Productions

Written By: Eddie Robson

RRP: £8.99 (CD) / £7.99 (Download)

Release Date: May 2013

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 30th May 2013

The TARDIS lands in the city of Tromesis on Earth – but it’s a world far from the one that the Doctor, Jamie and Zoe recognize.

The buildings are ruined, the streets deserted. And against the devastation they see a ghostly mirror image of another place – the city as it was before disaster hit.

People vanish here, and huge metal birds attack from the sky.

Can the Doctor find the future, in a place that doesn’t have one?

* * *

In the latest Companion Chronicle from Big Finish, Frazer Hines once again plays both Jamie and The Second Doctor. This is an impersonation he has become famous for and with good reason as it is rather uncanny. At the beginning of the play, it feels more like a full cast audio drama in parts as Hines plays The Second Doctor as if Patrick Troughton is playing directly opposite Jamie. In fact the recent Companion Chronicles that Hines has been a part of seems to be specifically tailored to allow him to do this impression. It is always fun to hear but I wouldn’t like to see the impersonation overshadow the brilliant work he does as Jamie McCrimmon.

Despite some nice input from Wendy Padbury this is very much Hines’ show. He carries not only the narrative duties but the whole story is told from Jamie’s point of view. You feel somewhat sorry for Padbury because as wonderful it is to hear her once again as a younger Zoe, you begin to get the feeling she was called in simply so Hines didn’t get a sore throat playing two main characters and some supporting roles.

The Apocalypse Mirror has, at its heart, a very interesting and rather conceptual idea, but to reveal too much would be to spoil the revelations. This is a particularly idea-driven story and it is a refreshing change to the standard good versus evil-driven plot.

Eddie Robson has written an interesting story which is an excellent showcase for Frazer Hines, but it suffers somewhat from the lack of material for his co-star. Fortunately Hines’ energetic performance makes for an enjoyable listen.

Manufacturer: Big Finish Productions

Written By: Steve Lyons

RRP: £8.99 (CD) / £7.99 (Download)

Release Date: February 2013

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 12th March 2013

The TARDIS has landed in a futuristic space casino, where the Doctor, Ben, Polly and Jamie find fun, games… and monsters everywhere. There are vicious robot dogs, snake-headed gangsters from the Sidewinder Syndicate and a mysterious masked woman called Hope.

In this place, time travellers are to be tracked down and arrested. Yet, as events spiral out of control, time may be Polly's only ally…

* * *

After last month’s reflective and very dark The Flames of Cadiz, we get a little light relief with House of Cards the first of this year’s Companion Chronicles to feature The Second Doctor. 

Despite Jamie’s involvement, this is very much Polly’s story and Anneke Wills has great fun taking centre stage. Usually when Frazer Hines is involved in a Companion Chronicle, his quite brilliant Patrick Troughton impression is never far behind. But this time there is a distinct absence of it, perhaps as to not overshadow Polly’s story, as, in fact, nearly all of The Doctor’s interactions in House of Cards take place with her.

Steve Lyons has written a great little time travel story and has fun in creating a rather ghoulish Casino and it’s unique inhabitants, where snake eyes are not just on the dice. The plot is neatly constructed and has the feel of a Steven Moffat “timey wimey” scenario. It's a nice example of how the new series bleeds into versions of the old one and vice versa.

When I reviewed last year’s Companion Chronicle by the same author, The Selachian Gambit, I was disappointed at how the use of Polly and Anneke Wills were a little wasted, the character being reduced to making the tea at one point. I’m happy that Lyons has written a story which showcases Polly’s strengths and it is a cracker.

House of Cards is good, old fashioned, fun Doctor Who adventure and well worth your attention.

Big Finish Productions will be launching a brand new audio range in 2014. Doctor Who: The Early Adventures will comprise four-part stories starring the surviving lead cast members from Doctor Who’s black and white era.

Producer, David Richardson said:

“While working on The Lost Stories, we fell in love with releases like Farewell, Great Macedon and The Masters of Luxor, which combine narration with dialogue. I suggested to executive producers Nicholas Briggs and Jason Haigh-Ellery we could use that format to tell new stories for the First and Second Doctors, pushing the full cast elements in order to create big, impressive productions.

“The scripts for the first four Early Adventures are now in, and it’s so exciting to bring the early days of the series back to life in this way. The aim is for these to feel like lost television soundtracks. The first series will comprise First Doctor tales, and will feature an historical, a trip into outer space, a beautifully reflective character piece… and the return of a classic villain from the early years!”

Big Finish has also revealed that three of its Doctor Who audio ranges will be reaching their grand finales.

Doctor Who: The Lost Stories, the adaptations of scripts originally devised for television but never made, will end in December after a short final run of stories for the first three Doctors. Gallifrey, the much-loved spin-off centred on Romana and Leela on the Time Lord homeworld, concludes in spectacular style in October with series six. And The Companion Chronicles, adventures narrated by The Doctor’s friends, will end their monthly run in June 2014.

Nicholas Briggs, said:

“It’s always sad to say goodbye to something, especially if they are popular, but at Big Finish we feel we must always be moving forward, and finding new ways to tell exciting Doctor Who stories on audio.”

For those whose current subscription will leave them fewer than six releases from the end of The Companion Chronicles, we've added a four-release Final Season sub so it won't be necessary to buy up to five titles at full price.

[Source: Big Finish]

Manufacturer: Big Finish Productions

Written By: Marc Platt

RRP: £8.99 (CD) / £7.99 (Download)

Release Date: January 2013

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 19th January 2013

The TARDIS materializes in Spain in the late sixteenth century. The country is at war with England – and the travellers find themselves on the wrong side of the battle lines.

When Ian and his new friend Esteban are captured by the Inquisition, the Doctor, Susan and Barbara plan to rescue them.

But these are dark days in human history. And heretics face certain death...

