Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 260 Extra: The Second Doctor Overview

Dear diary,

I can't begin to tell you how happy I am. Way back at the end of last year, when I was first starting to get ready for The 50 Year Diary, I was most looking forward to the Patrick Troughton years.

He'd always been my favourite Doctor, based on the surviving stories of his that I'd seen, and I was really looking forward to actually making my way through all he had to offer. I'd dabbled with the missing episodes from time to time, watching the odd recon if it could hold my attention, or listening to a soundtrack here or there, but now I'd have a reason to actually stick with it, and really enjoy it.

But then I started to worry. The further I got into the William Hartnell years, the more I found myself enjoying him as the Doctor. Watching the programme at the rate of one episode a day way working perfectly for one of my main aims - I was forming an actual bond with the older characters. It's tricky to do when you can dip in and out of the stories on DVD whenever you like and in any old order. I wanted to really grow attached to them in the same way you do when a new series airs.

So as we came to the tail-end of Season Three and things started to fall into place for Troughton's arrival, I started to panic. What if, having grown so used to Hartnell, I'd find I didn't really care all that much for a silly new Doctor? Could my love for his Second incarnation be completely destroyed by seeing them all in this way? Even more crucially, would my favourite story of all time - The Tomb of the Cybermen - suddenly seem rubbish compared to all the other stories I'd found myself really enjoying?

Well no. Of course not. It seems obvious from here, having just finished Episode Ten of The War Games, that I love Patrick Troughton because he's a genuinely brilliant Doctor. There's a reason that every Doctor since has fallen in love with him and borrowed a little bit of his performance. And it didn't matter if I'd found myself really enjoying the likes of The War Machines, or The Dalek Invasion of Earth, because The Tomb of the Cybermen is still fantastic anyway.

What really surprised me is just how much I enjoyed Troughton's first season. Because so much of it is missing from the archives, stories from Season Four are often forgotten. Everyone thinks of the three key stories (The Tenth Planet, The Power of the Daleks, and The Evil of the Daleks) and then forgets all the adventures with the Macra, the Cybermen on the Moon, or the Fish People. I'm just as guilty of it - I'd never really payed the season that much attention.

It's a crying shame that we can't see more of it, because there's a lot to love in there, and I think these stories would be held in higher regard if we were able to stick the DVDs in as simply as we can many other stories (though this is becoming closer to a reality even as I type, with three of the stories lined up for release in the near future).

Season Five, on the other hand, which I was expecting to really love, fell a little bit flat for me. Individually, several episodes rated very well, but by the end of the run I was really starting to flag. Poor Fury From the Deep is probably deserving of a much better score than I've given it, but I was simply washed out by that whole format by the time it rolled around. It's definitely high on my list for a rematch once the marathon is over. Surprisingly, and likely due to the fact that I loved both Tomb and The Web of Fear so much, this season currently holds the highest average rating - 7.2.

And then we come to Season Six. Being mostly complete in the archive, it's the one that everyone hails as the best of Troughton's three years, and it's the stories from this period that helped me to first fall in love with the Second Doctor. While I've liked many bits of it, the overall score has been brought down a little by my utter contempt for The Dominators (and I promise that I'll stop banging on about it now that I'm done with the 1960s) and my disappointment during The Space Pirates.

As a whole, the era comes in with a very respectable rating of 6.8, putting it a little ahead of the First Doctor. Troughton's stories have currently taken the top four spots on my ratings table of all the stories so far, but he's also gathered a few at the other end of the scoreboard, filling the bottom three spaces, too.

And now it's onto the 1970s. I've made no secret as I've gone along that the next decade (and the Third Doctor's era in particular) has never been a favourite of mine, but I'm actually really excited to be moving on. I'm ready for the programme to do something different, and the success of stories like The Web of Fear and The Invasion have actually geared me up ready for the next massive change.

Whereas with The Tenth Planet, it felt right to move straight onto the next episode the following day, here it feels like there should be a bit more of a gap. Maybe it's because it's such a clean break, with the departure of the Doctor, both his companions, and the programme moving into the new decade with the introduction of colour to the adventures? That's not how the marathon works, though, so it's right on to Spearhead From Space in the morning, and (perhaps surprisingly) I can't wait!

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 169: The Faceless Ones, Episode Six

Dear diary,

The bad news: although Ben and Polly do actually turn up to say goodbye to the Doctor, it comes as a scene at the very end of the episode, following five-and-three-quarter episodes in which they're barely mentioned. With Dodo, it almost feels less of a shame, because she's only been there for a few stories, but with these two… Ben and Polly have been a part of the programme for around a year, they've been present at the very first regeneration, they've encountered Daleks and Cybermen and all manner of monsters in-between… and then they just sort of vanish. A real, real shame. Much as I love the Lloyd era of Doctor Who, and as much as I'm willing to sing its praises from the highest of the rooftops, this feels like a massive mis-step.

The good news: when they do show their faces to say goodbye, it's absolutely fantastic. It's the programme judging a departure absolutely right - had this come at the end of a story that really showcased the pair (as many of their adventures have) then it could be put down as one of the best ever leaving scenes. It's filled with emotion, as Polly tearfully makes her goodbyes, and Ben is ecstatic at the thought of being back in his own time - and even on the same day (what are the chances?). The whole thing feels very real, so it's a shame it's undermined by the seeming lack of care for the duo in the rest of this story.

It's the Doctor, I think, who really sells the moment to me though. I commented the other day that this incarnation seems to give an air of always being one step ahead of the game, and you get the impression that he's known since the moment they arrived at Gatwick that this may be a parting of the ways for his little group. Maybe that's why he's been so keen to accept others under his wing throughout the story - to get used to the idea of not having Ben and Polly around? For the Second Doctor, they really are a part of life. 'The thing is,' Polly tells the Doctor, 'this is our world…', and he sadly agrees with her: 'Yes, you're right. You're lucky. I never got back to mine…'. It's another lovely little hint at the Doctor's past, and it fits beautifully into the scene here.

He goes on to tell Ben that he can re-join his ship and become an Admiral, and that Polly can look after him. Thing is, in my mind, that's just not what happens. It's too nice, too neat. Real life just doesn't work like that. I've always had a future in mind for Ben and Polly, and making my way through their stories just cements it in my mind: of course the pair plan to be together, and I imagine that they agree to a date in the Inferno club (where else?) for a few days time. Polly never shows, though, instead sending a note to say that she can't - her family will never approve.

The don't see much of each other for the next twenty years, as they go about their separate lives, and eventually each of them settles down and marries someone else. I'd like to think that they do meet up on the night that Mondas approaches Earth in 1986 (there's a short story about it in one of the short Trips books), but they never end up together in my head. They always regret it, though. Bittersweet, perhaps, but that's always the way I've imagined life after the Doctor for this pair. It's a far cry from orphanages in India…

I wonder if I'd feel more forgiving towards the absence of these two from most of the story is Sam had opted to stay on with the Doctor and Jamie at the end? The offer is there, but she turns it down. She even asks Jamie if he might stay a little longer with her, but he's too close to the Doctor to abandon him, now. Much as I think the accent might get on my nerves in the long run, I'd enjoy Sam sticking with the pair for a little longer - the TARDIS has been stolen, after all, so they're going to be in the area for a while at least…

The story itself is perfectly good in this final episode, too, managing to be both epic in scale (this is probably the only time you're going to see me describe a car park at Gatwick as being 'epic in scale', but it is for Doctor Who at this point!), and intimate too as the Doctor makes his negotiations with the Chameleons. If anything, though, I think the thing I'm going to miss most is the narration using the phrase 'Raw-State Chameleon' every few minutes…

On the whole, I have enjoyed The Faceless Ones, but my interest in the story (and the way things hang together) has been on a bit of a downward trend across the six episodes. The latter half certainly wasn't as strong as the start of the tale - and it felt in places as though concepts and characters were simply abandoned when the writers got bored with them. Even Sam, who was such an obvious companion for a while, ends up being somewhat relegated in the last two episodes. A four-part version would, I think, have been fantastic. And now, we're onto a seven-parter! The first since Marco Polo, and the longest story (I'm discounting Daleks' Master Plan because, as I argued lots at the time, it's really lots of little stories) we've had since then, too. But it's the Daleks, who I've grown to love, so it's all to play for…

a 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 168: The Faceless Ones, Episode Five

Dear diary,

I think that since The Faceless Ones lost its firm grip on my attention and interest in yesterday’s episode, it’s fighting an up-hill battle to keep me invested in events. The biggest problem, I think, is that we’ve now not seen Ben or Polly for three whole episodes (and technically, we’ve not actually seen Polly since Episode One), and they leave in the next one! Dodo’s abrupt departure half-way through The War Machines is often hailed as one of the worst ways for a Doctor Who companion to leave the series, but at least her part in the story s over, and she was sent off for a break in the country! Ben and Polly were both kidnapped… and that’s sort of it!

I have a feeling that the odd way their final adventure is being handled is rather turning me off from the story. Every time the Doctor gets into a scrape with one of his stand in companions (we’ve now got Sam, Jean, and the real nurse Pinto fulfilling the role to varying capacities), I’m left wondering about where Ben and Polly are. I’m not sure they even get their token name-check in today’s episode, but grouped in with the now-captured Jamie as being one of the Doctor’s missing friends.

It’s a shame that I’m having my opinion of the story so coloured by this, because there’s still an awful lot to love here. You can take it as read that Troughton is on fine form (I really enjoyed his first scene pretending to be one of the Chameleons, and using the opportunity to gather more information about them), and he’s just as brilliant when he’s interrogating Meadows, too. It’s also becoming just as common for Jamie to be fab, too, and that’s true of this episode. His investigation of the satellite is great – he’s really becoming a proper Doctor Who companion now.

It also means that he gets to take in some of the great dialogue which is still (for the mots part) on offer in this story. ‘You seem to know a lot about it, Inspector,’ Jamie muses as he’s told the truth of what’s happening to the Chameleon Tours flights, and learns of the intelligence of the Chameleon’s leader, the Director. ‘Of course I do, Jamie,’ comes the reply, ‘I am the Director…’. It’s a ‘twist’ that anyone can see coming, but Jamie’s innocence means that we can completely buy his surprise at the situation.

Perhaps my favourite line in the episode – possibly, in the whole story – is the description given of the Doctor: ‘He is not of this Earth or this century. He has traveled through time and space. His knowledge is even greater than ours…’. It’s a great description (and very much in the vein of the speeches we’ll hear more of in the 21st century incarnation of the programme), and it’s a brilliant reminder that we still don’t really know all that much about him at this stage in the show’s life.

Much as I've loved the Gatwick airport setting to the story so far, I'm hoping that the shift through the clouds to the Chameleon's sattelite may help to give the final episode a boost before the story bows out. My biggest hope, though? I'm hoping Ben and Polly actually turn up again to say goodbye to the Doctor! If they end up going the way of Dodo, with Sam telling the Doctor that they send their goodbyes, I may scream!

a 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 167: The Faceless Ones, Episode Four

Dear diary,

It's a shame, considering the amount of praise I had for the way this story was treating Jamie as a companion from history in the first two episodes, that there's several moments in today's entry that left me thinking more about how out of place something felt than simply enjoying the story. Indeed, on one occasion, I spent so long wondering about where Jamie got his passport from that I actively zoned out from the audio for a few minutes, and had to skip back. It's pleasing that we get an explanation for this later on in the episode (indeed, there's a scene which seems to exist in part simply to explain away how the Highlander has made it this far into his journey).

Still, though, it felt really out of place when Frazer Hines' narration talks of Jamie noticing Sam's airline ticket sticking out of her top pocket, then sneaks it away from her. I could argue that he's spent so much time watching the Chameleon Tours checking-in desk that he's figured out you need a ticket to travel, but it still felt out of place at the time. And then he's managed to make his way through the airport (a few episodes back, it was being painted as a vast alien landscape in his eyes), on to a plane, and then he knows where to run when he's feeling the need to be air sick. It all just felt a bit too jarring for the character, and I think I'd have been able to buy it better had Ben been the one filling this role.

Ben, and Polly, though, are still absent from the story! It's strange, considering that it's their final outing in the TARDIS, that we've not had two episodes in a row to feature neither of them. I'm assuming that they'll be back tomorrow to round off the story, but it's an odd decision all the same. Still, I think the saddest thing is that I'm not especially missing them. I don't mean that to sound negative - I'm sure anyone who's been following The 50 Year Diary over the last six weeks or so will have noticed how much I love the pair, but Sam and Jamie are fulfilling the companion roles more than amply, so there's no time to mourn our swinging sixties teens.

