Two previously missing Doctor Who episodes from the 1965 First Doctor adventure, 'The Daleks' Master Plan', have been found!

Episode One (The Nightmare Begins), and Episode Three (Devil's Planet) were discovered in an "eclectic" collection by Film is Fabulous! – a charitable trust run by film collectors, cinema lovers and vintage television enthusiasts. The trust approached BBC Archives after finding them in a private collection.

This brings the total number of discovered episodes from the serial to 5 (Episodes 1, 2, 3, 5 & 10), with the most recent episode from the serial (Episode Two: Day of Armageddon) having been recovered in 2004 from a former Yorkshire Television engineer who rescued it from a junk pile in the 1970s.

Written by Terry Nation, the story featured William Hartnell as the Doctor and Peter Purves as Steven Taylor. It also featured Nicholas Courtney (who would later to go on to play Brigadier Lethbridge-Stewart) as Bret Vyon, Adrienne Hill as Katarina, and Kevin Stoney as Mavic Chen.

Peter Purves, was invited to the Phoenix Cinema in Leicester on Wednesday under false pretences to view the two episodes, and said:

"My flabber has never been so gasted. I've never forgiven the BBC for losing those episodes, it would be really nice to get a few royalties. I'm not sure I even saw those programmes go out originally - I remember the stories, but having seen them, the pictures are unfamiliar to me.

I didn't remember the first one when I was still almost comatose following the injury I received fighting in Troy in the wonderful Mythmakers - which of course is missing.

It was just a job. It sounds silly but we did an episode of the programme each week, in the year I did 46 episodes. It was great fun and was great to be doing a series that was hugely popular. But it was a difficult time, I won't pretend it was easy, the cast kept changing and it seemed a bit of a time of flux.

In the two episodes we've seen there was a great performance by Nick Courtney playing Bret Vyon. I was concerned very much that he was there as a replacement for me. As it happens, he got killed in episode four or five."

Noreen Adams, Director of BBC Archives said:

“We’re thrilled to have worked with the team at Film is Fabulous! to bring these lost Doctor Who episodes to viewers on BBC iPlayer this Easter. BBC Archives has been working to restore the original recordings and update these to broadcast quality, ensuring fans can enjoy a little extra treat with their Easter Eggs this April.”

BBC Archives has worked to restore the original 16mm telerecordings – meaning viewers will be able to watch them in the best possible condition on BBC iPlayer this April!

A full Press Release can be found on the Film is Fabulous! website.

BBC Studios have just announced the surprise updated special edition release of The Power Of The Daleks on DVD & Blu-ray.

While no complete film recordings of The Power of the Daleks are known to have survived the purge of the BBC’s archive in 1975, fresh animation in high definition breathes new life into this much-loved story.

The six animated episodes replace the 2016 physical and digital release, with new and improved animation and authentic black and white visuals. The latest release also showcases a vast array of exciting new special features, in addition to all of the VAM on the 2016 release.

New additional material includes:

·  Two new documentaries about Power of the Daleks.
·  1993 BBC audio version of The Power of the Daleks narrated by Tom Baker.
·  Raw incidental music.
·  Photogrammetry Featurette.
·  Whicker's World - I Don't Like My Monsters to Have Oedipus Complexes.
·  Daleks - The Early Years: A 1992 documentary presented by Peter Davison.
·  Robin Hood - 1953 Episode: Patrick Troughton’s earliest surviving TV appearance.
·  BBC archive footage from BBC regional news, BBC Breakfast, Blue Peter and Newsnight.
·  Previously unreleased animation trailers and animatics.
·  Easter Eggs.

And old favourites including:

·  Audio commentaries by Anneke Wills on each episode
·  Animation test footage
·  Photo Gallery, including previously unreleased and rediscovered full colour on-set photos from 1966.
·  Servants & Masters - The Making of The Power of the Daleks
·  Doctor Who – The Highlanders

+  The Power Of The Daleks: Special Edition is released on 6th July 2020.
+  PREORDER this title from Amazon.co.uk! 

[Source: BBC Studios]

DWO have received the cover art and details for the upcoming DVD & Blu-ray release of Doctor Who’s missing serial The Faceless Ones, which will be released on 16th March 2020.

The Faceless Ones is the mostly missing eighth serial of the fourth season of Doctor Who, which was first broadcast in six weekly parts from April to May 1967. Starring Patrick Troughton as the Doctor, the story concerns a sinister race of identity-stealing aliens known as the Chameleons.

Only two of the six episodes are held in the BBC film archives with snippets of footage and still images existing from the other four. Fortunately, off-air recordings of the soundtrack also still exist, making the animation of a complete serial possible once again.

The six new animated episodes are being made in full colour and high definition and will include the following exclusive special features:

·  Photographic reconstruction of the story, including surviving footage of episodes 1 & 3
·  Audio commentary on episodes 1, 3, 4, 5 and 6
·  ‘Making of the animated series’
·  Camera script PDF’s
·  Surviving film fragments from the story
·  5 x ‘Easter Egg’ surprises
·  Coming Soon Fury from the Deep trailer

Check out the teaser trailer in the player, below:



+  The Faceless Ones is released on 16th March 2020.
+  PREORDER this title from Amazon.co.uk! 

[Source: BBC Studios]

54 years after the original BBC television broadcast, BBC Studios will premiere a new production of Mission to the Unknown, a missing Doctor Who episode that has been faithfully recreated by a team of students, graduates and staff of the University of Central Lancashire.

Mission to the Unknown will be premiered on the Doctor Who YouTube channel at exactly 5.50pm BST on the 9th October to mark the anniversary of the original broadcast of the episode, which was first aired on BBC One in 1965.

The episode will be followed by a making-of documentary short created by YouTuber Josh Snares featuring the cast and crew of Mission to the Unknown with voice of the Daleks, Nicholas Briggs, original cast member Edward de Souza and the classic Doctor Who companion Peter Purves (Steven Taylor) who played the companion to the First Doctor in the 1960s

Luke Spillane, Digital Publishing Manager for Doctor Who at BBC Studios, said:

“I’m delighted that we will be bringing the story of Space Security agent Marc Cory to our 1.3 million subscribers on the Doctor Who YouTube channel as it is such a fantastic recreation, made lovingly with real craft and expertise by everyone at the University of Central Lancashire. I hope audiences around the world can imagine that it’s tea time on the 9th October 1965 as they rather excitingly watch a black and white episode of Doctor Who premiere on their television sets, mobile phones and tablets.”

The project was master-minded by Andrew Ireland, Pro-Vice Chancellor of Digital and Creative Industries at the university, and brought together a dedicated group of students from a wide range of disciplines including film and television, acting, fashion, music, design and dance to recreate the episode from the original script as authentically as possible, carefully researching and reproducing as faithfully as possible the original 1960s production techniques to re-create the classic look of the series.

Andrew Ireland, Pro-Vice Chancellor of Digital and Creative Industries at the University of Central Lancashire, said:

“It is such a loss to our cultural heritage that so many episodes of 1960s Doctor Who are missing from the BBC archives. This project presented us with an exciting opportunity to address that, to explore a new way of bringing these missing slices of TV history to life, and in the process, help students learn their craft by comparing contemporary production methods with historical approaches. The project gave so many people great experiences, and it is wonderful to see the Daleks menacing a black and white jungle once more.”

The recreation caught the imagination of several Doctor Who luminaries including Nicholas Briggs, who has provided the Dalek voices for the recreated episode, and stars including Peter Purves, who played 1960s companion Steven Taylor, and Edward de Souza, who played Marc Cory in the original episode, visiting the new set to lend their support.

You can view the trailer in the player, below:
[youtube:_Vk6wtVigew]
[Source: BBC Studios]

BBC DVD have sent DWO the DVD cover and details for the upcoming 2nd Doctor release of 'The Power Of The Daleks'.

Product Synopsis:

50 years after its only UK broadcast on BBC One, one of Doctor Who’s most celebrated, lost adventures is regenerated, with a brand new hand-drawn black and white animation, synchronised with a digitally remastered recording of the original 1966 audio. The six-part adventure takes place immediately after the first regeneration, as the Time Lord and his companions, Polly (Anneke Wills) and Ben (Michael Craze), do battle with an old foe on the mysterious planet Vulcan. How will Polly and Ben cope with a new Doctor? How will the Doctor take to his new body? And how will they ever overcome the power of the Daleks?

Special Features:

Alternate soundtracks – DVD only
The option to listen to the story with a series of completely new digital re-masters of the original soundtrack – a stereo mix; a 5.1 surround sound mix and version of the original 1966 mono sound mix.

Animation Test Footage
A compilation of animation tests, created during the production of the new animated series. 

Audio Commentaries on all 6 episodes – DVD only
Members of the original cast and crew are joined by members of the new animation unit to discuss the production of the story and its new animated reconstruction. Moderated by Toby Hadoke. Includes archive audio.

Booklet with Production Notes – DVD only
An extensively researched set of production notes, written by the noted television historian Andrew Pixley, covering the behind the scenes story of how the original production was made. 

Original Camera Scripts – DVD only
Selected items of original production paperwork and a complete set of original camera scripts.

Original Title Sequence - new restoration
An unedited presentation of the full original 'Doctor Who' title sequence, prepared using an all new HD re-master of the original film elements.

The Power of the Daleks Animation and Photo Gallery
An extended gallery of images, featuring production photographs from the original 1966 series and artwork from the latest animated production, accompanied by incidental music from the story, which has been digitally re-mastered from the original music production tapes.

The Power of the Daleks Surviving Footage & Original Trailer – BBC Store/EST only
A compilation of short film fragments and clips from the original 1966 BBC television production - the only surviving footage to remain of the show's original BBC1 run.

Original Dalek Voice Session Recording (1966) DVD only
Rare and previously unreleased sections from the studio recordings that were made at Maida Vale Studios in 1966 for the Dalek voices.

Servants and Masters - The Making of The Power of the Daleks
A specially prepared documentary directed by John Kelly and featuring interviews with members of the original 1966 cast and crew. 

Telesnap reconstruction.
Around 400 individual still frames of film exist from the original 1966 television production of The Power of the Daleks. These images were kept in the programme's production files by the BBC Written Archive Centre. These images are here combined with the programme's soundtrack to present a photographic reconstruction of the original programme.