* * *

It makes sense that the first release from Big Finish for the Fiftieth anniversary year would be a First Doctor story. What makes The Flames of Cadiz an extra special release is that it is a four part adventure which is magnificently performed by two of the original TARDIS crew.

The Flames of Cadiz deals with the perils of time travel and interference in the course of history. It is also a study of opposing sides. In the story we have Catholics against Protestants and the warring factions of Spain and England. Both of the opposing sides are not shown to be positive as one is just as ruthless and fanatical as the other. Platt uses our heroes to examine this in relation to time travel when The Doctor accuses Ian and Barbara of sabotaging the timeline to provide a positive outcome for their country in the upcoming battle with the Spanish Armada.

Marc Platt has crafted a story which very much echoes the historical stories of Doctor Who’s early years whilst being both entertaining and thought provoking. Platt knows The First Doctor well, having written many incarnations of the character in different media. He gets the grumpiness and the distrust between him and his companions spot on. The Doctor is flawed, making mistakes and getting things wrong, setting off a catastrophic set of events into motion out of anger. It harks back to those early years when we didn’t know just who The Doctor was and what he wanted.

William Russell and Carole Ann Ford deliver excellent performances as Ian and Susan, both picking up the narrative parts of their story with ease but for me it is Russell who is the star of the show. I have said in past reviews that we are lucky to have William Russell continuing to play Ian Chesterton and as we head into this Anniversary year I stand by this even more so.

The story is a little long and it could quite easily have been edited down into two parts but the thoughtful pace and the comic and reflective moments would have been a casualty.

The Flames of Cadiz is well worth your time and a lovely example of that era fifty years ago.

Manufacturer: Big Finish Productions

Written By: James Goss

RRP: £8.99 (CD) / £7.99 (Download)

Release Date: 31st October 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 8th November 2012

Liz Shaw has been working as The Doctor’s assistant for a while now and in all that time she has noticed something rather sinister. People have been dying in a small number over a period of months but what links them all is that each of them were told of their death before the fact.

Each person received a letter predicting both the time and date of their demise. 

Liz has been documenting all of these strange events and trying to get The Doctor to pay attention. The Time Lord however is more concerned with restoring power to the TARDIS and escaping his exile so Liz takes it upon herself to investigate. 

It seems all the of the dead were part of committees within the Government and without the Doctor to help her, Liz has to rely on the one person with a link to all of them and just might be next for one of those letters. Her mother.

In June of this year Caroline John, known to all Doctor Who fans as Dr Elizabeth “Liz” Shaw passed away. Her character was present in only four of Jon Pertwee’s stories, but her performance as an equal to The Doctor, in intellect and stubbornness, endeared her to many fans. John was a very gifted performer and her recent work with Big Finish showed off her talents even if those stories weren’t always as strong. I’m both happy and sad to say that The Last Post is the best Liz Saw story Big Finish have done. It's just a real tragedy that this was to be the last.

The Last Post is a two-hander piece between Liz and her mother, taking place between letters, telephone calls and meetings for lunch. This structure allows for some fascinating insights into Liz’s personal life and the relationship with her mother is beautifully written.

Caroline John leaves us with a magnificent performance here; touching, witty and showing suitable frustration at The Doctor, John made Liz such a believable character and listening to this story knowing all too well that this is the last time we will hear Liz makes for a strange and moving experience. Giving Liz a family expands the character greatly and grounds her in a way that we have not really seen before. When Liz writes of her regret at missing family gatherings due to work, she comes to life as a person and not just as a third wheel for the Doctor. This is a woman experiencing terrifying situations and wants to rebuild a connection with her family, so when the threat comes too close to home, we really fear for her.

Rowena Cooper is wonderful as Emily Shaw. Emily is a warm and charming personality, both proud and somewhat disappointed with her daughter’s career path into science rather than the arts. It creates an interesting dynamic between the two. When the strange events begin to happen, James Goss smartly writes Emily as being aware of them and of her daughter’s involvement in UNIT. From the start this allows both characters to begin on an even keel and rightly so. Emily is just as intelligent and headstrong as her daughter and this is to the advantage of the play, so much so that the cliff-hanger to part one is quite frankly one of the most tense I have heard from any Big Finish story.

The Last Post takes place between Liz’s adventures with The Doctor and Goss litters the script with clever references. There is a rather cheeky nod to The War Machines and a rather tantalizing final moment between mother and daughter hinting that the characters know what is in store for The Doctor. 

Whether it was intended or not, The Last Post is a lovely tribute to Caroline John’s time with the show and a cracking mystery in its own right. It has rather more emotional resonance in the knowledge of John’s recent passing and it seems only right that her final work for Big Finish is her very best.

From the behind the scenes interview included at the end, we learn that this was planned to be the first of more adventures for Liz and Emily. It is very sad that this will not come to pass but if The Sarah Jane Adventures told us anything, it’s that Liz Shaw is still with us, on the Moonbase working for the betterment of humanity. 

I think The Doctor would be very proud.

Manufacturer: Big Finish Productions

Written By: Cavan Scott & Mark Wright

RRP: £8.99

Release Date: 30th September 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 10th October 2012

In 2015 amongst the Carpathians, a mysterious train is on its way to a secret location. The black TARDIS materializes above it and from its doors emerge Private Sally Morgan and Captain Lysandra Aristedes. These two professional soldiers have a mission to complete and a rendezvous point with the Doctor.

Of course it is not easy. For this train is linked to a dark part of Lysandra’s past; The Forge. Something is aboard the train and as monsters and enemies lurk in the night, Lysandra is going to discover her connection to Project: Nirvana.

The only problem is she cannot remember a thing about it.

As this year’s momentous Seventh Doctor trilogy comes to a close, Big Finish have decided to fill in a few of the tantalising gaps with this Companion.

As the title suggests this story is very explicitly linked to the Forge, the black ops organization that has been very much a part of the plot threads of the most recent main range trilogy. It is only right that its creators Cavan Scott and Mark Wright return to handle more of the organization’s sordid history and it is rather enjoyable.

