Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 301: Colony in Space, Episode Two

Dear diary,

Styles always cycle back around again. During my last year at university, the look I'd been spotting for three years suddenly found itself thrust in the spotlight as being 'on trend'. Right the way through the summer of 2010, I was suddenly very cool, because I was wearing all the right things. Of course, these were the same 'right things' which - 12 months earlier - other people wouldn't have been caught dead wearing. After a while I decided to have a bit of fun with it, and I'd turn up to lectures in increasingly bizarre combinations, to see how far I could push the envelope. Surprisingly far, as it transpired. And then, as ever, the styles move on and something else becomes cool again. I've still got all those once trendy clothes (I call them 'idiot hipster', now) because at some point, they'll be fashionable again, and I will be cool.

It's the way they things have always gone. The 1980s seem to have been 'making a comeback' for several years now, with styles, music, and movies from that decade being given a reappraisal and brought back into being cool. Even Sylvester McCoy's Doctor has seen a huge upswing in popularity in the time since I started wanting into fandom, and it's nice to see him being given the attention he deserves.

In the year 2472, it would seem that the 1970s are making a come back into fashion, because everyone seems to be embracing the hairstyles - and the facial hair - of the period. I mean really, if you were to show this episode to someone and ask them to guess when it was made, I think it's fair to say they'd be aiming their guess around the 1970s. At one point, there's even a joke about 'Jim'll Fix It' - which makes Jo laugh! Perhaps oddly, Colony in Space was made a few years before Jim'll Fix It first his screens, but in hindsight it seems as though the production team is making a knowing nod to the programme.

All of this is only highlighted by the fact that they've all got fairly typical 'futuristic' costumes on. It's been so long since I saw anything other than 'contemporary' clothes, but it seems bizarre that this story - the one not set in (or around) the 70s is the one that looks most like them! I don't know if it's simply because we're in colour now, but this story has the look that I tend to think of for Doctor Who in this period. The style of the sets and the costumes feels very much in keeping with hazy memories of a few Tom Baker stories, and it's nice to see the programme moving into this style. We've got another alien planet quarry, but I think it works quite well - it's not become a joke just yet.

I'm most impressed by the design of the Interplanetary Mining Corporation's ship, though. It's a bit odd in places, and some of the colours are a little bold, but it looks good. The contrast between this and the colony really does hit you, and I think that makes it work all the better. I'm hoping we'll get a chance for the Doctor to explore it a bit more later in the story, as it would be a shame to loose such an interesting design so quickly.

I've realised today that there's another thing I knew about this story, without even knowing it. There's an image of the Doctor being menaced by the claws of the robot here, which I've seen plenty of times before. The image clearly shows the animal-like claws and the metal poles as the arms, but you can't see the body of the 'creature'. I'd always assumed that you never saw the metal poles on screen and it was just an unfortunate choice of framing the image, so imagine my surprise at discovering that it's meant to look like that!

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 300: Colony in Space, Episode One

Dear diary,

It feels strange to be writing this one, because I’ve not actually watchedtoday’s episode yet. I wanted to capture this feeling, though, becauseColony in Space is one of those stories about which I know pretty muchnothing. I wanted to make a list of the things that I think I know about it, and see how close to the mark I get (or look like a complete idiot a few says from now if I turn out to be wrong on all counts…).

There’s only a few of these stories left in the marathon for me, because once we start hitting the late 1970s (and especially the 1980s and beyond), I know plenty about ever story, even if I’ve never seen them myself. I think that this and The Mutants represent the last two ‘black holes’ in my Doctor Who knowledge.

So, what do I think I know about this story? Well, I ‘know’ it’s the first time that this incarnation of the Doctor makes it to a planet other than Earth, and of course the Master is there (of course he is, that’s the only thing that I’m completely sure about). I think that it’s the first story of the 1970s to not feature Nicholas Courtney, and I *think*UNIT is absent, too. There’s a little voice somewhere in the back of my head that says this is the first time we actively see the Doctor sent on a mission by the Time Lords, but I don’t know how accurate that might be.

And that’s it! The sum total of my (potential) knowledge on Colony in Space. I could be entirely on the money, or I could be way off. That’s all part of the fun though – usually when I reach a story I know little-to-nothing about, I go though this ritual in my head where I almost test myself to see how close I can get, and I thought it might be fun to do this one in public so that you can all revere me. Or laugh at me. We’ll see how it goes.

Anyway, the DVD is loaded into the drive, my notepad is at the ready, and here we go…

Well… I was a bit right. Also a bit wrong. As things go, that’s not too bad. This is the Third Doctor’s first trip to a planet besides Earth, and the Time Lords have sent him (he doesn’t know that for certain yet, but he suspects it). I was expecting more of a meeting between the Doctor and his people, akin to the bowler-hatted messenger in Terror of the Autons, or the opening to Genesis of the Daleks, but this works. The opening scene here - where the Time Lords stand around in a dark room and discuss the using the Doctor to do their dirty work – feels like a great season opener, in which they recap the basic terms of the Doctor’s exile.

I was surprised to have the Brig turning up, but it makes perfect sense that he does. I thought the story simply opened with the TARDIS arriving on some alien world (or being taken there by the Time Lords), but having now actually seen it properly, of course you need the Brigadier to show his face. Way back during The Daleks’ Master Plan, I described my criteria for determining a companion to be that you’d have to explain their absence from a story. While I’d argue that the Brigadier isn’t a companion (as the Pertwee era goes on, there’s less of a need to explain the absence away), at this point in the narrative, wedo need to see him left behind.

It feels like this is the Third Doctor’s subtle arc – tinkering away with the TARDIS. We’ve seen him move from failed escape attempts inSpearhead From Space through to completing a new circuit and leaving the Earth behind today (with a bit of a hand from the Time Lords), and we need to see him making the departure for there to be any impact. I’m assuming now that we might get the Brig showing up again at the end of Episode Six, just to serve as a means of integrating the Doctor back into the ‘regular’ set up.

Opening on Earth means that we get to see Jo’s first reaction to the TARDIS, too. I’d sort of assumed that she already knew about it all (having decided that she’s been the Doctor’s assistant for something like a year now), and since the climax to the previous story hinges largely on the idea that the Doctor has used his Time Machine to save the day, it shouldn’t come as a surprise to her that everything he’s said is true.

But then, Jo was left completely perplexed by the Doctor’s explanation of a time loop yesterday (she wasn’t alone – the whole room was baffled!), and I wonder if he’s juts been loathe to let anyone else into the ship while he’s working on it? It’s a great scene, and we get the first ‘it’s bigger on the inside’ reaction that we’ve seen in some time. I love that she’s not jumping into it with both feet, but is more timid. Jo ended up rather thrust into the Doctor’s world when she joined UNIT, and now she’s even further out of her depth.

What was odd is that they seem to have forgotten how to do the TARDIS take off. Both when it departs from UNIT and when it arrives on Uxarieus, it simply cuts out of (or in to) shot. I’d say that it’s a case of them simply forgetting how it used to be (they’ve not had cause for a TARDIS take off in two years), but they got it right in the last story! It just looks a bit odd, which is a shame. I’m pleased to see the return of the view outside the TARDIS doors, though, with the planet right on their doorstep. The blow-up photo wall has been moved from the ‘lobby’ to the back of the console room to make its final appearance in the programme, having been around since the very first episode.

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Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 285: Inferno, Episode Seven

Dear diary,

Is it just me, or is the Doctor’s return to his regular universe all a bit… sudden? I said yesterday that I was surprised he didn’t leave them behind during the cliffhanger, but today…! We get the reprise, the Doctor shouts that he can’t try to get the console working because there isn’t enough power yet. Petra screams out for Greg as they all turn and watch the lava flow towards the open door…

And then the Doctor wakes up. Back in his regular universe. There’s none of the odd sparkly effect to indicate that he’s moving between dimensions, no shot of him fading away complete with car and console. It’s a bit jarring, and I’m not sure if it leaves me feeling like I’ve been wrenched out of the parallel universe in a good way that makes it seem as though it’s suddenly ‘ended’ or if it’s just left me feeling a bit out of place. I would have at least expected the screen to white out…

Still, the story doesn’t give you enough time to really focus on it, and there’s a lot packed into these final 25 minutes. It helps to really keep the pace up, and rounds out the tale nicely. I was really worried that when the Doctor returned, we’d be stuck with a ‘cuddly’ Brigadier to highlight the differences between him and the Brigade Leader, but he’s as much of an obstacle to the Doctor as anyone in the other world. Having watched time run out for the planet once in this story, it feels almost inconceivable that no one is really listening to the Doctor’s warnings, but you can see why everyone thinks he’s simply unwell – the Doctor comes across as a complete lunatic here. When he bursts into the control room of the drilling project and starts to smash up the equipment, you can almost agree with the Brigadier when the order is given to take the Time Lord away.

It feels like a theme that’s been running through this entire season – the Doctor and the Brigadier locking horns. The final scene, in which the Doctor announces that he’s had enough of the man before attempting to take off with the TARDIS console (again!) could well serve as a good coda to this era – I’m guessing that we’ll start to see a real change in their approaches with each other from now on.

That scene also makes for a fairly good farewell to Liz Shaw. It’s never really bothered me before that she simply disappears between Seasons Seven and Eight, but having spent a month in her company, I’ve been completely won over. It was suggested to me before I started on this season that I should swap the running order of The Ambassadors of Death and this story, as it made her departure more natural. I can’t say I can see how that would have been the case, and the fact that some of the Doctor’s final words to her today are ‘Goodbye, Liz. I shall miss you’ makes this feel like just the right way to watch the stories. I’m also pleased that we get such a lovely shot of the pair hugging once the drill has been stopped, and the Earth has been saved. The final image of the story – and the season – is one of Liz laughing, which seems entirely appropriate.

I’m pleased to report that – as you’ll no doubt have noticed over the last few weeks – I’ve been completely surprised by the start of the Pertwee era. I’ve spent such a long time not looking forward to this part of the marathon, but it’s really good! I’m past the three-seven-part-stories-in-a-row phase that seemed like such a stumbling block before (and, indeed, that’s the end of seven-part stories completely! A form for the programme since the second story, it’s all six-parters and less from here on out, with the exception of Trial of a Time Lord, depending how you look at it), and now that I’m sold on Jon Pertwee’s performance in a way I never have been I think I’m really excited for the next phase of the programme. Here’s hoping it’s as good as this season has generally been…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 284: Inferno, Episode Six

Dear diary,

I'm really pleased to see that aside from this story, Don Houghton also wrote The Mind of Evil for Season Eight. As I've noted, I'm less familiar with this period of Doctor Who history than I was with the 1960s, so as we start saying goodbye to writers like David Whitaker, it's nice to know that there's new people like Houghton and Robert Holmes stepping in, ready to take up the reigns.

Today's episode, much like the rest of the story, is absolutely filled with brilliant dialogue. Once again, my notes seem to comprise every third line from the script, and I've had to carefully pick and choose which ones are worth my attention when I come to write this entry up. I think it's fair to say that there is a standout winner from today, and it's the Doctor' comment upon seeing Sutton's reaction to the TARDIS console - 'What did you expect? Some kind of space rocket with Batman at the controls?' I hope they have Batman in the parallel universe.

It's fitting that we should get to see so much of the console in this story, especially towards the end of today's episode. Inferno marks the last appearance of the console built way back in 1963 for An Unearthly Child. I've never really tracked the evolution of the machine as I've gone along, but looking at it in some of the shots today, you can clearly see that it's full of bits and pieces I've seen before. Even if I've not been making a point of picking up on it, there's been a kind of subconscious thread linking these first three Doctors together in the form of this console.

I'm sure I commented on it right at the start of Season One, but that original design for the TARDIS real did hit the ground running. I know that Doctor Who never had the budget to constantly update and renew the design (though I think it gets a few makeovers before Pertwee hands in the keys to the police box), but there's a reason they stuck to this basic template for the entire classic run. As much as I love the current console room, I really do like this one. I must make a point of visiting the Doctor Who Experience again to see the replica of this console - they added it only a few days after my last visit!