+  The Power Of The Daleks is released on 15th November (DVD), priced £20.42.
+  PREORDER The Power Of The Daleks DVD from Amazon.co.uk for just £13.50!
+  Discuss all the Doctor Who DVD releases in the DWO Forums.

[Source: BBC Worldwide]

DWO recently caught up with Doctor Who Missing Episode hunter, Philip Morris - responsible for the discoveries of The Web Of Fear & The Enemy Of The World, 3 years ago. Read the DWO interview, below:

It has been 3 years since the official announcement of your fantastic discovery of nine missing episodes of Doctor Who. How happy were you with the finished, packaged product released by BBC DVD and how likely do you feel it is that the last missing episode from The Web Of Fear will be found?

Very happy with the job BBC Worldwide did on restoration, packaging, artwork. You have to remember, back then BBC Worldwide did not really know how these lost stories would be received - basically, how successful. Web 3 will surface, I will make sure it does! I never give up and never give in!

Which single discovery has brought you the most satisfaction in all your years of hunting?

The single best discovery is still ahead of me. Definitely!

Have you read all the theories on the now famous ‘Omnirumour’ and what are you thoughts on it all?

The famous omnirumour! I have seen some of the strange theories, but it’s nothing new. Rumours always surround Doctor Who - it’s always ‘my mate who has an uncle’, that sort of thing. Never any solid facts to back it up, so I haven’t read all the theories, really, I stick with the hard facts. However, I will say the truth is stranger than fiction and my best advice… believe it when you see it!

There has been some chatter about more potential discoveries. Is the wind still blowing in the right direction and can we hope to have more episodes returned in the near future?

There will always be chatter about wishing our favourite shows back into existence. It’s nice to discuss, however, the truth is it takes a lot of really hard work - which I enjoy, I really do. I really believe in what I do and the work TIEA does, however, there is hope, of course.

If you could take a round trip in the TARDIS, anywhere in time and space, where would you go and why?

A trip in the TARDIS... where would I go… probably back to were I could record every missing show possible in UK history and bring it all back so we can all enjoy our rich heritage.

Many thanks, Phil!

Thank you! …we will return.

[Source: Doctor Who Online]

It's one of The Doctor’s most celebrated adventures and yet no complete film recordings of The Power of the Daleks are known to have survived. The master negatives were destroyed in an archive purge in 1974. 

BBC Worldwide has announced that a brand new black and white animation based on audio recordings of the programme using the original cast, surviving photographs and film clips will be released 50 years to the minute after its only UK broadcast on BBC One.

The six half hour episodes feature the regeneration, or as it was then called ‘renewal’, of First Doctor William Hartnell into Second Doctor Patrick Troughton, as the Time Lord and his companions Polly (Anneke Wills) and Ben (Michael Craze) do battle with the Daleks on the planet Vulcan.

Doctor Who: The Power of the Daleks is being produced by the team behind the highly successful animation of lost Dad’s Army episode A Stripe For Frazer, first released on BBC Store in February this year. The producer and director is Charles Norton, with character designs from acclaimed comic book artists Martin Geraghty and Adrian Salmon.

Charles Norton says:

“The Power of the Daleks animation is the most ambitious Doctor Who archive restoration ever attempted and we’re all very honoured to be a part of such a an exciting project. Intelligent, suspenseful and magnificently staged, Power of the Daleks is one of the great lost classics of 1960s television and a superb example of the black and white era at its finest.”

Paul Hembury, Executive Producer, BBC Worldwide says:

“Charles and his team are remarkably talented and passionate about Doctor Who and we are thrilled that fans will soon be able to enjoy this rather sinister but wonderful, classic story.”

Doctor Who: The Power Of The Daleks will be released on BBC Store on Saturday 5th November followed by the DVD on Monday 21st November.

+  Register your interest in the BBC Store download!
+  Pre-order the DVD from Amazon and HMV (£20.42 RRP)

On Saturday 5th November there will be a special screening of episodes 1-3 of Doctor Who: The Power of the Daleks at BFI Southbank, London which will also include a Q&A with Anneke Wills, Charles Norton and Frazer Hines. Further information will be available from bfi.org.uk from Monday 19th September.

Watch the glorious trailer in the player, below:
[youtube:3Ib3IEIT0Yw] 
+  Follow Doctor Who Online on Twitter (@DrWhoOnline)!

DWO ChatBack:
Are you looking forward to this release? Is there a missing episode of Doctor Who that you'd like to be animated in this way? Let us know in the comments box, below! 

[Sources: BBC Worldwide]

BBC Shop has added the 2nd Doctor adventure 'The Underwater Menace', back onto its DVD listings, finally giving confirmation to the fact that the much-anticipated title, will actually be released.

It is likely that the cover (pictured right), which appeared in a recent issue of Doctor Who Magazine*, will still be used.

The DVD will be released on 26th October 2015 and we hope to have full details shortly. 

+  PREORDER 'The Underwater Menace' DVD from BBC Shop for just £13.99!
+  Discuss all the Doctor Who DVD releases in the DWO Forums.

[Sources: BBC Shop]

* Image from Issue 488 of Doctor Who Magazine 

Philip Morris, the man behind the recent recovery of nine lost episodes of Doctor Who, and Director of TIEA, took part in a Q&A yesterday on the 'Doctor Who Missing Episodes Discussion Group' on Facebook.

The inevitable question of whether more missing episodes of Doctor Who had been found or not, came up, and here was Morris' response:

“A tricky one to answer, and fans will just want a yes or no, haven’t you or have you. But it;s complex. All I can say is the wind is blowing the right way. Be patient.”

Morris also clarified if any announcements were due soon:

“There are no announcements in the pipeline at present. It can sometimes be the wrong thing with ongoing work and investigation. An example would be during the last announcement. I was in a very hostile part of the world and suddenly I was everywere on TV. My anonymity was compromised, which made the team a target. So we must plan these things carefully for the greater good of the project and the safety of the personnel involved.”

The 'omni-rumour' surrounding missing episodes has been going on for some time now, with many fans believing more episodes of Doctor Who will turn up. DWO also believe more episode discoveries will be announced in the not too distant future, but as Morris suggested, we all have to be patient.

DWO Discussion:
Do you think more lost episodes of Doctor Who have been found? What do you make of Philip Morris' comments? Post your comments in the comments section, below, or in the DWO Forums thread by clicking on the yellow 'Discuss' bar!

[Source: Doctor Who Missing Episodes Discussion Group]

Episode #313 of the DWO WhoCast, Doctor Who Podcast is Out Now!

In this week's episode of the DWO WhoCast...

Dave and Thomas take giant steps while walking towards The Moonbase as they look at the latest DVD release and have a natter about all things Cyberman. Also a look at the wacky world of lost episode rumours.  

Listen to Episode #313 of the DWO WhoCast in the player below:

+ Rate / Review the DWO WhoCast on iTunes!
+ Rate / Review the DWO WhoCast on the DWO Forums!
+ Follow the DWO WhoCast on Twitter!
+ Like the DWO WhoCast on Facebook!

[Source: DWO]

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 352: The Web of Fear, Episode Six (Revisited)

Dear diary,

When I first watched this episode, I was a little bit disappointed. Having worked my way through the tangled tunnels of the London Underground, the solution to the story came in as fairly simple on the whole, and very similar to the resolution of The Evil of the Daleks, which hadn’t been all that long ago at the time.

Part of my issue was that the Doctor’s plan in both these stories boiled down to him crossing some wires on the bad guy’s machinery, and taking control of a few ‘foot soldiers’ to do battle for him. I think – as with several elements of these recently recovered stories – being able to see the action has really helped.

Seeing the Yetis turn on each other and begin to fight is actually very effective, and there’s a sense of scale to this episode that’s you don’t really think about when listening to the narrated soundtrack of the story. Until now, only the Covent Garden battle has felt like it escapes the claustrophobia of the tunnels (even the scenes in the Goodge Street bunker have felt cramped and oppressive), but this final episode is filled with a lot more space. Almost as a way of showing this off, they pack the final shots with as many characters as they can – at one point the screen contains the figures of the Doctor, Jamie, Victoria, The Colonel, Anne, Professor Travers, Chorley, and Staff Sergeant Arnold. It’s not the biggest cast we’ve ever had in the show, but it’s a pretty impressive one.

It’s tricky, in this final episode, so say anything much else new or original. I spent six entries praising the story first time around, and all I have to add now is how brilliant the visuals are now that we can properly see them.

If anything, the best thing has simply been the opportunity to watch nine episodes of Patrick Troughton-era Doctor Who that we thought were lost forever. You may have noticed that since The 50 Year Diary reached the 1970s, my average scores have taken a bit of a dip. While I’m enjoying the Pertwee years more than I’d thought I would, it’s still just not doing it for me in the same way that the 1960s episodes did. Getting the chance to dip back into the Troughton years for a bit has been wonderful.

And it’s come along at just the right time. I’m starting to find myself getting a little bit nostalgic for the older episodes again. Maybe it’s having our two former Doctors back again for The Three Doctors the other week, but I’m starting to get a real hankering to watch some of the stories that I’ve already been through. Perhaps oddly, I’m really keen to pop in The Keys of Marinus - and I’ve no idea why!

I’ve absolutely no doubt that there’s more missing episodes out there waiting to be discovered, and that’s all part of the fun.

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Hello all – it’s Will from the future here! For me, it’s Day 374, and I’ve travelled back to tweak this entry, so that you can actually read my revised thoughts on The Web of Fear Episode Five. You see, somehow, this entry of The 50 Year Diary is our very own ‘missing episode’ (and how fitting that it should be for a recently recovered story!)

When I write up the Diary, I do so into an app on my computer designed for diary writing. The idea of it amuses me. The entries are then copied across to the Doctor Who Online website, where they’re formatted, the little sidebar images are added and then they go live for you to see. I go to bed, and when I get up the next morning, it’s time for another episode of Doctor Who.

But somehow, I’ve managed to completely wipe the original posting of this episode. I managed to write over it with another copy of Episode Six. Thankfully, a few readers tweeted and emailed to point out the error, so I headed to my diary app… to find a blank post where Episode Five should be. Lost in the Time Vortex! No idea what I’ve done with it – completely vanished. Luckily, though, all my notes for the episodes are neatly filed away (by which I mean when I run out of room on a bit of paper, I shove it in the cupboard with all the rest), and once you’ve written an entry, you can usually remember what you’d said.