This is quite clearly Lysandra’s story as Maggie O’ Neill takes the reins for most of the narration with Sally taking over for a small but significant moment. We get an interesting insight into Lysandra’s history in the Forge and her suspicions of working with The Doctor. O’ Neill performs an excellent reading but I do feel we have not heard enough from Sally Morgan.

Amy Pemberton portrays Sally so well that I want to learn much more about her character’s history in her own words. However the beauty of the Companion Chronicles means there are always future releases and Project: Nirvana does a fine job of expanding on the back story of one of the most troubled of The Doctor’s new companions.

The story is a fun one and gives an interesting view of The Seventh Doctor orchestrating military precise operations which for some strange reason seems to fit that Doctor’s character rather well. Speaking of The Doctor, it is very nice to hear Sylvester McCoy included in this release as it gives the story a little boost at the start and near the end. 

The story does feel a little rushed towards the end and the alien threat is dealt with rather swiftly, but this is overshadowed by the amount of good back story revealed here about Lysandra.

I do hope there are more stories from this TARDIS team as Project: Nirvana is not only a nice side step to the main trilogy, but a lovely addition to the mythology of the Forge.

Manufacturer: Big Finish Productions

Written By: James Goss

RRP: £8.99

Release Date: 31st July 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 22nd August 2012

Zoe Herriot is still a prisoner. The mysterious Company are determined to break the conditioning that has been placed upon her by the Time Lords. Her integrator, Jen, has more evidence to prove that Zoe travelled in time with that strange man called The Doctor.

Through her questions, Zoe begins to recall a journey to Earth in the past. She remembers attending the funeral of a young woman called Meg, a physicist who died in an experiment gone wrong. The Doctor, Jamie and Zoe discover that her experiments have brought forth mysterious creatures into our reality.

As Zoe struggles to recall what happened, it will soon become clear that time is running out for her as The Company are growing impatient for results.

The Uncertainty Principle is a sequel to Simon Guerrier’s play The Memory Cheats, which was itself a sequel to Echoes of Grey. Both the central characters of Zoe and Jen return and it is the continuity that makes this release particularly interesting. The Company’s efforts to break through Zoe’s memory block are ramped up further with the knowledge that her life is now at stake. What made The Memory Cheats such an interesting play seems to be lacking in this release. It seems to be more because of the story that Zoe recalls as opposed to her interaction with Jen.

The main story itself is intriguing but is missing the darkness that the previous instalment had. There is some interesting development of Zoe’s character as her logical attitude is put to the test as she unwittingly falls for a young man called Archie, a character central to the main story. To hear Zoe struggling with emotion, which is almost an alien concept to her, is interesting, but I found the story, at times, to be a little pedestrian.

Where the play is really at its best is the interrogation scenes with Jen, played once again by Wendy Padbury’s daughter Charlie Hayes. Both actors give excellent performances and Guerrier drops some very intriguing character development for Jen as we discover more about her own life.

After the distrust which was central to the previous play, we begin to see these characters find some common ground as the situation with The Company begins to intensify. The conclusion promises more from this ongoing story and it will be fascinating to see where Guerrier takes these two characters next time.

The Uncertainty Principle is a not a strong audio play but it is intriguing enough to warrant a further release in this interesting story arc for Zoe.

Manufacturer: Big Finish Productions

Written By: James Goss

RRP: £8.99

Release Date: 31st July 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 22nd August 2012

Ian Chesterton once travelled with an extraordinary man. He travelled the universe far and wide and for all the amazing things he saw, he wanted nothing more but to get back home. But now the past is coming back to haunt him as Ian suddenly wakes up in The Chesterton Exhibition located within a mysterious Time Museum dedicated entirely to his past.

The Museum’s curator Pendolin is delighted to find him but he is scared. There is something lurking in the Museum and it wants them both. Whilst on the run Ian’s memories begin to fade and corrupt. Whatever is out there wants Ian’s past and it is very hungry, but can he escape this nightmare and is Pendolin to be trusted?

Ian Chesterton is about to discover just how important the past can mean to his future...

As the Fiftieth anniversary of Doctor Who approaches we are incredibly lucky to still have William Russell amongst us. That he is still performing the character of Ian Chesterton after all this time is really quite extraordinary and The Time Museum is a wonderful showcase for his talents.

Presented more as a drama unlike the traditional formula of The Companion Chronicles, Russell gives a magnificent performance. His Ian, though much older, is still the same man that stepped into Totter’s Yard all those years ago.

His co-star Philip Pope who plays Pendolin proves to be an excellent foil to Ian, and Pope gives a very intriguing performance throughout.

The Time Museum is a wonderful examination of one of Doctor Who’s most celebrated and fondly thought of Companions, and continues the development that Big Finish has brought to the character in previous Companion Chronicles. 

In this story Ian Chesterton is a man searching for his identity amongst the painful confusion as his past is being eaten away. The disorientation Ian displays here is beautifully portrayed by Russell as the memories he recounts of adventures past is part of the appeal of this story. There is even a surprising little nod to the Doctor Who and the Daleks target novelisation by David Whittaker, that fans will enjoy picking up on.

This play is a wonderful celebration of the show’s past tinged with a sense of melancholy. Listening to The Time Museum reminds you just how important those early stories were in the development of the show as we know it today. Without Ian and Barbara I don’t think the show would have lasted longer than its allotted thirteen weeks. Nostalgia can sometimes be seen as being over indulgent, but here it never outstays its welcome. The kisses to the past are essential to the plot as Ian desperately tries to cling to his sense of self as he and Pendolin come under threat.

As the big anniversary looms around the corner it is certainly not too early to start celebrating and with The Time Museum, Big Finish has created a perfect birthday present to all devoted Whovians everywhere.

Quite simply this is an essential purchase.