You may be able to detect that I'm slightly more puke-warm towards this episode of The Faceless Ones that I have been to any of the others so far. I think, unfortunately, that we're suffering a bit from the return of the six parter. There's lots to love in this one, and my notes are full with notes on great dialogue, as is usual for Season Four ('Ah, you're still thinking in Earth terms…' / 'And I intend to keep on doing so!'), but I think things may just be dragging a little in the middle. We get a great revelation here that the Commandant's secretary (?) has been phoning all the airports that Chameleon Tours fly to (and there's a great line slipped in about how much that will have cost - it's a little thing but it helps to make it all the more real), and she reports that the flights never arrive. Other airports have their passengers collected, taken away… and that's it.

It would be a great moment for the story, with some proof to the Commandant that there really is something shady being done right under his nose, in the heart of his beloved airport, but it comes after we've seen a plane full of holidaymakers suddenly vanish without a trace. Had we watched this scene yesterday, just before we witness the plane empty in a matter of seconds, it may have had more of an impact. As it is, the whole thing falls a bit flat.

I'm not even sure that the survival of the episode would have helped greatly. The main set-piece here is the transformation of the aeroplane into a spaceship, which is described on the soundtrack as 'hovering above the clouds, the huge wings fold in…'. Looking at the tele-snaps (there's two for this moment), I can't tell if it would have looked quite good or a bit ropey. Sadly, I have a feeling it might have been the latter - it almost looks a bit animated in the pictures. Still, in my mind, it looked awesome as the wings folded in, so perhaps it's a good thing we can't watch it?

Oh, and one last thing - if I can keep track of the 'arc' involving the First Doctor's relationship with history, then I can keep track of the Second Doctor's 'arc' towards developing a Sonic Screwdriver. We've had scenes in The Power of the Daleks, in which he (tries) to open a lock by finding the right frequency on his recorder (and that's a point, we've not seen it in a while. I knew they phased it out, but I expected to notice!), and now we've got him using a regular screwdriver to open the lock on a cupboard. Another season from now, he'll put two-and-two together…

a 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 166: The Faceless Ones, Episode Three

Dear Diary,

There’s an episode of Adam Adamant Lives! (sadly, the only one from the first series that’s missing from the archives), in which a train mysteriously vanishes, only to later re-appear pulling into Waterloo station… full of skeletons! It’s a scene that a number of people believe to be from Doctor Who (Indeed, I used to work with a chap who swore blind that it was a Jon Pertwee story), possibly because it’s such a bizarre image.

I’ve said it a couple of times since Innes Lloyd took over the producer’s chair – quite often in stories written by Ian Stuart Black – but much of the stuff in this episode really could have come from an episode of Adam Adamant Lives!, The Avengers, or whatever. There’s no aliens on display (even if they are present), and much of the story hinges around the Doctor finally managing to convince the powers-that-be there’s genuinely something wrong at Gatwick airport.

The final shot, in which we see a plane filled with excited young tourists suddenly left empty is fantastic – and very reminiscent of the kind of striking image that you’d find in action/adventure serials of this period. The only real Doctor Who twist is that we’ve been told these planes are going up higher than expected – right the way into space. As I’ve said before: this may not really be Doctor Who, but I love it.

One of the things that works the best is the Doctor himself being placed into the format of a 1960s adventure serial. All I seem to do lately is sing the praises of Patrick Troughton, but once again he proves why he simply is the Doctor as he tries to convince the Commandant and the Inspector that there’s more going on here than they may care to believe. He demonstrates a kind of cooling gun on a man he suspects to be an alien duplicate, before going on to muse to the man that he’s sure he’s seen him before – he must have a double!

I spoke a lot in the First Doctor’s era about Hartnell’s transformation from crotchety old man to the person we think of as being the Doctor, and I think that The Faceless Ones might be the best example of Troughton becoming the person we think of as being the Second Doctor. All through his stories so far, he’s perfectly played the quiet Doctor, coming across as being innocent and child like (and it’s not all an act, I don’t think), while really standing back and keeping an eye on events. It’s obvious in The Underwater Menace, as he stops the spear from hitting a girl, and stirs up a conversation with Zaroff to try and uncover the professor’s true intentions. It’s even more present here, as he joyfully revels in being one step ahead of the aliens for the most part. The Doctor’s really enjoying this.

Watching television last night, an advert came on for the DVD release of a film starring Pauline Collins. and I pointed her out to Ellie as ‘the companion in the story I’m currently watching’. And that’s accurate! If we can count Kylie Minogue, and David Morrisey as companions in the 2009 specials, then we surely have to count Sam (she’s from Liverpool, you know) as being one, too.

It’s strange, coming after an episode in which I’ve been praising just how well the Second Doctor interacts with Ben and Jamie (and usually Polly, when she’s not been kidnapped), that our two most experienced companions are totally dispensed with in this episode, and replaced with a new girl. With the benefit of 40-something year’s hindsight, I know Pauline Collins isn’t going to be stepping aboard the TARDIS in a few day’s time, but it’s clearly the way the character is being written here.

She’s introduced as an intelligent, plucky young girl, she’s got a character quirk (did I mention that she’s from Liverpool? It was brought up three times in as many minutes in yesterday’s episode, so I thought I’d better say something about it), the Doctor groups her in with Jamie at one point when speaking, and there’s no mention of any family outside of her brother, who’s disappeared (that’s why she’s down from Liverpool). It’s interesting, at least to me, to have a potential companion being introduced with such a thick accent, less than 18 months after Dodo’s was shifted around the country before being phased out.

If anything, at this stage, the accent makes it even more obvious that Sam is to be our new time traveller, as having some kind of ‘quirk’ is a bit of a pre-requisite for a companion at this stage. Since taking over, Lloyd and Davis has introduced Ben (the ‘East-ender’), Polly (the ‘posh girl’) and Jamie (the ‘Scottish lad from the past’). In the next story we’ll be adding Victoria to our list (the ‘Victorian girl’). Still obvious as it may seem, I’m ever so glad we won’t be getting Sam full-time – that voice could grate after a while…

a 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 165: The Faceless Ones, Episode Two

Dear diary,

I think this might be the first time that it's really clear just why the Doctor and Jamie travel together for such a long time. They're so brilliant together! Even while they're on the run from the authorities, trying to solve a murder, and having to work out what's happened to their friend, they really seem to be enjoying the adventure. At times, 1960s Doctor Who can feel like simply heading from one terrifying ordeal to the next (just a few weeks ago, Ben and Polly had to endure fighting the Cybermen one day before heading right off to do battle with the Daleks - no time for a rest in between!), so it's lovely to see a Doctor and companion having a great time together.

It also gives us the opportunity to see them really sparking off each other, and the friendship between Troughton and Hines shows through wonderfully, too. There's plenty of fun moments here - hiding behind the newspapers is great, and Hines' narration on the soundtrack, when he explains that not only is Jamie's paper foreign, but also upside down, had me laugh out loud. Even Ben manages to get in on the fun, while the trio hold a private meeting in a photo booth. Thankfully, there's a tele snap of them pulling funny faces at the camera when they get caught huddled in the machine.

We're seeing Jamie being used to good effect as a historical character, too. It's often said (more by fans than anyone, but still) that a companion drawn from history wouldn't work in the show today, as you can't latch onto them in the same way you can a character from the present day. Here, though, it works brilliantly. We've already had Jamie's fear of the 'flying metal beasties' in yesterday's episode, and here we get a full minute of ambient airport noise, as Jamie looks around the huge concourse, trying to make sense of it all. It's perfectly simple to latch onto: if you've ever been a child, lost in a busy supermarket, confused by all the hustle and bustle around you, then you're able to sympathise with Jamie here. It takes the world of Gatwick airport (as I mused yesterday, it was already a place not many of the viewers would have been in 1967), and makes it just as alien as Vulcan, or Atlantis.

I worried, when Polly 'changed', that it may lack a bit of impact. The Macra Terror used the idea of a companion being taken over to the wrong side so well, and I feared that this would fall flat coming so soon after that one. Thankfully, though, it's been fantastic, and it's different enough in tone to the last story that it doesn't feel as rehashed as I thought it might. The crowning moment has to be when Ben opens the packing crate and finds the real Polly shut inside it, unresponsive. Yesterday, I mentioned that the Doctor and Jamie finding nothing but paper cups in the crate was a good moment, but here it gets turned on its head and used as a terrifying image. We don't often see the companions in a state like this…

There's plenty of other things in my notes for today that I could pick up on, but I think I'll stick with just one for now. The Doctor making his escape from the Commandant's office is a scene that you'd never see on Doctor Who these days, as our hero stands in the middle of an airport, holding a suspicious item, and declares 'one step nearer, and I'll blow you all to smithereens!'

a 0

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 164: The Faceless Ones, Episode One

Dear diary,

This may feel like an odd place to bring it up, but I've been dreading the Pertwee era. Even though he was my first Doctor (well, my first BBC, Doctor. Peter Cushing was the first Doctor I ever actually watched), I've always considered him my least favourite, and his era isn't one that I recall enjoying all that much. There's several reasons why, which we'll get to later in the year.

The reason I mention it here is that one of the things I've always thought I didn't like about that early 1970s period of the programme was that it was set on contemporary Earth. I seem to recall that I was just never all that keen on the idea. It's a good thing, perhaps, that at the moment, these contemporary Earth stories are doing very well with me. The War Machines was my highest-rated First Doctor story, and The Faceless Ones is off to a good start in this episode.

It might help that, as I've said before, I really do love the look and the feel of the 1960s. Seeing things from this era thrown up onto screen is great fun for me, and that's probably affecting how much I'm enjoying things. Add to that the fact that this is still a very new kind of story for Doctor Who to tell, and I think you're onto a winner. Hopefully, the magic will hold out long enough for me to reappraise the Third Doctor's time on the planet when it comes…

As I watched this episode, I was met with the nagging sense that I'd seen it before at some point. I'm wondering if I might have watched it on the Lost in Time DVD in the past, possibly following on from my first viewing of The Moonbase. Certainly, I'd seen the arrival of the TARDIS on the runway before now (though I don't think I'd appreciated before just how vast in scale it is!), and I'm sure I've watched the Doctor and Jamie battling with the officials about their passports. Equally, when the Commandant asked to see inside the packing crate at the Chameleon Tours hangar, I vaguely knew that there'd be plastic cups in there.

This has turned into another case of appreciating things far more when they're being seen in order, though. As I've said above, the scale to this episode really is vast, from the opening shots of aeroplanes coming in to land, to the high shot of the TARDIS materialising and the policeman chasing our regulars, there's a sense of scale to things here that we've not had an awful lot of in the programme. Plus, it's all filmed at Gatwick airport! In 1967, this isn't a place that many viewers will have been to, and that probably added to all the magic just that little bit.

We're given plenty of opportunity to look at it, as well. They're really getting their money's worth out of the location. The first three minutes of the episode are (mostly) the Doctor and his friends being chased to some high-tempo music and acoustic airport noise. All this brevity is then cut through when Polly witnesses a murder, and the Doctor's got a mystery to solve.

It doesn't stop the fast tempo of the episode, though, or the amount of humour that's involved. Jamie's initial description of an aeroplane as being a 'flying beastie' is brilliant, and even more so when Polly tells them what she's just seen, and Jamie wonders if one of the 'beasties' could be the murderer. We also get plenty of comedy (at least to start with) from the Commandant, as he tries to clear the obstruction to the runway ('What was it? It was a police box!?!'). It's a scene that I can perfectly imagine Nick Courtney playing as the Brigadier, which is perhaps another good sign for that era?

It's great fun watching the Doctor and Jamie argue about their passports while trying to convince people that there really has been a murder, and then the pair continue to delight as they head off to the hangar once more to search for the body. Troughton looks just right in a Sherlock Homes role, as he studies the surroundings with his magnifying glass.

As I watched the episode, Ellie was sat next to me (though not paying attention - she was getting on with some work on her laptop). The thing that did rouse her interest was the first shot of the burnt arm as it appears from behind a doorway. It has to be said that it's pretty effective, and works just as well when it's repeated later on, peeking out from under a cloak as the creature is led away to the airport's sick bay.