So! With apologies for the delay…

Day 351: The Web of Fear, Episode Five (Revisited)

Dear diary,

The biggest problem with doing a Doctor Who marathon and blogging about it so publicly (The Doctor Who Online News Page receives upwards of 30,000 unique page views every day) is that I can sometimes feel a bit… silly. Not only because - just over 350 days in - I continue to assume that people actually want to read my thoughts on these episodes, but because I sometimes wonder if I should be saying something a bit more meaningful about them. There's several Doctor Who blogs out there on the web that really delve into detail on the series, and analyse each story from a new and unique perspective. I've several books on my shelf that do just the same thing.

And yet, having watched The Web of Fear Episode Five today, the only thing I can think to say is how good the effect at the end looks, when the fungus bursts its way into the base. I don’t recall it making all that much of an effect on me when I first went through this episode (indeed, checking back to my previous entry, I didn’t mention it. A quick look at the tele snaps makes it clear that it’s not all that impressive looking there).

It seems like such a ridiculously silly thing, but the moment the fungus pushes over a table is a highlight. It’s such a simple and uneventful thing but it suddenly makes the fungus look unstoppable. Maybe it’s because it’s so mundane that it holds impact? Or maybe because it just look pretty impressive for some model work?

Overall, I think I came away from this episode with the same general feeling that I did the first time around - that there’s plenty to love, but it does feel like the right time to start drawing towards a conclusion. The highlight is surely the Doctor and Anne working first on the control sphere, and then with the Yeti in the tunnel, and there’s lots of opportunity for Arnold to have some humour, too. The further through the story we get, the more I’m loving him.

Because this episode doesn’t have a whole lot going on that’s holding my interest, I spent the entry for it last time discussing the latter half of my ‘Great Intelligence’ time line. The recovery of the episodes doesn’t throw up any complications to it (Not that I expected they would - the main theories were all worked out based on the dialogue anyway), so I’m quite happy to leave it where things stand. The more I think on it, though, the more I’m keen to actually watch Downtime as a part of the marathon just to see if it all hangs together. What do you think? Worth doing?

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 350: The Web of Fear, Episode Four (Revisited)

Dear diary,

The last time I did this episode, I complained that they were using the Cybermen’s theme - Space Adventure - as the background music for the Yeti attack in Covent Garden, but having not heard it for a few months it is great to hear it again. Curiously, I didn’t make much of a mention of the attack in my first write up for this episode;

”Today’s Yeti attack in Covent Garden is lost somewhat by appearing only on audio - the telesnaps for the scene, coupled with knowledge of Dougie Camfield’s direction, make it look fab - the new style Yeti even look imposing when outside. Last year, the Mirror newspaper published online a load of photos from this scene, with the Yeti menacing a man and his dog - they do look great!”

But seeing it on screen does serve to highlight why audio isn’t the best form for this sequence because Camfield is such an action director. Right from the first shot of the Colonel and his men out on the surface and on film, you know what’s about to happen. Is it perfect? Well, no. There’s a few moments when you can see the rather large zips snaking up the backs of the Yeti costumes (Although, all right, you could make the argument that since these creatures are robots, the furry suits are simply added on after and zipped up…).

It’s also a shame that after such a good job is done of making it look like there’s lots of Yeti (and it does! It’s simply the same four outfits being shot from different angles down the street, but it multiplies them brilliantly) we don’t see any laying dead on the floor. I’m thinking in particular of one shot, late in the battle, where the floor behind an advancing Yeti is littered with dead soldiers… and nothing else. Having just watched a grenade attack that seems to take out several of the creatures, it just looks a bit odd.

It’s not a huge complaint, though, because the battle is fantastic. The Yeti really do manage to look scary even when out in the open, and as for the moment when the Colonel and another soldier hide up high in the warehouse and a yeti reaches up to grab the soldier’s foot… well it’s no wonder that this story had a specially made trailer to warn children that the Yeti were scarier than the last time.

They’re not the only things in this story to come across as unnerving, either. Even I was quite put off by the sight of a soldier in a gas mask being pulled back out of the tunnel coated in a layer of web. I was somewhat surprised – when the mask came off – to find that his face was perfectly plain. I think I’d half expected it to be made up somehow.

All the sequences down in the tunnels today have a real air of menace about them, and I think that’s the thing I’m most pleased to see from the recovery of this tale. I’ve always half-doubted the story that the London Underground thought Doctor Who had filmed in their stations without permission, but when you see how good these sets really are, it’s not hard to believe. I had worried that it might be like The Celestial Toymaker, where everyone who’d previously rushed to talk about how good it was suddenly has to back-track pretty sharpish…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 349: The Web of Fear, Episode Three (Revisited)

Dear diary,

I thought I was clear of the era in which recons were an option! I really debated over how to best tackle today’s episode, because as long-time readers of The 50 Year Diary will be aware, I’m not the world’s biggest fan of recons. I find that I just can’t get caught up in them, and they actively reduce my enjoyment of an episode, more than they help it. I wondered about simply re-listening to the soundtrack of today’s instalment in an attempt to enjoy it more, but since the recon came as part of the complete serial on iTunes it felt silly not to watch it…

Sadly, I still find myself less than impressed by the experience. Several people have commented that this recon isn’t as polished as the one from Loose Cannon, so that may be where I’m going wrong, but the telesnaps really are no substitute for either the original episodes, or the visuals my mind fills in via the soundtrack release. I think coming from eight moving Troughton episodes in a row has spoilt me.

The episode is still quite interesting because it’s the first appearance of the would-be Brigadier. I said of the character last time; ”Interestingly, he's played as something of a 'grey' character here, and we're not entirely sure that we're supposed to trust him. Certainly, if you pointed him out to a viewer watching in 1968 and told them that this man would become the Doctor's best friend through several incarnations, they'd think you were mad,” and it’s even more interesting to watch having just emerged from the latter-half of the Pertwee years, in which he’s very firmly established himself as a part of the Doctor’s life.

What’s surprising to me, though, is that he’s not as different as a character as I’d expected. As I’ve said in the past, I always think of the Doctor and the Brigadier as being the best of friends, but even up to The Three Doctors, there’s a slightly uneasy relationship between the pair. It’s great to go back and see how much of a through-line there is between the Colonel that we meet down here in the tunnels and the one I’ve grown used to since September. Sadly, I can also feel myself enjoying the character (and Nick Courtney’s performance) more here than I do by the time Season Ten rolls around. I think it’s in the next episode that he takes the Doctor’s explanation of a time machine at face value, which will feels like such a relief after the blatant disbelief of anything he displayed during our multi-Doctor team up.

The other thing I drew attention to first time round: ”To put it bluntly, I'm not sure who is working with the Intelligence - and I like that! It's keeping me guessing (and second guessing) at every turn.” I’m still not sure who’s moving around the little Yeti statues at this point, and this surprises me a little. I was chatting to a friend about this story the other day and mused that I couldn’t remember who was behind everything at this stage. I know Travers gets possessed before long (end of tomorrow’s episode?) but I genuinely have no clue for right now.

‘Oh, that’s easy!’ he told me. ‘It’s Staff Sergeant Arnold. He gets taken over when he goes into the web…’ Darn, that’s ruined it for me a bit – a spoiler for a story I’ve already heard! Every time Arnold heads into the tunnels, I expect him to walk into the web and get possessed… but it’s not happened yet! It’s not the Staff Sergeant at this point in the story, so I’m completely lost. Am I just missing something really obvious? Is there some big neon light flashing over the culprit’s head?

But you know what? I kind of like that I still don’t have a clue. It means that the menace is still there, lurking in the darkness of the tunnels, and I’m just as lost as our heroes are at this point!

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 348: The Web of Fear, Episode Two (Revisited)

Dear diary,

“In some ways, this episode is absolutely made to be listened to as just the audio.”

I feel like I should regret saying that, now that I've just sat and watched the episode play out, but actually I think I stand by it. A lot of this episode is just ripe for audio. The dialogue between Jamie and Evans as they look at the Tube maps and emerge into stations is still very descriptive, but I think it's sticking out so much simply because I noticed it last time around.

By the same token, getting to see this one unveils things that I'd not really gotten from the audio. The key thing is the way that Camfield shoots Chorley throughout. You're bout supposed to like the reporter. He's infuriating, rude in places, a coward, a potential suspect once the grip of the Intelligence starts to close in… and yet when you can actually see the man on screen, all of this gets heightened. He's always a presence in the scenes in a way that he simply isn't on the soundtrack. When he questions Jamie and Victoria, the microphone is right up tight into their faces (and taking up a good deal of the shot). He's always hovering in the front of the shot, or hiding in the background chiming in with a quip here or there. When the sound of gunfire and a battle is heard down the end of a telephone, he makes sure to lean in with the microphone to get a good recording of it. It adds a whole new dimension to the character that I'd simply not seen before, and the story is all the better for it.

Now… you'll have to forgive me a bit today. I've just re-read my original entry for this episode, and there's so man things I want to bring up that it's going to sound like I'm simply answering myself. It's like a conversation through time!

“I also spent some time thinking that it was a good job we couldn't see the huge battle between the Yeti and the soldiers, until I remembered that it's a Douglas Camfield episode we're dealing with, and hurried to go through the tele snaps. It's hard to tell, because so many of the snaps catch people mid-action, but the impression I get is that it looked brilliant. The setting really helps, too, the cramped tunnels really helping to give the Yeti a kind of scale that was completely lost out on the Welsh hillside.”

Oh, Douggie. I do love you. My impression was right. The battle was lovely to watch. I was torn between a desire to make notes or simply sit and watch the action with a sense of absolute wonder. I plumped for the latter in the end. It's so wonderfully down from start to finish, and it really does make the Yeti look imposing… and actually quite scary! I can quite imagine being five or six years old and being absolutely struck by this sequence.

It's not just the tunnels that give these creatures a sense of scale, but the skill with which Camfield has shot them. The cameras aimed in their direction are almost exclusively placed low down, shooting up at the beasts, and making them look even bigger than they really are. The cramped tunnel does then help to accentuate this, and they just keep on coming. As if to really hammer the point home, they proceed to batter their way through the pile of explosive charges in a sequence which should look rubbish (no, really, it should. At one point, a Yeti stumbles trying to get over the props, but then it finishes the manoeuvre, straightens up, and carries on. Under a lesser director this could have been another 'Zarbi hits the camera' - well, not quite that bad - but here it seems to add to the threat!)