Manufacturer: Big Finish Productions

Written By: Eddie Robson

RRP: £8.99

Release Date: 31st May 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 24th May 2012

Jamie McCrimmon is trapped. Trapped not only within a four wall cell but within several time streams and not all of them are in the right order. 

His interrogator, and at some points prisoner Moran is interested in The Doctor and his agenda towards the local alien race the Unhelt. Jamie maintains that the Unhelt are harmless and that The Doctor trusts them. But why does Jamie keep switching from prisoner to captor and why do the Unhelt seem to be the enemy he believed they weren’t?

It soon becomes clear that someone is playing a game with Jamie. But it seems that there are two more players than just the highlander and Moran. The mysterious Si is behind it all, informing The Doctor that Jamie is indeed part of a game and it is one that will guarantee his freedom, if he can put the pieces of the puzzle in the right order.

Jamie McCrimmon must now face a test not just of his own resources but of his trust in the Doctor as he may not be right this time around.

Big Finish has recently been experimenting with the format of The Companion Chronicles by releasing them as audio dramas rather than talking books. This can be seen in the recent release Binary and the same format is used here to great effect. The nature of the story allows the pace to be kept at a great momentum in the audio drama format and as a result the story never feels boring.

The Jigsaw War is an intriguing play and certainly not one for a causal listen. This story, with its jumping about in time at an almost disorientating pace, demands your attention. Part of the fun is hearing Jamie trying to figure out his escape route as we hear him in both increasingly desperate and relatively calm situations within the same room. 

Frazer Hines is superb as Jamie especially when he is on the defensive about The Doctor towards Moran. This story is again another opportunity to hear Hines’ uncanny impersonation of Patrick Troughton, this time given full credit as The Doctor and not Jamie impersonating him. When these moments come they are delightful as Hines really acts like the Second Doctor which lends it more authenticity than simply doing a heightened impression of Troughton. It is a joy to listen to.

Hine’s fellow cast member Dominic Mafham is terrific as Moran, particularly as the actor has to play the character at several points in a very disjointed timeline. These moments require many different emotional states which Dafham excels at. He makes for a wonderful straight sparring partner against the rough and ready Scot and the contrast is admirably brought to life by both Hines and Mafham.

Deep within the puzzle of the play are some very interesting questions about The Doctor that Moran raises to Jamie during their interrogations. These mostly concern the off audio Unhelt and The Doctor’s opinion of them. The Unhelt to Jamie and The Doctor are simply subjugated and oppressed by Moran’s people whereas Moran present s a plausible case that they are dangerous and his people’s methods in containing them while admittedly cruel do serve a greater purpose in keeping the peace between the races. It is suggested by Moran that The Doctor simply takes things on face value and sees only a small part of the picture without full possession of the facts. This does cause an interesting moral dilemma for Jamie but it is brushed away somewhat by the far bigger puzzle that is the main story.

When the conclusion comes it is rather abrupt and does not really leave the listener fully satisfied. However, writer Eddie Robson has been rather clever to design the story in such a way that when the story is over, a way is offered to the listener to hear the adventure in the correct chronological order of events. It is a clever twist and adds a great deal of replay value to the listener.

The Jigsaw War is an enjoyable Companion Chronicle despite some of the more intriguing ideas being swamped by the main narrative in whatever order you choose to listen to it. A recommended listen.

Manufacturer: Big Finish Productions

Written By: Richard Dinnick

RRP: £8.99

Release Date: 30th April 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 26th April 2012

The TARDIS arrives in Siberia near the end of the 19th century as shooting star has falls from the sky. Its arrival heralds a strange illness that effects not only the local population but the Doctor and his granddaughter Susan. The object from the stars brings not only sickness but knowledge so powerful it would be catastrophic in the wrong hands.

With time running out Ian Chesterton must rely on the help of a mysterious wanderer Grigory, a man who believes God has granted him the gift to heal those in need. The stakes are high for Ian as the alien object offers not only answers to save The Doctor but the chance he and Barbara have been waiting for: a way home.

The Wanderer is an interesting Companion Chronicle as it not only a rather good story but a lovely exploration of what it is to be a wanderer who wishes to go home.

The strongest part of this release is the great William Russell, a man with a real gift for narration and character. Whenever I hear a new Ian Chesteron Companion Chronicle I always imagine sitting by the fire with a drink, listening to Ian recount his adventures, such is the quiet brilliance of Russell’s performances. They are special as he is one of the old guard; the original TARDIS team and just listening to him you‘re instantly transported back to that golden era in 1963.

It is not so much a spoiler to reveal Grigory’s true identity as writer, Richard Dinnick piles the clues up to such a degree it would be foolish not to guess this wanderer is the infamous “Mad Monk” Rasputin. In an odd way The Wanderer acts as a sort of origin story for Rasputin, playing with the legend of the man’s supposedly mystical healing powers and gifts of prophecy. Tim Chipping is excellent in the role of Grigory, adding a more troubled and human element to this most vilified of historical figures.

The rest of the story which deals with the alien race responsible for the alien object and the resolution of Rasputin's story are interesting but what really captures your attention is the insight into Ian Chesterton. He is a man who, despite being fascinated by his adventures with The Doctor, is absolutely determined to get home. It is a striking reminder that in recent years, The Doctor’s companions have been so up for adventure it is easy to forget that Ian and Barbara ended up in the TARDIS by accident. They didn’t ask to be wanderers in the fourth dimension; they do not want to be facing death every other day. He wants to be at home, with the familiar and the comforting, such as a pint of beer at the pub or listening to the Test Match Special. Much is made that Ian has Barbara with him, a friendship and someone he loves and values very deeply. Barbara is someone Ian can relate to as they are in this situation together and the outcome at this time is unknown.

Of course we all know that Ian and Barbara will get home but it is fascinating to explore the hope, disappointment and sheer determination that Ian has to get back to his old life.