The shot of the two men carrying the creature up the escalators is nice (again showing the scale of the room, though perhaps more through unusual framing than anything else…), though it would have been nice to see a different angle on the scene. I'd more or less worked out that the cliffhanger would be that we'd see the face of the creature up-close, so it was a pleasant surprise to find that I was wrong. The hood of the cloak comes down, we see the back of the creature's head - just as burnt and painful looking as the arm… and then the credits kick in! We're left to wonder just what it might be. Brilliant stuff.

8/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 163: The Macra Terror, Episode Four

Dear diary,

No matter how much I've praised the way that the Doctor and his companions slip away un-noticed at the end of adventures lately, it's undeniably great to see them here enjoying the good feeling of their victory. The Macra are defeated (there were such things as Macra!), the colony is free, and they're holing a dancing competition to celebrate. Goodo!

The only thing is… I've gotten the impression throughout this story - and this episode in particular - that the Macra are the ones who provide for the colony. They use the humans to mine the gasses that keep them alive, and in return they give them food and shelter etc. Is their entire colony not going to collapse in on itself now that the main source of 'employment' is finished with? Maybe there's more to it that we just don't see in these four episodes, but it did leave me wondering about the future a bit…

I've spent a lot of time in this story talking about how scary the Macra can be if they're imagined in the right way, but the sight of them in the control room, operating machinery, could swing either way. On the one hand, it could be terribly sinister (the narration describes one of them using a giant claw to push a button, which could look quite effective), or on the other it could just look funny. And a bit naff, if we're talking about the Macra looking like they do in the tele snaps.

I also have to wonder what effect it has when it turns out that the Macra are the voice behind the Controller. In some ways, I rather like the idea that the Macra are more than just the creeping monsters they've been painted as throughout the story so far. But then once the lead crab had started talking, I couldn't help but picture him with a little pencil mustache and a monocle. Couldn't even tell you why (the voice certainly doesn't sound like it comes from a crab wearing a monocle), that's just the image that formed in my head. Far from being scary, it's actually quite amusing. I'm sure that wasn't the case on screen at the time, though!

That said, this is another funny episode. There's lots of humour involved from all parties. The aforementioned celebration at the end of the episode is good fun, with the Doctor and his friends dancing their way towards the exit and flinging themselves out of the door (after all, as Jamie explains, that's why they call it a 'Highland Fling'). The earlier scene in which Jamie is forced to dance in order to make his escape is just as brilliant, and it comes at the tail end of another scene (the cheerleaders chanting in unison) that walks a tight line between being sinister and being funny.

Perhaps the thing that I've enjoyed most about this episode, though, is Anneke Will's narration. Right from the word 'go' with the sheer zeal she puts into reading the story's title, in which she makes it sound like it should end with a big exclamation point - The Macra Terror! - you know just how much she's getting into this story. I'm ever so glad that this new version of the soundtrack has been put together. No matter how much I enjoy Colin Baker, I think the new narration, and Wills' performance, really does help lift the story up to a whole new level.

z 10

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 162: The Macra Terror, Episode Three

Dear diary,

It was always going to be a hard task following on from yesterday's episode. I didn't really know how to approach today's episode, because one you've hit a 10/10 for one, it's always going to be tricky moving forward into the next part. There's nothing wrong with this third episode, but whereas I praised yesterday for not feeling like Doctor Who, today's limitation is that it feels too much like Doctor Who.

That's not the complaint it sounds like. Even when it's being 'just' Doctor Who, it's better than most other things ever invented. It just feels like today has been pretty much standard Episode Three fare. The Doctor and his friends are captured, there's an escape, and the cliff-hanger ends with Jamie being menaced by the story's monster.

Even though the Macra are still scary (I'm continuing to picture them like real crabs as opposed to the prop used in the story), this is the fourth cliffhanger in a row that centres around them, usually bearing down on someone. At the end of The Moonbase, we had the claw appearing menacingly on the scanner. It was the Doctor and Medok in Episode One being cornered by one, giving us our first proper look at the creature as a whole. At least in my head. Episode Two saw the Controller being grabbed by a giant claw, and now you've got Jamie, edging his way around one sleeping crab while another scuttles up behind him. There just comes a time when they start to lose their impact a little.

It has to be said that - once again - it's Partick Troughton who salvages the episode for me. He gets two scenes today where he really stands out, and they each showcase him in a different way. In the first, he works out the equation to find out what the gas is for. Listening to it on the soundtrack, almost the whole scene is narrated by Anneke Wills', and it's very visual few minutes. Even so, I've gotten used to Troughton to the point now that I can just picture his movements as he hurries back and forth across the control room in pursuit of data.

The highlight of the scene has to be when he discovers that not only has he worked out a correct formula, he's worked it out exactly right, and it took the colony's best computers years to figure out. With a joyful tone, he happily crosses out the 10/10 he's given himself (written in chalk on the wall, just under where he's being doing his calculations), and corrects it to an 11/10. It's a great little moment, and another example of something that I just can't picture Hartnell doing.

The other scene that gives him a chance to shine comes slightly before his comedic runaround with chalk. The Doctor is left alone in the control room with Ben, who is still under the control of the colony. It's a beautifully played scene by both Troughton and Michael Craze, as the Doctor tries to break Ben's conditioning subtly. He picks his way through a bag of sweets as he muses that this 'just isn't like you, Ben…' and warns him to stay away from Jamie, who might not be forgiving. It's another of those moments that I'm really sorry doesn't exist - as I'd love to see this pair on screen together more.

One of the key things that people tend to note about The Macra Terror is that it's the first time that the titles for the programme have changed. It's less obvious to me, listening to it on audio, as the music won't alter for another couple of days. The Troughton titles set the template for the rest of the programme's classic run, and I usually think of them as the 'default' titles for the show. In a recent Doctor Who Magazine Poll, they were voted people's 6th favourite (out of 13), so perhaps not as popular as I'd expected.

The thing I always remember about this particular sequence is my mum's reaction to it. Mum's not a fan of Doctor Who in any shape or form. I can recall watching Smith and Jones for the first time, on a visit home, and mum sitting in another room because she didn't really want to watch. Every five minutes or so, she'd walk through the living room and make a point of looking at the screen and loudly declaring that it was 'a load of old rubbish', with a bit of a smile. Still, the last time she visited me in Cardiff, Ellie and Me took her to the Doctor Who experience, as it's only a ten minute walk from the flat. She ended up quite enjoying that, so perhaps we can make a fan of her yet?

Anyway, in the early days, when I was first getting into Doctor Who, I'd picked up a Troughton story on DVD and I was settling down to watch it for the first time. As soon as the titles came on, mum decided that it was time to up and leave, as it was these titles that put her off Doctor Who for good. She'd have been about seven when they started, so old enough to really take note. She'd always found the sight of Troughton's face appearing from the howl around to be just a bit too scary, and took that as her cue to leave the room.

Often, she'll talk about just hearing the theme music as a child, and that being enough to scare her, so I think it's safe to say that these new titles weren't perhaps the greatest of successes the show ever produced - at least not in the eyes of some children!

z 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 161: The Macra Terror, Episode Two

Dear diary,

I said yesterday that - giant crabs notwithstanding - the plot of this story could be transplanted into virtually any 1960s TV programme, and it would work just as well. Heck, in some seasons of The Avengers, you'd probably even get away with the giant crabs. Today's episode has only really served to strengthen my thoughts on this. Put simply, this isn't Doctor Who. This is better than Doctor Who!

Some of you will know that when I listen to the missing episodes as audio soundtracks, I tend to do so while doing other things. My mind wanders too easily with an audio, so if I'm sat in front of a computer, for example, every five minutes or so I realise I've not been paying attention and I don't have a clue what's happening. I've usually been distracted by pictures of cats. Today's episode was listed to in a format that often serves me well - while doing the washing up (with frantic drying of hands every time I want to make a note).

It's a good sign of the quality of this episode, then, that I found myself simply stood in the kitchen for most of it. Not washing up, not drying, not cleaning anything, just standing in the middle of the kitchen listening to the story.

I think that owes a lot simply to how dramatic this episode is. Yesterday, I was praising the story for being quite comical, featuring scenes of the Doctor getting spruced up and then tumbling back into the 'cosmic hobo' style, and laughing with his friends, while something sinister played out in the background. Today, that humour has almost completely been abandoned in favour of something dark, tense, and pacy. It's signposted right from the off, with the cliff-hanger (a Macra approaching the Doctor and Medok) being resolved in an unusual way. The two men don't try to run, or fight the monster. They don't get captured by it and taken away.

It's not resolved in any of the ways that you might come to expect from Doctor Who at this stage in its life. Instead, the creature leaves, and it's Medock screaming and shouting about how he's vindicated, since the Doctor has seen a Macra too, that alerts the guards to them and sets them off for the rest of the episode. My notes for these first few minutes simply say 'unusual resolution to cliffhanger', as though it were a sign of the things to come.

The whole thing from there on feels like you're watching a completely different drama. The Doctor and his friends happen to be there, and they're on fine form as usual for this season, but they just don't feel like they're making a Doctor Who story.

As I seem to be saying a lot recently, I think there's a chance that this story is greatly helped by the lack of visuals. I've seen images of the Macra before, so I know that they don't look quite as good as I might like them to, but with the soundtrack and Anneke Wills' narration, it's easier to imagine them looking far more mobile, like real crabs scuttling about. There's a moment where we're told that Ben and Polly are surrounded by the creatures in the construction site, and they come scuttling out of every doorway. In my head, that scene looks terrifying. Specifically, Ive got THIS image in mind, which was created a couple of years ago by the fantastically talented Jay Gunn.

Quite apart from the giant crabs scuttling about in the shadows, you've got Ben being turned into a traitor. It feels like it's the main focus of today's episode, and it's set up early on with the polite announcing that the Doctor's friends will need 'deep sleep and thought control'. It's great to see Jamie being the one who resists it, and the scene between him and Ben is fantastic. Hines and Craze play it beautifully, and it's written with such subtlety ('Go to sleep. We've got a long day's work tomorrow') that you can't fail to marvel at it.

Once the suggestion is out of the way, and the Doctor has smashed up the control equipment, Ben is used to great effect in the rest of the episode. Everything he's asked to do by the script is filled with menace, and a kind of threat that we've never seen in Doctor Who. He calls for the guards to take the Doctor away, adding that 'he should be in that hospital of yours', and he mocks Jamie for trying to support his friend. Later, he stalks Polly through the darkened streets of the colony, cooing her and teasing her to come out.

By the time they report to the pilot to announce that they've both seen the Macra, I thought that we might be done with the whole 'evil Ben' plot, but then there's a great twist when he repeats the instructions given earlier in the episode - there are no such thing as Macra! The last time we saw a companion taken over this way was in Ian Stuart Black's last script for the series, The War Machines, in which Dodo and Polly were controlled by Wotan. This feels different, though. There, they were asked to look blank and do the work of the mad computer. Here, Ben is required to turn sinister and actively oppose his friends. It's all very unsettling and comes from right out of left-field. It's brilliant, though.

I've complained in the past that people are often too eager to hand out '1' or '10' to stories that they either hate or love, but I tend to keep my scores much more measured. I reserve the polar extremes for the episodes that really send me in one direction or the other. We've had a couple of '9' scores in The 50 Year Diary up to now, but I think this episode has been more enjoyable than some of those, which leaves me with only one way to go…

a 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 160: The Macra Terror, Episode One

Dear diary,

The first line of my notes for this episode reads: 'Creepy opening noise', which I've later described as a 'factory heartbeat', 'cut through by up-beat music'. It's a great opening to the story, with this 'heartbeat' playing out for quite some time before the Hi-De-Hi music cuts in, and it works especially well on audio. Odd though, I thought, that I didn't have a clue what was going on, because no one stepped in to narrate. It was only a little later, when Colin Baker's voice appeared on the soundtrack, that I realised I was listening to the old version of the story.

A quick trip to the AudioGo website soon rectified it, and while the new version of the story downloaded (narrated this time, in full, by Anneke Wills), I had a chance to muse on how odd that opening had been. I've often heard that the original release of the story's soundtrack (in the early 1990s, I believe) wasn't very good, and a number of people got rather excited when it was announced that the 'Lost TV Episodes' box sets contained a new version.

As soon as I'd loaded the updated edition to my phone and hit play again, it quickly became apparent just how much better this attempt at the story is. For a start, having been given a few seconds of the 'factory heartbeat', Wills' steps into to tell us what's actually happening at this point - and it's quite key to the rest of the plot. There's a bit of me that almost wants to listen to the original version and see how well you can piece things together. The narration is helpful, too, once the happier music kicks in, paining a picture of what's going on.