It's not all praise, though. The Yeti leaving their prisoners and simply wandering off when they think of something better to do seems even more odd on screen, because they really do just walk away when the moment comes, Still, that's a relatively minor niggle at the end of a very lovely sequence…

“I think it's probably a testament to how much I'm enjoying this one that it was fifteen minutes or more before I noticed the complete absence of the Doctor.”

And it's probably rather telling that I didn't notice it again this time around! Well, ok, that's not strictly true. I did notice, but only in the last couple of minutes when attention was drawn to it once more. For the rest of the episode, I was too busy enjoying the rest of the cast.

The one who needs extra special praise from me today is Deborah Watling. I wan't all that fond of Victoria during my first run-though of Season Five. By the time she left at the end of Fury From the Deep, I was rather glad to see the back of her. Now though, with these episodes coming free from all the others around them, I'm rather liking her once more. And I'm enjoying Watling's performance more than I have for a while, too. I think she really does suffer from having so much missing from the archives (not any more! For the first time in 40 years, we've more of her episodes in the archive than not! Hooray!), because when we can watch her performance, it's so much easier to appreciate.

There's two lovely moments from her today. The first has to be when she slowly comes to the realisation of who the blustery old man they're talking to is - while Jamie continues to put his back up and argue back, and beautiful smile breaks out across Victoria's face and she excitedly announces that they're back with Travers. Jamie soon swings round to a similar joyous reaction, but it's not a patch on hers - a simply fantastic piece of acting. After this we've got her listening in on the accusations against the Doctor and quietly excusing herself from the room again to go off in search of him. I'm so pleased that she's given these wonderful moments in the recovered episodes, because I'm pleased to think that I'm not the only person re-evaluating her now…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 347: The Web of Fear, Episode One (Revisited)

Dear diary,

There was a point during the Troughton years when I really worried that I’d be ruining the series for myself. I was really enjoying the process of watching an episode a day and then writing about it, but what if once I’d finished them all… watched every scrap of Doctor Who… what if I was bored by the thought of ever watching any more? At the same time, I was trying to counter this worry my making a mental list of stories that I’d want re revisit once the marathon was through. Late Season Five ended up being added to the list in something of a chunk – I wanted to do The Enemy of the World a second time to see if I’d get different things from the story already knowing the twists of Episode Six, Fury From the Deep I wanted to hear again away from all the other stories around it, and The Web of Fear was ripe for a second go because – basically – it was bloody good.

Seconds into today’s episode and I’m completely reminded of that fact – it all just looks so good, doesn’t it? This first episode was the one we’ve had from this story for a long time now, so I’ve seen all of these shots before. Like last time, it’s the shot of the TARDIS doors closing as the camera moves back to the right position that really sucks you in, and it’s all uphill from there.

Funnily enough, the direction was the thing I was most drawn to last time I did this story, but I compared it very favourably to the preceding story:

”It's miles ahead of the stuff seen in The Enemy of the World Episode Three (our last surviving episode), and had me completely gripped.”

Now that we can actually watch The Enemy of the World, it’s more a case of just having two wonderfully directed serials in a row, which is a lovely thought. There’s something rather nice about having two stories emerge from 45 years in hiding and both turn out to be so good.

To be honest, that was another worry I had. I kept coming back to what I’d call Tomb of the Cybermen syndrome. A lost Doctor Who ‘classic’ suddenly unearthed after decades hidden away in a foreign television archive, rush released and shown to be… well, received wisdom claims that The Tomb of the Cybermen isn’t as good as everyone thought it was, but it’s still my favourite tale. I really did worry that Web would come out and we’d all go ‘ah…’ and quietly forget the years of desperation for its return.

I’m loathe to just go on about the brilliant direction in this episode, because that’s pretty much all I did the last time around. I’m sure I’ll have plenty of time to talk about it during our four newly recovered bits of the story. Instead, I want to touch on something that I’ve seen cropping up since the return of these stories could add an extra step to my ‘Great Intelligence Timeline’.

I’m not sure where the idea came from, but I’ve seen people musing that The Enemy of the World and The Web of Fear may share a common link – The Great Intelligence is Salamander. Yeah, yeah, I know. Put down that bit of lead piping and hear me out. That was my first reaction, too, but there’s a bit of me that rather likes it. The suggestion is (and I’m tweaking and elaborating to make it fit my earlier timeline) that when Salamander is sucked out into the vortex, he becomes scattered through time and space. This process robs him of his physical form, but also makes him greatly intelligent (see what I did there? Clever, that).

The Doctor himself even says that ‘He's not in a very enviable position, floating around in time and space…’, and you can quite imagine that he would be keen to get back to his own physical form. Maybe from here he finds himself in contact with Padmasambhava, and the rest follows on as I speculated during The Abominable Snowmen and the original entries for this story.

While it needs a bit more hammering into shape to make it totally work, I think I do rather like the idea. Adding in my previous musing that the Great Intelligence might have been behind the scenes, pushing Victoria to leave during the story after this one, it gives Season Five a kind of loose story arc – one which even has an element of ‘timey wimey’ to it, because the TARDIS crew’s first encounter with the Intelligence comes before they’ve even met Salamander.

What do you think? Plausible theory, or just plain nonsense?

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 346: The Enemy of the World, Episode Six (Revisited)

Dear diary,

Oh, I’m so very happy. All the way through this story – no matter how much I’ve been enjoying things – I’ve had something niggling at the back of my mind. Let’s face it, the ‘Doctor vs Salamander’ fight at the end of this episode has long been at the top of many fan’s wish lists when it comes to the missing episodes. It’s Troughton up against Troughton, and as I pointed out when I first did this episode, the single telesnap which shows the pair pretty much nose-to-nose made it look so good.

And that’s where my problem came from. I’d seen people praise the way that Episode One of this story was directed. I’d seen the excitement at finally having a date pinned down for events. General consensus was that Salamander's ludicrous accent was far less distracting when you could actually watch the rest of Troughton's performance…

But curiously, no one seemed to be discussing the final scene. Now, admittedly, I've been avoiding threads on the forum specifically dedicated to these recovered stories, but there's been several posts of praise about them showing up on Facebook and Twitter… but not a word spoken about these final few minutes. Ah. The doubt started to grow in my mind. Was no one talking about it because - God forbid - it wasn't very good?

Well, no, of course not. I watched the final scene, and then I went back and watched it again. And then again. And then once more, just for luck. Oh, it's stunning. Brief, yes, but stunning. And it's not just the actual fight that works so well. We've got an actual night shoot! That's rare even deep into the depths of the Pertwee era (remember how shocked I was to see one crop up in The Dæmons? Double it for this). The whole sequence on the beach is stunning, from the way the TARDIS is lit from inside, to Jamie staring out into the night and Salamander stumbling his way up over the dunes.

Once we're inside the TARDIS, things continue to be rather lovely. Salamander indicating to Jamie that he should set them in motion is rather nice (He doesn't actually say anything at this point, so it's hard to enjoy the subtleties of Troughton's performance when you're only listening to the audio), and the way he turns around to see the Doctor stood in the open doors… It's one of those things that will sound weird when I say it - but doesn't he just look so much like the Doctor stood there, staring into his ship? I don't know if it's the direction or what, but it's lovely.

The fight is then rather well done. The single tele snap that promised so much pretty much sums up the entire time they spend occupying the same shot, but I'm pleased to see that it's just as effective on screen as I' hoped. There was a very real danger that this may not hold together, but it's become one of the most striking bits to survive from the 1960s.

And isn't that just a brilliant sentence? Suddenly - wonderfully - we've got The Enemy of the World in its entirety ready to watch and enjoy. Waaaay back when I first did Episode One of this story, I told you a story about how it was my friend Graham's favourite tale ever, and how I was a bit surprised to learn this:

“My disbelief wasn’t because I’d heard bad things about this story, it was mostly just from the fact that, well, I hadn’t really heard anything about it. The sad fact is that The Enemy of the World is one of those stories that people just forget about.”

Since the recovery, these six episodes have had something of a reappraisal. I've seen a number of people commenting that it's now become their new favourite Troughton adventure, and I think a large part of that is because barry Letts was right all along - Episode Three was by far the worst example to survive from this tale. I wonder if people were simply put off it by seeing those twenty-five minutes?

It's not going to be to everyone's tastes (Another friend this week has said he didn't really care for the story, and thought it was a bit of a disappointment), and once the sudden thrill of having it all back wears off, I think it's going to balance out in people's estimations again. It's lovely to see that the recovery has won people over, though. This makes the next story all the more interesting, because The Web of Fear has been a fan favourite for years and years despite being just as missing as this one was. I've seen fewer comments on that tale since the return of the episodes, so I'm keen to see my reaction.

If nothing else, it's Douglas Camfield directing Patrick Troughton again! That may just be the most exciting thing in the world…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 345: The Enemy of the World, Episode Five (Revisited)

Dear diary,

While I'm aware of the twists and turns in this story from my previous viewing, I can't help but think that the episode descriptions in iTunes are somewhat spoilerific for a first-time viewer. The caption for yesterday's episode opens by saying that 'Giles Kent is revealed to be a traitor, in league with would-be 21st century dictator Salamander.' Except… he isn't revealed to be in league with our evil friend until tomorrow's episode! Today's description is equally as misleading, telling us that the 'traitorous scientist Kent has blown up the research station', but once again, that hasn't happened yet! I do hope that no one had their first viewing of the story ruined by reading these descriptions in advance of watching - they give away some pretty major plot points way in advance!

However, I must confess that I actually learnt something from them today, too! There's a moment when Jamie and Victoria are carried into the research centre on a pair of stretchers, and I suddenly remembered that I didn't know what they'd been up to in the story, but the description for Episode Four confirms that they're not in that episode! Haha! A quick check of my write up for this episode the first time around confirms that I didn't notice it then, either. I spent so long during the 1960s tracking the holidays of the various cast members and yet this one has managed to pass me by twice!

It's rather nice to have them back again here, and given a lovely sequence to dig their teeth into. The questioning scene is fantastic right the way through, and it adds another layer to the relationship between Jamie and Victoria. The way that he cradles her while they're being held at gunpoint is lovely, and his determination to give in rather than see her hurt is touching. The tables then get turned as they question the man they believe to be Salamander, and we're treated to some more of Barry Letts' beautiful direction on the sequence, focussing on several close ups of the pair as they cut back and forth.