I'm really pleased that I've enjoyed today's episode as much as this. Having really loved the addition of the parallel world a few days ago when it first turned up, the last few instalments haven't quite gripped me in the same way. Now that we're ready to transfer back to Earth A, I'm finding myself reluctant to say goodbye to this reality! It's been another great example of the Doctor changing people just by being in their presence, and it's nice that he was there in their final moments. I was expecting the episode to conclude with the Doctor vanishing again, so I'm hoping these few characters don't get let down by having to stick around for a few minutes at the start of the next episode.

By the same token, I'm really glad that the Doctor's only headed 'home' for the last 25 minutes of the story. I worried that we'd have to spend a few episodes watching him try to convince Stahlman that they needed to stop the drilling, and that we'd simply end up with a rehash of the last few days. With such a tight timeframe to finish up in, I'm hopeful that the tension will really carry through for the last little push.

Just briefly - it's a return to my monitoring of the Sonic Screwdriver. It turned up earlier in the story being used as a door handle to the Doctor's temporary lab, and now we see that Liz has her own (technically, she was seen using one the other day, but I wasn't sure if it might have been the same device. Now I know he's got one in the parallel world, the one in her bag must be a copy for Liz!) It's still not referred to as being a Sonic Screwdriver, though we get confirmation that the Doctor invented it - a rose by any other name? I'm wondering if Liz might be helping the Doctor to refine the design of it. She is a scientist, after all, and he's been tinkering with it for two whole seasons, now. We're drawing closer and closer to the point where it will become the all-purpose tool we know it as today, so I'm loving the idea that it might have taken a companion's touch to get it to the final stage!

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 283: Inferno, Episode Five

Dear diary,

The first half of today's episode is fairly talk-y, with little action. In the past, episodes like this have come in for both praise and criticism during this marathon, and I'm not entirely where this one sits. On the one hand, it's beautifully done. The way that the volcanic noises carry on in the background for so long that they just disappear into the back of your mind is fantastic - every now and then the noise creeps up a little, and you find yourself caught up in the methodic rhythm. It really helps to sell the idea that we've passed the point of no return and that there's no hope for saving this world.

I'm so pleased that they're using the parallel world format to tell an interesting story. It's not simply about meeting up with 'evil' versions of all our regular characters (although the lack of moustache on the Brigade Leader, and the absence of Professor Stahlman's beard suggests that facial hair in alternate dimensions of the Doctor Who universe works in the opposite way to those in the Star Trek franchise!), but rather a chance for the production team to blow up the Earth - really! - without actually endangering the programme's future.

I think I've worked out (roughly) where things will be headed from here, so I'm treating all the guest cast as though they're on borrowed time. What's going to be interesting is to see how much of what happens on this world also occurs in the regular one. For the sake of ease, I'm going to call the regular World 'Earth A' and the Republic 'Earth B'. 'The Petra of Earth B is a lot colder than the one we saw on Earth A, even if they do share similar traits, just emphasised in different ways. Despite that, in the moment of crisis, she's turned to Sutton for comfort. WIll we see that happening once the Doctor gets back to Earth A? Will the technicians all end up being transformed into monsters in our world? Will Sir Keith make it out alive? The only thing I assume it's fair to say is that Benton won't be turning into a Primord in both realities, though.

It's nice to see the Doctor demonstrating the TARDIS console to Liz and the Brigade Leader by pulling the same 'moving a few seconds into the future' trick that was seen back at the start of The Ambassadors of Death. More and more, I'm finding little moments like this that help Season Seven to feel as though it's one big story. In some ways, it's the closest in tone to the 21st century version of the series that we've seen from the classic show so far - taking seemingly insignificant moments and seeding them throughout the entire series.

To that end, it's almost a shame that we don't get a few more of these little references. I wondered back in Doctor Who and the Silurians (to myself, rather than in my entry - it felt like a silly thing to say then, but perfectly right for now!) if it would have been fun to see Masters among the government officials on display at Madame Tussaud's. Equally, I thought the same about Sir James in the last story, and I think having Stahlman there could have been fun for this tale, too. It would be equally nice to have the mentions in this story about the government being so desperate for Stahlman's project to succeed be because of the loss of the Wenley Moor facility. Suddenly, with that one blown up, there's going to be more pressure on the National Grid!

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 282, Inferno, Episode Four

Dear diary,

One of the things I loved about yesterday’s episode was that we weren’t simply plunged right into the parallel world. We get a few minutes in the regular setting first, with the Brigadier and Liz hunting for their absent colleague. It means that we get a little bit of time to re-establish the situation, before everything gets turned on its head. We get to see Sir Keith making threatening a trip to the ministry and make his formal complaints, and generally catch up with the rest of events.

It means that when we get to the parallel world and discover that their version of Sir Keith was killed in a (highly suspicious) car accident en route to the ministry, it chimes with us – because we know that’s where our chap is now heading. I have to admit that I’d assumed we’d be stuck in this alternate universe for a while now, right up until the Doctor crosses back over to ours. It came as a bit of a surprise, then, when the screen blurred and we entered back into the sparkly void between realities.

If anything, it was slightly odd. Even after such a relatively short period of time, I’ve gotten used to Liz with her dark hair, so when we emerge back into a real close up of the Liz we’ve known since the start of the season, it didn’t look quite right. It’s a shame that the return to our regular world ends up as a bit of a rehash from yesterday. Sir Keith pops up to remind us that he’s not dead and that he’s got a car outside to take him to London. Liz and the Brigadier hunt around for the Doctor. Nothing all that much happens, and before you know it, we’re back in the Republic.

It’s funny just how much I’ve been drawn into this parallel world, but I think it’s a testament to just how well realised it is, and how fantastic the performances are. Nick Courtney is so easy to love that I have to make a conscious decision to not praise him every day, but he’s especially good toward the cliffhanger today, when he orders the Doctor around and then pulls a gun on him. The one thing that perhaps lets it down a little is that he spends a few minutes strutting around in front of his soldiers as the tension is being ramped up, and it’s perhaps a bit too casual. The Brigade Leader has a carefree side!

I am very impressed by the handling of today’s cliffhanger in general. The presence of a definite ‘end’ point for the action (in this case a countdown) is usually a troubling sign – I’m thinking specifically of Vengeance on Varos, where they move slowly towards the image of a dying Doctor on the monitor before the voice comes though ‘and cut it… now!’, before we linger a few more seconds! It robs that cliffhanger of all the tension, and I worried the same might happen here. As it is, we get the final number of the countdown spoken over the image of the closing credits. Anything could be happening in that control room!

Speaking of the control room – how great is that set? For a start, it’s huge, and split into several areas. You get the impression when characters move from all the contros to the drilling room that they really have covered a lot of ground. It’s great to see so many supporting artists in there, too, all decked out in their lab coats and going about their business. There’s a shot in today’s episode where Pertwee walks over to one of the control panels to play with a few settings, and there’s loads of other people around him getting on with their job. It makes the place seem real, with a lot going on, and it’s as though every member of ‘staff’ has a role to play.

We used to get a similar format quite often in the Troughton Era, where the action revolves around one ‘main’ set with a few smaller ones dotted around (I think the best example is probably in The Moonbase, where I praised the set for reasons very similar to those I’ve mentioned today.)

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 281: Inferno, Episode Three

Dear diary,

I always used to find it so strange that Doctor Who waited seven years and fifty-something adventures before it went for that old sci-fi cliché, the ‘parallel universe’, but actually, having been through everything that comes before Inferno, it suddenly makes complete sense. Even though we’ve been in a different location for each story this season, they’ve all felt relatively close together. Trapping the Doctor on Earth, and giving him a wider circle of acquaintances (People can’t even agree on whether Sara Kingdom is a companion, so I doubt there’s any hope of getting all of UNIT added to the list!) means that when we follow him across the sparkly void and into the alternate universe, there’s a real impact to it.

That’s not to say that it couldn’t have worked to see the Doctor confronted by an evil version of Ian and Barbara, but if you set it out on some far-flung alien world, there’s far less of an impact. The Stahlman project, on the outside, looks just like the location from The Ambassadors of Death. Wasn’t the Brigadier chasing someone over some very similar gangways (though much closer to the ground) a few episodes ago? It’s not even that far removed from the location we see used as the factory in Spearhead From Space, which was previously used for The Invasion. I think that’s the big success of this story – it’s taking something which is readily in danger of simply becoming normal for Doctor Who, and it turns it completely on its head.

The same thing is being done to UNIT. When the Doctor emerges from what should be his lab, and a soldier starts to shoot at him, it genuinely feels unnerving. It’s why I’m so pleased that Benton turned up at the tale end of The Ambassadors of Death - I know that he’s a big part of the UNIT ‘family’, because I’m coming to this story more than 40 years after the fact, but today’s cliffhanger doesn’t pack half as much of a punch if it’s simply that Sergeant who turned up two episodes ago threatening the Doctor.

I’m not sure that the Doctor has too much to fear from his former friends here, though, because as in the last story UNIT are absolutely terrible. They spend several minutes chasing after the Doctor and taking shots at him (it has to be said that the chase scene in this story is far more thrilling than many of the action set pieces in the last one – hooray for the return of Douglas Camfield!), and then manage to completely lose him. As soon as they spotted people up high on the roof, I was willing to bet a considerable amount of money that they’d hit the infected soldier rather than our misplaced Time Lord.

One of the things that’s really impressing me is just how much back story about this parallel universe has already been seeded in, without it feeling like a massive info dump. I knew that we’d be seeing an alternate world in this story (I’ve head the eyepatch story enough times to recite it backwards!), but I didn’t know anything really about it. Right from the moment the Doctor arrives in this new world, we’re given lots of hints about this place. From the poster on the wall of his lab – ‘Unity is Strength’, a phrase which instantly says ‘totalitarian regime’ to anyone who’s read Orwell’s 1984 - to the odd symbols on the door of the lab. Even the Doctor lingers to give both a puzzled look, making sure that we get plenty of opportunities to take it all in.

(While I’m on the subject, there’s another one of those ridiculous things that I want to praise. The symbol stuck to the door of the ‘lab’ is all battered up. Now, I know it’s simply because the BBC props men have been lugging it around for a while before sticking it up onto the door, but it has the effect of making it look like the sign has been there for ages. I know it’s a stupid thing to draw attention to, but I’d not have been surprised to find that everything added to the sets to denote them as being from the parallel world looked brand new…)

We’re given lots of beautiful dialogue between the Doctor and the Brigade Leader to help establish the kind of world we’ve ended up in, too. My favourite is possibly the moment that the Brigadier describes the ‘Republic’ and the Doctor asks what’s happened to the Royal Family. He’s cut off mid sentence, simply told that they were executed. All of them.'

Perhaps my absolute favourite piece of dialogue from today's episode - possibly from the season so far - is the Brigade Leader's response to the Doctor's protests that he 'doesn't exist' in this world - 'then you won't feel the bullets when we shoot you.' Brilliant!

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 280: Inferno, Episode Two

Dear diary,

There’s a danger that I’m just going to end up repeating myself here, but frankly I’m so surprised by it that it really does bear repeating – I’m finding myself completely won over by the Third Doctor. I spoke yesterday about the fact that he was so willing to use UNIT as a way of getting access to the drilling project simply so that he could steal power (and let’s be honest, that’s exactly what he’s doing!) and try to get the TARDIS working again.

I really love the idea that he only works with UNIT because he’s stuck on Earth and he needs something to be doing. Today’s episode makes it almost quite dark – there’s a very real danger that everyone on this drilling project could be dead before long. There’s at least one person roaming the site murdering for no apparent reason. The Doctor has seen the effect of getting to close to those people who are infected (though he follows a primordial UNIT soldier across the gangways for a while, then seemingly forgets all about this!), and knows the danger of drilling down this deep – heck they’ve already come close to wiping themselves out.

