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The 50 Year Diary - Day 120 - The Final Test

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 120: The Final Test (The Celestial Toymaker, Episode Four)

Dear diary,

Well! How stunning! The shot of the TARDIS atop the pedestal, all lit from behind by fierce beams of lights, the electrified floor that glimmered beneath a thin layer of dry ice, the jagged triangles formed of a dark, black quartz, with numbers set into them… That's surely the best that anything in Doctor Who has looked up to now!

Hm? Sorry, what? No, no. That's definitely what those 'TARDIS hopscotch' scenes looked like. They did. Promise. You must be thinking of something else. Yeah, that's it.

…Oh, alright. I'll admit it. I cheated. At the time of writing… I've not watched The Final Test. No, I've not given up on the experiment. The Celestial Toymaker hasn't beaten me into submission. The truth of the matter is that I came home today, got ready to cue up the episode and then… well… I didn't. I did the washing up instead. With the soundtrack plugged in. I listened to it, instead. Don't worry, I'm going to go and have a look at the episode in a moment, but I wanted to see how it fared without my being influenced by the visuals, before I actually saw them.

I enjoyed it more than I did the previous episode, but I wonder if that's down to me forcing myself to imagine the most fantastic set I possibly could for today. In many ways, there's nothing different in today's episode compared to anything from the last three. The escape from the Toymaker's realm was quite well done, but it came a bit out of nowhere, and almost seemed a little bit… easy for my liking.

Still, I've found plenty to enjoy in the episode. Cyril really is good fun, and there are mannerisms in his voice that remind me somewhat of Patrick Troughton as the Doctor. Elsewhere, the music throughout the story has been quite good, and it's no exception here.

But now comes the hard part. The Lost in Time DVD is cued up in the drive, and it's time to see what this episode actually looked like. I'll be back in a bit…

(You can imagine some kind of musical interlude here, if you like. Or just a fade to black before I return)

I'm somewhat intrigued. My intention was to watch a few key bits from the episode - a bit of the hopscotch game, a little of the Doctor and the Toymaker in the Trilogic room and the ending of the episode - just enough to give me a fair idea of how the episode looked. Thing is… I ended up watching it all! The full 25 minutes! And you know what the weirdest thing is? I think seeing it has improved my score by at least a couple of marks…

Let's get the negative out of the way first. It really does look pretty cheap. The hopscotch game certainly isn't as grand on screen as it was in my head, but even so, it's better than I remembered it being. For a start, there were actual raised platforms. In my head, I'd convinced myself that the episode itself featured just triangles marked out on the floor in tape. Perhaps the worst room has to be the one the Doctor has been stuck in all this time. The Dolls House is pretty grand (and much larger than I'd imagined! I assumed that they dolls grew to human size, but I get the impression from this that they must have always been so!), but the room is very bare. The tiny screen set into the wall is a particular disappointment - especially after the large back-projections seen back in The Daleks' Master Plan.

But then there's several things that are improved by seeing the episode for real. The performances of Michael Gough as the Toymaker, and Peter Stephens as Cyril are fantastic - they're really the things that drew me into the episode and kept me watching for the full running time. I mused the other day that I didn't really get the fascination with bringing the Toymaker back to the series in later years, but the chance to pit Michael Gough against another Doctor is pretty tempting.

If you'd told me a few days ago that I'd end up doing one episode of The Celestial Toymaker twice in one evening, I'd have assumed that I'd be calling it quits with the experiment, the blog, and Doctor Who as a whole. I'm stunned.

(It was looking like a 5/10 based solely on the audio)

Next Episode: A Holiday for the Doctor

Next Episode: A Holiday for the Doctor 

'Cold War; 1983' Time Zone Playset

Character Options have sent DWO details of their upcoming 'Cold War; 1983' Time Zone Playset.

Collect and build the universe of Doctor Who with these 3D card diorama playsets that feature different time zones visited by the Doctor in the hit TV series. You can travel between different time zones or clip the sets together to build bigger ‘zones’. The playsets are in scale with the Doctor Who 3.75-inch action figures so you can create your own adventures or simply display your collection. There are two Time Zone playsets to collect… 

Cold War; 1983 - In the cold waters of the Southern Arctic Ocean a Russian nuclear submarine is returning from patrol.  As the ‘Cold War’ between the Americans and Russians drags on, tensions run high as the crew constantly run missile launch simulation drills. Also on board is a high ranking Russian scientist with a rapidly thawing block of ice - a block of ice which contains a mysterious creature. When the creature revives, breaks loose and rampages through the ship, the Submarine loses all power and starts to sink, plunging deeper with every passing second. The TARDIS materialises on board and, with mere seconds to spare, the Doctor saves the submarine but leaves it stranded and crippled 700 metres down. But that is the least of his worries when the Doctor realises they are up against one of his oldest and coldest enemies. Cold War Time Zone Playset includes 1 exclusive Ice Warrior ‘Creature’ figurine. One supplied. For ages 5 years and over.

