Doctor Who Showrunner, Steven Moffat, is going to be honoured by the University of the West of Scotland (UWS) at its graduation ceremony on Tuesday 5th July 2016 at Thomas Coats Memorial Baptist Church, Paisley - a ceremony that will, ironically, see him become The Doctor! :)

Steven, who was born and bred in Paisley, is best known for his role as writer and executive producer on award-winning BBC programmes, Doctor Who and Sherlock.  He was originally an English teacher working at Cowdenknowes High School in Greenock for over three years, and went on to experience success with his first foray into TV as the writer of the hit children's drama about a school newspaper, Press Gang, which ran from 1989-93.

Steven, who was awarded an OBE in the 2015 Queen's Birthday Honours List for services to television, said:

"It's always a joy to go home - but to go back to Paisley to receive a doctorate feels like I finally made it. I feel very honoured, and more importantly very happy."

Professor Craig Mahoney, Principal & Vice-Chancellor of University of the West of Scotland, said:

“Steven is quite simply one of the country’s greatest screenwriters and through his work on both the small and big screen he has brought joy to millions of viewers worldwide. He is a further example of success from our wonderful town of Paisley in a long line of truly successful people brought up in the town.  Steven is great role model for anyone, not just our students, and demonstrates that your path in life will be determined by your own passion for the things you believe in and that anyone can have success if they work hard. Steven is a hugely deserving recipient of this Honorary Doctorate and we are delighted to honour him in his home town.”

[Source: UWS]

DWO are issuing a warning to any Doctor Who fans in the USA considering bidding on a Cyberman helmet, claiming to be from the 1968 episode 'The Wheel In Space', in today's 'Profiles In History, Hollywood 83' auction.

The auction catalogue is claiming the helmet was screen used in the serial, but having researched the item, and sought expert advice from prop making guru's JBReplicas, DWO understand this to not be the case. If you look closely at the helmet being sold at the auction (image to the right), you will see the chin of the cyberman is pointy, as well as various discrepancies for the eye and mouth holes. Below this we have included an image from the cyberman used in the actual episode, and, as you can see, it is completely different.

We have included the official description for the lot (via Invaluable), below:

"968. Doctor Who screen used “Cyberman” helmet from the 1968 episode “Wheel in Space.” (BBC-TV, 1963-1989) One of the earliest versions of the Cybermen, the fearsome cyborgs in the Doctor Who universe. Constructed of fiberglass and painted silver to appear like metallic alloy. Following its use in the 1968 episode “Wheel in Space,” the BBC repurposed this helmet for personal appearance exhibitions in the early 1970s by adding metal mesh behind the eyes and mouth to hide and protect the actor in the suit. The clear acrylic “handlebars” were repurposed and replaced with plastic replacements. The back plate (held in place with putty during the production) is missing. Otherwise, in vintage fine condition. This helmet was donated by the BBC to The Doctor Who Experience in Llangollen, Wales where it was exhibited for several years; after which is was sold at Christie’s South Kensington 9 December 1999, lot 49. $15,000 - $20,000" 

The head, if sold, could fetch between $15,000-$20,000, but if this turns out (as we strongly believe) to not be a screen-used helmet, the actual figure which it is worth is between £150-£200!

DWO have contacted Profiles In History for comment... 

UPDATE - Friday 1st July 2016 
The auction has now ended and the cyberman helmet has sold for $22,500! DWO have still not heard back from the auctioneers...

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[Sources: DWO; Julian Vince; JBReplicas; Invaluable]

 

Doctor Who Magazine have sent DWO the cover and details for Issue 501 of DWM.

Following the spectacular 500th issue, Doctor Who Magazine is continuing its celebrations with an issue dedicated entirely to Tom Baker and the Fourth Doctor’s era of Doctor Who. 