I'm finding that I'm picturing the colony here as being something akin to the village seen in The Prisoner, which would have gone out about six months later than The Macra Terror. Tellingly, and much like Ian Stuart Black's scripts for Season Three, much of this story feels like it would fit in just as well if you were to remove the Doctor and his companions, and to substitute them with the lead characters from Danger Man, The Avengers, or Adam Adamant Lives!. It's only when a giant crab starts to crawl towards us in the cliffhanger that things really lurch back into being a Doctor Who story.

That's not a criticism, mind. Doctor Who is at its best when aping other styles, and Ian Stuart Black is a writer who understands 1960s adventure better than a lot of people. The whole story is tense and gripping right from the off, with the TARDIS landing right in the middle of a chase (and our regulars getting caught up in said chase almost the minute they step out of the ship), and then onwards through a slightly too happy world, where everyone is smiling, and we're asked to ignore the single mad man ruining everyone else's fun.

All the stuff with the Doctor and his friends being given a relaxation treatment is great fun, and it's a sequence that I'd love to actually watch properly. The Doctor stepping out form a machine freshly pressed and looking terribly clean is brilliant… as is his almost instant reversal to being a bit of a scruffy clown. As I've become used to, Troughton is on sparkling form here, and he's given plenty of brilliant dialogue, too. My notes are filled with snippets of conversation, but my favourite has to be just after their arrival in the colony: 'We're in the future, and on a planet very like Earth,' he declares, before Jamie questions how he knows that. 'I don't know,' the Doctor responds, 'I'm guessing.'

Having seen a few full moving Troughton episodes now, I can just picture him playing this moment, and just thinking about it brings a smile to my face.

Once we move into the later half of the episode, and the squeeky-clean veneer of the colony has been wiped away, we're left with the Doctor creeping around in dark streets and building sites, looking out for the only other person who may know the truth. This episode is perhaps the first time we've really seen the Doctor standing back, knowing exactly what's going on, but playing the fool all the same.

For much of the episode, he doesn't seem to have any idea what's going on, but then he drops lines into conversations that betray a greater intelligence. He makes a point of mentioning crawling along the ground (instantly getting the guard's backs up), and again, it's a scene i can just see Troughton playing.

Ian Stuart Black wrote my highest-rated serial of the First Doctor's run, and if he can keep up this quality for the rest of the story, The Macra Terror could be rating quite well, too.

9/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 159: The Moonbase, Episode Four

Dear diary,

I didn't notice it during Episode Two (possibly because we spent a lot more time in the medical wing), but the set of the Moonbase itself is huge! There's a shot early on, where the Doctor and Hobson walk from a telescope across to a section of controls, and they're walking for ages. Several other shots focus on people in the foreground, with others getting on with work elsewhere (it's usually the Doctor, watching through the telescope) in the back of the shot. It's not often in Doctor Who at this stage that you get sets on a scale like this, so it adds something really different to the story.

It's also nice to see close ups being used here to great effect, much as they were in Episode Two. Once again, we get a great close up of Pat Troughton as he delivers the end of a speech, and it really does help to sell the danger that they're all in. Again, it's an unusual look to a Who story, so it's fantastic to see. Hopefully, when the story sees its release on DVD later in the year, with the two missing episodes animated, they'll be keeping to this style - it really is better than average.

The close ups are also used brilliantly when we're with the Cybermen in their ship - which has a great design, by the way! The hexagons are beautiful, and the weird light-effect pattern being used as a screen is psychedelic. Very 1960s! - and they're framed at slightly odd angles, not usually face-on to one of the creatures. I think it makes the Cybermen costumes look better than they otherwise might, as it has to be said that the more this story goes on, the less keen I am on this design. It's very nice and all, it just looks a bit… tatty.

They're at their best in the first few minutes, and the recap from yesterday's episode as they slowly advance across the surface of the Moon. The shot of their feet marching along is stunning - one of the best we've ever had - and having the title come up over it looks fab, too. It helps that there's loads of Cybermen, so it seems like those feet are coming towards you for ages.

It has to be said that they also look pretty good when being lifted off into space. I mused during Episode One that it was perhaps thankful that it was missing from the archives, so we could imagine the shots of the Doctor, Ben, Polly, and Jamie larking about in zero-gravity looking as good as we wanted… but actually, it's pulled off really well here, with the Cybermen! It does help that the black sky gives more of a chance to hide the wires, but it looks great all the same. It's also a nice touch that they're not just whisked off into the air, but they start to lift a little first, before being swept away. A little thing, but it really helps the moment.

And then, as soon as the Cyber-menace is defeated, the Doctor and his friends slip away before too many questions can be asked. It's something that's become a staple of the series by now, even though it's crept in as a relatively recent thing. Hobsons' comment that it's probably for the best, since there's enough madmen in the base anyway is great, and sums up Troughton's Doctor perfectly. He really is the first 'madman with a box'.

I'm tempted to turn on my own Time Scanner now, and see if I'll enjoy tomorrow's episode or not, but I don't know, since The Macra Terror is another of those stories from this era that I know little about. It’s got giant crabs in it. That's about all I can tell you. I do know, however, that the idea of the Time Scanner is a bizarre one - something that perhaps feels more at home in the TV Comic stories than it does on screen. I don't dislike it, per say, but it does feel a bit out of place…

8/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 158: The Moonbase, Episode Three

Dear diary,

There's a moment in this episode, when Hobson comments that if they can't get the Gravitron back under control quickly, then the weather on Earth will be all over the place. I couldn't help but sympathise with that, as I listened to this episode on a walk home in the pouring rain. Does anyone know who I need to email if I want them to change the settings on their weather plans a little, and bring back the sunnier weather?

On the plus side, the darkening sky and downpour of rain really did help to amp up the atmosphere in this episode. Instantly, I realised why I'd always thought of myself as being such a fan of these Cybermen (and the ones in the next couple of Cyber-stories): they have such creepy voices! There's a real metallic drone to everything they say, and it really works. Even when they Cyberman is mocking the crew of the Moonbase ('Clever. Clever. Clever…'), there's something quite unnerving about the tone.

And these Cybermen are cruel. The ones in The Tenth Planet were pretty heartless, to be fair, wanting to suck Earth's power and then convert its inhabitants to Cybermen to ensure their survival, but the ones we're presented with here are really cruel. I'm thinking, specifically, of the moment when a Cyberman is told that humans can't be sent into the chamber, because they'll lose their minds. They Cyberman assertions how long they'd have before going insane, and then declares that it's longer than they're needed for, so it's no matter.

People often ask me why I prefer the Cybermen to the Daleks, and I think that just about sums it up. Daleks have no care for your life, they'll just kill you. Cybermen will get what they need from you first, and then if they don't kill you, they'll remove all your humanity and then shove you in a tin shell. Lovely.

It has to be said that the Doctor doesn't really do a whole lot in this episode. For the first fifteen minutes or so, he mostly sneaks around, playing with the various sonic controls When you take this and also think of his attempt to break a sonic lock with his recorder during The Power of the Daleks, you have to wonder if he's started to think about creating a Sonic Screwdriver yet. It turns up at the tail end of next season, and this almost feels like the early stages of its invention. I know it's not - they didn't plan things like that so far in advance in 1967 - but it's a nice little happenstance.

The benefit of the Doctor being taken out of the action a little is that it gives his companions a chance to shine. With the room to breathe, Jamie is allowed to wake up and take some screen time alongside Ben and Polly. It's great to see more being made of his 'companion from the past' status here again (Ben and Polly discuss the idea of using radiation to beat the Cybermen, before Jamie chimes in and announces that in his day, they used to throw Holy Water on witches… and that's what leads them to a solution!), and being given more of a chance to stand out.

Perhaps most interesting is the slight rivalry between Jamie and Ben when it comes to their fellow TARDIS traveller. It's very different to see two companions falling out like this, almost puffing out their chest to state their superiority, and I'm hoping that we see a bit more of it as we move forward. Certainly, it helps to remind us that Ben is a 1960s Cockney lad, and Michael Craze plays the scene beautifully. It also gives Jamie a great chance to show us that he's capable of standing up for himself, too.

Even Polly gets a chance to be important again, today. Following on from Jamie's suggestion of using Holy Water, it's Polly who comes up with the solution of disintegrating the Cybermen's chest units, with a number of different cleaning fluids. Ben even christens the concoction 'Polly Cocktail'!

This is more The Moonbase that I remember from my first viewing years and years ago. Full of suspense, with the Cybermen being devious and harsh, and the Doctor accompanied by a brilliant group of companions. The more I watch, the more I come to the conclusion that Season Four really is my season of Doctor Who - I'm loving it!

8/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 157: The Moonbase, Episode Two

Dear diary,

Because I listened to the soundtrack for yesterday’s episode, I didn’t get to see the cliffhanger in any way. It gets repeated at the start of this episode, and I couldn’t help but wonder… how obvious was it to kids watching at the time that these were Cybermen? I mean, there are similarities between this and The Tenth Planet’s design - the handlebar motif, mainly, and the eyes are similar enough, but was it a case of them being instantly recognisable?

I always used to think of the Cyber-designs from The Moonbase as being one of my favourites, but actually, I’m not so sure of that now. Having fallen so in love with the design on display a few weeks back, these just don’t pack the same punch. The moment that really convinced me of that was a shot of a Cyberman stood at the foot of Jamie’s bed.

The entire moment is played to shock you, as Polly turns around to see it, the camera pulling round to show us what she’s looking at. It works very well, but just imagine the shock of the reveal being one of the Tenth Planet models stood there, with a blank cotton-covered face! That would have a real impact.

I don’t think the design is helped by having them do things hat really aren’t flattering. There’s a great scene of the Cyberman breaking into the base via a hole in the store-room wall, as it pushes its way through, sending bags of food tumbling… and then we get to watch for a few seconds as the Cyberman stops and starts piling them back up again. It’s not exactly the most thrilling thing they’ve ever had to do. Or there’s the cliffhanger, which revolves around the Doctor finding another of the Cybermen taking a little nap under a blanket in the medical wing. That’s not their greatest moment, either.

It’s a shame, in some ways, because when they are being used well, they’re being used really well. The shot of them killing two of the crew on the surface of the Moon (and the subsequent shot of the two empty suits laying on the ground) is fantastic, and they do look quite imposing when they take the crew members from the medical ward. Hopefully, now that they’re on display to Hobson, we’ll be getting more Cyber-action that shows them in the best light.

All that said… I love their plan. Poisoning the sugar supply. I really wish that I didn’t know that was coming, since it’s a great reveal and a very clever idea. After all these years, that’s the one plot point that I’ve always remembered from The Moonbase. It helped by a fantastic special effect of the infection taking hold, spreading black lines across a hand. It’s an example of the programme trying a special effect and getting it so, so, right.

This is where, lately, I’ve been telling you that I’m not going to bother praising Troughton. Today, though, I think I need to make an exception. His ‘some corners of the universe’ speech is one of the best known moments of his entire era (it’s Troughton’s equivalent of the ‘one day, I shall come back’ moment), and it really is brilliant. It’s possibly the bit of Troughton that I find myself quoting the most (with the right initiation of ‘they must be fought!’), but even I’d forgotten just how great it was.

It also marks another key point in that journey that I was tracing for the First Doctor, in regards to becoming the man that we know and love today. With occasional backtracks, the Hartnell incarnation was pretty much at this point by the time we reached the end of Season Two. This is a great example of the Doctor really laying out the way that he views the universe. Ben suggests that they take Hobson’s orders and simply retreat to the TARDIS, but the Doctor argues that, no, they have to stay because there is evil to be fought in the base.

It’s a real high point for Troughton, and he seems to really relish playing the moment. He’s equally as fantastic during the cliffhanger, when he has to question Hobson about his men searching the medical bay. The camera pulls in really tight to Troughton, who switches to ‘serious’ for one of the very first times. We saw a bit of the serious side to this Doctor in The Power of the Daleks, but this is our first proper exposure to it.

And it really helps to sell the threat. When the Doctor is worried, we should be worried. I’ve grown so used to this incarnation playing everything as a game, it feels genuinely unusual for him to be in this kind of mood. That’s not to say that there aren’t plenty of chances for Troughton’s clowning around to creep into the story, too, though. The entire scene of him sneaking around in the main control room taking samples from the crew members is brilliant, as he stretches himself up and crouches down in the pursuit of data. Brilliant stuff.