You can choose to see this as either clichéd or traditional, but I'm going to have to heap some praise onto Patrick Troughton again. Listening to this story on audio, the switching between his two characters is pulled off mainly by dropping the accent and adding a few more fluffs and stutters to the performance when switching back to the Doctor. On screen it's great to watch him making choices in every movement he makes. We spend a large amount of time today with him dressed as Salamander (indeed, his more traditional outfit doesn't even appear today!), but we're only in doubt as to which one he may be when we're supposed to be. It's a very well considered performance, and a great example of why he's one of the best actors to have been involved in the programme.

I also need to bring attention to how much I'm enjoying Milton Johns as Benik. On audio, I can't say that I ever really payed the character that much attention (I'd sort of lost track of who was who by this point), but he's really quite special on screen. I spent his first couple of episodes actively disliking him - the character simply made my skin crown when he appeared - but then today I realised that you're supposed to feel like that! There's a beautiful line where Jamie muses that Benik must have been a horrible little boy, and he simply replies that he was, but he had a good childhood. Terribly slimy, and one of the nastiest characters the series has ever given us. I'm so glad that I'm able to enjoy his performance all the more now it's available in full…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 344: The Enemy of the World, Episode Four (Revisited)

Dear diary,

Salamander confirms today that the 'survivors' have been down in the bunker for almost five whole years, which means that they should be headed down there… well… any day now!

When these recovered episodes were released back at the start of October, I went into something of a lockdown while I decided what to do with them in regards to the marathon. I didn't just want to slot them in at the tail-end of Season Seven because it would have been very out of place (and I'd only just parted ways with the Second Doctor about three weeks earlier anyway!), but then I didn't know where to put them. The situation never drifted far from my mind, and people even tweeted me and left messages on the 50 Year Diary Facebook page to ask if I'd be tackling these episodes any time soon. No, I decided, I'd leave them until after the whole marathon was complete, letting me know that there'd still be a few bits of the 1960s waiting for me once I'd reached the finishing line.

Well… it was a nice idea, I guess. The problem is that so many of my friends these days are the kind of people who'd be downloading these episodes the very moment they arrived on iTunes, and suddenly my Facebook and Twitter feeds were filled with people discussing how wonderful they were. There was no way I'd make it all the way through to 2015 before seeing these stories again - it just wouldn't be possible. I made the decision to slot them in here after Troughton's (brief) return to the programme, and then carry on once more. I've still tried to ignore people's discussions of the stories for a while, though, because I wanted to be as unbiassed by outside thoughts as possible. I've even been avoiding the reactions on the forums. Have the tables turned? Is The Enemy of the World now a classic while The Web of Fear is universally panned? I guess I'll be finding out soon enough…

I wasn't able to avoid all mentions of the stories, of course, and there was one particular tweet from Clayton Hickman which caught my eye: “Ooh! We finally have a date (ish) when Enemy of the World is set. Astrid's helicopter license expires in 2018!” Cue a mad panic! Did this tie in with the timeline I'd been using for the stories? I only really touched on it once (During The Space Pirates Episode Three), but as I said back then, I was more than happy going along with the timeline proposed in the second volume of the About Time books.

In that essay, they muse that the Cold War style event that forced the people down into the bunker here happened around about 2025, with the events seen in this story taking place about five years later, which they place contemporaneously with The Wheel in Space. Well now we know that they're about twelve years too late - and as if to rub it in, the shot of the helicopter licence is big and bold and hard to miss! Ah, but why then does the description for the story on iTunes state that 'The Doctor has arrived on Earth in the year 2017 A.D.'?

Well… a discussion about this with a friend earlier today revealed to me that the newspaper found by one of the 'survivors' later on in the story bears the date '2017', but this is then described as being explicitly 'last year'. So there we have it, either the person writing the description got muddled up (or pressed the wrong key), or the survivors have lost track of the days and are out with their counting.

What's nice about having some (almost) firm dates for the story is that everything else still works! I can imagine The Wheel in Space as being somewhere around 2030, and the proposed timeline after that, leading through the Gravitron being installed in 2050, and then the events of The Moonbase in 2070 before another Cold War sets in for the 2080s feels very natural still, and if anything it spaces the stories out a little better. The other thing I rather like - assuming that we say they've been down there since very late 2012ish - is that Salamander could have used all the 'End of the World' myths that were floating around last December as a way to trick them all into believing the war was about to break out and destroy the world. I can imagine him as the leader of a cult, preaching portents of doom!

Anyway, away from dating quibbles, we're back into fine territory here. Within the first few minutes the episode is more visually interesting than Episode Three was - yet more proof that we've been left with the wrong episode for all these years! There's some lovely direction as the Doctor faces off against Kent, including some beautiful close-ups between the pair. Later on we get to watch Salamander's decent into the bunker… and it's like something out of Thunderbirds! The model work is rather nice, and the whole sequence is somewhat grander than I was expecting. I think I was simply picturing a rickety old lift last time around, because I still had this episode in mind with a very noir feel.

Indeed, that means that other areas of today have been something of a let-down for me. As I said first time around:

“I don't think I've ever been as visually connected to one of those soundtracks as I was during the first half of this episode, with the security forces closing in on the Doctor, Kent, and the others. It was like my head was mapping out exactly how I'd direct the scene if it were to be re-made, complete with angled cameras, and shots of our heroes on the run, silhouetted against the alleyway as the guards closed in.”

After The Enemy of the World, the number of missing episode soundtracks I had to listen to were severely reduced, but this episode - along with sections of The Macra Terror - still represent the best visualisations of the series that I ever had during the 1960s section of the marathon. Even now when I think about these scenes, I can picture the way that I saw them the first time around, with the high angles, and a city which to my mind was 1930s New York, complete with heavy film grain and the shadows of German expressionist cinema.

There was no way that the episode would ever live up to that. I don't care how much of a surprise Episodes One and Two turned out to be, or even the futuristic lift system in today's episode, even at the top of his game Barry Letts would be unable to achieve the shots i had in mind on the schedule and budget of a 1960s Doctor Who story. What's sad though is just how much of a let down the actual scenes are. I was braced for something a bit worse than I'd pictured, and when we get a shot of some guards high up on a balcony I did briefly wonder if we might really get some great high-angled images, but it wasn't to be. Ah well, you can't win them all, I guess…

 a

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 343: The Enemy of the World, Episode Three (Revisited)

Dear diary,

Over the course of The 50 Year Diary, I try to quote myself as little as possible. While I'm going back and rewatching these two newly-recovered stories, though, it's rather difficult not to do so - a lot of my reaction to them is informed by my own experience of them the first time around. Today is something of a special case, because until recently it was the only episode from The Enemy of the World to exist in the archives, and thus it's the first of the entire marathon that I'll be watching again some months down the line. Unless we get some more missing episodes cropping up in the next year or so (well… you never know…), it will hold this title with only The Web of Fear Episode One. So, this episode, first time around was exciting because it was Doctor Who switching to 625-line video:

“And what a story to feature an upgrade in picture quality! Episode One features a hovercraft and a helicopter on the beach! The second episode ends with the eruption of a volcano! This third episode is full of… well, corridors, decorated with varying types of garish wallpaper. Oh dear. Couldn’t we have had Episode One saved, instead?”

If anything, having the preceding two episodes back in the archives and available to view makes this one seem even more of an oddity. At least last time, I'd been picturing things on a far smaller scale than we've seen was actually the case. This time around, I've just come from being shocked at the balcony scenes yesterday, and all the use of rear-projection to give certain set ups some more scope. To go from all of that to what we see today feels like a real come down, and I think it may have actually harmed this instalment. Barry Letts always said that Episode Three was the weakest of the serial (and thus it was ironic that it was the only one surviving!), and I think I'm seeing that point proved here now.

Still, I'm finding it a bit easier to follow than I did the last time. As I said yesterday, I'd initially been somewhat confused by the events of Episode Two, and this one relies so heavily on it. Being able to now differentiate the characters better means that I can become a little more involved in the story than on the first time around.

I'm also finding that I can appreciate some of the other performances and characters in this episode more this time around. The chef is a great character, and I enjoy every moment he spends on screen. Hiding under the table when he thinks that a battle is breaking out nearby is his highlight, as everything seems to roll on around him while he just shrugs his shoulders. The young guard who dares to ask Astrid out for wine while she's sneaking past him with a fake pass is another great character - very little screen time, and only a handful of lines - but he feels very rounded, and I rather like that.

It's not quite enough, though. I made a point today of not looking at the score I gave the episode last time, because I'm keen for these revisited entries to be very much based on my gut feeling (as though they were being rated as just the regular next episode in the marathon). Having finished the episode, I announced the the (empty) room that it was 'a five or a six'. Having then checked the original entry, I found that last time I gave it a seven. So there we have it - the episode is let down by being among it's more impressive siblings!

I'm feeling generous, so I'm going to be going with the upper end of my score for the day, and giving this one:

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 342: The Enemy of the World, Episode Two

Dear diary,

The weird thing about going back to do these stories for a second time is seeing how my perceptions have changed in the four-or-so months since I first experienced them. I think that it’s fair to say that my feelings towards the series have cooled a little since Season Seven, and I’m finding myself handing out a lot more ‘average’ scores than I was during the latter half of the 1960s. I means that when I reached the end of yesterday’s episode, I instantly reached for a ‘9/10’. I’d enjoyed it much more than I had any episodes for a while, and a solid 9 placed it firmly in that bracket.

But then I remembered that I’d originally given it a ‘10’. If anything, actually seeing the thing had made it better again. All the action sequences being pulled off spectacularly, the Doctor and his companions interacting so perfectly naturally, and of course some outrageous flirting in a beach house. There’s no way I could mark it lower than full marks, so up to a ‘10’ it went.

It makes it tricky in the long run, though, because I may be rating these revisited episodes slightly lower that I did first time round, and there’d be several reasons for this to happen. For a start – these stories aren’t ‘fresh’ for me anymore. This time around, I know the twists in Salamander’s story. Next week, while I’m making my way through the webbed tunnels of the London Underground, I’ll know every beat of the great Intelligence’s plans. On the one hand, I might find it exciting to enjoy them in a different way, with the prior knowledge of what’s to come, but on the other it may well lessen the impact in a way that seeing the visuals can’t make up for. What I’m trying to say is that I’m still going to be giving these episodes my honest gut reaction when it comes to a final score, and I’m looking forward to seeing how that may have changed since my first viewing.