Tom Baker: The Ultimate Interview is an extravaganza split into several gripping parts, in which Tom talks about life, death and, of course, Doctor Who…

"Life is too short to be dull. Be interesting. Because not very much else matters does it? In large areas of our lives, hardly anything matters at all. I mean, nothing can beat being with loving friends, and a few wines, and a few beers, and a few lies, and a few yarns. And to still be adored after 40-odd years… yeah that’s the life. Maybe I’m the longest-serving actor, in the whole history of actors, who’s actually still, 40-odd years later, adored for the same part and enjoying it in the same way. When I get sent messages from middle-aged men… or from the wives of middle-aged men, who say, ‘Tell Mr Baker he cannot imagine how important he was to my beloved husband when he was a boy’… it moves me deeply to think about it. I was just going to work. I didn’t know, to begin with, how far-reaching this role would be. I was aware of the excitement, and the generosity, and the affection of the fans, but how could I ever have dreamed of all this?" 

The interview extravaganza is split into seven gripping parts: The Unbreakable Tom Baker, The Insatiable Tom Baker, The Impeccable Tom Baker (with June Hudson), The Irrepressible Tom Baker, The Unstoppable Tom Baker (with Louise Jameson, John Leeson and Geoffrey Beevers), The Unforgettable Tom Baker and The Irreplaceable Tom Baker.

Also featured in the magazine is Part One of brand-new comic strip The Pestilent Heart, an extended Gallifrey Guardian reporting on the latest news from the set of the new series, and DWM’s issue 500 celebrations, competitions and the much-anticipated Cave of 500 Eyes answers.

The collectable souvenir edition, available from 30th June and priced £5.99, comes in a polybag containing four amazing art cards, two classic mini-posters, and a massive multi-Doctor poster.

**Anyone interested in purchasing signed prints of Tom Baker, as seen in this issue, can do so via the photographer for the issue; Legend Studios - www.theworldoflegend.com

+  Doctor Who Magazine Issue #501 is out on Today, priced £5.99.
+  Check Out The DWO Guide to Doctor Who Magazine!

[Source: Doctor Who Magazine]

Manufacturer: Big Finish Productions

Writer: Alan Barnes

RRP: £10.99 (CD) / £8.99 (Download)

Release Date: May 2016

Reviewed by: Bedwyr Gullidge for Doctor Who Online

"When the TARDIS lands in Brighton the Doctor and Romana have the chance to spend some time at the seaside. But with it being too early for the opening of the Pavilion, they have to look elsewhere for their entertainment - perhaps Madame Tissot's travelling waxworks, recently arrived in town?

But they're not the only ones interested in her Exposition. When an unusual thief commits an unusual theft, the time travellers are on the case.

What exactly is the sinister secret of Goole's Gallery? Is Tissot's heading for a meltdown? And what does it all have to do with the head of Marie Antoinette?"

Continuing the fifth series of Fourth Doctor adventures with Big Finish is the penultimate tale Gallery of Ghouls featuring the iconic Tom Baker in the lead role and his companion Romana played by Lalla Ward. Writer Alan Barnes skilfully manages to deliver a story in keeping with the comedic tone synonymous with Douglas Adams’ era as script editor of Doctor Who’s television output during Season 17. For example, early exchanges between the two leads regarding the randomiser and seagulls potentially being agents of the Black Guardian are delightfully played as both actors still retain their chemistry after all these years.

The Doctor and Romana find themselves with time to kill whilst waiting for the Brighton Pavillion to open but fortunately there are not one, but two waxworks in town to pass the next 18 years. The tale includes mysterious waxworks, automatons, an android and an amorphous creature in a mixed menagerie which muddies the storytelling a tad. Similarly it is tricky for the casual listener to decipher whether this is intended as a historically accurate retelling of the rise of Madame Tussaud’s with a number of conflicting references and the backstory of Madam Tissot. However putting these quibbles aside, the strength in the adventure is found in the perfectly balanced cast.