And lets have a hand, please, for Space Adventure, the default Cyberman theme in this era. We heard bits of it yesterday as a cue that something was about to happen, but this is the first time that we’ve had it for any kind of sustained period, during the cliffhanger. I love Space Adventure. It’s quite possibly my favourite of all the music ever used in the series. I hum it when Ellie and me watch any Cyberman episode (It really got on her nerves during Nightmare in Silver a few weeks ago). For a while, it was even my ringtone. These days, I can’t even figure out how to change my ringtone, so it couldn’t be even if I wanted it to.

And now, I’m going to have it spinning in my head until tomorrow’s episode. Sing along with me, now…

8/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 156: The Moonbase, Episode One

Dear diary,

Ah, The Moonbase. Before starting on The 50 Year Diary, The Moonbase was one of the few missing stories that I’d watched in any form. Put simply. It’s because the soundtrack is available on the Lost in Time collection, so I think I went through them in the space of a day. It’s recently been confirmed for release with Episodes One and Three animated, but it’s not going to be available until long after I need to watch it, sadly. It’s been a few years since I last saw the story (I bought the Lost in Time DVDs on release, and that was about nine years ago, now), but I seem to recall liking it.

The thing I think I recall the most about this story is that Jamie doesn’t make much of an impact to the plot. I remember at the time thinking that this must be because he was added last-minute as a companion, but then watching The Underwater Menace, where he didn’t feel especially out of place (even if he did feel like he was simply filling a role), I wondered if I’d find myself pleasantly surprised.

Things start well enough, with a continuation of the TARDIS scene from yesterday’s episode, but it’s not long before Jamie has been knocked out and we’re left with him just waking up to mumble from time to time. It’s nice, at least, that what he’s mumbling seems to be tied in well with his Scottish heritage - with a family legend about the ‘Phantom Piper’.
With the members of the crew Who are left awake for the rest of the episode, there’s quite a lot to enjoy. Being another in the mold of the ‘Base Under Siege’ story, there’s a number of similarities to The Tenth Planet, quite apart from the presence of the Cybermen. We’ve got the international crew (this time, our ‘comedy European’ is from France), A leader Who’s not overly keen on the Doctor (though Hobson is friendlier than General Cutler was), and a number of confined areas that could create good drama. Outside our base of choice, there’s an open expanse that cuts us off from the rest of humanity, with only a radio to keep us in contact (I can’t remember, but I’d not be surprised if the radios get damaged at some point before the story is over).

It sounds like I’m complaining about all these similarities, when the truth is that they work just as well here as they did in The Tenth Planet. The ‘Base Under Siege’ is something Doctor Who can do very well, especially in this era of the programme.

If anything, I think I’m more drawn to this story’s ‘hook’ than I was to the one in Hartnell’s swan song. Mysterious power-drain from a spaceship and the approach of a tenth planet was all very well, but I’m really enjoying the idea of the crew falling ill, seemingly at random, and the idea that there’s someone - or something - listening in to all the base’s radio communications.

I think this episode, much like the last of The Underwater Menace, is helped simply by being missing from the archives. While the Doctor, Ben, Polly, and Jamie all exit the TARDIS and bounce around on the surface of the Moon, I’m free to imagine it looking as good as I want. Were the episode to exist for me to actually watch, I fear that the result may end up looking not all that different to the swimming scene from Episode Three of our previous story.

It may help here that it would be against the black background of space, perhaps hiding the kirby wires a little better than the rocks of Atlantis did, but there’s a danger of it looking not quite as good as I’d like. As things go, it’s a strong start, but we’re about to enter a week or so of episodes existing seemingly at random, as I alternate between soundtracks and the Lost in Time DVDs on pretty much a daily basis…

7/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 155: The Underwater Menace, Episode Four

Dear diary,

I’ve been waiting all the way through this story for the bottom to fall out of it and for it to become rubbish. I think it’s fair to say, now that I’ve heard it all, that it certainly doesn’t deserve to poll seven places from the bottom in the Doctor Who Magazine ‘Mighty 200’ survey from a couple of years ago. Let’s make no bones about it: I’ve loved The Underwater Menace.

I think it helps that all the right episodes are missing, and the 50% that I have been able to watch as full episodes is the right half of the story, too. Episode One has to feature the TARDIS materialising on the shores of a volcanic island, and while the tele snaps make it look half-way decent, I think there’s a danger that actually on screen, it may not have fared so well.

Similarly, today’s episode features the destruction of Atlantis, as the ocean breaks through the walls of the city, and rushes in to claim it for the deep. On the soundtrack, it sounds brilliant. The sound of the rushing water is modulated perfectly in every scene, and since I’ve listened to this episode on a train, without the tele snaps in front of me, I’ve been able to imagine it looking pretty good.

There’s a moment when Anneke Wills on the narration describes the giant head of Amdo falling from the wall. In my mind, that looked pretty spectacular crashing into the rising waves. On screen? Well, I’ve yet to look at the images, but I fear it might not have been quite as effective.

It helps, of course, that having seen two episodes, I’ve got a pretty good idea of just how things should look in this final episode. Perhaps the best thing that those two have done for me is working with Troughton’s Doctor. I mused the other day that in my head, all his movements seemed to be based on his appearance in The Three Doctors. That’s no so true, now, and it was very noticeable when he explains his plan to his group of friends.

Again, I’m not going to waste your time by harping on about how great he’s been in this episode, but he’s done it again - knocking it out of the park with his performance. What I will do is draw attention back to Michael Craze as Ben. I spent a lot of time praising him during The War Machines, and while he’s had a lot of nice stuff to do since then, today is the first time that he’s really made me smile. Sneaking the Doctor past a guard, he’s questioned on how they know this is a wanted man. ‘Well blimey,’ Ben replies, ‘Look at him! He ain’t normal, is he?’

This is yet another example of the fantastic dialogue littered through this story, and once again I’ve got notes of seemingly every other line. It’s a real pity that Geoffrey Orme didn’t write another Doctor Who story - I’m crying out for more of his work. Some of the particular highlights from today’s episode include Ben asking the Doctor if he knows what he’s doing (‘Oh, what a question. Of course I don’t’) and the poetic ways in which the destruction of Atlantis get described (‘The everlasting nightmare is here at last’).

And then we’ve got a lovely scene at the very end, with the Doctor and his trio of companions safely back inside the TARDIS, where they tease him about being able to pilot the ship. There’s yet more great dialogue (The Doctor claims that he can steer the ship if he wants to. He’s just never wanted to), and a real sense of bonding between them.

It acts as a nice counter-balance to the start of the story, and it’s the other half of Jamie’s ‘introduction to the TARDIS’ scene. Having the Doctor questioned about how well he can steer the ship seems to have become something of a staple when new companions are introduced. Here, the Doctor decides to take up the challenge, and sets course for Mars. And then the TARDIS goes haywire. How very fitting!

On the whole, I really have loved this story. It’s far, far, better than reputation would suggest, and I’m really hopeful that the recently recovered episode will convince more people to look more favourably on it as a result. Certainly, it’s low standing among fandom currently seems thoroughly undeserved. Plus, now we’ve got half the tale in the archives, surely that makes it a candidate for an animated release?

8/10 0

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 154: The Underwater Menace, Episode Three

Dear diary,

Nothing in the world can stop The Underwater Menace, now! I have to admit that I wasn’t looking forward to the episode today. Until relatively recently, it was the only episode to have survived from the story, and the one on which much of the negative feeling towards this tale seemed to stem from.

Obviously, today’s episode is home to the moment that most fans know of for this story - the last line, as Joseph Furst’s Professor Zaroff stands tall, centre frame, and shouts ‘Nothing in the world can stop me now!’ (You have no idea how hard it was not to type that in the more traditional ‘Nuffink in ze vorld can schtop me nao!’. Oh dear, I just have). It’s usually held up as a good example of why we should be beating The Underwater Menace with a stick.

What I’ve never known, though, is the context to that line. It comes seconds after Zaroff has shot dead the leader of Atlantis, and ordered his guards to kill two other men (the gunshots are heard, bot those two deaths are off-screen). It’s the ultimate climax to a scene in which Zaroff finds his work threatened, and reacts by taking control of the entire city - making sure that, actually, nothing in the world can stop him now! Except the Doctor, who he knows to be a threat, and Who he knows is still running around somewhere. Slight drawback, that.

I sort of crept into this episode a little, waiting for something, anything, to come along and ruin it for me. Waiting for that moment when the penny would drop and I’d suddenly realise why everyone thought so little of it. If I’m being honest, I don’t think the swimming fish people really do the story any favours. I was surprised, when we first see them in the water, when they’re swimming at the surface being stirred into a revolt, just how good they looked. Some on the rocks, some bobbing in the water… I thought we were going to get away with it.

But then we have to go underwater. I guess the clue was in the title of the story, really. The first thirty seconds o so of this swimming sequence surprised me. It actually looked quite good. Sort of. It certainly looked better than I thought it was going to. The problem is that this scene then goes on. And on. And then, just to make sure, it goes on a little further! Ultimately, there are just too many chances to see the wires - and too many chances where they’re simply too obvious to ignore.

Overall, that entire sequence with the fish people swimming around comes across looking like some kind of strange European film from the silent era. The bizarre soundtrack doesn’t do it any favours, and nor does the fact that I still don’t really know what was going on in that bit of the episode. I was just hoping it would be over quickly so that we could get back to something else. Anything else!

Thankfully, there’s plenty of other stuff to love about this one. The scene in the market is another example of the story going more than a little strange on us, but it leads to the sequence in which the Doctor and his friends kidnap Zaroff - and that has to be one of the best things the series has done in a long time.

From the Doctor gleefully bouncing through the market, calling out Zaroff’s name, to the chase through the tunnels and that final moment when the Doctor blows powder into the Professor’s face… it’s a great scene, and another chance to really showcase Troughton. To be honest, we’re at the point now where I’m not even going to bother praising the man. Just take it as read that I really love him, ok?

What does surprise me about this story, though, is just how quickly Jamie has taken to this business of travelling in time. Just a couple of episodes ago, he was wondering what he’d gotten himself into - coming from four episodes where he didn’t really feature all that much. Now, he’s happy to just get on with things and do what the script requires of him. It’s a bit strange, and I was hoping that we’d see a bit more easing him into things, possibly with Ben acting as a kind of older brother, teaching him the ropes.

As it is, he feels like he’s simply there to fill the generic ‘companion’ role in the script, going off to do what the Doctor asks of him because someone has to. I’m hoping that it might just be a temporary lack of characterisation for him, and that we might see this addressed a little better in the final part, as we move back towards the TARDIS again.

7/10 0 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 152: The Underwater Menace, Episode One

Dear diary,

Ah, The Underwater Menace. It’s not got the best reputation in Doctor Who history, has it? In the Doctor Who Magazine ‘Mighty 200’ poll in 2009, it came in at #194, just seven from the bottom of the list. Only The Space Pirates is below it from the 1960s, and The Highlanders came in almost 50 places above it! You’ll forgive me if I tip-toe cautiously into this one…

My concern was pretty short-lived, though - because this first episode is really good! We haven’t had TARDIS crew this story is the largest that we’ve had since Ian and Barbara left in The Chase (yes, yes, we technically had Dodo, Polly, and Ben in The War Machines, but Dodo didn’t do a lot, and the others weren’t abducted until the very end), and there’s a real feel of those early episodes present here.

The first ten minutes of the story feature the Doctor doing some experiments on various rock pools to try and establish where - and when - they’ve landed, while the companions excitedly scramble off to explore. It feels reminiscent of anything from Marco Polo, with Susan’s excitement at finding a giant footprint in the snow, to The Chase, with Vicki and Ian tearing off over the sand dunes like giddy teenagers.

And this foursome are all gelling brilliantly together! Right from the early TARDIS scene, where we hear their thoughts about what they’d like to see next (though I only know it’s their thoughts because I’m sure I’ve read it somewhere - the audio makes it seem like they’re just saying things at random. Prehistoric monsters!). The whole opening, with just the four of them carrying the story is great: it feels like such a long time since we’ve had anything quite like that.