And yet when Professor Stahlman cuts his power and manages to dispose of the computer circuit before the Brigadier can be alerted to the danger the man poses… the Doctor simply leaves. He announces that he could be doing something better with his time anyway, and heads off to tinker with the TARDIS some more. He even goes as far as to lie to Liz simply to get her out of the way while he makes a runner. It really does feel like a return to the personality that Hartnell’s Doctor had right back at the very beginning, when he was willing to kidnap people just to stop them revealing the secret of the TARDIS, or endanger them all to satisfy his own curiosity. I’m imagining that the Doctor will mellow and grow to accept his current lot (I always remember him as enjoying his time with UNIT, but maybe that’s simply my lack of affinity with this era), but for now it’s creating a really interesting dynamic.

It works pretty well when you give Pertwee some great guest characters to play off, too. He really works brilliantly opposite Olaf Pooley as Stahlman, and you can quite easily believe that the pair would wind each other up no end. Even Nick Courtney, who’s always on the top of his game, seems to be turning in an especially good performance here. The only problem I’ve got with the cast is that every time Christopher Benjamin turns up on screen, I find myself loudly saying ‘Henry Gordon Jago!’ to an empty room, especially having finished the Sixth Season of Jago & Litefoot just this morning.

This feels like a good time to heap some praise on Caroline John, too, considering that this is her last story. Liz has always been one of those companions I’ve never really had much time for. She’s only in four stories (Well, five if you count The Five Doctors, I suppose), and they’re from this era of the programme that I’ve never paid that much attention to. Up until this story, I was more-or-less ready to claim that – despite how good she might be – Liz wasn’t really a companion. She’s far more independent than a companion would usually be, and she’s really got her own life outside of the Doctor.

I think it’s helped by the whole format of Season Seven. Because the Doctor and Liz are having all their adventures within comfortable driving distance from London, you get the impression that Liz goes home to her flat at the end of each day, while the Doctor spends his time underneath St Pancras station, trying to kick start the TARDIS. When this story started, I was going to concede my point and suggest that maybe she was a companion, simply on the basis that she’s his friend, and he’s specifically asked her to help with his escape attempt (there’s implication in Episode One of this story that she’s been helping him with these ‘experiments’ for a while). As it is, though, he’s simply using her – he needs that extra knowledge on hand if he’s in with any chance of making the console work, and he’s willing to get her out of the way if he thinks she’ll get in the way of him making a break for it.

I’m going to keep the jury out on Liz’s companion status for the rest of this story, but I’m glad that there’s a new depth to it. Just like the new slightly morally ambiguous Doctor, it’s a fresh dynamic for the programme, and it’s really helped to freshen things up following the trend of companions all being a bit samey towards the end of the 1960s (no matter how much I ended up loving Zoe!)

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 279: Inferno, Episode One

Dear diary,

'This isn't an oil rig,' Petra points out early in this episode. What they're drilling for isn't anything like North Sea gas, we're later told. And yet… I'm watching Fury From the Deep! There's the drilling project, a mysterious substance from the deep, a person in charge who's adamant that the project can't be shut down (there it was because Robson didn't want to ruin his record for continuous drilling, while here Professor Stahlman doesn't want any delays to the schedule.) As if there were any doubt left, we get the first appearance of the Sonic Screwdriver in a Third Doctor story*!

And yet, whereas Fury From the Deep bored me at the time, being made up of so many elements that we'd seen too recently, here it feels like greeting some old friends, and I'm actually excited by them! That's not to say that Inferno isn't showing signs of repetition - there's a number of elements present in this episode that seem to be cropping up a lot during Season Seven, but I don't think I've had time to grow weary of them yet.

I think what's interested me the most about all this is the way that the Doctor and the brigadier interact with each other. During Doctor Who and the Silurians, I praised the way that they didn't exactly see eye-to-eye over how to deal with the threat. They were a bit more chummy in the last story (though only just), but they still don't seem to be the best of friends here. While I think they do respect each other, they're more 'colleagues' than 'friends'.

The way the Doctor strolls into the Brigadier's makeshift office suggests that the pair haven't seen each other for a little while. The same scene goes on to confirm that while Liz may 'have the misfortune of working for [UNIT]', the Doctor is a 'free agent'. The implication at the end of Spearhead From Space was very much that the Doctor was going to be employed on a permanent basis to the organisation - he even got Bessie as a company car! - but here we get to find out a little more about their arrangement.

I rather like the idea that he's not simply tied to working for the Brigadier, and that he's simply using UNIT as an excuse to get access into this drilling project. It gives the Doctor a kind of selfish edge that we've not seen much of since right back in the early days of Season One. There was a flash of it at the very start of Pertwee's tenure, when he tries to take off in the TARDIS during the Nestene invasion, but I thought that had all died down by now.

I'm also finding more and more that I love his outfit. I've never really thought all that much about the Third Doctor's costume - it's always been a lot of different coloured velvet jackets and capes for me - but it really does suit him in this season. There's a point when it's described as 'fancy dress', but he does cut a very definite figure amongst all the other people in the control room. I'm hoping that I'll keep being drawn to it when we start seeing all the variants creep in.

It's becoming apparent that Pertwee seems to have a particular clause in his contract, though. Every story of the season has given him an opportunity to gurn away, and today's episode is no exception. Having said that, the scene where he's thrown into the 'limbo' and the image distorts as he seemingly cries with pain is really effective - it's putting him into another situation we're not used to seeing, and making the threat seem very apparent. Forget the werewolves running around and killing people - it's the Doctor's own experiments which are causing the danger right now…

*Yeah, yeah, I know he doesn't call it the Sonic Screwdriver (he actually says 'it's only a door handle'), but we all know that it is…

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 278: The Ambassadors of Death, Episode Seven

Dear diary,

One of the ways that I've been trying to keep myself amused though out this story is trying to figure out which - if any - of the characters might be working for Torchwood. It was always going to be tricky when the series introduced the Torchwood Institute. An organisation created in the Victorian era, with objectives to defend the Earth, scavenge technology for the good of the British Empire, and to capture the Doctor if he ever set foot back on british soil. An organisation which, presumably, was on the hunt for the Doctor during the time he spent trapped on Earth, and working for an organisation pretty similar to theirs.

During The Web of Fear, I picked out the member of Torchwood based solely on the fact that he had an outrageously strong Welsh accent, and was acting a little bit shifty. For The Ambassadors of Death, I've decided that General Carrington is our man from the rival organisation, at least in part. He's spent the last few episodes banging on about his 'moral duty' and seems determined to shoot down the alien vessel in case it poses some kind of threat to the planet - it's a stave that's pretty in keeping with Torchwood's appearances from Series Two of the modern series.

We also get plenty of references to the fact that he's gone off the deep end and is quite possibly mad. Therefore, I'm choosing to believe that he was placed on Mars Probe Six as part of some Torchwood mission (maybe to put some kind of tracking equipment up in orbit? I can't say I've given it that much thought), but instead ended up in contact with the race from which our titular Ambassadors hail. His exposure to them has somewhat warped his mind, meaning that he's gone rogue from Torchwood and decided to use them to unveil aliens to the world via the live TV broadcast we see in this episode - ready then to have their ship obliterated. He's taken away at the end of the story, presumably to be court-marshalled by whoever's in charge of the Institute.

Mind you, I'd be a bit sceptical about having him led away by a single soldier. It has to be said that based on this story alone - UNIT are rubbish. I've already commented about that scene from the first episode in which they're caught up in a big fight and seem to be doing pretty badly for the most part, but today they gat another chase at a shoot-out… and they still muck it up! Their enemy is out of ammunition. They've surrendered. They're still able to over power the two soldiers and drag the fight on that little bit longer.

The only one to come out from all this well is the Brigadier, who does look quite impressive when he's right in the middle of a battle. Nicholas Courtney has a specific 'look' (you know the one), and it just seems to fit in brilliantly. I've not had much chance to praise him since we moved into colour, so it's nice to see him getting some of the action in this story.

On the whole, I'm sorry to say that I'm just really disappointed by The Ambassadors of Death. Having enjoyed the last story so much more than I thought I would, this had the potential to be a real winner. Inferno is another one of those ones that I know precious little about, apart from the fact that it's got a supposedly golden reputation. here's hoping it can win me back round after this one…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 277: The Ambassadors of Death, Episode Six

Dear diary,

So there we have it! The truth about General Carrington! The problem is, I'd been sort of guessing this for a while, now, and it's not the most interesting of reveals. On the plus side, it does seem to even out my debate as to how many different groups there are working together - it looks like it is three, but Carrington works for one and is the shady paymaster of another.

Still, even if the reveal isn't the most interesting thing the series has ever given us, the cliffhanger itself is pretty good. The Doctor's often threatened at gunpoint (has already has been in this story), but the gun isn't usually so close to the Doctor's nose!

I'm sorry to say that I'm still not massively enjoying The Ambassadors of Death. Things have picked up a bit today, but I think my interest dropped too long ago - it's too much of an up-hill climb to try and get back into it now. For a while, when the Doctor was taken aboard the giant clam and encountered the astronauts all safe and well, I did think that things were going to start turning around for me. It was fresh, it was exciting, but then, it was right back down to Earth, so we could carry on with the story at a snail's pace once more.

Something I do have to wonder about this story could potentially be opening a bit of a can of worms. I'll be discussing the actual placement of the UNIT stories further down the line, once I've seen enough of them to make up my mind properly, but The Ambassadors of Death seems to be the first real hint we've had that this isn't as contemporary as I might like to think.

At the time, the Doctor Who production team intended that the Third Doctor's adventures would be taking place in the near future. The Radio Times write up for The Invasion specified the story as taking place in 1975, which would put these tales in the late 1970s at the earliest. Aside from a few bits of equipment seen in the last few stories, I've not had any real reason to assume that the stories aren't simply set an the time of broadcast, but today we've got a full on British Space Programme!

I'd be tempted to simply say that in the Doctor Who universe, things are a little different to the way that they are in the real world, but by the time of The Christmas Invasion we're sending probes up to Mars that are nowhere near as advanced as the manned missions we're seeing here - and they're now on the seventh one! I'm not going to be opening the big can of worms today, but I am wondering what people generally think on the subject - are the UNIT stories set at the time of broadcast or are they set later?

Leave a comment, or head over to the 50 Year Diary Facebook page and let me know - I'll be discussing it all at some point, I'm sure!

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 276: The Ambassadors of Death, Episode Five

Dear diary,

'Can't you hurry it up a bit?' the Doctor snaps as he sits awaiting his trip into space. I think that's a fairly good line to sum up this whole story. Things have shifted a bit for me now - I'm no longer simply failing to connect with The Ambassadors of Death, I'm actively bored by it, and that's not something that you ever want to say about an episode of Doctor Who.

As we counted down to the Doctor's lift-off, I quickly assumed that today's cliffhanger would be a shot of him heading away from the planet. No. Then we started to get some sabotage, so I figured that maybe it would be a closing shot of the Space Centre finding out about the interference. No. Maybe it would be the moment of blast off, but with the rocket exploding? No. Oh, but they can't steer the ship via remote control and the Doctor could end up shot into the sun! That must be the cliffhanger! Nope. 'We don't really know what's in there,' Cornish warns the Doctor as he moves to enter the Mars probe. Right then, the cliffhanger must surely be that the probe is empty? No! We may never know, because all of a sudden there's an unidentified object closing in on the Doctor at high speed - and it's going to hit!

It's not so much the fact that the cliffhanger is sudden and from nowhere, bur more that it felt as though it took forever to actually get to one. It's almost as though The Ambassadors of Death has the ability to actually warp and slow down time around it.