The Wanderer is an absorbing tale in which, despite its good story and guest star, is more interesting when it focuses on Ian himself.

That said any Companion Chronicle in which William Russell is involved is more than worth your time.

Manufacturer: Big Finish Productions

Written By: Eddie Robson

RRP: £8.99

Release Date: 31st March 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 30th March 2012

UNIT have recovered a damaged Alien computer, and for once they do not require The Doctor’s help. Preferring to keep their scientific advisor in the dark, they call in Dr Elizabeth Shaw, to oversee the repair of this alien technology. All is not what it seems however as the soldiers who had been guarding the computer have vanished without a trace.

To help her in the repairs UNIT have sent to Liz a computer expert by the name of Sergeant Andrew Childs. As repairs begin it is not long before Liz and Sergeant Childs find themselves inside the computer.

Trapped and desperate to escape, Liz and Childs begin to traverse the inner workings of the computer. But why are they finding the vanished soldiers dead and just what is stalking them through the mainframe? The Doctor is not around to save the day this time, so Liz must find her own way out but can the increasingly evasive Childs be trusted?

Liz Shaw, one of the shortest lived companions in the history of Doctor Who, but despite this has made a rather strong impact in the hearts of many fans. So it seems only fitting that Big Finish are determined to give this Companion the life she should have had on screen and have pulled out this rather fun and thoughtful Companion Chronicle.

What is at first striking about Binary is the decision to make this release a full cast audio drama rather than a talking book. This is rare for the Companion Chronicles, one of the last releases to get this treatment was the superb Solitaire, but the effect really helps this story as it is nice to hear Caroline John reacting to another actor instead of creating the parts herself.

The story of Binary is a good one. It is not brilliant or particularly striking but it is entertaining. The concept of being trapped in a computer is not a new one, but there is enough ideas running throughout the story to help it elevate past more than a mere run around story. One of most interesting parts of Binary is the idea of a computer producing an organic life form to fix faults within it. Although this does generate a stereotypical foe to chase Liz around a corridor, the concept is so highly original you can forgive the short comings of its ultimate execution.

The cast all work well together, particularly Caroline John. John portrays Liz as a woman struggling to make something of herself in a man’s world, and her bitterness towards the sexism and the patronising attitude of The Doctor (who appears in this story thanks to messages on a screen) really add depth to Liz’s character.

Joe Coen as Seargent Childs is excellent in the role and although the revelation of the true nature of his character is at times rather obvious. Coen, though, brings enough charm and subtle manipulation to the part to make any listener second guess his character’s motives.

The full cast play format is an excellent device for the Companion Chronicles as a series and I for one would like to see Big Finish exploring the possibilities of this direction with future releases in the range.

Binary is an entertaining and intriguing addition to the Companion Chronicles, with some very good performances and for anyone jumping on board is a lovely introduction to a sadly short lived TV companion.

Manufacturer: Big Finish Productions

Written By: Simon Guerrier

RRP: £12.99

Release Date: 31st January 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 29th January 2012

Whilst being pursued by the Daleks across time during the events of The Daleks Masterplan, Steven Taylor and Sara Kingdom have found a small moment to relax but as they know, travelling with the Doctor means it will not last long. 

Whilst in the vortex, an experimental time ship crashes into the TARDIS, ripping the time capsule apart. The Doctor and his companions, along with the crew of the other ship awake on a desert island, the TARDIS nowhere to be seen. The occupants of the ship are human pioneers, the first of their kind to travel in time. It isn’t long before mutual distrust begins to build with Steven and Sara caught in the middle.

Time then begins to run out for both of them as they then find themselves on the other side of the Berlin Wall in 1966. Why are they there and will they have to betray the Doctor to escape? Whatever they decide, they are certainly not alone as something is stalking them both; a legend of the Doctor’s home world, and one that may be all too real.

The Anachronauts is the first Companion Chronicle release this year and Big Finish seem to be celebrating as this is a special two disc release. The narrative structure Simon Guerrier has chosen for this story justifies the need for a double release as it is told between Steven and Sara, alternating narration duties over the four episodes. 

Guerrier’s script is intricate and full of many twists and turns. He is incredibly clever at littering clues to the outcome of the story which will reward repeated listens. However this complex intricacy can hamper some of the themes he touches upon. One theme in particular is the idea of Steven and Sara betraying the Doctor and what he believes in to keep themselves both alive. This is not explored as much as you would like it to be, as there is so much going on, it simply serves to work towards the twist in the play’s conclusion.

Overall, the story feels a bit drawn out; this is due partially to the major change of location at the beginning of episode three. Whilst the adventure does go off in a new direction, the effect is rather jarring at first and seems to render the first two parts redundant. 

The strongest element of this story is the relationship between Steven and Sara, which is explored from each of their point of view. We get a fascinating insight into how these two characters have a growing respect and closeness which would never really been touched upon in the television series. This is the great strength of The Anachronauts, and the performances of Peter Purves and Jean Marsh bring it to life.

Both actors work wonderfully together, and Purves' impersonation of the first Doctor, William Hartnell is still a great joy to listen to. It is incredible just how vivid his characterisation is, successfully creates the illusion of a third actor being amongst the cast.

The Anachronauts is an interesting Companion Chronicle, with two very strong central performances, but despite a story that gets a little lost in its own intricacy, it is certainly worth a listen.

Manufacturer: Big Finish Productions

Written By: Terrance Dicks

RRP: £8.99

Release Date: 31st December 2011

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 17th December 2011

There are some sequels that are inevitable, and there are those which are completely unexpected, and this new release in The Companion Chronicles is certainly one of the latter.