The wonderful Celia Imrie, a talented actress well-versed in both comedy and drama and already known in the Doctor Who universe as Miss Kizlet in The Bells of St John, plays Madame Tissot a French artist who skilfully creates wax representations of significant historical moments and figures. Her French accent brings back memories of popular BBC comedy ‘Allo Allo’. This is by no means a criticism as that style complements the comedic nature of the story, helping to deliver a thoroughly enjoyable and entertaining romp. Imrie is ably supported by Stephen Critchlow as Tissot’s lovable and faithful ‘Mummy’s Boy’ son Noni and fellow experienced actor Nickolas Grace playing the enigmatic Mr Goole. All of whom firmly enter the spirit of the piece, not concerned with a threat to planet Earth from a malevolent force but possessing a lighter tone, despite some grim ingredients.

It is an interesting premise to consider a time when travelling waxworks, depicting violent and gruesome scenes from history would pass for entertainment, but it is still a genre which continues to this day with the Dungeon franchises in London, York, Dublin, Amsterdam and even San Francisco. Yet despite the internal analysis of why human beings would be entertained by such grotesque fare, plenty of humour is found within Alan Barnes’ witty script and it is so expertly delivered by a great guest cast that one cannot fail but thoroughly enjoy the story.

+  ORDER this CD via Amazon.co.uk!

The BBC have released the first promo picture of Pearl Mackie on her first day filming for Series 10 of Doctor Who.

Pearl was on set filming scenes at Cardiff University, which is doubling for St Luke's University in Bristol. Reports from the scene suggest there is fake snow around the campus, hinting at a Winter setting.

+  Series 10 of Doctor Who will air in 2017.

[Source: BBC Worldwide]

   

Manufacturer: Big Finish Productions

Writer: James Goss

RRP: £10.99 (CD) / £8.99 (Download)

Release Date: May 2016

Reviewed by: Bedwyr Gullidge for Doctor Who Online

“Donna Noble has never been lucky in love.

So when, one day, her Prince does come, she is thrilled to have the wedding of all weddings to look forward to. Though the Doctor isn’t holding his breath for an invitation. And her future mother-in-law is certainly not amused.

But on the big day itself, Donna finds her castle under siege from the darkest of forces, marching at the head of a skeleton army.

When it looks like even the Doctor can’t save the day, what will Queen Donna do to save her people from Death itself?"

Concluding the trio of new adventures for the Tenth Doctor and Donna on Big Finish is a refreshingly original story from skilled writer James Goss, which offers intrigue, grim revelations and an unexpected resolution. On a darker level it exposes how a public blindly following the instruction of it's masters can have devastating consequences; some times their intentions may be, no pun intended, noble, but the price of peace is occasionally a very costly one indeed. Goss’ intelligent script is supported with some particularly strong imagery, easy for the listener to envisage, with a fairytale castle under siege from an army of skeletons and the familiar hooded figure of Death stalking the Earth.

As is so often the case in the life of Donna Noble when things suddenly seem to be going her way, disaster strikes. Although an unlikely Queen, Donna’s experience in times of crisis means that she is very capable and cool under pressure, taking charge of the situation and saving lives. Despite her brashness, Donna is a companion to be dismissed at your peril and possessing inscrutable morals, touched on so briefly in the television universe during Planet Of The Ood. However the additional breadth of storytelling facilitated by these new Big Finish adventures has allowed such subtlety to be explored further to the undoubted benefit of the character and something which Catherine Tate is clearly enjoying and thriving upon.

The performances from the whole cast are superb with the six central characters all expertly well rounded, such as Alice Krige as the deliciously facetious and sharp-tongued Queen Mum and Blake Ritson’s well meaning but lovably spineless Rudolph, adding to the strength of the unfolding drama. David Tennant in particular enjoys lovely dialogue, explaining that the Doctor is never ready when one of his companions decides to leave, nor does he ever get a chance to lick his wounds. The Tenth Doctor’s persona of fast talking bravado conceals the heartbreak of losing Rose Tyler, for instance, a departure which still hangs a heavy burden on his travels, but in this brief and rarest of moments the Time Lord’s vulnerability is fully exposed.