Today’s episode is another perfect example of the visuals actively helping a story in my estimations, though, because seeing this one has really benefitted the tale. It’s funny just how much I can remember about where I was during these episodes the first time around. During yesterday’s episode, I could pin-point exactly the bit of road I’d been crossing when I first heard Salamander’s speech about the crop growth. For today, I can recall listening to the scene of Jamie ‘saving’ Salamander while I’d been going through the self-serve tills at the supermarket… and then listening to it again five minutes later when I realised that I’d not got a clue what was actually happening in the episode.

In total, I’d listened to bits of this episode three times last time and I still didn’t quite have my head around what was going on and who was who. It didn’t help that I thought Astrid’s surname was ‘Ferrier’, when that’s actually the name of a completely different character. No wonder I’d confused myself! Seeing everything happen makes it much clearer – and also reveals a kind of scope that I’d not imagined for the tale.

I assumed that all of Salamander’s conference (plus Jamie ‘saving’ him, and the final scene as they looked out over the volcanic destruction) were taking place in an office. For some reason, on first listen, this story took on a very ‘noir’ tone in my mind, and I’d pictured this office almost in the style of your stereotypical 1940s Hollywood private eye. To be honest, while it did the job, I’d never imagined that it would look as good as the actual set. These scenes take place out on a balcony, surrounded by foliage, and a very nice set beyond the facade of the house, too. It’s quite a large set – helped somewhat by some clever rear-projection, which I’ll come to in a moment – and it’s far more impressive than I’d have guessed.

Then we’ve got the scenes on the park bench. These don’t work quite so well with the rear-projection technique (if anything, it makes the bench look as though it’s been plonked in the corner of the studio as an afterthought – a shame for a location we spend a fair bit of time in), but it’s great to see Barry Letts playing around with things like this even in his first contribution to the programme. Having sat though his first few seasons at the helm of Doctor Who, I’ve grown used to his pioneering work with CSO, and this feels very much like a fore-runner of all that.

Perhaps the biggest revelation of all, though, is Troughton. In my original write up for this episode back in July, I said ’towards the end of today’s episode, I thought about the fact we'd not had that much Troughton in this one, except that we had, just not in his usual form’. On audio, this is because he’s doing an accent so different to his own (today’s highlight: ‘Is not so good, boys, is not so good!’), but even when we can see him on the screen it doesn’t feel like he’s really here. His performance as Salamander is fantastic, and it only serves to remind me why I love him so much. There’s a great moment where he makes a joke about Ferrier, and then snaps at her to get him a drink. The way he moves his eyes, and the scorn that comes out in the performance… it’s stunning. Seconds later he snaps his fingers for a guard and one comes running. I thought I’d experienced so much of the 1960s, but these few episodes coming back really does show that so much is lost when we can’t see these performances – I can’t wait to see what other little gems get unearthed over the next few days…

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 341: The Enemy of the World, Episode One (Revisited)

Dear diary,

Will Brooks sits in front of the control panel at Doctor Who Online. It may sound impressive and futuristic, but it's really held together by sticky tape and a couple of old washing up liquid bottles. Satisfied, he hits the 'publish' button for The Three Doctors Episode Four, and prepares to get on with the rest of the evening, having completed his daily dose of Doctor Who. It's then, as he grabs his coat and prepares to leave, that he finds himself caught up in something more unusual than he's used to. The hairs stand up on the back of his arms, a ringing enters his head, and he feels himself start to fade away and out of existence. Nearby, people report his final words carried on the wind - whatever's happening is making him giddy, apparently.

Well would you look at that. It would seem that - somehow - I've been scooped up by the Time Lords when they returned Patrick Troughton to his proper place in the timeline (the late 1960s on BBC1, as it happens). I seem to have ended up a little earlier in the time stream than he came from, which places me smack-bang in the middle of Season Five. You can see where I'm going with this, can't you? Go on, keep up the charade with me for the next twelve days - it's the 12th of July 2013. There's still a sun in the sky. You've no idea that Peter Capaldi will be taking on the guise of the Doctor. The revelations and thrills of the 50th anniversary special are still a distant dream…

It all seemed so perfect. Here I was, finally undertaking a proper Doctor Who marathon. After years of telling myself that I'd do it one day, I'd suddenly found myself not simply watching all of the series in order, but blogging about it daily on one of the web's biggest websites devoted to the subject, with a fair number of people reading along and being incredibly kind about the whole thing. Better than that: I was approaching the end of the William Hartnell era. I'd come too far now, there was no going back. And then things got even better. Not only would I be making my way through the Patrick Troughton years - home to the Doctor I'd always considered my favourite - but suddenly there was a lot more of it than ever before. The Enemy of the World and The Web of Fear back in the archives where they belong, and just in time for me to enjoy them for the very first time!

And then it all went a bit… wrong. I made my way through Season Four, and ventured off to The Tomb of the Cybermen. I ventured to Tibet and fought off the Ice Warriors. There was no time left. I'd reached The Enemy of the World… and it still wasn't available. I delayed viewing that day for as long as possible, just in case, and then grudgingly hit the 'play' button for the narrated soundtrack. Thankfully, the first episode was - frankly - brilliant, and there was no time to muse on it, I was too busy being caught up with hovercrafts, and helicopters, and doubles of the Doctor. There were Mexican accents galore, plenty of action, and more happening in 25 minutes that I could have ever dreamed of.

Following Patrick Troughton's brief return in The Three Doctors with the recently returned episodes was on the cards from the moment it became apparent that the announcement was to hit in October. Timing-wise, it gave me a good excuse to slip them in to the marathon without having to wait until the very end. There was no way I'd ever have held off watching these two stories for another 18 months - I'd enjoyed them too much the first time around. It also gives me a great opportunity to keep tracking how different Troughton's performance is between his own era and the return in 1972.

In my initial write up of this episode, I stated:

“I spent a while listening to these scenes thankful that this episode didn't exist in the archives, because it all sounded pretty good, and there was no way that the visuals would live up to the same standard… but then the tele snaps make the scene look just as epic as I'd hoped.”

Thankfully, seeing the scene in question (The Doctor and his companions being chased by gun-wielding strangers before being picked up in a helicopter and flown off over the ocean) makes it even better than it looked via the telesnaps. It's some of the finest direction work that we've had in the series so far and I'm somewhat surprised, as Barry Letts' directorial work in the current era hasn't really been making all that much of an impact on me. There's one particular shot taken fromthe helicopter as it flies out to sea that's very impressive, and it looks almost too good to be wasted on something like Doctor Who.

What the moving visuals give the story most though is the little interactions between the Doctor and his companions, especially Jamie. You'll no doubt recall that by the middle of Season Six, I'd rather had enough of Jamie. He seemed to have out-stayed his welcome in the series, and I was increasingly ready to see the show move on to something new. Dropping back down here in the middle of their time together makes it all seem fantastic again, though. There's a beautiful moment on the beach where the Doctor tells his companions that a hovercraft is a ship that can travel on the land and Jamie replies that he's too old for 'fairy tales'.

On audio, it's just a nice little bit of interplay, in which the Doctor introduces two companions from history to a futuristic machine. Seen in the recovered episode, Jamie gives the Doctor a little push on the shoulder as he delivers his line, and the pair grin widely throughout the exchange. They really come across as two best friends travelling through time and space together. Something else I've seen mentioned a lot since the episode was released is how much of a flirt the Doctor's being with Astrid - and it's true! Troughton, you old dog!

And as if all of this wasn't fantastic enough, it gives me an excuse to start saying 'Allo Bruce! What are you doing here, eh?' again.

Doctor Who Magazine have sent DWO the cover and details for Issue 466 of DWM.

DWM talks exclusively to the man who found nine missing episodes of Doctor Who: Philip Morris…

“It’s my job to put a smile on Doctor Who fans’ faces,” says PHILIP MORRIS, who recently discovered the film copies of The Enemy of the World and The Web of Fear, “in complete co-operation with BBC Worldwide. Doctor Who fans need to know that we are actively searching for material. So don’t lose hope!”

Plus: Missing episodes experts PAUL VANEZIS and PETER CROCKER explain their role in restoring these decades-old films to their former glory! 

Also this issue:

BACK TO THE BEGINNING...
An exclusive preview of the new BBC Two drama, AN ADVENTURE IN SPACE AND TIME, which tells the story of the origins of Doctor Who and featuring an interview with DAVID BRADLEY, who plays William Hartnell, the actor who created the role of the Doctor. 

FIRST DIRECTION
WARIS HUSSEIN, who directed the very first Doctor Who serial in 1963 talks exclusively to DWM, and reveals how he and the cast were able to overcome the limitations of the show’s tiny budget and create something that has lasted for 50 years. 

THE GODFATHER
With excerpts from a previously unpublished archive interview, DWM presents a profile of SYDNEY NEWMAN, the man responsible for the birth of Doctor Who and for revolutionising TV drama production in the UK in the late 1950s and early 1960s. 

GOODBYE AND WELCOME…
Doctor Who showrunner and head writer  STEVEN MOFFAT writes exclusively for DWM and tells of the momentous day when outgoing Eleventh Doctor Matt Smith handed over the key to the TARDIS to incoming Twelfth Doctor – Peter Capaldi.

DO I HAVE THE RIGHT…?
The Fourth Doctor is taken on a detour to the planet Skaro by the Time Lords and given the task of preventing the creation of his deadliest enemies, the Daleks. THE FACT OF FICTION takes a look at one of Doctor Who’s undisputed classics, GENESIS OF THE DALEKS, and unearths some new and fascinating facts about the 1975 six-part serial and its origins. 

TOP OF THE POPS
The votes are in for the 2013 DWM readers’ Season Survey and the winners are revealed, including your favourite story, best guest stars, best writer, and favourite musical score!

NEVER ENDING STORY…
DWM’s journey through Doctor Who’s long history reaches its end with this year’s thirty-third series, in COUNTDOWN TO 50. We join the Doctor on his quest to solve the mystery of the impossible girl – his new companion, Clara, who he has already seen die twice. When the Doctor’s very existence is threatened by the Great Intelligence, Clara travels into the Doctor’s past to save his future…

A HAPPY ENDING?
The Doctor and Clara uncover the dark truth behind the cartoon capers in the second and final part of the comic-strip adventure, WELCOME TO TICKLE TOWN, written by SCOTT GRAY with art by ADRIAN SALMON.