Oh, ok, that's not entirely fair. There are a few things to like about today's episode. For a start, the 'astronaut' looming over the Doctor in Sir James' office really does look pretty sinister. I don't know what it is about a space suit - that odd mixture of something so familiar and yet still very alien - that really works for a Doctor Who story. It's no wonder that Steven Moffat has used them on a few occasions to inject fear into the series, be it with a skeleton inside or simply someone capable of 'killing' the Doctor.

And then we've got the return of Benton for the first time since The Invasion. He'll become a regular fixture in UNIT over the next few years, so it's perhaps odd that I've not actually noted his absence from the last two stories. All the same, it's nice to have him back, and looking after Doctor Lennox so well. I'm pleased to see the return of Cyril Shaps to the series, too, considering he was in The Tomb of the Cybermen, still my favourite story. When he first appeared a few days ago, I instantly saw him as Viner from the other story, but I've taken to him as Lennox now. His fear in the cell is very real, and you can’t help but feel for him. The idea of sitting down to dinner and finding an isotope waiting for him is striking, too, though I do hope he gets to have a chat with the Brigadier (unlikely, I think!)

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 275: The Ambassadors of Death, Episode Four

Dear diary,

Back during The Invasion, there's a point where the Brigadier has to go to a government official to ask permission before he can send the troops in to take control of International Electromatics. Tobias Vaughn gets there first, though, and the minister he needs to speak to has already been won over (read: 'blackmailed') to side with the Cybermen. I very nearly commented at the time that wished the Brigadier had to spend more time with the government during the Pertwee era, because it would make it more 'real' or something. I specifically thought of it comparing to the Big Finish series Counter Measures, featuring the team from Remembrance of the Daleks. They answer directly to a member of the government - Sir Toby - who can at best be described as 'shady'. It's a great dynamic, and one I'd love to have in the UNIT years.

I'm glad I didn't actually say anything, though, because I'd have looked like a complete fool! In every one of the Season Seven stories so far, our heroes have come up against a 'higher power' in one form or another. In Spearhead From Space it's Major General Scobie (or, rather, an Auton replica of him). Doctor Who and the Silurians marks the first - and last - appearance of Masters. This story gives us Sir James Quinlan who, much like our character from The Invasion is working for the other side (or is he? More on that in a minute…)

What I'm realising through all this is just how little I actually know about this period of Doctor Who's history. I can rattle off the big, obvious facts in no time, but the intricate details of the story… not a clue. On the whole, I think it seems to be working to the Pertwee era's advantage - there's plenty of room for me to be pleasantly surprised by things as I go along, almost entirely uncoloured by years of knowledge building up in my head.

It's not doing much to save The Ambassadors of Death for me, I'm afraid. Try as I might, I just can't get into the story. It's not helped by the fact that I have absolutely no idea what's going on. For a start, I've lost track of wether there's two or three different organisations at work (I'd settled on three at the start of today's episode, but now I'm back to thinking that there's just two), and I'm not sure wether all the 'contagious radiation' stuff from yesterday was just an excuse to throw UNIT off the scent or not. The Doctor seems to imply here that it's a load of old nonsense, but I'm sure it was talked about a lot in scenes that didn't feature him - or any of his colleagues.

I'm also finding that things are moving just that bit too slow for my liking. I've just sat through the entire 1960s era - large chunks of which no longer exist to watch! - but this may be the most leisurely pace we've seen in a long time. At various points during Doctor Who and the Silurians, I commented that the fast cutting between scenes, losing chunks of time in the process gave the impression that there was more than enough story for the seven-week running time, but this tale seems to be having just the opposite effect.

Today, Liz manages to escape from her captivity only to be picked up as a hitch-hiker by a man heading back where she's just come from, and one who knows that she's not supposed to be out and about. The scene isn't a total waste - it gives us an opportunity to see that Doctor Lennox isn't completely siding with the 'baddies' - but it does feel like that typical 'Episode Three Syndrome' of capture and escape.

Now that I'm past the half way point, I'm hoping things might start to pick up a little. I've been enjoying the series so much this far, and I'd hate for The Ambassadors of Death to be the black sheep of the season…

 Day 274: The Ambassadors of Death, Episode Three

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 274: The Ambassadors of Death, Episode Three

Dear diary,

I'm beginning to get a sinking feeling that The Ambassadors of Death will be this Season's slightly duff story for me. It's a shame, really, because there's a lot in here that I think I should be really lapping up, but it's all just falling a bit flat. It doesn't help that the quality of the picture is one of the worst that we've seen from the series - even the film sequences are murky and don't give the best of impressions. There are a few shots during the end-of-episode chase that could almost make my eyes hurt!

And yet, they really are going with it on the action sequences for this story, aren't they? We had the big warehouse shootout in Episode One, the stealing of the recovery capsule in Episode Two, and today we get Liz in a chase, first in Bessie and then by foot. The cynic in me wants to say that it's a good way of them padding out the running time of the story to help fill out the full seven episodes, but maybe they just wanted to go for lots of these big locations scenes? Again, I'm brought back to a bit of a disappointment with the quality of the picture. Were I able to enjoy these scenes in the kind of crystal-clear quality offered in Spearhead From Space, I might be enjoying the tale more. As it is, I'm left feeling as though they're just sort of there. I'm told that the DVD release is a marked improvement on the picture used for the VHS release of the story, too, so perhaps it's a good thing I never bothered to watch that particular tape!

Behind the scenes, The Ambassadors of Death had something of a troubled journey to the screen. I won't go into all the details of the many script revisions, but the overall outcome is that David Whitaker ended up being paid for the first three episodes, and then then rest of the story was tidies up by a mixture of Malcolm Hulke, Terrance Dicks, and Trevor Ray. This means that although Whitaker will receive a credit for another four episodes, this is his last major contribution to televised Doctor Who.

It's quite a momentous occasion - the man has been a part of the series since pretty much day one, script editing the first year-and-a-bit of the programme, and going on to write several key episodes after that. Let's not forget - Whitaker is the man responsible for The Power of the Daleks, and helping to ease in the new Doctor for the first time.

Fitting, therefore, that this story should contain what can nobly be called 'dubious science'. And that's putting it mildly. It's always been quite fun to watch Whitaker's conception of science though out his time with the show, but here it's even commented on by the characters in the story. 'What you're saying is contrary to everything that is understood about radiation' we're told early on, as the 'truth' about the astronauts is revealed. As the episode progresses, Liz and the Doctor both join in when pointing out the slight absurdity of what's going on. As I say, it's very suitable that Whitaker should depart from the series with such questionable stuff going on - I wouldn't have it any other way!

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 273, The Ambassadors of Death, Episode Two

Dear diary,

“The Ambassadors of Death, a thriller for television in seven parts by David Whitaker (sort of)”

Right the way through today's episode, I had a nagging suspicion in the back of my mind that I'd seen it before. I couldn't figure out for the life of me where, or how, and I'd definitely not seen Episode One, or any of the ones that followed this. Then it struck me - this is the first episode of The Quatermass Experiment!

Space shuttle goes up, contact is lost, the shuttle crashes back down (here it's in the middle of a remote location which might as well be the same one from the previous story, in Quatermass it demolishes a house in London), and it turns out that some of the crew are missing. In fairness, we don't yet know that our crew aren't in this shuttle, but they've not been getting any response from inside, and when they do finally manage to make contact, it's just the same message being repeated over and over again. Still, Doctor Who hasn't ever been afraid to 'borrow' ideas from other well-regarded places, and Quatermass is a pretty good template to have in mind when you consider the Seventh Season. I'd be willing to bet money that the production team had this in mind when planning this story.

I'm not really sure what to make of this one so far. Yesterday left me thinking that we were in for another serious drama with elements of comedy injected in all the right places. People insist on calling the stories of Season Seven 'gritty', and it's hard not to simply use that term. Today, the tone has been a bit all over the place. Early on, the Doctor pulls a conjuring trick to hide the recording, and simply pops it back into existence when the time is right. He describes it to Liz as being simple 'transmigration of an object', but the whole thing threw me completely. It was comical, but it just felt very out of place.

We then settled back down for some more (sigh) 'gritty' action, in which the Doctor tricks their prisoner into revealing that he's a member of the military (and it's very well done. It's similar in style to the way that Troughton forced his way into the prison during The War Games, and yet it feels perhaps even more authoritarian when it comes from Pertwee), and then we're treated to a long dialogue-free sequence in which UNIT get the recently returned capsule onto a convoy, before getting ambushed and loosing the thing.

What follows is an odd sequence in which Pertwee puts on a funny voice (it's what he was best known for at the time he started playing the Doctor, so it was bound to come up sooner or later. It does have to be said that he really was the master of voices), and tricks two men into being stuck to his car. It feels a bit slapstick again when they can't remove their hands (as does the button to activate this strange mechanism), and it jolted me right back out of the action again. Before you know it, we're back at the base and given an eerie cliffhanger in which they've finally made contact with the people they hope to be inside the capsule, and are treated to the same message playing on repeat.

I just don't know what to do with any of this. Doctor Who is usually very good at blending comedy with drama (Troughton was a dab hand at doing it - scripted or not!), but here it seems that we can have either one or the other. I'm hoping that it's simply a bit of a blip and the story can settle down and pick which way it wants to lean from now on, so I can try to get my head around it!

The one bit of comedy that I did really enjoy today is the emergence of a running joke about Bessie. The Doctor was patching her up at the start of the last story, and she'd broken down by the time that tale was over. Today, it seems to be in another questionable condition and even the Brigadier makes a joke about it ('I'll see you at the Space Centre. If you can make it'). I quite like the idea that even though the Doctor's gotten hold of his dream car now, it's just not reliable enough to keep him going. But it can stick people to the bodywork .Yep.

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 273, The Ambassadors of Death, Episode Two

Dear diary,

“The Ambassadors of Death, a thriller for television in seven parts by David Whitaker (sort of)”

Right the way through today's episode, I had a nagging suspicion in the back of my mind that I'd seen it before. I couldn't figure out for the life of me where, or how, and I'd definitely not seen Episode One, or any of the ones that followed this. Then it struck me - this is the first episode of The Quatermass Experiment!

Space shuttle goes up, contact is lost, the shuttle crashes back down (here it's in the middle of a remote location which might as well be the same one from the previous story, in Quatermass it demolishes a house in London), and it turns out that some of the crew are missing. In fairness, we don't yet know that our crew aren't in this shuttle, but they've not been getting any response from inside, and when they do finally manage to make contact, it's just the same message being repeated over and over again. Still, Doctor Who hasn't ever been afraid to 'borrow' ideas from other well-regarded places, and Quatermass is a pretty good template to have in mind when you consider the Seventh Season. I'd be willing to bet money that the production team had this in mind when planning this story.

I'm not really sure what to make of this one so far. Yesterday left me thinking that we were in for another serious drama with elements of comedy injected in all the right places. People insist on calling the stories of Season Seven 'gritty', and it's hard not to simply use that term. Today, the tone has been a bit all over the place. Early on, the Doctor pulls a conjuring trick to hide the recording, and simply pops it back into existence when the time is right. He describes it to Liz as being simple 'transmigration of an object', but the whole thing threw me completely. It was comical, but it just felt very out of place.

We then settled back down for some more (sigh) 'gritty' action, in which the Doctor tricks their prisoner into revealing that he's a member of the military (and it's very well done. It's similar in style to the way that Troughton forced his way into the prison during The War Games, and yet it feels perhaps even more authoritarian when it comes from Pertwee), and then we're treated to a long dialogue-free sequence in which UNIT get the recently returned capsule onto a convoy, before getting ambushed and loosing the thing.

What follows is an odd sequence in which Pertwee puts on a funny voice (it's what he was best known for at the time he started playing the Doctor, so it was bound to come up sooner or later. It does have to be said that he really was the master of voices), and tricks two men into being stuck to his car. It feels a bit slapstick again when they can't remove their hands (as does the button to activate this strange mechanism), and it jolted me right back out of the action again. Before you know it, we're back at the base and given an eerie cliffhanger in which they've finally made contact with the people they hope to be inside the capsule, and are treated to the same message playing on repeat.