Jason and Crystal have survived yet another adventure in the TARDIS, and the Doctor has managed to hoodwink both of them into recording a report of it to the Time Lords, something he himself would rather avoid. Together, they both relate what happened. The adventure begins when their former enemy Karl, contacts the Doctor to attend the funeral of Madam Delilah, hostess of the Bar Galactica. But Karl has ulterior motives. He has heard of the legend of Ultima Thule, a legend made more compelling by the words of a dying fellow mercenary. For at Ultima Thule, there is hidden treasure and a very serious threat to the whole of the Universe. The TARDIS crew with Karl in tow seek out the truth behind the legend, and a dark new enemy waits for their arrival, including a few old ones...

When Big Finish decided to make an audio version of The Ultimate Adventure Stage play, it was met with excitement and nervousness. After all, this was a pantomime of Doctor Who, and if that weren’t horrifying enough to some it also had songs. Songs!

The final result however was, I felt, a rather fun and charming piece of Who lore put together and performed really well. It was certainly surprising to hear that a sequel was to be made, so long after the original play was written.

Let’s get the good or bad news out of the way first. There are no songs this time round. What is interesting though, is that, unusually for a Companion Chronicle, the Doctor himself is involved in the action as played by the ever reliable Colin Baker.

The play also has the added appeal of Terrance Dicks returning to the same characters, in his Big Finish debut. It is always fun to see Dicks return to writing Doctor Who, as he always manages to pull something interesting from up his sleeve.

Noel Sullivan and Claire Huckle both reprise their roles as Jason and Crystal and they provide the main focus of the play as it unfolds. It is puzzling that this sequel was done the way it has been, as, with the exception of David Banks, the entire main cast has returned. It might’ve made more sense to have done this play as a full cast audio as opposed to a talking book.

Since Banks is not here reprising Karl, his presence is filled in by both Huckle and Sullivan throughout. One of the guilty pleasures is hearing Sullivan deliver Karl’s cockney lines in Jason’s French accent, particularly since that accent is at times perilously close to ‘Allo ‘Allo quality.

That is not to say that the performances are bad. Far from it, for Huckle and Sullivan are engaging narrators and perform the piece in the spirit it was intended.

As the year draws to a close, it seems that after a run of rather thoughtful Companion Chronicles, Big Finish have decided to have a little bit of fun. The play as a whole is very true to the spirit in which its predecessor was written and even has the fun feel of a Choose your own adventure book, where you’re not quite sure what is going to happen next. Despite this, not everything works.

The sudden appearances of various old monsters from Who lore (ones, it should be mentioned, that are famously associated with Dicks) can be quite jarring, and seem to be of little point other than to be yet another obstacle for the Doctor and his friends to get past. When we do meet the villain of the piece, he is a rather simple creation, and dispatched of in an infuriatingly easy manner.

But this is not a play for fans of deep dark storytelling. This is after all a sequel to The Ultimate Adventure. Cynicism must be kept low or completely switched off. This a universe in Doctor Who, where old enemies pop up out of the blue without a second thought and are dispatched just as quickly; A world where an 80s night club singer and a French aristocrat can travel the far corners of space and time together. It is also a world where one can repeat the phrase “murderous mercenaries” at various times and not feel a little silly.

All in all Beyond the Ultimate Adventure is trying to be nothing more than the fun romp it is and it succeeds at that well enough. It sadly it lacks some of the charm that made The Ultimate Adventure such a fun listen, but if you’re looking for different and just plain camp Doctor Who then this release is recommended.

Manufacturer: Big Finish Productions

Written By: Simon Guerrier

RRP: £8.99

Release Date: 30th November 2011

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 23rd November 2011

The Doctor is dead. Steven Taylor and Oliver Harper are on the run. Trapped on the planetoid Grace Alone, they arrived to face the fate which had been haunting them since Oliver joined the TARDIS crew in 1960s London. Greeting them were the massacred bodies of the planetoid’s crew, and the perpetrators of the deed; an alien race known as the Vardans. Steven has felt recently, that when travelling with the Doctor he is living on “borrowed time”. Time is very quickly running out, and not everyone will escape it alive.

The First Wave is the conclusion to, and the strongest entry in the Oliver Harper trilogy.

The story itself works nicely for the format. It is not over complicated but it has a wonderfully tense and reflective feel. The theme of the story is most certainly about borrowed time, and how this has become a part of Steven Taylor’s character throughout the trilogy. His reflections on those he has lost when travelling with the Doctor, and cool resignation that he is next in the firing line are played superbly by Peter Purves who carries this play almost single handed with another fantastic interpretation of the First Doctor.

That is not to discredit the performance of Tom Allen as Oliver, who has grown on me throughout the course of the trilogy. There is something unapologetically heroic about Oliver towards the play’s conclusion, and Allen, particularly in the closing scene plays him beautifully.

The inclusion of returning villian, the Vardans, has thankfully not been shoe horned in for nostalgia’s sake. Their presence makes perfect sense and works to the story’s advantage, particularly in the final sequence.

Simon Guerrier’s writing is on top form. The play is written more as a two handed drama, with flashbacks and flash forwards narrated by Purves and Allen. This approach works very well, and the sense of foreboding about the inevitable fate of Oliver is clear and present but not so much that the conclusion lacks an emotional impact.

The closing scene is too good to spoil, suffice to say it is unexpected, original and done very well indeed. 

The only real criticism I could give is that the character of Oliver has gone before he had more time to really flesh out. I could see more stories with Oliver Harper, as the character had begun to grow, and his back story was strong enough to merit more exploration of his character but sadly it seems it was not to be.

With sterling direction by Lisa Bowerman, The First Wave is an excellent conclusion to what has been an intriguing trilogy for the Companion Chronicles.

Manufacturer: Big Finish Productions

Written By: Mark Wright and Cavan Scott

RRP: £8.99

Release Date: 31st October 2011

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 23rd November 2011

“The day of my death started normally enough...”

As opening lines go it's rather hard to come up with a more intriguing one, particularly when this Companion Chronicle delivers what its title promises.