Donna’s ingenuity in cheating Death is wonderfully wicked, finding a way to overcome seemingly insurmountable odds, a classic Doctor Who scenario, with a style that is almost the antithesis of the show itself but in keeping with the uniqueness of this particular tale. The Doctor also gets an opportunity to show off his brilliance too and certain character’s attitudes are put in their place, crowning off a fantastic story that brings to a close these newly released Tenth Doctor Adventures.

With offerings of a consistently high standard produced by Big Finish, let’s hope that more stories featuring this brilliantly engaging Doctor and companion duo are to continue for many more years to come. This trio of new Tenth Doctor Adventures has been an unquestionable triumph and long may they continue with originality such as Death And The Queen.

Manufacturer: Big Finish Productions

Writer: Jenny T. Colgan

RRP: £10.99 (CD) / £8.99 (Download)

Release Date: May 2016

Reviewed by: Bedwyr Gullidge for Doctor Who Online

“Calibris. The spaceport planet where anything goes. Where anyone who doesn't want to be found can be lost, and where everything has its price. Where betentacled gangster Gully holds sway at the smugglers’ tavern, Vagabond’s Reach.

The alien Vacintians are trying to impose some order on the chaos. Soon the Doctor and Donna discover why. An illegal weapon is loose on the streets. A weapon that destroys lives… Slowly and agonisingly.

The Time Reaver."

If Technophobia was an attempt to recapture the atmosphere of 2008’s Series 4, Time Reaver steps out of the television set and into the Big Finish universe renowned for the limitless scope for storytelling. Set on a bustling intergalactic transport terminus, this story’s location would have proved tricky for a television production team to realise effectively, as would the key villain Gully and all his tentacles. Instead, through the excellent medium of audio storytelling and the assistance of a single image of the tentacled creature in question on the cover, the listener can fully immerse themselves into the fast paced action.

The plot of the story centres on the presence on the planet Calibris of a dangerous and valuable weapon, the Time Reaver. It has the ability to extend time potentially indefinitely, allowing people to savour precious moments for longer but sadly can also be used to provide agonising torture. Once again the realisation of a poor soul enduring this torment works incredibly well on audio, taking the listener into the mind of the subject and sharing the experience. It reminded me of a specific episode of American medical drama ER which guest starred Cynthia Nixon as a mother who had suffered a devastating stroke and the viewer witnessed the ‘locked in’ syndrome she was subsequently experiencing. Both are harrowing journeys and an excellent method of telling the story.

Gully is also very successful on audio, the rasping sliminess of a voice which shares similar tones to that of 1980’s villain Sil who first appeared in Vengeance on Varos, enhancing the skin-crawlingly grotesque creature. The bureaucratic Vacintians are however a bit bland and generic but Terry Molloy’s Officer Rone adds a relatable character despite those restrictions. Another triumph is Sabrina Bartlett as Cora, who sounds much younger than her years and delivers the story’s powerful emotional dimension.

Although a largely grim tale, Time Reaver’s extravagant setting helps elevate a simplistic story to the darkly atmospheric tale which tears through at a swift pace whilst taking the listener on a deeply emotional journey, feeling for the key characters affected by the Time Reaver and also those forced to endure it’s devastating power.

Following his hilarious appearance in The Husbands Of River Song, Matt Lucas returns to Doctor Who from the opening episode of series 10 which starts filming next week in Cardiff (Monday 20th June).

Commenting on his return to Doctor Who, Matt Lucas, said:

“I’m chuffed to bits that Nardole is returning to the TARDIS for some more adventures. I loved acting with Peter and I’m excited to work with Pearl.”

Bringing her energy and zest to the show, Pearl Mackie embarks on her first week of filming as she takes up the role of the Doctor’s companion. In her first major television role following her West End appearance in The Curious Incident of the Dog in the Night Time, she’ll be bursting on to screens in the opening episode.