I just don't know what to do with any of this. Doctor Who is usually very good at blending comedy with drama (Troughton was a dab hand at doing it - scripted or not!), but here it seems that we can have either one or the other. I'm hoping that it's simply a bit of a blip and the story can settle down and pick which way it wants to lean from now on, so I can try to get my head around it!

The one bit of comedy that I did really enjoy today is the emergence of a running joke about Bessie. The Doctor was patching her up at the start of the last story, and she'd broken down by the time that tale was over. Today, it seems to be in another questionable condition and even the Brigadier makes a joke about it ('I'll see you at the Space Centre. If you can make it'). I quite like the idea that even though the Doctor's gotten hold of his dream car now, it's just not reliable enough to keep him going. But it can stick people to the bodywork .Yep.

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 272: The Ambassadors of Death, Episode One

Dear diary,

It's often said that Doctor Who is quite unlike anything else on TV. It does things differently, and in whichever way it wants to do them. It seems perfectly fitting, then, that the 'cliffhanger sting' an element of the show that's become synonymous with the end of an episode over the last forty years should only make it's first appearance halfway through Season Seven.

In the opening titles.

Actually, it's not even in the opening titles, because for this one story only, they're experimenting with the titles finishing, cutting away to a bit of the story, and then going back into the titles to give us all the episode numbers and writers credits etc! When Doctor Who decides to do something its own way, it really goes for it!

I'm surprised that the 'sting' didn't make more of an impact on me. I'm so used to hearing it crash in over those final seconds of a cliffhanger that it simply feels natural to me that it happens here. It doesn't matter that I've just done two-hundred-and-something other episode without it, because it just sounds right! Truth be told, I had to double check with the end of yesterday's episode to make sure that we hadn't already been hearing it for a while. As time goes by, it'll become one of those things that's so intrinsically linked with Doctor Who, like the police box, or the Daleks.

The Ambassadors of Death is another one of those stories that I simply know nothing about. In this case, I know even less than I did about Doctor Who and the Silurians. I've had the video tape for ages but simply never got around to watching it, and by the time the DVD was released I was already vaguely thinking about doing a marathon, so it went unwatched onto the shelf in anticipation. Aside from the images of the space-suited figures on the cover (who I'm assuming are the bad guys for this story, and thus hidden away inside that other spaceship), I know absolutely nothing about the story.

It's exciting, because it means I'm going into this one completely cold. In some ways, it feels a bit like UNIT-by-numbers based on what we've seen in the series before. You've got a high tech base using technology that's a little in advance of the viewer's own time (Doctor Who and the Silurians), a reporter on site to cover the events for the masses (The Web of Fear - not technically a UNIT story, but close enough), a gritty industrial location (The Invasion, Spearhead From Space), and a chance for UNIT to engage in a big battle (all of the above, really). While it could give this story the same issues that something like Fury From the Deep had - feeling as though it's just going over old ground - all these elements are presented in an interesting enough way to keep me interested, and it's borrowing elements from stories over the last few years, as opposed to simply the ones around it.

The big fight sequence, which takes up a large chunk of today's episode, is my chance to say 'I wish I could see this in high definition' and get that out of the way early. As ever, the location is a really interesting one, and there's some shots that I'd love to see in the highest possible quality. There's one particular shot of the Brigadier, as he comes to a stop and fires his gun in several different directions as the battle rages on around him, which looks great. The rest of UNIT, though… They're really rubbish, aren't they? Half the battle seems to be the soldiers getting shot down, while the other side only sustains one or two injuries. I'm hoping they'll get a chance to redeem themselves before the story is out, or the government will be cutting the Brigadier's funding!

The Doctor is continuing to grow on me, much to my surprise. The rather arrogant air surrounding the Third Doctor is one of the things that I've always hated about the character, but I'm finding myself really enjoying it now. I wonder if it's simply because it's in contrast to the Second Doctor's persona, and I'm enjoying the different approach? A personal favourite from today's episode has to be the way he walks into space command, calling down the lift shaft that he simply 'doesn't have' a pass, before striding across the room and asking the most senior-looking person questions.

We also get to see him working on the TARDIS console in this episode, marking the first time that we've seen it in colour. I've always thought it a bit odd that they kept it green even after the shift (it was green for the black and white episodes, because it showed up better that way in monochrome), but it actually looks quite good! There's a bit of messing around with sending Liz a few seconds into the future - something I'm sure they repeat with Jo Grant at some point - and it's quite nice to see the Doctor back (almost) in his natural habitat.

You have to wonder if the reason the Third Doctor is so interested in working on machinery is so that he can tinker with the TARDIS console. Either there's a little voice in his head mid-regeneration that decides it'll be a handy trait to have, or the Time Lords have simply given him that interest to keep him occupied during his exile, safe in the knowledge that he'll never be able to get the ship working again. I'm wondering, though… how did he get the console out from the ship? It's still stuck in the shape of a police box, and those doors aren't very wide…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 271: Doctor Who and the Silurians, Episode Seven

Dear diary,

While I didn't really know all that much about Doctor Who and the Silurians, the one thing that I was aware of is the ending. I knew that it finished up with the Brigadier blowing up the remaining creatures in the caves. For some reason, in my mind, it came in the form of an airstrike, with bombs being dropped across the moor (perhaps not on Who's budget, though!), but it's the one thing that I did know was coming.

And then, I went and forgot it! As the Silurians start to put themselves back into hibernation about three quarters of the way through today's episode, I started to think that it was a bit of an anti-climax to the story. It was only when the Brigadier started to act a bit shifty towards his scientific team that I suddenly remembered what was going to happen - and then it's bye bye SIlurians.

I hadn't anticipated just how much this is a story all about science verses the military, though. It's present right the way through from the Doctor telling Liz that he doesn't attend anywhere on command, via his squabbles with the Brigadier as the story has progressed and into these final moments. The same story is even playing out deep down in the caves, among the Silurian creatures, as the leader listens and agrees to learn from the humans, while his more war-like friends plot to wipe us from the surface of the planet.

The thing that really sells me on the ending is Jon Pertwee. Didn't expect I'd ever be saying that, considering my dislike for his incarnation over the years, but he really is brilliant here, isn't he. You can really feel the sadness when he talks about all the scientific knowledge that the Silurians held being wasted by this action - and then he describes it as simply being murder. It's an unusual ending to the story, but it really works. I also love the way that Liz tries to justify it by suggesting that the Brigadier must have had orders from above, even though we know that's not the truth.

It's an unusual move in some ways, because it doesn't leave you exactly enamoured with the Brigadier. It's the same kind of decision that cost Harriet Jones her place in Downing Street during The Christmas Invasion, and it's done for similar reasons. I'm kind of glad that they're not afraid to show things like this - there's no reason that all of the Doctor's associates should be whiter-than-white, and if you're going to give one of them a morally-ambiguous action to take, you might as well go large-scale and wipe out an entire species! I hope that they don't just forget about this as we move forward. An event like this needs to make an impact on the characters, and if I thought the Brigadier's relationship with the Doctor was frosty at the start of this story, I think it might pale in comparison to what we might see tomorrow!

I'm sorry to say it, but the thing that has let this story down for me is the Silurians themselves. I've praised the overall design already, and I still think it works, but they just look a bit rubbish in practice. Today we get to see lots of examples of them wobbling their heads around to make their telepathic powers work, and it just looks silly. Everything else about their city is so well designed, that it's a shame to see them coming across so poorly. I think - on balance - I might prefer the new series design.

As for the story itself, I'm really pleasantly surprised. I was so dreading these seven-part stories, but this one has set us off on a great start. THe story has changed direction so many times over the last week that I've had plenty to keep me interested all along. I'm just hopeful that the rest of Season Seven can hold my interest like this…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 270: Doctor Who and the Silurians, Episode Six

Dear diary,

There was a point when watching Spearhead From Space where I nearly described it as looking like a 1970s Doctor Who move. It was simply down to the fact that it was all shot on film instead of videotape, which gave it just the right texture to give that effect. Actually, though, I think Doctor Who and the Silurians is playing out almost like a feature film itself!

I really think that you could take this script, with minimal trims here and there (to bring it down from a total running time of almost three hours), and put it on the big screen as a Doctor Who movie. It's sort of got everything you want. You've got the Doctor doing all his clever science stuff, assisted by Liz (here she's mostly reduced to running around collecting things for the Doctor or giving out the antibiotics, but it's her suggestion that leads towards a cure), while the Brigadier mans operations and prepares for a battle as lizard men rise from beneath the Earth. The introduction of the virus has given this story a real shot in the arm (I know. I'm sorry. Please excuse that pun…), and has changed the playing field from being the single moor to the entire world. Before today's episode is out, we've seen pockets of London infected, and there's the first international death in Paris, too.

People (myself included, it has to be said) often think of large-scale invasions in Doctor Who being a hallmark of the more recent series, but here we are in 1970 with some fab location filming at Marylebone station which really gives this story some size. During The Invasion, one of my biggest complaints was that while the whole city - heck, the whole world - was under threat from the Cyberman invasion, everywhere felt really empty. Most of the action takes place in the IE property, so we don't see a great many people being drawn into the story.

Here, we've got the complete opposite. Marylebone station is absolutely packed with people (of course it is! It always is!), and while your gaze is usually focussed on Masters as he alights from the train and woozily makes his way towards a taxi, the hustle and bustle in the background can't help but to make things seem more real. Perhaps the crowning moment is a high shot a little later, in which people are dropping like flies in the station, and the action seems to carry on for ages. Right into the background people are being affected, but we get to see it right in the centre of the screen in a place as busy and as important as this.

(Oddly enough, I've been on trains today that passed me through busy London rail stations, and I did worry that I might be struck down by this Silurian virus. I got even more suspicious when I ran into Steven Moffat boarding the same train this afternoon. Thankfully, it's now 9pm, and I'm feeling fine...)

Like several things in this story, I never knew any of this was here. I couldn't have told you that the Silurians planned to wipe out humanity with a virus, and I couldn't have told you that any of this story took place in London, aside from that opening scene of the Doctor working on Bessie. UNIT really does feel vital to the safety of the city, and all of this is really impressing me. The only thing is… I'm desperate to see all the station sequences cleaned up in HD! How stunning would they look!?!

Yesterday, I briefly praised the performance of several members of the guest cast in this story, and today we've managed to lose another two of them. I can't let them go without mentioning Peter Miles' rather fantastic final scene. He rants and raves at the Brigadier, even going so far as to jump on the table and strangle the man at one point. It's ridiculous. It's over the top. It's overacting of the highest level.

And it's brilliant! I was completely captivated, and despite the fact that it's one of the largest performances we've seen in the entire series, it's completely right for the moment. Dr Lawrence has been building up to this moment ever since the first episode, and it's great to see him going out so boldly now. It gives us a great chance to take a real look at the make-up for the virus, too, which is looking really quite effective.

 Day 269: Doctor Who and the Silurians, Episode Five

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 269: Doctor Who and the Silurians, Episode Five

Dear diary,

In 2010, when the Silurians made their return to Doctor Who, several parts of fandom were up in arms about the pretty radical redesign. It has to be said, I've never minded the look of the new Silurians. I love the face masks worn by the soldiers (even if they are a way of keeping the costs down), and can you imagine Jenny falling for Madame Vastra if she'd looked like one of the Wenley Moor lot?

Still, I've never appreciated before just what a great design this one is. Looking at a proposed design for The Hungry Earth, which is far more in keeping with this original version, does make me a little sorry not to have kept with it. Certainly, the redesign of the Silurians is the most drastic one we've had since the series returned - many of the other revived creators have stayed much closer to the things we'd seen before. The costumes for the creatures here aren't the best, I'll admit - the very obvious join between the head piece and the rest of the body is a real let down, and it's a shame it's so visible - but the actually look of the creatures is a great one. Where everything completely falls apart for me is when they actually start to speak.