UNIT is anticipating the return of the Doctor, and the Brigadier is not happy that he is late. Jo Grant on the other hand, hopes the Doctor has not forgotten her now that he has regained control of the TARDIS, but sure enough the Doctor returns and he is not alone. He has rescued a persecuted Alien refugee, one whose race, the Zoanthrax will not give up the search for her easily.

The Zoanthrax attack UNIT HQ, and as the Doctor lays down ready to die, Jo will demonstrate her loyalty to the man she is prepared to die for. A noble sacrifice; A sacrifice that will occur again, and again and again.

This is a story about the nature of Jo Grant and her feelings toward the Doctor. Jo is someone who completely believes in the Doctor. His presence in the Universe, to her, is far more important than her own life. A strong opening sequence sets this theme in motion brilliantly, but after that the drama starts to become sadly somewhat repetitive. This is ironic considering that the play wears its intent on its sleeve. 

What follows are a series of similar scenarios, all linked by a single character called Rowe who appears in many guises throughout and is integral to the final revelation at the play’s conclusion. Jo sacrifices herself many times, in a variety of even more bizarre life threatening situations. Throughout the listener is dropped dramatically into the each story that the peril becomes sadly redundant. But that seems harsh to judge the play by that since this is more of a character study of Jo than an adventure.

You might think that a character, so ready to die for the Doctor might get a bit tiresome but in the hands of the glorious Katy Manning, Jo Grant remains one of the finest companions in Doctor Who history. Manning’s performance here is the strongest part of the release and well worth checking out for that alone. Nicholas Ashbury is excellent playing the various guises of Rowe throughout, and is particularly brilliant in the story’s conclusion.

But overall, the story doesn’t quite hang together fully with its many threads and scenarios, but nonetheless, The Many Deaths of Jo Grant is a good listen and makes this reviewer want to hear more of Katy Manning in the Chronicles.

Manufacturer: Big Finish Productions

Written By: Simon Guerrier

RRP: £8.99

Release Date: 30th September 2011

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 22nd October 2011

Memory is a peculiar thing; it can be both a valuable and dangerous, especially if it is manipulated, and it is this concept that drives this rather excellent Companion Chronicle.

Zoe Heriot, dreams every night of adventures she may or may not have had with the Doctor and Jamie in the TARDIS. Now she is a prisoner of the Company. They are convinced she has travelled in time and they want to know more about the Doctor. But what can Zoe tell them? After all she is renowned for her total recall of even the most insignificant details. If she had travelled with the Doctor, surely she would know about it. The Company have found some evidence to help jog her memory; documents which place Zoe with the Doctor and Jamie in a Russian town in the aftermath of the revolution, where something or someone came out of the night, taking the town’s children. Faced with this evidence, Zoe slowly begins to remember what happened. Or does she?

This is an excellent two hander between Wendy Padbury reprising the role of Zoe and Charlie Hayes, Padbury’s own daughter in the role of Jen, Zoe’s interrogator. Both play the mutual suspicion of one another convincingly, and it is the strength of their performances which draw you into the story.

Padbury is superb playing a much older and hardened Zoe, showing at times how the character seems to have become a being of detached logic and reason. Jen is the counterbalance to this. She is firm but sympathetic, simply wanting to know the whole story, and Hayes does a wonderful job playing her.

This Companion Chronicle is a tale within a tale, so what of the story that both Zoe and Jen relate to one another?

The story itself is creepy but rather at times a pedestrian affair, although with some wonderfully disturbing images such as the Children encased in Alien cobwebs. But what becomes clear as the drama unfolds is that it is not the story that is important, but who is telling it.

Throughout Jen relates the details through the historical documents and archives provided by the company and the gaps are filled by Zoe’s memories as they break through the wipe placed on it by the Time Lords. But all is not as it seems.

To give away the ending of this play would rob it of its excellent shock value, but suffice to say it is revealed brilliantly and will leave you pondering way after the closing music has played.

This is a play without easy resolutions and raises many questions about the accuracy of stories. Should we believe what we are told and does written information hold the truth about everything? Can we ever really know the truth about anything?

This is a very fine addition to The Companion Chronicles and yet another reason why this series is an important part of Big Finish’s output.

Manufacturer: Big Finish Productions

Written By: Peter Anghelides

RRP: £8.99

Release Date: 31st May 2011

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 16th May 2011

What if the search for the Key to Time wasn’t as easy as we once thought? What if the Fourth Doctor and Romana took a few detours along the way? This intriguing idea is a highly appealing factor about this latest Companion Chronicle. 

Set between The Stones of Blood and The Androids of Tara, The Doctor and Romana arrive in a small quiet village in Norfolk, following a strong signal that will lead them to the next segment of the Key.

In their search they stumble into the observatory of former US astronaut and recently widowed Lady Millcent Ferril. Lady Ferr il is a woman with her eyes fixed firmly on the stars, who has created rather grotesque metal sculptures in the gardens of her estate and that is not the only thing that is made of metal. The Lady has plans of a maliciously cosmic kind and she quickly realizes that the Doctor and Romana are the only ones who can help put those plans into action, whether they like it or not.

As a two hander between Romana and Lady Ferril, the play’s greatest strength is the point of views given between our heroic protagonist and antagonist. To hear events unfold through the villain of the piece is a lovely idea and Lady Ferril is deliciously evil creation played fantastically by Madeline Potter. To have her as an American character helps with the transition between Romana and Ferril’s grasps of events which can happen quite suddenly and unexpectedly throughout. The Doctor spends some good portions of the story out of sight and the bulk of the narrative falls between the leading ladies. Mary Tamm shines as Romana and her tired slightly annoyed tone at the high jinks of the Doctor are one of the play’s highlights.

As a story, it is quite a strange tale but feels genuinely like it could have slotted itself easily into the Key to Time sequence as writer Peter Anghelides captures the feel and tone of that season very well.