Key Features:

•  3D card diorama playset
•  Clip the sets together to build bigger ‘zones’
•  In scale with the Doctor Who 3.75-inch action figures
•  Each playset includes 1 x exclusive accessory or figurine

+  The 'Cold War; 1983' Time Zone Playset is released in May 2013, priced £9.99.

+  Preorder this product from Forbidden Planet!

[Source: Character Options]

<mce:script

'Dalek Invasion; 2075AD' Time Zone Playset

Character Options have sent DWO details of their upcoming 'Dalek Invasion; 2075' Time Zone Playset.

Collect and build the universe of Doctor Who with these 3D card diorama playsets that feature different time zones visited by the Doctor in the hit TV series. You can travel between different time zones or clip the sets together to build bigger ‘zones’. The playsets are in scale with the Doctor Who 3.75-inch action figures so you can create your own adventures or simply display your collection. There are two Time Zone playsets to collect… 

Dalek Invasion; 2075AD and the Daleks have invaded Earth once more. Using their mighty Saucer ships they bombard London driving the surviving population underground. Once they land, the Daleks patrol the ground looking for survivors in the rubble to either exterminate or transform into their puppets using Dalek nanocloud technology. In the skies the Daleks use long range ‘Hoverbout’ Anti-gravity disks to pursue the resistance. The TARDIS materialises near to a Trans-Sys matter transmission station in Hyde Park and the Doctor realises that he will need all his resources to once again defeat his oldest enemies and save the Earth from destruction. The future of the human race hangs in the balance. Dalek Invasion Time Zone Playset includes 1 exclusive hoverbout accessory. One supplied. For ages 5 years and over.

Key Features:

•  3D card diorama playset
•  Clip the sets together to build bigger ‘zones’
•  In scale with the Doctor Who 3.75-inch action figures
•  Each playset includes 1 x exclusive accessory or figurine

+  The 'Dalek Invasion; 2075AD' Time Zone Playset is released in May 2013, priced £9.99.

+  Preorder this product from Forbidden Planet!

[Source: Character Options]

<mce:script

Brian Minchin Confirmed As New Executive Producer Of Doctor Who

BBC Cymru Wales has announced that Brian Minchin is to be the new Executive Producer of Doctor Who, alongside showrunner Steven Moffat.

Brian Minchin is an Executive Producer in BBC Wales drama, currently working on The Game, a new Cold War spy thriller from Toby Whithouse for BBC One, and Wizards Vs Aliens, Russell T Davies’ hit show for CBBC. He has also worked as BBC Executive Producer on Dirk Gently and Being Human.

Brian produced the RTS award-winning and BAFTA nominated series The Sarah Jane Adventures, as well as the UK sections of Torchwood: Miracle Day and was Assistant Producer on Torchwood: Children of Earth.

Brian, who grew up in Aberystwyth, joined the department in Cardiff in 2005 as a Script Editor working on BBC One Wales drama Belonging, before moving on to network dramas Doctor Who and Torchwood in the same role.

Brian says:

“I'm thrilled and excited to be joining Steven Moffat on a show that has meant so much to me over the years. I've watched in awe as Steven has taken Doctor Who to wild and imaginative places and I can't wait to get started on many more adventures with the Doctor.”

Faith Penhale, Head of Drama Wales, says:

“I've no doubt Doctor Who will enjoy a very exciting time with Brian at the helm working alongside Steven. Since joining BBC Wales in 2005, he’s proved he has a fantastic eye for story and a sharp awareness of what makes a drama like Doctor Who unmissable."

Steven Moffat, Lead Writer and Executive Producer, adds:

"When I first took over Doctor Who, Brian was there as script editor, and in the most difficult time of a new Doctor and a new era, was completely brilliant. We lost him to producing The Sarah Jane Adventures at the end of our first run. Rising talent keeps rising, is how I comforted myself back then - but now I am beyond happy that Brian has risen all the way back to Doctor Who, in his new role of Executive Producer. I look forward to getting hopelessly lost in space and time with him."

Brian will start in his new role with immediate effect.

[Source: BBC Press Office]

The 50 Year Diary - Day 119 - The Dancing Floor

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 119: The Dancing Floor (The Celestial Toymaker, Episode Three)

Dear diary,

What on Earth must Dodo think she's walked in to? She took to the Ark and the Monoids and the idea of time/space travel pretty easily (I think she was mostly distracted by the TARDIS wardrobe), but now… The Celestial Toymaker is quite unlike anything that the programme has ever attempted before, and it's an odd introduction for her to life in the TARDIS so early in her journey.

In some ways, this seems to be Season Three's 'sideways' story (in the same way that The Edge of Destruction wasn't really a futuristic story, and the first episode of The Space Museum was an interesting idea in stepping sideways in time, before it became a tedious, cardigan-eating bore), but even when you think of it as being in the same bed as those two stories, it's something of a curiosity.