Because I've never seen Doctor Who and the Silurians before, and because it's been so long since I last watched Warriors of the Deep, I'm not sure I could remember if the classic Silurians even could speak. That seems a bit silly in retrospect, 'cos they're quite chatty little lizards, but having spent the first three episodes watching just snippets of the creatures moving around in the corner of the screen, they'd built up a bit of a mystery. Even though I knew what was coming, I was still drawn in my it.

The voices are terrible, though. They come across, simply, as 'actor in a rubber monster suit'. Yeah, yeah, I know that's exactly what they are, but it just seems painfully obvious to me. I hate to admit it, but these voices really are bringing down my enjoyment of the story a little. We get a discussion today of the reasons the Silurians have taken to hibernation, and why they're only starting to wake up now. They all seem to make perfect sense to me, and Malcolm Hulke has clearly given it some thought. The entire description, though, left me cold, because I was listening to it through that ridiculous voice.

I don't know how I'd imagined they might talk. Maybe a bit like an Ice Warrior perhaps? They're both lizard-esque, after all. I almost want to hear them talking in a proper, RP accent, simply so I can enjoy the drama on display without this bringing things down. Ah well, I suppose you can't have it all!

And I can't really complain, because elsewhere, this story is boasting one hell of a guest cast! Until his death just a few episodes ago, we had Fulton Mackay, making his only appearance in Doctor Who. We've also got Geoffrey Palmer who's been in pretty much everything over the years, and will be making a couple of returns to the programme over the rest of this marathon. He's turning in an especially nice performance. It helps that when he first appeared, I got to play that favourite game, in which you point at the character every time he's on screen and say aloud 'Oh, it's him! What-his-name. Thingy. What's he been in?' unit lI suddenly realised who it was and felt a little bit silly.

Also making the first of a few appearances in the programme is Paul Darrow, who's taking things very seriously without Colin Baker to act up against. I'm rather liking his performance, too. And then there's Peter Miles, who gets an awful lot of praise for his performance in Genesis of the Daleks from a few years after this, but he's a great character here, too. With all of these fine actors turning up, I've not got any right to complain about a few silly Silurian voices really, have I?

(They are bloody stupid voices, though…)

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 268: Doctor Who and the Silurians, Episode Four

Dear diary,

As this episode began, and we got to watch back yesterday's cliffhanger, in which the Silurian advances on the Doctor, and Pertwee attempts to stretch his eyes wider and wider, I wondered if I should make a note about the way he reacts to seeing the alien for the first time. After all, he didn't really get a chance to react to the Nestene before it started to strangle him, so this could be his moment for encountering a new alien menace for the very first time…

And then the most brilliant thing happened. The Doctor held out his hand to shake adding, 'hello! Are you a Silurian?'

I actively had to pause the DVD, because I was too busy hooting with laughter. How utterly brilliant! I mentioned yesterday that I'd managed to avoid knowing all that much about this story, but how has that moment passed me by for all these years? It's a great way to come out from the cliffhanger, and a great way to set up this Doctor and his way of dealing with other creatures.

I'm so very glad to see that the ongoing tension between the Brigadier and the Doctor is all turning out to be part of the major plot in this story. It's not simply that the pair don't see eye-to-eye, but rather that they're very different men. The Brigadier is all about simply moving into the caves to flush out the problem, whereas the Doctor knows that there's something more of interest to do. The theme of this entire tale can best be summed up by Miss Dawson: 'we must destroy them before they destroy us!'

It struck me today that perhaps the reason the Doctor isn't too keen on his former friend at the moment is because he's effectively serving as his jailer. It's the Time Lords who have sentenced the Doctor to life stuck on Earth at this time, but the Brigadier calling him in for missions simply reminds him of that fact. Every time he's called in it just hammers home the point that he has to get involved - because he's not going anywhere!

He loves Human Beings, but I can see why they might not be his favourite species at just this moment. I always associate the Tenth Doctor as being the most anti military incarnation, but the Third Doctor here is just as clear about his dislike for the ways of mankind. He's furious at the thought that there's a whole new race to study and they're already preparing to head down there and wipe it out. No wonder that he's interested in listening to the Silurian's side of the story and trying to branch out - he'd probably rather share his exile on Earth with them!

There came a point in today's episode where Dr. Lawrence and the Permanent Under-Secretary discussed the pressure of running such an expensive operation as this facility, and spoke of how the power failures were a potential risk to Lawrence's career, and how much money had been poured into the project, that I suddenly realised something. I was watching a proper drama. Forget all the lizard people and their pet dinosaur in the caves, this was a real, proper, drama.

And I loved it! We're halfway into a seven-part story and watching several minutes of government workers discuss the practicalities of running a power plant. It should be rubbish! I should be sitting here, telling you how boring it is, and how much I wish they'd just get on with it, and how if they cut things like this out, the whole story could be much shorter and much better… but I don't need to. Because it's all vital. The entire programme feels as though it's growing up, and as much as I loved all the rushing about and comical stuff n the Troughton era, this feels like the perfect reaction to it all. The programme is taking itself seriously, without going over the top, and it really works…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 268: Doctor Who and the Silurians, Episode Four

Dear diary,

As this episode began, and we got to watch back yesterday's cliffhanger, in which the Silurian advances on the Doctor, and Pertwee attempts to stretch his eyes wider and wider, I wondered if I should make a note about the way he reacts to seeing the alien for the first time. After all, he didn't really get a chance to react to the Nestene before it started to strangle him, so this could be his moment for encountering a new alien menace for the very first time…

And then the most brilliant thing happened. The Doctor held out his hand to shake adding, 'hello! Are you a Silurian?'

I actively had to pause the DVD, because I was too busy hooting with laughter. How utterly brilliant! I mentioned yesterday that I'd managed to avoid knowing all that much about this story, but how has that moment passed me by for all these years? It's a great way to come out from the cliffhanger, and a great way to set up this Doctor and his way of dealing with other creatures.

I'm so very glad to see that the ongoing tension between the Brigadier and the Doctor is all turning out to be part of the major plot in this story. It's not simply that the pair don't see eye-to-eye, but rather that they're very different men. The Brigadier is all about simply moving into the caves to flush out the problem, whereas the Doctor knows that there's something more of interest to do. The theme of this entire tale can best be summed up by Miss Dawson: 'we must destroy them before they destroy us!'

It struck me today that perhaps the reason the Doctor isn't too keen on his former friend at the moment is because he's effectively serving as his jailer. It's the Time Lords who have sentenced the Doctor to life stuck on Earth at this time, but the Brigadier calling him in for missions simply reminds him of that fact. Every time he's called in it just hammers home the point that he has to get involved - because he's not going anywhere!

He loves Human Beings, but I can see why they might not be his favourite species at just this moment. I always associate the Tenth Doctor as being the most anti military incarnation, but the Third Doctor here is just as clear about his dislike for the ways of mankind. He's furious at the thought that there's a whole new race to study and they're already preparing to head down there and wipe it out. No wonder that he's interested in listening to the Silurian's side of the story and trying to branch out - he'd probably rather share his exile on Earth with them!

There came a point in today's episode where Dr. Lawrence and the Permanent Under-Secretary discussed the pressure of running such an expensive operation as this facility, and spoke of how the power failures were a potential risk to Lawrence's career, and how much money had been poured into the project, that I suddenly realised something. I was watching a proper drama. Forget all the lizard people and their pet dinosaur in the caves, this was a real, proper, drama.

And I loved it! We're halfway into a seven-part story and watching several minutes of government workers discuss the practicalities of running a power plant. It should be rubbish! I should be sitting here, telling you how boring it is, and how much I wish they'd just get on with it, and how if they cut things like this out, the whole story could be much shorter and much better… but I don't need to. Because it's all vital. The entire programme feels as though it's growing up, and as much as I loved all the rushing about and comical stuff n the Troughton era, this feels like the perfect reaction to it all. The programme is taking itself seriously, without going over the top, and it really works…

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 267: Doctor Who and the Silurians, Episode Three

Dear diary,

There's something about the Silurian's rather unique point-of-view shots that really works for me, and the dash of red to represent the creature's third eye is a great example of the programme taking advantage of the fact that it's not being made in colour. And yet… it's not the most practical of sights, is it? The Silurians have a whole eye extra to the number that we humans sport, and yet their vision seems to be massively impaired when we see from their point of view.

Still, the reveal of the creature in full at the end of this episode is very well done, and I think I'm going to have to rate it as being one of the best that I've seen since starting this marathon. Throughout today's 25 minutes, I've been swinging back and forth in my feelings towards it, so I'm glad things have come out on top. My worry - essentially - was that we'd just have the creature suddenly… sprung on us. For all my praise the other day about how good the Auton looked when we just cut to it in the forest, I didn't want my first shot of the Silurian to be done in quite the same way.

On the other hand, as the episode went on and we were given more and more glimpses of scaled hand, or a hint of claw, or indistinguishable shapes behind the foliage out on the moor… I worried that we'd perhaps not get to see one of the creatures until the next episode. I needn't have worried, though, because of course the story has pulled it off quite well. It's strange in a way because the cliffhanger effectively hinges on the creature simply strolling into the sitting room of a cottage - but it works!

I'm also pleased today to see that Bessie is actually being put to some use. In my mind, the car is just there as a part of the Third Doctor's era, but I'm glad that it's actually useful as opposed to just being a gimmick. Obviously, if the Doctor didn't own a car then they'd have surely patrolled the moor in a generic UNIT jeep, but there's something quite nice about seeing the little yellow roadster bounding down the old dirt tracks!

I'm also pleased to see the way that both the Doctor and the Brigadier react to finally making it inside the locked barn. Our favourite Man From UNIT stands in the doorway, scanning the room for the potential threat, while the Doctor brushes right past him and immediately to check on Liz. They each have a very distinct function within this set up, and it's nice to see them being so clearly drawn. Of course the Brigadier comes to check on Liz a few moments later, but his first priority is to stop the creature escaping - and quite right, too.

I'm finding myself entirely surprised by Doctor Who and the Silurians. It's another one of those stories that everyone tells you is important, and is brilliant, and has to be seen, but I've always somewhat shunned it. When the Beneath the Surface DVD box set came out a few years ago (containing this story, The Sea Devils, and Warriors from the Deep), I actively decided that I didn't want to pick it up right away. It was two Third Doctor stories after all! In the event, I did actually purchase it on day of release - but only because the TV studio I was doing my degree in at the time was at the end of a street brimming with second-hand DVD shops. At one point, there were seven of them between my flat and the studio reception, and I used to pop into them all over the week.

One of my favourites had the Beneath the Surface DVDs in the window on the day of release, each marked up separately, at a rather nice £4 each. It doesn't seem all that impressive when you can pick the set up for little more than a tenner online nowadays, but at the time it was just what I needed to kick me into buying a copy of this story.

And yet… I've still never watched it. I've not watched The Sea Devils, either. I picked all three up that day because I knew I'd not want to double up later on, but the two Pertwee stories simply went on the shelf. I'm quite glad about that, though. It means that I'm coming to this story completely cold, and it's probably benefitting from it. Apart from the fact that there's Silurians in it, I don't think there's a great deal more I could tell you about the story, and that's rare for Doctor Who. It's taken a while to get here, but it's turning out to be worth the wait!

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 266: Doctor Who and the Silurians, Episode Two

Dear diary,

I’m a bit surprised how much Liz is left to just get on with things by herself. In the last story, she doesn’t even properly meet the Doctor until the latter half of Episode Two, and in this one the Doctor seems to simply be leaving her behind a lot. ‘No, no, Liz, you go and take a look through the personnel files, while we take a look at the big scientific stuff,’ or ‘the men will go and take a look down the caves… why don’t you wait here?’ We even get it with Liz being left behind to examine the barn forensically, while the Doctor and the Brigadier head off to question the farmer’s wife.