As standard, the introduction of a new companion is used as a chance to reintroduce the series for viewers Who might need a top-up. It’s all done rather in brief here, with the main emphasis being that they can go anywhere and everywhere in the TARDIS, and the Doctor comments ‘that’s the fun!’. Troughton’s Doctor is still winning me over somewhat effortlessly, and he’s as fantastic here as I’ve come to expect. There’s a wonderful moment where he saves a slave girl from a spear and absentmindedly apologises, with a wink to her. It’s such a simple scene, but it really made me smile.

He’s perhaps at his best though, when speaking to Professor Zaroff. The professor’s reputation - much like The Underwater Menace as a whole - isn’t a great one. I fail to see why though, as he’s brilliant here. My favourite moment could be when he muses that he could feed the Doctor to his pet octopus (‘yes?’). I think I’ll be saying that more often when people annoy me. On a related note, does anyone know where I can get a pet octopus? He’s nicely set up in this opening episode as being a great scientist, Who was reported dead about twenty years ago. In reality, he’s relocated himself to this unusual civilisation under the sea - Atlantis.

We also get our first introduction to the fish people, Who are one of the defining images from this story. Now, I’m listening to this episode on audio (with the knowledge of how they look), so I can imagine them swimming around nicely in their farms. There’s a very real chance that it didn’t look that slick on screen. They’re often mocked for their design, and while it’s true that we’ve had better in the series, there’s nothing all that wrong with it, I don’t think.

On the whole, I think I’m just full of praise for this episode. There’s a lot more in my notes that I haven’t even mentioned here (From Polly working out what the date could be based upon the Olympics… Speaking several languages, as Jamie chimes in with Gaelic… The intonation Troughton uses when he describes something as being ‘impossible’, which is almost perfectly copied by Matt Smith when describing Clara in a recent episode… The cliffhanger putting a companion in a kind of danger we’ve not really seen in the show before…), but the gist of it is that I’ve really enjoyed this one.

I think it helps that I’ve come to it from a story that just didn’t click with me. Sometimes simply changing to something different that’s more in tone with what I like in the series is enough to really swing my score around. But now, The Underwater Menace is about to get really fun! We’ve now got two episodes in a row that I can actually watch! With moving pictures and everything! Having come from almost two weeks of solid soundtracks (including one target novel…), actually being able to see moving pictures again fees like something of a miracle…

8/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 151: The Highlanders, Episode Four

Dear diary,

Please forgive me. I was weak. The Highlanders wore me down. The thought of having to listen to another 25 minutes of it was honestly too much to bare. I gave in. I cheated. I’ve not actually listened to Episode Four. Well… not properly, anyway.

Y’see, I really couldn’t bare the thought of having to sit through another episode of The Highlanders. I’ve been putting it off all day in the hope that somehow, magically, I’d discover that it was only a three-part story and that I’d have therefore finished it. Unfortunately, as the day wore on, it became increasingly apparent that wasn’t going to happen. Bah. 

Thankfully, I then mentioned it to my good friend Nick Mellish, who sympathised and then commented ‘great novelisation, though…’. That’s when it hit me. There was a way of finishing this story with as little pain as possible. It just involved the (slightly odd, considering my disdain for it) process of doubling the length of the final episode to just about an hour. I went on a bit of a spending spree on the AudioGo website as I approached the Troughton era, mopping up all the soundtracks that I didn’t yet own. This led to me amassing a number of points on their system, so I traded them in for a download of Anneke Wills reading the Target novelisation of this story.

Yes, yes, yes, I know what you’re thinking. No, I’ve not technically listened to Episode Four of The Highlanders. Know what though? I don’t care! Because listening to the Target version of the last episode, I’ve really enjoyed it! Haha! It took a bit of guesswork to work out where I needed to start listening to the audio (which meant I got to hear the novel’s version of the lovely scene between the Doctor and Polly yesterday), and I ended up settling for listening to the cliffhanger from Episode Three again, before moving into the final stretch.

I’m pleased to report that within about ten minutes, I was fully up to speed. There were even things coming through now that I’d missed in earlier episodes and now made sense. I don’t know if it’s the result of swapping formats, or if it’ Anneke Wills’ spirited delivery of the material (the first time she launches into one of Ben’s lines left me wondering if I should laugh or applaud - but it works!), or if it’s just that Episode Four is the best of the serial, but I was actually enjoying The Highlanders.

I can’t tell you how pleased that makes me. I really don’t like not enjoying episodes. I also really don’t like that it often leaves me with little to say here in the diary, because I’m simply not enthused enough to bother. I think the real seal of approval came once I’d reached the end of the reading, and I genuinely considered skipping right back to the beginning to see if I’d enjoy the whole story more listening to it in this way. Ultimately, I decided that was stretching things a little too far, so opted not to. One day, though…

Surprisingly, for the first two thirds of the episode, there’s still no indication that Jamie is going to be anything other than a one-story character. There’s a moment when the text describes the ‘four fugitives’ inside a barn, referring to the Doctor, Polly, Ben, and Kirsty. A few scenes later, when the action relocated back to The Annabel, Polly and Kirsty are carefully rowing a boat around the ship’s hull to smuggle in weapons for rebellion… and Jamie is described as being asleep inside!

It actually feels a little out-of-place when he jumps off the ship and stows away on the smaller boat, only to emerge a little later as a guide for the TARDIS crew. From there, it seems that he’s just caught up in events, and only ends up going along with them because if he remains behind, he’ll be killed pretty fast (which bodes well for The War Games, which drops him back of here and now, with the redcoats advancing!). I know from later stories in this era that Jamie is a great companion, but for now, he just feels a little tacked-on. A real shame, considering the role he’ll be playing for the next two-and-a-half seasons!

On the whole, The Highlanders hasn’t been a high point of the marathon for me. There were moments when I considered just skipping an episode and hoping that none of you would notice. I’m glad that the Target novelisation has been enough to turn things round for me at the very end, though I’m going to be left with a nagging wonder wether I’d have enjoyed the episode so much by continuing with the soundtrack. On the one hand, you’ve got the Doctor reunited with Ben and Polly, and cooking up a scheme, but on the other… the thought of actually listening to it leaves me cold. And a little bit sick. But - hooray! - it’s over, and with it goes the format of the ‘pure’ historical for a good long time, yet.

It’s been an odd path they’ve travelled down since the start of the series - with stories like Marco Polo and The Aztecs serving as early indications that I’d be enjoying these stories. By the time The Reign of Terror rolled around, though, they’d started to leave me cold. With a few notable exceptions (The Gunfighters, I’m looking at you), I’ve sort of had enough of them as a format. Thankfully, Innes Lloyd felt the same way!

6/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 150: The Highlanders, Episode Three

Dear diary,

Let’s get the inevitable out of the way first - no, I’m still just not into The Highlanders. No, I still don’t know why that is. Frankly, I think my brain has decided that it doesn’t like this story, and it’s sticking with it, no matter what. The fourth episode could be a compilation episode of the best bits from The Power of the Daleks, and I think I’d still not much like it.

Where things really are succeeding is in the make-up of our current TARDIS team. Ben and Polly are real sufferers of the missing episode plague (they’ve only got 13 episodes surviving of the 40 they made, and half of those which survive are with Hartnell), so I’m really getting used to hearing them on audio - and loving them! They still feel fresh and new even in their fifth adventure, and I’m still loving how true to their personalities they’re being. If anything - make sure you’re sitting down, I’m about to praise this story! - The Highlanders is progressing them and helping them to evolve.

It had become almost a running joke that stories would involve Polly being asked to put the kettle on, but here she’s really being utilised properly. She’s been really pro-active since the start, looking after Kirsty (even though they did fall out at one point) and trying to make sure she can get her friends back to the safety of the TARDIS. She was responsible for trapping Ffinch in yesterday’s episode, and for tricking him again today (though, has his name changed between episodes?). It’s nice to see her finally being given a chance to do something - she’s really capable when being written well.

And Wills’ bounces so well off Troughton’s Doctor. There’s a lovely scene in this episode - actually, I think it’s the standout of the story for me - where Polly asks the Doctor is he’s got a plan for them to use. ‘No…’ he replies, dryly, with a yawn. ‘Oh, I know you better than that…’ Polly smiles. There’s a pause. It’s a long pause. ‘Well…’ the Doctor concedes. It’s the first time that I’ve actually wanted to properly watch something from The Highlanders, because you can actually hear the pair of them sparking together.

Ben, too, is given some nice stuff to do (I love the way he asks to read the contract that would basically sell him into slavery, and rips it up in front of the solicitor), but he’s taking more of a back seat to Polly, spending this episode stuck aboard the ship. Indeed, aside from the cliffhanger here, this is very much more Polly’s story than it is his.

Or, indeed, Jamie’s! I really thought he’d have more to do by now. I don’t know quite what I was expecting, but… well, he more of a background presence than I’d anticipated. I maintain that were you watching this story knowing that a new companion joins the TARDIS, but not knowing Who, you’d put your money on Kirsty. Heck, I’d even put more money on Perkins (though only because I want to see the Doctor threaten him with ‘illness’ through time and space) than I would Jamie. What an odd, low-key start for the longest-serving male companion!

I’m sorry to say that all of the praise I can heap on our TARDIS crew still isn’t enough to raise the story in my estimations. Still, only one more episode to go, so things still have a chance to turn around. I’m going to try really hard tomorrow. Promise…

3/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 149: The Highlanders, Episode Two 

Dear diary,

The Highlanders is proving to be one of those awkward stories where I just don’t really have all that much to say having finished each episode. I’ve ended up listening to the latter half of the episode twice, because by the time I came to write about it, I simply couldn’t remember what had actually happened! The answer, seemingly, is ‘not a lot’.

I don’t know what it is about this story that hasn’t appealed to me, but something really isn’t clicking. What I will say is that I’m still loving Troughton’s Doctor, and the way that he feels so different to Hartnell. I commented on it yesterday, and during The Power of the Daleks, too, but it’s worth repeating. I love the way that he bamboozles people into letting him out of the prison, and dressing up as a washer woman is fantastic - and completely bonkers. I have to admit, I can see it wearing a bit thin in the long run, but since I know it does get toned down, I can at least enjoy it now.

Still, as much as I’m enjoying Troughton’s presence in the series, I’m sorry to say I’m going to have to give this one a measly…

Wait, what’s that? Yeah, that is a woefully short entry for today’s episode, isn’t it? Shortest in the history of The 50 Year Diary, in fact. But fear not! I have an ace up my sleeve! It’s time to take a bit of a side-step into unexplored territory…

The Highlanders Episode Two was first broadcast on Christmas Eve 1966 (and can you believe it’s been a year since The Feast of Steven and the middle of The Daleks’ Master Plan? The series has changed so much since then - this really is a programme that’s constantly evolving…), the same day as TV Comic issue #784. This is a particularly important issue of the publication,because it sees the arrival of the Second Doctor in comic strip form.

I’ve always had something of a soft-spot for the world of Doctor Who comics. I tend to count Doctor Who Magazine’s The Flood to be my favourite Who story ever, in any medium (seriously, it’s stunning), and I don’t think it’s hard to argue the virtues of much of that run of Eighth Doctor comics. Recently, I had a good chat with a friend about what we’d each do given a season of Doctor Who to preside over, and I suddenly realised how much all my choices were inspired by Scott Gray’s work on the comic.

And yet, there seems to be something of a stigma attached to the comic medium. People don’t tend to talk about it. When I first waded into Doctor Who fandom about a decade ago, people often talked of the books and the audios - but the comics were the younger sibling, the one no one liked to mention and simply pretended wasn’t there. Even among those Who did accept the sheer brilliance of the comics, any of the stuff from the pre-Doctor Who Magazine era tended to be dismissed as a load of old rubbish.

I always thought it was magical, though! I loved that it presented a kind of Doctor that didn’t really exist on the TV series (‘Die, hideous creature, die!’ etc.), and one Who travelled with his two grandchildren, John and Gillian. It’s an absolute world away from Doctor Who in any other format, and it’s filled with a kind of light-hearted, joyous charm. A sense of sheer, child-like fun. And, let’s be honest, that’s exactly what I need when I’m lagging in the middle of The Highlanders.

To that end, this evening I’ve sat down to read The Extortioner, the first Second Doctor story, and the one which started contemporaneously with this episode. Unfortunately, I’ve been looking at it in a digital format on my computer, rather than in the form of the actual aging comic books (though I did continue to sniff an old Beano book of about the right vintage between parts of the comic, just to give the illusion).