Lady Millcent’s ability to control metal makes for some rather gruesome moments but the main criticism that I have about this release is the rather confusing and disappointing ending. To reveal the nature of my disappointment would spoil play but let us just say that to have the majority of your play told by two people in hindsight and have one remaining after dispatching the other with no clear resolution is very confusing and a real let down. I kept waiting after the closing music to hear if there would be an epilogue but sadly not and I felt that it might mar a listener’s overall enjoyment of the story as a whole.

All in all Ferril’s Folly is a very enjoyable tale, with two excellent performances but it loses marks for its baffling and disappointing ending.

Manufacturer: Big Finish Productions

Written By: Paul Finch

RRP: £8.99

Release Date: 30th April 2011

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 10th May 2011

The Companion Chronicles have become of late, spring boards for new series such as Jago and Litefoot, or a way to explore concepts only hinted at in previous audios. The Sentinels of the New Dawn is one of these. Conceived as a prequel to the Sixth Doctor lost story Leviathan, it's written by the same writer Brian Finch, using the opportunity to flesh ideas hinted at in Leviathan and offering the tantalising possibility of further stories to come.

The story has Liz Shaw; now back at Cambridge, finding herself caught up in a colleague’s time travelling experiments. Concerned about the potential effect this could have, she calls her old friend the Doctor to have a look for himself. After an accident in the midst of testing her colleague’s machine, the Doctor and Liz are transported to the year 2014, and find themselves guests of the enigmatic Richard Beauregard, the head of a strange and rather sinister political movement called New Dawn. As the ugly truths of New Dawn’s practices are discovered by Liz and the Doctor, they begin to be hunted down by New Dawn’s devoted followers and something far more terrifying...

For an audio intending to expand on ideas touched upon in a previous story, The Sentinels of the New Dawn is a rather 'by the numbers' affair. It does a terrific job of authentically recreating a Third Doctor story with an earth bound adventure filled with numerous chase sequences, Venusian aikido and the Doctor flying a helicopter, but it feels too standard for the Companion Chronicles which have become a great forum to further explore the ideas raised in Doctor Who.

But that is not to say it is a bad story. It is thoroughly engaging and Caroline John gives a marvellous delivery, with great interaction from Duncan Wibsey playing the various supporting characters.

There are some lovely moments such as Liz expressing her regret at leaving the Doctor so soon, though it sadly only comes from hindsight. Exploring this idea more dramatically and allowing the Doctor’s own opinion of Liz’s departure to be heard would have been a rather interesting idea to explore, something very much in keeping with the Chronicles themselves. 

In the end, the play shows itself to be a set up for a greater plot arc in future releases, a bit too readily. Although there are enough ideas in this story to entice listeners to hear more about the New Dawn, this Companion Chronicle, although enjoyable, comes across as merely the stepping stone for something far more intriguing.

Manufacturer: Big Finish Productions

Written By: Nev Fountain

RRP: £12.99

Release Date: 31st January 2011

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 3rd February 2011

Perpugilliam Brown, or as we all know her: Peri.

Companion to both the Fifth and Sixth Doctor, her importance in Doctor Who history should not be summarized as that annoying American who wore inappropriate clothing in life threatening situations. There is far more to Miss Brown than you would think and we finally get to see who she really is and, incredibly, who she will be in this very complex and rich release from Big Finish.

The second double length release for the Companion Chronicles since The Suffering, you may be forgiven for thinking that to dedicate two CDs to Peri Brown was mere indulgence on Big Finish’s part. You couldn’t be more wrong, because what we have here is a Companion Chronicle that not only pushes the format in a new and interesting way, but for my money is one of the best audio plays Big Finish has ever put out.

The story begins with young Peri, arriving wi th the Fifth Doctor in Los Angeles in 2009, to track down a Piscon by the name of Zarl, intent on causing mischief as only a Fish relative of the Pescatons would do. But the Doctor and Peri are joined unexpectedly in their hunt by a future version of Peri, claiming to work for a government division that protects the Earth from Alien invaders.

So far rather intriguing but what grabs your attention is that the future Peri is not only older, but she is not very likeable. In fact she is so cynical she could give Lauren Bacall a run for her money.

But as with the best of the Big Finish audio plays, not everything is a simple as it seems.

The very nature of the Companion Chronicles is to allow the listener an experience of travelling with the Doctor through the eyes of his companions. It is their perception of him and his actions that make them compelling listening, and here Peri’s perception of the events that unfold are the key to the whole story, but rather incredibly, we get the story not from one Peri, but by future Peri too. This is a simple but brilliant device, as certain heroic events related by the younger Peri, become not so heroic, in fact rather farcical when told by her future self.

Peri, played brilliantly as ever by Nicola Bryant, makes for a very engaging narrator. Shes funny, surprisingly open about her hopes and dreams in life, such as her desire for motherhood, and warm. One of my favourite moments in the play is where she addresses why she is always wearing high heels, referring to them as “Optimism Shoes”, that by wearing them, she hopes the next planet she and the Doctor land one will be a nice one with no danger. It is little moments such as this, which make you fall in love with her character, making the sombre and cynical narration by the future Peri all the more intriguing.

Not only do we get two Peris, we also get two Doctors, with one, unusual for the Companion Chronicles, played by one of the actors himself and not impersonated by the companion.

Colin Baker’s presence in the play as The Sixth Doctor is not there for the sake of it, for he plays a rather important role in events and to say anymore would be a spoiler too far.

This release rather boldly gives us the answer to really happened to Peri after we last saw her in Mindwarp? Did she really go off and marry Brian Blessed? Well we finally get our answer, and it is devastating.

Throughout the play, the madness of the adventure gives way to some heart wrenching moments as we learn of Peri’s fate and it is a credit to writer Nev Fountain that with all the mad comedy and emotional drama going on the tone of the play does not jar, but flows beautifully between the two.

If any criticism could be brought up is that some of the running jokes, particularly those about plastic surgery wear a bit thin early on and some of the supporting characters are merely plot devices, but they are rather small issues when, as a whole, this audio play is a triumph.