In some ways, I feel as though this fact should bother me. In the back of my mind, there's a little voice that says 'the Brigadier is acting like more of a companion, and he doesn't even really get on with the Doctor!', but the rest of my mind is simply drowning it out. Liz feels like a far more mature character than I'm used to. Jamie, Zoe, Victoria, Ben and Polly… many of our companions over the last few years have been little more than children - it was really Steven that last filled the 'grown up' role in the Doctor's team.

With Liz, we've got a companion who's quite capable of being left behind by herself to simply get on with whatever task news doing. Zoe was fiercely intelligent, but she lacked the skills to interact with a world that was more than stings of data. Liz is a character who has the knowledge (I'd like to have seen them ask Jamie to stay behind and perform forensic tests!) suited to this role, and is also enough of a grown up to not need the Doctor by her side. It's a very different dynamic, and I really quite like it.

I've already mentioned the Brigadier not especially getting on with the Doctor, and I discussed it at some length yesterday, but it really is fascinating to me. I'm so used to this pair being such friends that it almost feels out of place that they shouldn't be seeing eye-to-eye all that much here. When the Brig finds out that his scientific advisor has gone off down the caves all by himself, he states that the Doctor 'deserves all he gets' as a result of his actions, and he doesn't seem all that relieved when the man turns up safe and sound. I know that things will thaw between them as the stories go by, but it's really an interesting way of playing the two characters, and I've never know that it was here. It almost adds another layer to their friendship, knowing that they've had to overcome the struggles with this incarnation.

The thing that really appeals to me about this story, over a quarter of the way in, is that we haven't actually seen a Silurian yet. Oh, it feels like we have, but it's all been glimpses of their hands, or shots of them from a distance, where they're shrouded in darkness, or lit from behind by the sun. The closest that we've actually come to seeing one of the creatures in full is through the drawings on the wall in Episode One. Because I know what a Silurian looks like, I'm quite impressed by the artwork (if anything, I'm a bit surprised the line drawings haven't turned up on one of those retro Doctor Who notebooks or something…), but I'm really liking that we still don't really know what the menace is.

I've spent so long worrying about this string of seven-part stories that I really thought the timings would be all over the place, but Doctor Who and the Silurians is keeping me hooked pretty well…

Don't forget that you can 'like' the 50 Year Diary's Facebook Page, where I tend to witter on about things, mostly. Occasionally, I even post a photo of something!

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 265: Doctor Who and the Silurians, Episode One

Dear diary,

I can't tell you how much I love the fact that the Doctor and the Brigadier aren't the best of friends. They get off to a bit of a ropey start right back in The Web of Fear, where we're actually led to suspect that Lethbridge-Stewart might be under the controlled of the Great Intelligence, but by the time he shows up again for The Invasion, the Doctor greets him as an old friend, and he's pleased to see him. Even during one of his few lucid moments in the hospital during the last story, he seems quite pleased to set eyes on the man again.

Of course, before Spearhead From Space is out, the Doctor has tried to flee from the planet leaving the Brigadier in a bit of a mess with a mystery continuing to build. By the end of the story, they seem to be on pretty good terms, but here it's back to not seeing eye-to-eye. It all starts right at the beginning of the episode, with the Doctor seeming to resent being summoned off to a meeting when he's in the middle of patching up his new wheels. Eventually, it's manifested in an argument between the pair over the dismissal of the Doctor's evidence, and it all makes for quite good drama.

I've always thought of the Doctor and the Brigadier as being great friends - mostly because that's how they react to each other during the 1980s, and it's a period of the programme I'm much more familiar with. It's great to see them butting heads here, and it feels quite daring. I'm not entirely sure whose side I'm on, since I've seen the Doctor's evidence, so I'm willing to believe him, but I can see the Brigadier's stance!

The Doctor only seems to enjoy UNIT when it suits him. As I've said, he hates the idea of being pulled away from a last afternoon doing up the car, and when Dr Meredith asks if he's with the organisation, the Doctor answers 'yes, depressing, isn't it?' Conversely, when he's refused access to a patient he wants to study, he's quite happy to wave his credentials around, claiming that being a member of UNIT gives him the authority to do exactly as he wants.

It's only five episode in, but already it's a very different portrayal of the Doctor to the one I've grown used to with Troughton. Whereas he'd charm his way into places or simply sneak in when everyone was looking the other way, it's much more this Doctor's style to make demands and simply do whatever the hell he wants to. I think it's this personality that's often rubbed me up the wrong way in the past, but it's working quite well here, and it's all adding to this sense of tension he feels at slotting into this new role.

The big disappointment about today's episode has to be the fact that we're back to studio videotape. Having really enjoyed the experience of an all-film and location story in Spearhead From Space, opening here in some studio-based caves was just crushing. It was probably less of an issue following this journey from the Spearhead DVD release; though it would have still looked markedly different, it would likely have been less of a shift.

As it is, I'm left with the look I most commonly associate with the Pertwee era. Despite the stunning work of the Restoration Team over the years, some of these episodes aren't the best quality sources to work from. There's a specific look to the stories of the early 1970s, and this one captures it perfectly.

Still, I can't complain too much, because things are whizzing along at a great pace. One of the things that's always put me off Season Seven (and the reason that Spearhead is the only story from this year that I've tried to experience before) is the fact that it's mostly made up of seven-part stories. I've said on many occasions before that I think three episodes is about perfect most of the time, so the thought of three consecutive seven-parters has always seemed more than a little daunting.

But here, its as though they don't have enough time to get in everything they want. There's several places where we cut hurriedly from one scene to another, allowing for a fair chunk of time to pass in between. It's most noticeable at the cliffhanger, when the Doctor moves very suddenly from considering the unusual description of claw marks in the coroner's report on a dead worker to being halfway down a ladder into the cave. If the story can hold a pace like this throughout the next six episodes, it'll keep me very happy indeed!

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 264: Spearhead From Space, Episode Four

Dear diary,

For the longest time, I couldn't tell the difference between the Great Intelligence and the Nestene Consciousness. I always thought that it came down to a mixture of having not seen the Yeti stories and not paying attention to this one, but actually… they're the same thing, aren't they? When the Doctor is musing about what kind of alien they're dealing with, Liz offers up several suggestions before the Doctor confirms that it's 'more like an intelligence'. He then goes on to comment that the creature probably doesn't have physical form, but it can create 'shells' for itself to inhabit. It's even transported in a set of alien spheres! With tensions between the Doctor Who production office and the writers of the Yeti stories at breaking point last season, I'm surprised that tempers didn't flare at this point. Heck, I'm even a little surprised that they allowed the Brigadier to turn up as a regular character (maybe that's why the Doctor name checks the Quarks first at his trial - it was all part of the negotiations…)

This episode is home to another one of those really famous scenes from Doctor Who history. The Autons smashing their way out of the shop windows on Ealing Broadway is perhaps the best remembered of all the iconic scenes. I have to confess that I don't think I've ever actually seen it before, so can only assume that on my first viewing of the story, when that strange mixture of co-codemol and milk was making me feel so unwell, that I'd given up by this point and gone for a lie down. It's actually quite an under-stated affair, and you never actually see the glass in the windows smash. Twice we know that the Autons have burst out from the windows, but twice we cut away to a reaction shot to avoid the expense of replacing the glass.

That doesn't take away from it, though. Partly because I know how iconic this scene is supposed to be, it's effective the second we switch to the panning shot of the street. Watching the plastic creatures suddenly jerk into life - and not all in perfect sequence - is suitably creepy, and those blank faces really do help to sell the horror. I also found myself enjoying the shot of the facsimiles at Madame Tussaud's coming to life and filing out of the room. One of the downsides to the quality of image in the blu-ray master for the story is that you can see every hint of movement from these supporting artists throughout the episode, so it's clear from the outset where this is going. That doesn't stop it from working very well, so I can't really complain.

We also finally get the epic UNIT battle at the International Electromatics compound that I was hoping to see! There's several similarities between the onslaught of the Autons and that of the Cybermen last season, and there's things I love about both invasions. The effects of the smoke explosions here is particularly effective, both when it's coming from a recently shot soldier (or passer-by for that matter!) and when it's being used to blow up the surroundings. Tinting the smoke a fairly lurid orange seems to be taking full advantage of the new colour cameras, too!

And then we've got Jon Pertwee, in the closing moments finally recovered fully from his regeneration and ready to kick into action. I love that he draws attention to the fact that he'll be needing a whole new wardrobe, and that he even specifically asks the Brigadier to take him shopping for a vintage car. These are things that I've spent years simply taking for granted as part of the Third Doctor's tenure, so I'm glad to see them being given a proper introduction.

Overall, I've ben really surprised by Spearhead From Space. I'm so pleased, considering my not entirely happy past with the story. As you well know, I've not been hugely looking forward to reaching the Third Doctor's era in this marathon, but they've started with a real belter to get us going. I know that they can't all be like this, and I'm really going to miss the HD sequences that I've been treated to over the last four days, but it's set me off on the right foot for the next few months.

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 263: Spearhead From Space, Episode Three

Dear diary,

I've never particularly rated the look of the Autons in this story. They've always struck me as being just that little bit rubbish. Actually, though, they're scary! The first time we see one properly, in Episode Two, I genuinely found myself a little uncomfortable. I think it's partly down to the fact that the face isn't quite even - one eye sits lower than the other - it gives the creature something of a rough, unfinished look.

Scary enough when thrashing around in the woods, it's even more unnerving when one starts to move from a line up of them against the wall in the plastics factory. Suddenly, I can completely understand why people have always found them so effective. The way it moves when chasing after Mrs Seely, slow and lumbering, just adds to the illusion. At the factory, there's a point where one runs after Ransome, and it just looks a bit clumsy - they're much better when they don't need to hurry after you, because they'll catch you in the end.

The one thing that doesn't really work for me is the idea that they can use their guns to totally disintegrate Ransome in the UNIT tent. It's partly down to the story's setting - everything is very much embedded in the real world, even when you start to add in spheres falling from the skies and moving plastic dummies. The fact that it's all shot on film simply makes it look like any of the other action serials on TV at around this time, which only helps to enhance the idea that we're dealing with a real situation. So when the perfectly normal guns embedded in the plastic (another great idea, and one which is executed very effectively) turn out to be capable of such a complete disposal of their victim… it's the one thing that pushes my belief just that bit too far.

The Doctor is finally given a bit more to do today, and the time is spent brilliantly. I mused yesterday that I was finding myself surprisingly drawn to Pertwee's performance, and I'm pleased to say that it's continuing here. You really cheer for Liz when she takes it upon herself to steal the TARDIS key to let the Doctor into his ship, but then you do a full 180 degree turn and side with the Brigadier when it turns out that the Doctor has tricked her, and uses this as a chance to escape.

It's almost as though we're seeing a glimpse of the very early, selfish Doctor from the start of the programme when he decides that he simply cannot bear the thought of being trapped on Earth in one time period. The fact that he's willing to leave the Brigadier (a character he was so pleased to meet up with again during the vents of The Invasion) right when he's needed the most says an awful lot, but it only helps to make the character stinger.

While I'm on the subject - just how great is the sound effect of the TARDIS failing to take off? In some ways, it feels like they've simply thrown everything at it, but it really works. It's a shame we've not heard anything similar ever again when the TARDIS breaks down. We get plenty of new information about the ship here, too, which is perhaps ironic given that we're about to enter a phase where we'll not be using it all that much! It's the first mention of the ship being 'Dimensionally Transcendental' and talk of the 'Dematerialisation Code'. The Doctor also confirms that he's the only one who can open the lock, though this picks up on a suggestion made by Susan right back in The Sensorites.