VOTE SAXON!
Chris, Emma, Michael and Will are gobsmacked to find that the Master is the new Prime Minister of Great Britain and has a rather unusual approach to foreign affairs! The TIME TEAM take their seats for 2007’s THE SOUND OF DRUMS. Will it get their vote?

JUMP START
Mother of twins and devoted fan JACQUELINE RAYNER ponders on the importance of the first episode of a Doctor Who story, cherishing that slow build to the inevitable appearance of the monster in the closing seconds. Her son, however, prefers to skip straight to Episode Two!

DOCTOR BLUE?
The Watcher takes sound effects as his cue in this issue’s A History of Doctor Who in 100 Objects and champions the essential role they have played over the series’ 50 years. Plus another hapless extra gets his moment in the spotlight as Supporting Artist of the Month; we get a rundown of the Top Ten Boybands, all with a suitable Doctor Who twist; and The Six Faces of Delusion invites you to spot the sound effect themed fact that hits the wrong note. All in this issue’s fun-packed Wotcha!

PLUS! All the latest official news, TV and merchandise reviews, previews, ratings analysis, competitions, a prize-winning crossword and much, much more!

+  Doctor Who Magazine Issue #466 is Out Tomorrow, priced £4.75.

+  Subscribe Worldwide to DWM for just £85.00 via CompareTheDalek!

+  Check Out The DWO Guide to Doctor Who Magazine!

[Source: Doctor Who Magazine]

Nine previously missing episodes of Doctor Who from the 1960s, which have not been seen for over 45 years, have been discovered and will launch exclusively on iTunes Today.

BBC Worldwide announced the find at a press event yesterday, which DWO attended, and we're delighted to announce that nine recordings from the 1960s featuring missing episodes of Doctor Who, were recovered in Nigeria, Africa, and subsequently returned to the BBC.

The episodes were discovered by Phillip Morris, director of Television International Enterprises Archive, by the tracking records of overseas shipments made by the BBC containing tapes for transmission. BBC Worldwide has re-mastered these episodes to restore them to the fantastic quality that audiences expect from Doctor Who.

The stories recovered are The Enemy of the World (1967) and The Web of Fear (1968) - both starring Patrick Troughton as The Second Doctor.

The Enemy of the World, is the fourth six-part tale of Series 5 which first aired on the BBC in December 1967. Episodes 1, 2, 4, 5 and 6 had been missing from the BBC archives. 

Alongside Patrick Troughton who plays both the Time Lord and his antagonist (Ramon Salamander) are his companions Frazer Hines (Jamie) and Deborah Watling (Victoria).

Also recovered is the 1968 six-part story, The Web of Fear. Episodes 2-6 were feared lost forever but now episodes 2, 4, 5, and 6 have been recovered. Unfortunately, episode three is still currently missing but a restoration team has reconstructed this part of the story using a selection of the 37 images that were available from the episode along with the original audio which has been restored. 

Also starring Patrick Troughton alongside Frazer Hines and Deborah Watling, The Web of Fear introduces Nicholas Courtney for the first time as Colonel Lethbridge-Stewart (who later returns as Brigadier Lethbridge-Stewart). 

All episodes are available to download exclusively from iTunes from today (links at the bottom of this article). The Enemy of the World will also be available to preorder exclusively on DVD from BBC Shop from 11th October for release on 22nd November. The Web of Fear will be available on DVD on 24th February 2013. DWO have been given the preview for the Limited Edition DVD cover which you can see in the right-hand image column.

Phillip Morris says:

“The tapes had been left gathering dust in a store room at a television relay station in Nigeria. I remember wiping the dust off the masking tape on the canisters and my heart missed a beat as I saw the words ‘Doctor Who’. When I read the story code I realised I’d found something pretty special.”

Fiona Eastwood, Director of Consumer Products, BBC Worldwide comments:

“We are thrilled with the recent discovery of The Web of Fear and The Enemy of the World and we’re very happy to be launching re-mastered versions of these treasured episodes to fans as we celebrate the 50th year of Doctor Who.”

The Press Event

The press event itself kicked off with a statement by Philip Morris, read out by TIEA archive coordinator, Roy Robinson, in which Morris thanked the BBC and Doctor Who fans for their support. This was then followed by a short video presentation by Philip Morris, explaining the story behind the recent finds, and conveying his own childhood memories of Doctor Who.

The room then went dark as Episode One of The Enemy Of The World was shown. It was a surreal experience - actually sitting down to watch brand new, yet old, Doctor Who - unseen for over 45 years! We were quite blown away by the opening scenes on the beach, with helicopters, hovercraft and long johns - and all in the first five minutes! Every moment was filled with joy as the episode unfolded and we got to see Patrick Troughton's dual performance as The Doctor and Salamander.

After the episode had aired, Mark Gatiss introduced Episode Two of The Web Of Fear, citing it perfectly as "the quintessential Doctor Who story that's also the most British thing you could imagine".

On a personal note, this was the story that we were *really* excited to see. To actually see the Yeti / Great Intelligence in action in the London Underground was really special. Interestingly, The Doctor only featured in the recap at the beginning of the episode, and doesn't show up at all in Episode Two - one of the first true examples of a Doctor-lite episode!

After a 10-minute break, we re-entered the screening room for a Q&A with Frazer Hines, Deborah Watling and Mark Gatiss. Below are some highlights:

Total TV Guide: (To Frazer and Deborah) Do you remember doing the scenes?
Deborah: Watching it just now, I knew the next lines!
Frazer: Yeh, but you didn't know them at the time on set, did you?!

Daily Telegraph: (To Frazer and Deborah) What made Patrick Troughton's performance so special?
Deborah: He had a wonderful sense of humour and a twinkle in the eye, but he was also a very, very good actor. We all got on so well and we were like a family. We had a chemistry, and I think it showed today.

Doctor Who Online: (To Frazer and Deborah) Did you keep any mementos from either of the two stories?
Deborah: I had one of the ornamental Yeti's but it broke in the middle, so Andrew Beech was kind enough to fix it for me.
Frazer: eBay! - I also had one of the Yeti's - and space glasses, but my mother told me to throw it all away, so I did.

BBC Worldwide have provided DWO with some trailers and clips from The Enemy Of The World and The Web Of Fear, which you can watch below.

The Enemy Of The World - iTunes Trailer

[youtube:9Kgd8sNJhmU]
The Enemy Of The World - 'Long Johns' Clip

[youtube:ERARlXb_ho0]
The Web Of Fear - iTunes Trailer

[youtube:0-hRRzv2hA8]
The Web Of Fear - 'Pyramid' Clip

[youtube:bSKZvkpy0AI]

As a final treat, DWO caught up with Frazer Hines (Jamie McCrimmon) and Deborah Watling (Victoria Waterfield) who recorded a special video greeting for our visitors:
[youtube:jL7U2P7rbJE]

+  Download The Enemy Of The World for £9.99 via iTunes in the UK.
+  Download The Enemy Of The World for $9.99 via iTunes in the USA.
+  Preorder The Enemy Of The World DVD on BBC Shop for just £13.99!

+  Download The Web Of Fear for £9.99 via iTunes in the UK.
+  Download The Web Of Fear for $9.99 via iTunes in the USA.
+  Preorder The Web Of Fear DVD on BBC Shop for just £13.99!

+  Follow Doctor Who Online on Twitter (@DrWhoOnline)!

[Many thanks to Chris, Phil, Emma and the rest of the BBC Worldwide Team]

[Sources: BBC Worldwide, Doctor Who Online]

After many months of speculation, the BBC is now tantalisingly close to officially announcing the discovery of missing episodes of Doctor Who from the 1960's.

Following yesterdays (inaccurate) report from The Mirror newspaper (quoting from the original Sunday People article) that "106 Doctor Who Episodes have been uncovered in Ethiopia", DWO took to Twitter to clarify some of the misleading details, simply stating missing episodes had been found, but that the BBC will announce it officially in due course:

There is definitely some misinformation with the #DoctorWho Missing Episode rumours in todays @DailyMirror. We will finally break our...

— Doctor Who Online (@DrWhoOnline) October 6, 2013

...silence on subject by saying missing episodes HAVE been found and some official news will be released within the next month! #Yay!

— Doctor Who Online (@DrWhoOnline) October 6, 2013

Radio Times then took it upon themselves to scoop the waiting media with further details by reporting that newly discovered lost episodes are being prepared for digital release this week. The article suggested that two missing episodes will be released on Wednesday, before quickly removing reference to the number two and the word 'episodes' - suggesting it could be whole stories.

Their amended statement now reads:

"BBC Worldwide will put the previously lost episodes from different stories – both believed to be from the Patrick Troughton era – for sale on digital platforms such as iTunes from Wednesday, RadioTimes.com understands. They are believed to originate from a haul discovered in Africa and have been digitally remastered for sale, although exact details remain sketchy."

Online speculation has been rife, with many rumours circulating that the two stories to be released will be 'The Web Of Fear' and 'The Enemy Of The World' - both featuring Patrick Troughton as The Doctor. There are also reports that the First Doctor adventure, 'Marco Polo' could also be announced.

It is also widely believed that beyond the imminent announcement, that further episodes have been recovered and will be announced at a later date.

Members of the press have been invited to attend a press conference this week which will officially confirm the news.

It is expected that an in-depth feature covering the discovery of the missing episodes will appear in an upcoming issue of Doctor Who Magazine.

Which two, missing Doctor Who stories would you like to be announced have been found this week? Post your choices in the comments box below! 

+  Follow Doctor Who Online on Twitter (@DrWhoOnline)!

+  Follow Doctor Who Magazine on Twitter (@DWMTweets)!

[Sources: Radio Times; The Mirror, Doctor Who Online]

As a Doctor Who website, posting a news item relating to missing Doctor Who episodes is a particularly conflictive task. On one hand you want to hold off on posting news due to the possible reaction you might get from smaller circles of fandom, whereas on the other hand, it's surely our duty to report it - after all, news is news, right?

Some of our readers may remember a news item we posted a few years ago about the possibility that The Web Of Fear may have been found - note the words 'possibility' and 'may'. While we also added that our source was reliable in the past and had no reason to disbelieve them, this particular news item turned out to hit a dead end and despite the majority of our readers who were grateful for the reporting of the story, we did face a backlash from some smaller circles of fandom on online forums.