Coming in at just eight pages (two per issue), this strip is never going to be the most in-depth Doctor Who story ever, but it’s fun enough if you just go along with it. The Doctor on display is nothing like either of the two we’ve had so far in the series, but he’s a good enough version of the character, if you can suspend your belief a little further.

There’s also an appearance from the Doctor’s lighter, the laser beam inside of which has apparently saved the day for him at least once before now. It’s interesting to see him using this to cut his way out of a cell, since we’ll be seeing the introduction of the Sonic Screwdriver at the end of next season.

The plot itself - the Doctor arrives outside a volcano. Inside, he finds an evil madman, Who has missiles aimed at a number of planets, and plans to fire them if these planets will not send him all their valuables - can only really be described as ‘comic strip’, but it’s something that I reckon a young me would love to read if I were a fan of the programme on TV. It’s not the best example of the Doctor’s comic adventures (I tend to love the ones where they fight off the Tenth Planet Cybermen with flowers. Very 1960s), but it’s proved an amusing distraction from The Highlanders if nothing else, which I imagine is a role it would have filled back in 1966, too. Having come from six episodes where the Daleks are plotting and gliding around on a planet with mercury swamps to please the eye, this one must have felt like a bit of a comedown…

Oh, and the comic agrees with me that his name is 'Doctor Who', so that's always a plus!

(If I’m rating The Extortioner as a story - and heck, if I rated The Destroyers, then it only seems fair! - then I think I’d be giving it a ‘5/10’. Nothing special, but good enough…)

(If I’m rating The Extortioner as a story - and heck, if I rated The Destroyers, then it only seems fair! - then I think I’d be giving it a ‘5/10’. Nothing special, but good enough…) 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 148: The Highlanders, Episode One

Dear diary,

I’ve been looking forward to this one. It’s always fascinated me that the Second Doctor picks up Jamie in his second-ever story, and then he stays as a companion right to the end of the era. That’s dedication! As the theme music died down and Fraser Hines’ voice introduced the story, it felt perfectly fitting.

And then Jamie’s hardly in this episode! Hah! It’s brilliantly low-key, and there’s no way you’d guess that he’ll be joining the TARDIS before the story is out if you didn’t already know. I do wonder if that means it could feel a little sudden at the end, but I’m hoping that we’ll see his role growing as the episodes go by. What we do hear of him is good so far - it’s unusual to have a companion’s first appearance accompanied by a description of his pointing a gun at the chest of a current crew member!

If anything, it seems more likely that Kirsty would join as a regular: she’s certainly given more to do here than Jamie is. I’m enjoying her pairing with Polly, and the way that the relationship is being played. Polly talking about modern things and Kirsty just not getting it is fantastic, and not something that we often see in the historical stories. I’m particularly keen on Kirsty’s assertion that ‘they don’t make biscuits for dogs!’ (I imagine Polly has a small dog at home. Wonder who’s looking after it?), and Polly catching the confused reaction to ‘fillings’ and simply substituting it for ‘teeth’.

Otherwise, I have to admit that I’m just not all that caught up in events. It’s been a long time since I really found myself swept up by one of the historical episodes, and sadly this one isn’t really doing it for me either. As I always seem to say in these stories, there’s nothing wrong with it, but it’s not for me. Once again, it’s one of those historical settings that I don’t really know all that much about, but there’s enough information given in the narration and via the Doctor for me to make sense of it, so I at least vaguely know what’s going on. I’m crossing my fingers that things will fall into place for me as the story goes by.

I do need to mention the latest step in my argument that our lead character’s name (at least at this stage of the programme) is ‘Doctor Who’. Here, he introduces himself as ‘Doctor Von Wer’ (which translates from German, roughly, as ‘Doctor Who’), and when one of the soldiers questions him ‘Doctor Who?’ he replies ‘that’s what I said’. Frankly, his name is ‘Doctor Who’. It is! For now, it is!

As a character, I’m still enjoying the Second Doctor, and he’s still very unlike his predecessor. Pretending to be a German Doctor in an attempt to talk people out of killing him is fun, but it’s certainly not something I can imagine William Hartnell doing. The First Doctor would have simply raised his voice, promised the soldier a ‘jolly good smacked bottom’ and gotten indignant if they tried to hang him anyway. We’ve got another mention of the Doctor wanting ‘a hat like that’ (I’m hoping we get at least one in each story, though I know it’s faded away by later in Troughton’s run) and his playful, child-like side is coming out more, too.

Here’s hoping that the second episode will give Jamie more to do, and capture my imagination a bit more…

5/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 147: The Power of the Daleks, Episode Six

Dear diary,

The thing that bothers me most about the missing episodes is days like today. Much of this episode is very action-packed, with Daleks fighting humans in the corridors of the base, and the Doctor weaving and ducking through it all. Anneke Wills tires her best to capture the frantic energy of it all in the narration, but it just doesn’t translate all that well to the audio medium. I think it’d have the same problem in a recon, too.

It’s a shame, because bits of today’s episode sound pretty epic. The Dalek guns firing, cries and screams and shouts from all directions… I’d be keen to see this one properly. There’s a danger that it may actually look rubbish, and only having it in this form is a blessing in disguise, but I can hope it’s pretty damn great.

I did worry that this episode might be a bit rubbish. Having come through five episodes in which the Daleks scheme and plot and are built up as a real threat, with tension bubbling right to the surface, I was fearful that it would all fall to pieces once they had fully amassed and army and set about trying to conquer the colony. It’s been a while since we’ve had a Dalek story like this, where they’re simply trying to survive rather than invade, and I didn’t want the ending to let it all down.

Thankfully, I don’t think it has. True, I’ve not enjoyed this episode quite as much as I did the previous five, but it’s been far from a bad episode. It just felt a lot more like generic Doctor Who than the rest of the story has. It’s telling that for all the other episodes, I’ve noted down reams and reams of Dalek dialogue to mention when I’m writing my entry, but today I’ve not written a single piece of it. I think from the moment they start chanting about conquering and destroying (at the end of yesterday’s episode), they fall back into just being the generic monsters again.

But that’s ok! I’ve noted down plenty more of Lesterson’s dialogue instead! He really came into his own yesterday once he’d had a breakdown, and that carries right on into this episode. Too. The crowning moment of his character has to be the scene where he tries to distract the Daleks, and he does it by cooing to them, in a mock-Dalek voice ‘I am your servant’, before being exterminated when the Daleks acknowledge that he gave them life. It’s probably the best Dalek moment in the episode, too, as it shows them at their coldest.

Overall, The Power of the Daleks has been a huge success. I did toy with rating today’s episode a bit higher, just so it would nudge it into the top spot, but I couldn’t do it without having to reach a bit. As it is, the story sits joint top of the ratings with The War Machines. Maybe, in the back of my mind, I’l always consider this to be just a bit ahead of that story, though.

It perfectly handles the changeover from Hartnell-to-Troughton, from the first episode largely focusing on the aftermath of that transformation, but it not even being mentioned by the end. I was expecting to have some kind of tacked-on TARDIS scene, in which Ben admitted that actually, this new chap is alright. I’m glad they didn’t do that - it works so much better when we’re left to just accept the Doctor because that’s the way the story has gone.

Troughton really is already filling the role admirably, and any worry I had about leaving Hartnell behind has long since dissipated. It’s not wonder that the first ‘regeneration’ was so successful - Troughton simply is the Doctor. The next four months should be a lot of fun, if this is any indication…

7/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 146: The Power of the Daleks, Episode Five

Dear diary,

There'a a lovely moment towards the end of this episode where we listen to a good thirty seconds of the Daleks shouting 'exterminate!' over and over, before cutting away to another scene. It's perfectly effective and all (though 'exterminate' doesn't pack the same punch as the other chants we've had in this story), but when we cut back to the Daleks a few minutes later and they're still chanting it, they don't half come across like loonies. One of them then gets a message through to give new orders and there's a moment of it effectively hushing the others. It's quite charming in a way. Completely bonkers, though.

But elsewhere, they're still the best Daleks that we've ever had in the series. They're scheming and manipulative and… so scary in places that that the only reaction is to laugh-out-loud because it's so bizarre. There's a fantastic moment - it might even be my favourite moment in the story so far - when a Dalek is asked why they want to create their own static power, and it replies with a voice growing louder, and ranting, 'With static power, the Daleks will be twice as…!', before realising and catching itself, lowering the tone to a creepy drawn out 'useful'.

These really are Daleks unlike any we've ever seen before. Way back at the beginning, in The Daleks, they were painted as these sneaky creatures, using Susan as a pawn to draw the Thals out of hiding so they can massacre them, and they trick Mavic Chen in Masterplan, but here they're really going at it. There's another scene in this episode where one is laying the power cables around an office, and Lesterson is trying to convince everyone that the Daleks aren't taking orders from him, so the Dalek replies that he's doing what he was told to do, and then calls Lesterson 'master'. If a Dalek could smile wryly, this one would be doing so.

Lesterson himself is fab in this episode, too. The Doctor is somewhat relegated to the background, so we're really given plenty of time for Lesterson to take centre stage. The first half of the episode is based around him trying to convince everyone that the Daleks aren't to be trusted, and he's just hitting stumbling blocks because he was too good at making everyone love them. I think it's fair to say that he'll end up exterminated by the end of the story.

Robert James is turning in a fab performance throughout the whole story, but especially now that he's having to lose his mind. I won't quote them all, but my notes for this episode are filled with snippets of his dialogue - it ranges from cries that the dales are duplicating themselves to a wonderful Frankenstein moment, when he screams 'They forget that I gave them life! Now I've taken it away again!', and it's not long before he's shouting that he's going to 'wipe out the Daleks!'

If anything, this story is making me sad that we didn't get that Dalek spin-off that I tasted back with The Destroyers a couple of weeks ago. Had Nation run the show, but invited Whittaker to penn the odd serial like this, then it could have been fantastic. There's enough going on in this story that I think you could remove the Doctor and his companions, substitute them with SSS agents and it would still be marvellous. Here's hoping that things remain strong for the final part - this could become the highest-rated story so far!

8/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 145: The Power of the Daleks, Episode Four

Dear diary,

Before starting work on today's episode, I set myself a bit of a challenge. Having rabbited on for the last three diary entries about how great the Daleks have been in this story, and how they're being used so effectively in the cliffhangers, I decided that today would be different. Today, I'd refrain from mentioning the Daleks outside of a brief sentence or two, and concentrate on something else instead.

What I hadn't counted on was that this episode of The Power of the Daleks contains one of the most famous Doctor Who cliffhangers ever. Most fans, when discussing cliffhangers, will have a few that they'll go to as particularly memorable examples - for right or for wrong reasons. Some will call on the end of The Mind Robber Episode One (mostly for Zoe's bum), others will point to the end of The Daleks Episode One, with the plunger menacing Barbara.

Some fans will call on that old favourite from The Dalek Invasion of Earth, or from the end of The Deadly Assassin, Part Three. That one from The Caves of Androzani often gets mentioned, as does the one from Dragonfire, where the Doctor climbs over a rail, down his umbrella and then… oh dear. But somewhere along the line, this cliffhanger tends to crop up. The Dalek production line, with the little plastic toys filling in alongside shots of those handy cardboard cut-outs as the Daleks swell their ranks.

Anneke Wills has said in interviews before now that she sometimes has nightmares about that shot of the Daleks coming down the conveyor belt, and it's not hard to see why. I went back and watched a reconstruction of the scene after I'd heard the audio because, as much as I love the narrated soundtracks, there are some bits of the missing stories that you simply have to experience visually.

The way the shadows fall across the Dalek models as they move along, the lighting really accentuating their shape, as they just keep coming along the production line… the soundtrack spells it out perfectly when it says that the Daleks aren't just reproducing, but mass-producing. It's a chilling scene, and really helps to hammer home the fear that these creatures can instil. I've praised the look of the 1960s Daleks plenty of times in The 50 Year Diary, but it really does feel worth repeating here. Frankly, it's a stunning design, and the ones in this stage of the programme's history are some of my favourites. And look at that! They've got me talking about them again! Terry Nation may have created the Daleks, but for me, it's David Whittaker who gets them best in this era.

So much for not talking about them much today! I can't move from the subject until I mention the way that they act right at the start of this episode, as we make our way out of the cliffhanger. When we finished yesterday's instalment, Lesterson was surrounded by the creatures as they chanted for their power. Having been talked down today, the power is shut off, and the fear that the Daleks cause comes from a totally different place. It's bad enough when they're all shouting in unison, but there's something simply scary about them having to struggle to summon the power for each word.