I thought that the switchover to colour, and the introduction of a new team of regulars and a new format for the show was going to be a massive culture shock, and that I'd struggle to adapt to the new way. As it is, everything feels perfectly in keeping with what's gone before, while still managing to feel completely fresh and new. I've always thought of the UNIT era coming from nowhere and changing the show massively, but watching through in this 'one episode a day' format, you can see the ancestors of Spearhead From Space littered throughout the last few years of the programme. As much as I loved Troughton, and as much as I was dreading this point of the experiment, I'm really finding it to be just the right breath of fresh air…

a

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Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 262: Spearhead From Space, Episode Two

Dear diary,

There is a downside to watching this story in such lovely high definition - there's a few points throughout this episode where I've found myself more fascinated by the level of detail in the picture than actually watching the story itself. The best example comes following the Doctor's shower scene, when he heads into the cloakroom to choose a new outfit and you can see every droplet of water on his shoulders. It seems like such a silly thing to notice, but I'm fascinated by the fact that you can. There's something about the idea that this story was filmed over forty years ago, but can look this good after a bit of restoration work that really appeals to me.

(It's not just Spearhead From Space that I've found this with. Although I bought an external blu-ray drive for the specific purpose of watching this story, I also went out the day it arrived and picked up my two favourite films in this format, too. Frankenstein was filmed in 1931, and The Bride of Frankenstein in 1935, and yet they're stunningly crisp, too. It was a similar situation - drops of water on the skin - that caught my attention there, too. I can't believe I've gone this long without such crisp quality!)

I do get to see one of my recent wishes (partially) fulfilled today, though. Back in The Invasion, I commented that I'd love to see those fight scenes between UNIT and the Cybermen in High Definition, and today we make a return to the same location, used as the outside of the plastics factory when Ransome breaks in to his old workshop. It's not quite the same as seeing that battle in this quality, but it does give me an idea of what the location really looks like, and it's more colourful than I'd imagined! I'm sure the dates don't match up for it to work, but in my head now, the Auto Plastics company moved in once International Electromatics were forcibly ejected from the premises.

Yesterday, I made a note about the similarities between this story and the launch of the new series in 2005, drawing parallels with both Rose and The Christmas Invasion. I thought at the time that it was a strange decision to keep the newly regenerated Tenth Doctor mostly out of the action for a long time, but it's almost identical to what we've got here. Yesterday, the Doctor managed a few garbled sentences, and a brief conversation with the Brigadier, before making an escape and being shot by a soldier. Today, we see him unconscious for a bit, but he doesn't really turn up in the episode until just over twelve minutes in.

What's notable is that you don't feel his absence at all. Maybe it's because he's still a new Doctor, so I'm in the process of getting used to him, or maybe it's because we've got the familiar Brigadier to tide us over, but it's only when the Doctor starts sneaking around the hospital corridors that I realised how long we'd just gone without him. We also get some nice connections to other big starts in the show, if not complete reboots - the Doctor here steals his clots from the changing room in a hospital, and he'll go on to do the same thing to pick outfits for both his Eighth and Eleventh incarnations. Maybe it's something about the food they serve in hospitals, but they seem to turn the Doctor into a bit of a kleptomaniac.

I'm pleased to find that I'm warming to Pertwee's Doctor already, though. Having never been all that keen on him, I think I've been expecting the absolute worst, so anything more than that is going to keep me happy. I absolutely love the way that he greets the guard at the UNIT gate (and do my eyes deceive me, or is that guard actually stand-in producer Derrick Sherwin?), by simply talking him into submission. There's shades of both Hartnell and Troughton in this performance, while also keeping it fresh and new. I can't imagine either of the first two Doctors stealing a car and driving it off to the UNIT HQ, but it feels perfectly in keeping for the Third to be doing so. Maybe it's because I know he'll go on to have his own vintage roadster?

He doesn't get to spend much time with Liz in this episode (another thing that's striking me as odd - we're halfway into his first story and he's only just been introduced to his new companion), but the brief scene they do share is lovely. I'm glad that she laughs at his Delphon joke, and it really breaks the ice nicely between the pair. I have to admit that I've never really been a fan of Liz. Don't know if it's simply because she's a part of this era, but I've simply never taken to her. Actually, though, Caroline John is giving a fantastic performance, and I'm finding myself warming to her more and more. Here's hoping this marathon will help me revise my opinion of her!

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 261: Spearhead From Space, Episode One

Dear diary,

Spearhead From Space makes me sick. You know how sometimes you can associate certain episodes of Doctor Who with certain memories? I've got a friend who assumes he must have cut his knee at some point while The Stones of Blood was being shown, because he always associates the Ogri with the smell of disinfectant, for example. Well for me, Spearhead From Space is the Doctor Who story that brings back the strongest of feelings.

The very first time I ever saw this story, I'd just had an operation. Nothing major, but it required me to be dosed up on pretty strong painkillers for a week or two afterwards. I can recall sitting in the hospital just after the operation, and asking mum to pick me up a copy of this story on DVD when she was in the city. At that point, I was still picking and choosing which Who stories to buy, rather than being all caught up and just buying them as they hit the shelves. A few days later I was sat home alone and decided that the time had come to watch the Third Doctor's very first story.

I cued the DVD up in the player, made lunch, and prepared my paracetamol. Thing is, I was pretty stupid when it came to anything medical (I'm not a fan of medication. Even now, I don't have a doctor), so I didn't realise that you weren't supposed to mix co-codemol with milk. For some reason, at the time, I was drinking a lot of milk. Anyway, tablets crushed and mixed into the milk (they were huge round 'discs', so there was no way I'd swallow them normally!), I settled down to watch the story.

And I was sick as a pig for the entire time. Spearhead, being the only story of Doctor Who's 'original' run to be shot entirely on film has a very distinctive look to it. Ever since that day, just the sight of footage from this story makes me feel a little queazy. The second DVD version was a little better because things had been sharpened up, but still there was something about it all that made my stomach twist. Even typing about it is having the same effect!

Then they announced that Spearhead From Space was to be remastered and released on Blu Ray in full HD. To be honest, I had absolutely zero interest in it. A story that made me sick on a format that I didn't own. When things came to the HD revolution, I switched over to iTunes downloads. Often cheaper, pretty immediate when I wanted to pick them up, and the Mac couldn't read blu ray discs anyway. It was the 'Coming Soon…' article about the release in Doctor Who Magazine that swayed me. It spoke of giving the release a very individual look, and went into a bit of detail on the way that they had changed the grading of the piece to look 'more like a one-off filmed drama' with more of a darkened tone. Could it be that this new format might rid me of the 'curse' of Spearhead?

I picked up a cheap external blu-ray drive, bought the blu-ray and it's been sat on the shelf waiting for me top reach this point for about a month. I'm pleased to say that having sat through the first twenty-five minutes, I'm still feeling fine. Hooray! It's meant that a story I've never been able to particularly enjoy suddenly has a shot at being fairly evaluated.

I'll talk more about the quality of the HD remaster in a later episode (but suffice to say, 'oh my God. Stunning'), because today I want to focus on the story itself. It's rather good, isn't it? I've never noticed just how much the 2005 relaunch borrows from this one. The opening shot, in which we pan from a starry sky into the Earth is fab, and I have to say that I think I prefer this one! It just looks more impressive than the CGI version that kick-starts Rose. There's the Autons, of course, but they haven't really arrived on the scene yet. The Doctor spends most of the episode tucked up in bed having promptly collapsed upon leaving the TARDIS, just as David Tennant does in The Christmas Invasion. We've even got a familiar face in the form of Lethbridge-Stewart on hand to help the change-over.

It's fair enough that you'd use this story as a template when reintroducing the series after a lengthy hiatus. At the time, Spearhead followed the longest gap in broadcast that Doctor Who had ever experienced. It returned in the first week of the 1970s with a brand new Doctor, a brand new assistant, and in colour! Forget replacing the original Doctor with Patrick Troughton - there you've got Ben, Polly, and the Daleks to tide you over. Forget about Tom Baker leaving the role after a record run. Even forget the sweet (effete!) Fifth Doctor giving way to one who strangles his companion! This is the biggest shake up that the programme experiences in the 'classic era.

I've made no secret of the fact that I've never been all that fond of Jon Pertwee's incarnation of the Doctor, but he's actually off to a pretty good start here. Despite spending much of the episode drifting in and out of consciousness, the times he spends awake are spot on, and I love the way he draws out his simple line: 'shoooeeeesssss…'. His conversation with the Brigadier, in which he reacts to his new appearance for the very first time is also great fun. When I think of the Doctor's checking out their new appearances, I often go right to either of the Bakers or Davison looking into the mirror, but this one is just as brilliant, and quite clearly the template for all those to follow.

We're off to a good start, and I'm hoping that this new release will help me to appreciate the story all the more. I'd desperately love to start this new era on a real high…

Manufacturer: Big Finish Productions

Written By: James Goss

RRP: £8.99 (CD) / £7.99 (Download)

Release Date: 31st October 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 8th November 2012

Liz Shaw has been working as The Doctor’s assistant for a while now and in all that time she has noticed something rather sinister. People have been dying in a small number over a period of months but what links them all is that each of them were told of their death before the fact.

Each person received a letter predicting both the time and date of their demise. 

Liz has been documenting all of these strange events and trying to get The Doctor to pay attention. The Time Lord however is more concerned with restoring power to the TARDIS and escaping his exile so Liz takes it upon herself to investigate. 

It seems all the of the dead were part of committees within the Government and without the Doctor to help her, Liz has to rely on the one person with a link to all of them and just might be next for one of those letters. Her mother.

In June of this year Caroline John, known to all Doctor Who fans as Dr Elizabeth “Liz” Shaw passed away. Her character was present in only four of Jon Pertwee’s stories, but her performance as an equal to The Doctor, in intellect and stubbornness, endeared her to many fans. John was a very gifted performer and her recent work with Big Finish showed off her talents even if those stories weren’t always as strong. I’m both happy and sad to say that The Last Post is the best Liz Saw story Big Finish have done. It's just a real tragedy that this was to be the last.

The Last Post is a two-hander piece between Liz and her mother, taking place between letters, telephone calls and meetings for lunch. This structure allows for some fascinating insights into Liz’s personal life and the relationship with her mother is beautifully written.

Caroline John leaves us with a magnificent performance here; touching, witty and showing suitable frustration at The Doctor, John made Liz such a believable character and listening to this story knowing all too well that this is the last time we will hear Liz makes for a strange and moving experience. Giving Liz a family expands the character greatly and grounds her in a way that we have not really seen before. When Liz writes of her regret at missing family gatherings due to work, she comes to life as a person and not just as a third wheel for the Doctor. This is a woman experiencing terrifying situations and wants to rebuild a connection with her family, so when the threat comes too close to home, we really fear for her.

Rowena Cooper is wonderful as Emily Shaw. Emily is a warm and charming personality, both proud and somewhat disappointed with her daughter’s career path into science rather than the arts. It creates an interesting dynamic between the two. When the strange events begin to happen, James Goss smartly writes Emily as being aware of them and of her daughter’s involvement in UNIT. From the start this allows both characters to begin on an even keel and rightly so. Emily is just as intelligent and headstrong as her daughter and this is to the advantage of the play, so much so that the cliff-hanger to part one is quite frankly one of the most tense I have heard from any Big Finish story.

The Last Post takes place between Liz’s adventures with The Doctor and Goss litters the script with clever references. There is a rather cheeky nod to The War Machines and a rather tantalizing final moment between mother and daughter hinting that the characters know what is in store for The Doctor. 

Whether it was intended or not, The Last Post is a lovely tribute to Caroline John’s time with the show and a cracking mystery in its own right. It has rather more emotional resonance in the knowledge of John’s recent passing and it seems only right that her final work for Big Finish is her very best.

From the behind the scenes interview included at the end, we learn that this was planned to be the first of more adventures for Liz and Emily. It is very sad that this will not come to pass but if The Sarah Jane Adventures told us anything, it’s that Liz Shaw is still with us, on the Moonbase working for the betterment of humanity. 

I think The Doctor would be very proud.