A couple of days ago, Rich Johnston of Bleeding Cool News, posted a news item relating to some of the rumours that have been doing the rounds for the past few months - rumours that, up until now, we have avoided reporting on.

The rumour is that a considerable number of lost Doctor Who episodes have been found by "an eccentric engineer who worked for broadcasters across Africa with a taste for science fiction and a habit of taking things for safe keeping".

DWO can confirm that we have been approached with news from several high-profile sources, some of which confirm these rumours and some that conflict with them and the actual figure of the number of episodes rumoured to have been found.

Whilst it would be easy to blurt out everything we have been told, we retain the caution from previous rumours and hoaxes, and will simply hold out for official confirmation - when and if it comes. What we will say is that *should* the rumours be true, despite the initial excitement at the possibility, it would be wise to sit back and let the BBC do what they need to do to secure these episodes *if* in fact they have been found.

We of course encourage debate and discussion which you can take part in on the dedicated DWO Forums Missing Episodes thread using the 'Discuss' button below.

[Sources: Bleeding Cool News; Doctor Who Online]

Lost episodes of Second Doctor adventure The Ice Warriors are being animated for DVD release, doctorwho.tv has confirmed.

Animation studio Qurios have been commissioned to recreate the missing episodes two and three, which see Ice Warrior leader Varga revive, kidnap Victoria and defrost his glacier-bound army.

“We’ve been discussing the various ways Qurios could reconstruct these episodes for over three years” said Dan Hall, Managing Director of Pup Ltd Media Consultancy, producer of the DVD. “So it’s really, really satisfying to finally see them animated. Qurios have a great track record in excellent and innovative animations”.

When asked about using a different animation studio to previous releases, Hall replied:

“Doctor Who has had many different visual styles thanks to changing directors, designers and production methods. We wanted to mirror this in our choice of animation partners”.

Qurios Entertainment’s previous work includes visual effects for sci-fi sitcom Hyperdrive, puppet comedy Mongrels and titles for Doctor Who DVD extra series Who Peter. Veteran producer of the classic Who range, Chris Chapman has overseen the animation, Niel Bushnell is the producer for Qurios and the animation director is Chris Chatterton.

See an exclusive “work in progress” clip, below, where the Doctor tries to convince Leader Clent that temperamental humans - even the recently fired scientist Penley - are still far better than machines:

+  The Ice Warriors will be released on DVD on 26th August 2013, priced £20.42.

[Source: doctorwho.tv]

DWO have recently learned of an online scam offering missing Doctor Who episodes in exchange for credit card access to an online porn site.

The site, which is hosted by 'RogueCyberman' an online blogger and Twitter user, claims to have missing episodes such as 'The Faceless Ones' and 'The Macra Terror', and offers them as 'bonus content' when you sign up to Time Girl Katie's porn site.

The blogger, who remains anonymous, claimed the following:

"All of the missing episodes recently recovered from an anonymous collector in Kent have been successfully digitised and are now available to download as bonus content in Time Girl Katie's free private members area."

We would like to extend our thanks to Robert Lenko who obtained screengrabs and access to the site in question, with proof (pictured-right), which has since been pulled from RogueCyberman's blog. We have also learned that when similar screengrabs showed up on a Tumblr page (owned by someone trying to expose the scam), RogueCyberman issued a DMCA takedown notice...

This news item has also come about as a result of DWO receiving a number of emails from Doctor Who fans claiming that their children (looking for missing Doctor Who episodes) stumbled across RogueCyberman's blog and were subjected to the adult imagery from Time Girl Katie's site, from which his blog directly links to in promise of the episodes.

DWO would like to assure fans that there is no Doctor Who content at all on the website, and should be warned not to give any credit card details to the site.

Our friends over at SFX Magazine posted a similar article warning fans back in 2012, read what they had to say here:
http://www.sfx.co.uk/2012/03/12/beware-naked-doctor-who-fangirls/

The BBC have been informed and we will report further when we have more news.

UPDATE - Friday 22nd February 2013 @ 8:30am

In a typical display of fan unity, fellow Doctor Who sites; Blogtor Who, Kasterborous, Outpost Skaro & Companions Of The Doctor, have all shown their support in exposing RogueCyberman. We encourage you to click on the links to view their take on the story.

There has also been an immense show of vigilance from fans via Twitter, with hundreds unfollowing RogueCyberman within a matter of hours.

DWO and other sites have taken the extra steps to report both his Twitter and Wordpress sites, and we will of course keep you posted as to further developments.

UPDATE - Saturday 23rd February 2013 @ 5:30pm

DWO are pleased to report that both RogueCyberman's Twitter account and blog have now been taken offline. It is worth noting that he did this for a couple of months last year when things got heated, but with the extra measures all the fan sites have taken, were hoping that this time he will be gone for good.

We would like to thank all of the fans who helped with Retweets and reposting, this was truly a joint effort!

[Sources: DWO; Robert Lenko]

DWO have received reports that missing Doctor Who material from the 1960's is being aired at todays 'Missing Believed Wiped' event at the BFI in London.

Christmas has come early for Doctor Who fans as two previously missing episodes of the show have been found, as announced at todays 'Missing Believed Wiped' event at the BFI in London.

Episode Three of Galaxy 4 (1965) which was previously missing all 4 episodes, has been confirmed as found.

Episode Two of The Underwater Menace (1967) which was previously missing episodes 1, 2 & 4 has also been confirmed as found.

DWO caught up with Doctor Who Restoration Team member, Paul Vanezis regarding the find:

It's been 7 years since the last missing episode was found, and fans had started to give up al hope, how did the latest find come about?

"This discovery was made by two people, Ralph Montagu and a film collector meeting and realising there was a bit of a connection. Ralph was working on the Dr. Who restorations in the past and Terry Burnett had some film, but didn't know what."

What kind of condition were the stories in when they were returned to you and how much work will there need to be applied to their full restoration?

"There's a lot of work to be done on both episodes. Air Lock is missing the last 27 seconds of action and the closing credits. There are many scratches and scuffs plus the usual issues we have with black and white film recordings such as off-locks, videotape dropout etc... Some of the damage will take a lot longer to repair than usual. Underwater Menace poses a different set of problems as well as the more usual. Firstly, it's the ABC's censored print, so the censor clips need to be re-instated. We've already had the clips re-scanned by the National Archives of Australia who have been very helpful. There are numerous film breaks, missing frames, deep scratches etc... and a two second section missing in the middle. That will be the most challenging repair."

Is there anything you feel the public can do to help in the search for missing serials, what are your hopes for future missing material, and do you believe there is a chance more may be found?

"There are 106 episodes missing from the BBC, but I don't think there are 106 episodes missing in the world. Now, I don't want to get peoples hopes up. I've been mis-quoted before, but I am certain there are episodes out there with private collectors. I know fans are excited by these finds and rightly so, but we're also looking for other lost programmes as well. Yesterday, the BFI screened the Dennis Potter 'Emergency Ward 9', found by a friend of mine Ian Beard. That is an incredible and far more important discovery in my view that the Doctor Whos, yet we're all talking about Hartnell and Troughton eps. I of course understand why, but I think more recoveries like this are more likely if people don't go round asking about lost DW, but black and white TV material in general. So, yes. More material will surface, but I don't know when."

+  Read DWO's full interview with Paul Vanezis in the Features section.

Clips from both episodes have been added below:

Galaxy 4: Episode 3 - Clip

The Underwater Menace: Episode 2 - Clip

Doctor Who DVD content Producer / Director, Ed Stradling has put together the following short item regarding the finding:

[youtube:U6dZci_hddo]

Radio Times have provided further information on how the episodes came to light:

So how did they come to light?

“Through me,” says Ralph Montagu, Radio Times’s head of heritage and a lifelong Doctor Who fan. “I occasionally meet up with a group of film collectors and retired TV engineers at a café in Hampshire. 

“A few months ago I spoke to Terry Burnett, who used to be an engineer at TVS [the former ITV franchise based in Southampton]. Somehow Doctor Who was mentioned in passing, and Terry said, ‘Oh, actually I think I’ve got an old episode.’

“I thought it was bound to be something we’ve got already,” says Ralph. “I tried not to get too excited, but he came back the next day and brought this spool with him. It had no label, so I had a look at the film leader and it said ‘Air Lock’. I thought, ‘What’s that?’ I checked online and saw that Air Lock was an episode of Galaxy 4 - a missing Hartnell serial. So then I got very excited.” 

Ralph met Terry again a couple of weeks later, “And he said, ‘Guess what I’ve got.’ It was another episode of Doctor Who! Again not labelled on the can, but it turned out to be The Underwater Menace part two.” 

What other episodes of Doctor Who are missing?:

The First Doctor

Marco Polo - All 7 episodes

The Reign of Terror - Episodes 4–5 (of 6 total)

The Crusade - Episodes 2, 4 (of 4 total)

Galaxy 4 - Episodes 1, 2 & 4 (of 4 total)

Mission to the Unknown - Entire episode

The Myth Makers - All 4 episodes

The Daleks' Master Plan - Episodes 1, 3–4, 6–9, 11–12 (of 12 total)

The Massacre of St Bartholomew's Eve - All 4 episodes

The Celestial Toymaker - Episodes 1–3 (of 4 total)

The Savages - All 4 episodes

The Smugglers - All 4 episodes

The Tenth Planet - Episode 4 (of 4 total)

The Second Doctor

The Power of the Daleks - All 6 episodes

The Highlanders - All 4 episodes

The Underwater Menace - Episodes 1 & 4 (of 4 total)

The Moonbase - Episodes 1, 3 (of 4 total)

The Macra Terror - All 4 episodes

The Faceless Ones - Episodes 2, 4–6 (of 6 total)

The Evil of the Daleks - Episodes 1, 3–7 (of 7 total)

The Abominable Snowmen - Episodes 1, 3–6 (of 6 total)

The Ice Warriors - Episodes 2–3 (of 6 total)

The Enemy of the World - Episodes 1–2, 4–6 (of 6 total)

The Web of Fear - Episodes 2–6 (of 6 total)

Fury from the Deep - All 6 episodes

The Wheel in Space - Episodes 1–2, 4–5 (of 6 total)

The Invasion - Episodes 1, 4 (of 8 total)

The Space Pirates - Episodes 1, 3–6 (of 6 total)

+  If you have any information regarding any of the lost episodes, E-mail Us!

[Source: Doctor Who Online]