'Turn… Back… The… Power… Supply…' one of them begs, and it's one of the scariest uses of their voices that we've ever heard. It's fantastic. Having been ordered to back down by Lesterson, the Dalek struggles for a moment before croaking 'We… Are… Your… Servants…' once more. It's so unusual to hear them in this way, and it completely works.

Elsewhere, the story is still chugging along at a nice pace. I have to admit that I'd worried a little at this one - it's the first time we've had a story with more than four episodes since The Daleks' Master Plan (and the first six parter since the Chase, which was ages ago!). I've made my thoughts on the six-part format clear in the past, and on the whole I never think that it works. This is proving me wrong, though! Having spent all this time building up, it looks like everything is in the right place now to really kick off in the final two parts.

We've got the introduction of one of the Second Doctors' catchphrases here (or, at least, one which is considered a catch phrase, though I believe it doesn't last very long) as he comments that he'd like a hat like that. Yesterday we had the first real use of 'When I say run…', so it really does feel like he's establishing himself here. I've enjoyed seeing him spend more time with Ben, though the sailor still isn't really warming to him, is he?

That's not a bad thing - quite the opposite. Ben has been sceptical of all this time and space travel right since the start of The Smugglers, and I like that even after all they've been through, he still isn't quite ready to accept it all yet. I'd worried that by now he's have given in and would just be written as a generic 'companion', but he's holding firm for now. Though, as we stand at the moment, he's now been captured too, so there's a chance that he'll be missing as well as Polly for the next episode. That seems a bit drastic, though, so surely not?

8/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 144: The Power of the Daleks, Episode Three

Dear diary,

The problem with a story like The Power of the Daleks, when I'm enjoying it so much, is that I never have all that much to write about once it's finished. It all rather falls into the trap of me simply repeating myself over, and over, and over, etc. To that end, I'd like to apologise - today's post may feel a bit like deja vu in places!

They really are playing the Daleks as a slow-burn here, aren't they? I praised the way the reveal was handled back at the end of Episode One, and the way the Dalek finally spoke at the end of Episode Two, and now we're given another great Dalek-based cliffhanger as the other two pepper pots are reactivated and surround Lesterson, chanting in unison 'we will get our power!'

By the third episode of The Daleks, we were already watching them scheme against the Thals. By this stage in The Dalek Invasion of Earth, the Doctor and his friends were beginning to draw up plans to defeat them. Here, we're edging slowly, oh so very slowly, towards the real threat of the Daleks. I keep waiting for it to fall flat. Somewhere, in the back of my mind, I can't quite believe that they can draw the tension out any further, but it's being pulled off with a real skill.

It helps that we're being slowly drip-fed more information about what's happening in the colony. Here, we discover that the guest cast aren't all as naive about the Daleks as we've been led to believe, and that there's several games in play at the moment. It adds a new dimension to events, especially since we know that the Daleks will never consent to being one person's private army. I'm becoming more-and-more convinced that this story could end with everyone being killed - were this a season earlier, I'd be sure of it.

Things like this are all helping to keep the interest levels high. There's so much going on, and all the characters are so richly-drawn, that I'm not being given time to be bored by events. We're still moving along with the story of who shot the real Examiner (thug that's been pretty much confirmed, here, and we're at a stalemate), everyone is double-crossing everyone else, and Polly's been kidnapped. I can only assume that Anneke Wills was due a week off, and won't be with us for tomorrow's episode.

That's not altogether a bad thing, though! The time we spend today with just the Doctor and Ben exploring are fantastic, and the chance to hear more of that is one that appeals to me. He's almost - but not quite - accepting that this is the Doctor, now, so that could be interesting to explore if they're given the time to do it in the next episode. I mentioned back during The War Machines that Polly had always felt like the more present of the 'Ben and Polly' companionship, but that feels less true now that I'm hearing it all properly. Ben is quickly becoming another one of my favourite companions, and it's gratifying to hear him working as well with Troughton as he did with Hartnell.

While on the subject; three episodes in and I'm not doubting this new man as the Doctor at all. It does help, of course, that I know he's the Doctor, and how long he'll stick around, and how often he'll return to the role, but in terms of following the overall story of Doctor Who in order, I'm completely sold. All that stuff during the end of The Tenth Planet and the first episode of this story that made the changeover scary, and something that you wouldn't want to trust has pretty much melted away now, and we're simply left with a new Doctor.

Someone commented to me yesterday that Troughton in his earliest stories plays a Doctor slightly different to the one he plays for much of his tenure, but I have to confess that from where I'm positioned right now, I simply can't tell. He's playing his recorder much more, certainly, but otherwise he just feels right as the Doctor. I've not had cause to question him yet.

As the episode ended, my phone flashed up to warn me that there was only 10% battery remaining, and I listened right to the end of the theme music in the hope that the battery might die and I could make a wonderful (or woeful, take your pick) 'I will get my power!' joke to end today's entry, but it's still clinging on, so I guess I'll have to go without. Bah.

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 143: The Power of the Daleks, Episode Two

Dear diary,

It's always something of a joke among Doctor Who fans that when you've got a story with a title that ends …of the Daleks, then the cliffhanger to episode one will be the shock reveal of… Dun Dun Dun! You've guessed it. Sometimes it works really well, and this story is one of those times. I praised the cliffhanger enough yesterday, even going so far as to call it the best cliffhanger we'd had since the start of The Dalek Invasion of Earth, and now today's episode has gone and topped it!

It's a bold move, still at the tail end of the Dalekmania craze, to make the audience wait this long for some proper Dalek action. We're now 50 minutes into this story, and we've only just heard one of the creatures speak for the very first time (though he repeats himself enough to make up for it). And yet, you know what? It works! If anything, it's making the Daleks here seem like more of a threat, because I'm anticipating a moment when they'll stop playing dead and just massacre the whole bloody colony!

There's a great scene in this episode, where Lesterson is experimenting by hooking up small amounts of power to the Daleks and recording the results. In the middle of one experiment, the Dalek gun goes off and shoots another scientist. It's terrifying! It comes only a few moments after they'd been wondering what the shorter arm might be for, and it comes so out of nowhere that it really did surprise me. There's a real sense of tension to this story that we've just not had with the Daleks before.

So then, when they've finally managed to revive one of the pepper pots properly, it comes along, fixes its eye square on the Doctor, and then announces to the room that it's their servant! I've joked about the repetition above, but it really does work, and it helps to build up the tension. We know what the Daleks are really like, so what's actually going on here!?! We've even been given a handy reminder from the Doctor that a single Dalek is more than enough to wipe out all the life in the colony. It's a clever move to bring the Doctor's greatest enemy back for the first story with a new actor, and it looks like the Dalek's recognition of him may start to swing Ben's opinion a little, but they've never been used in such an odd way before! I love it.

Elsewhere, Troughton is continuing to win my affections with pretty much everything he says and does. We've another scene of him answering questions with a recorder (it's amusing me now, but I'm glad it's not something he'll do for the full three years - it could wear thin very quickly!), and plenty of other humour from him. There's a great moment when he points out that his badge says he's allowed full access, and adds that it doesn't then exclude the laboratory. It's played spot on, and really did raise a smile.

Also brilliant was the reference to China, and the Doctor's vague memory that he'd been there once, and met Marco Polo. There's starting to be more and more of these little nods to the First Doctor throughout this episode, and it feels like they're easing you into accepting this new fellow as the same man. It's interesting to see tis happening as a sideline to the main story, as opposed to getting it out of the way, before going on to do the rest of the plot (Castrovalva, I'm glaring at you…).

Now, it's either going to go one way or another with the Dalek reawoken. There's a real danger of things going off the rails, and leaving us with a standard Dalek runaround. Equally, there's a slim chance that they might be able to sustain the tension built up so far and keep it going for a little longer yet. I'm guessing you can guess which camp I'm firmly hoping for…

8/10 

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 142: The Power of the Daleks, Episode One

Dear diary,

I've always found that the events immediately following a regeneration are the bits of that event I enjoy the most. I mean, sure, it's fun enough watching the Doctor take his final few steps and head toward the end, but then you get to start fresh and new! It's exciting! At the end of yesterday's entry, with William Hartnell laying on the floor of the TARDIS, as the picture grew brighter and brighter, I was really, truly, sad to watch him go. Ten minutes into this episode, and Hartnell is old news.

I was worried that it would take me a while to get used to having Troughton around. I've always ranked him as my favourite of the 'classic' Doctors, but having spent so long with only William Hartnell in the role (and Matt Smith, when I watch the new episodes, but really it's so far removed from what Doctor Who is doing in the 1960s that it may as well be a whole different programme), I feared that accepting another Doctor would be a problem. A few days ago, I saw a trailer for Seventh Doctor story Battlefield, and it just looked wrong. That wasn't Doctor Who. For a start, where was the Doctor? My Doctor? The original?

Troughton really does hit the ground running here, doesn't he? With the benefit of watching it 40-something years on, I know that he's one of the best, and that he'll do three seasons and a number of return appearances. I know how good he can be… but there doesn't even seem to be a period of settling in. From the second he sits up in the TARDIS, he simply is the Doctor. Everything he says, everything he does, he's the Doctor. And that's fantastic! Especially in light of the fact that they really aren't trying to reassure you with any of this, are they?

I said yesterday how surprised I was that they were playing the changeover in the Doctors as something to be frightened of, and making it as un-cosy for the kids watching at home as they possibly could. This is carried on completely here into this story, with the Doctor acting more than simply odd… he's really bloody sinister! There's a moment when he mutters out loud to himself 'It's over! It's over!' and he gives a little laugh. That laugh is one of the creepiest things we've ever heard in the programme! It's also a nice counterpoint to Hartnell's line in yesterday's episode ('It's far from being all over!'), which helps to tie it all together a bit.

We get the shot of the Doctor holding the mirror, and the appearance of the First Doctor's face showing up (which thankfully exists among the tele snaps for this episode), but aside from that we're really given very few things to latch onto. This strange little man continues to refer to 'the Doctor' in the third person - even after Ben snaps at him about it - and simply refuses to answer questions, choosing to play on his recorder instead. There's a lengthy scene set inside some guest quarters on the base, in which the Doctor responds to his companions by blowing a few times into the instrument, and it's brilliant. He's very funny, while still remaining very creepy.

I'm also pleased to see that Ben and Polly's characters are still being drawn so clearly as we move into the Second Doctor's era. Polly is far quicker to accept that they're faced with the same man, whereas Ben is still sceptical at the end of the instalment. I'm hoping that it gradually dies away as the story goes on, rather than just disappearing now that we're out of the 'first' new Doctor episode. It's nice to hear the Doctor disregarding Ben, too, as though it's not worth interacting with him until he'll accept that it's still the Doctor in there, somewhere.

The whole episode has been a brilliantly enjoyable experience, and I'm so pleased that I've moved so seamlessly into this new phase of the programme. I was dreading the thought of just not taking to a new Doctor, so it's lovely to find that it's not the case. It helps that the episode itself is a very good one, too. There's a risk that all the stuff outside in the mercury swamp could become a bit tedious, as the new Doctor unwittingly dodges obstacles, but it all feels fresh and different. You just can't imagine Hartnell doing that scene. It's strange that it should feel so far removed from the programme I've been watching since January, but introducing Troughton really does make a difference. It probably helps that I'm listening to this on audio, and while I've the tele snaps of the swamp to guide me, I can imagine it as I like. It's orange in my head, since you ask. Always has been, since the very first time I saw that image of the Doctor walking along, reading from his diary.

And then there's the final scene, as the Doctor and his companions make their way inside the capsule and come face-to-face with the Daleks. It's helped by Anneke Wills' narration on the soundtrack, as she described Polly and Ben deftly sneaking along behind the Doctor, who doesn't even turn round as he utters the first line to be spoken in minutes - 'Polly… Ben… Come in and meet the Daleks…'

The tele snaps for this sequence makes it look gorgeous, too, with the cobwebs hung between the dead (?!) Daleks and the real sense of gloom that fills the scene. There's a great shot of Troughton close up as he inspects one, and it simply looks beautiful. Then we've got the realisetion that we're missing one of the creatures, and a real look at a Dalek mutant for the first time. I think, if I'm being totally honest, this might be the best Dalek-related cliffhanger since the lone creature rising from the waters of the Thames a full two seasons ago.

A great start - even better than I could have ever hoped for!

9/10