Steven Moffat, lead writer and Executive Producer, added:

“Delighted and slightly amazed to be welcoming Matt Lucas back on to the TARDIS - and this time it’s not just for Christmas, he’s sticking around. One of the greatest comedy talents on planet Earth is being unleashed on all of time and space.” 

Stephanie Hyam will play a guest cast role in the new series and is recognised for her performance as Lily Clarke in Jekyll & Hyde. She’s also appeared in Peaky Blinders, Murdered by My Boyfriend, and Sherlock.

The opening episode of series 10 is written by Doctor Who showrunner Steven Moffat, executive produced by Brian Minchin, produced by Peter Bennett and directed by Lawrence Gough. The second episode in the new series has been crafted by award winning screenwriter Frank Cottrell-Boyce.

Block 2 writers are Sarah Dollard (writer of acclaimed episode Face the Raven) and Mike Bartlett (multi award winning Doctor Foster).                                                                                                                                                                              

Doctor Who is a BBC Cymru Wales produced drama for BBC One. It will return in December 2016 with a Christmas Special, followed by the new series in 2017.

+ Series 10 of Doctor Who airs in 2017.

Manufacturer: Big Finish Productions

Writer: Matt Fitton

RRP: £10.99 (CD) / £8.99 (Download)

Release Date: May 2016

Reviewed by: Bedwyr Gullidge for Doctor Who Online

“When the Doctor and Donna visit London’s Technology Museum for a glimpse into the future, things don’t go to plan.

The most brilliant IT brain in the country can’t use her computer. More worrying, the exhibits are attacking the visitors, while outside, people seem to be losing control of the technology that runs their lives.

Is it all down to simple human stupidity, or is something more sinister going on?

Beneath the streets, the Koggnossenti are waiting. For all of London to fall prey to technophobia..."

The Tenth Doctor and Donna Noble are back! It might not be on our television screens but we are treated to the next best thing, a trio of wonderful Big Finish audio adventures.

David Tennant and Catherine Tate slip effortlessly back into their roles, Tate in particular sounds a lot more comfortable as Donna now released of the burden to perform for the camera. Tennant's Tenth Doctor is full of energy and listeners are reintroduced to Donna the ‘super temp’ through another temp, Bex, with the two bonding immediately through shared experiences of agency work. Our favourite Noble of Chiswick becomes a driving force in the tale with her humanity, bravery and deduction skills eventually proving critical to the resolution. This story fits comfortably into the 2008 series with writer Matt Fitton neatly recapturing the feel and atmosphere of that era of televised offerings with an interesting variation on an ‘invasion Earth’ scenario.

Set a couple of years into our future, technology has continued to develop with the M-Pad from Meadow Digital the latest product to hit the high street. However, the M-Pad has not come from the traditional technological innovators of Silicon Valley or Japan but instead from London and the mind of IT whizz Jill Meadows. Without the restrictions of a television production budget the story could quite easily have been replicated in Tokyo for example but clichés are avoided with the head of the company being female. In a modern world that revolves around technology, all designed to make our lives easier, this story ponders what would happen, not if technology turned against us, but if we became unable to use it.

What initially appears to be a traditional ‘ghost in the machine’ or ‘robot uprising’ storyline actually unravels to explore that far more intriguing concept. Instead of turning human technology against it's inventors, the villains of the piece erase our ability to use items which have become essential to our lives and suddenly our surroundings become a lot more terrifying. As paranoia and fear spread, it seems that the Koggnossenti can emerge unchallenged from their base in the London Underground prepared to enslave a human race made intellectually redundant.

Technophobia reunites a popular Doctor and companion combination with a refreshing Earth-based story, parodying a popular fruit-based brand and shining a light on our technology obsessed society in an enjoyable story which sets a high standard for these new adventures for the Tenth Doctor.