The first two episodes have just about skirted by on leaving me baffled by the time the end credits rolled. They weren't the most accomplished episodes in Doctor Who history, but they were just about passable. Eventually though - and really, that means 'today' - it wears a bit thin. It has helped that, because I'm not watching a recon, I can imagine these episodes looking however I want to. My only frame of reference is a dimly-remembered few bits of the fourth episode, but I've somewhat pushed those to the back of my mind while listening. Indeed, now I'm not sure how much of my memory of that episode is me remembering and how much is me making it up in my head.

The other thing that I keep coming back to (and you'll have to forgive me for bringing this up a third day running, but frankly I'm too bemused by this story to really write a great deal more) is that it could be a really dark and sinister piece. Between yesterday's episode and today's, I re-watched The End of the Line on the DVD for The Gunfighters. It's a documentary about the production of Doctor Who's Third Season (and, really, one of the best in the entire range - I've seen it three or four times already this year, and I'd not be surprised to find myself sticking it back on once I've finished with the season), and it goes into the rather torturous gestation of this tale.

The short version is that because this season saw the production team in a state of turbulence (three different producers and a few different script editors before the year is out), this story somewhat fell through the cracks, caught between two teams with very different ideas. It's the first script to be written by Brian Hayles, and a story is told in the documentary is that, having gotten about half-way through, Hayles called the production team and told them he didn't think he could continue with the script - because he was scaring himself writing it. Donald Tosh goes on to talk of how the story originally was all to do with playing with people's minds and manipulating them: and there's still a few elements of that in here.

It's clearest in Episode One, when Steven sees images of himself displayed on a screen. The Doctor tells him it's only displaying the images to him, and that it's drawing them from Steven's own mind. It would perhaps be interesting - and especially from a budget-saving point of view - to have the guest characters in this story drawn from Steven's mind, too. So we could have a Dhravin appear at one point, or a Dalek. Even a Monoid. That might be interesting enough. Imagine Steven and Dodo entering the Dancing Floor to find a group of Daleks sat there, guarding the TARDIS and dancing around. I'm sure Terry Nation would have vetoed it, but it's an interesting thought.

Then there's the idea that the contestants Steven and Dodo actually are playing against are people like them - who've become trapped here in the Toymaker's realm and are now playing for their freedom. It's an interesting idea, and while it starts to get explored here (with Steven and Dodo debating what they actually are). it never goes quite far enough for my liking.

The Toymaker himself is growing in potential for a character, too. There's a point here when he could be very sinister: telling two of his 'dolls' that if they fail him, he will break them. He demonstrates by smashing a plate, but it would be so much more effective had he broken another failed pawn.

And tomorrow, I move back into the world of the existing episode, so any opportunity to imagine how good this could look will be out the window, and I'll get a real eye-opener to the world of the Toymaker…

Next Episode: The Final Test

Next Episode: The Final Test 

The 50 Year Diary - Day 118 - The Hall of Dolls

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 118: The Hall of Dolls (The Celestial Toymaker, Episode Two)

Dear diary,

This isn't, perhaps, going to be a popular statement… but I can see why The Celestial Toymaker spent so long being considered as one of the greats. Oi! Come back! Don't close the tab! Hear me out!

In the days when you can't see the story, or hear it (heck, even the novelisation wasn't released until June 1986, a little over twenty years from broadcast), this must have sounded brilliant. Take this episode, for example. If I were to describe it to you as Steven and Dodo having to choose the right chair, by using dolls to test them out, but six of the chairs have horrible consequences…

Oh, all right. It still sounds naff. But it shouldn't, because there's some quite creepy moments in here. One of the dolls gets cut clean in half when it's placed on a chair. Another is electrocuted as Dodo throws it up onto the chair. It doesn't sound great when you can hear it on the soundtrack, and it probably didn't look great to watch, but the idea of it… that's pretty solid.

Otherwise, I'm still not sure what to make of this story. This particular episode is usually the one that people hold up as being appalling because of the use of the 'n-word'. Obviously, it's not something that's comfortable to have in here, but it's a fact of the matter that it appeared this way at the time, 47 years ago, and that we've moved on from it. A friend made a good point the other day, though. Were this episode to be returned to the BBC's archives, what would they do about it? On the soundtrack it's covered by Purves' narration (indeed, I didn't even realise until later on that it had been spoken over), but the episode itself may not have that option. I'm guessing that the Restoration Team would just cover it cleverly in some way.

But setting that aside, I think I'm still more baffled by this story than I am actively bored by it. Today's episode was listened to while I did the washing up, and I spent most of the time wondering what on Earth they were thinking by making a story like this. It's really unlike anything that we've seen in the series, and it's not something that we'll ever really see again.

And then I got to thinking about the fact that people are always so keen to bring the Celestial Toymaker back. He's in one of the novels, a few of the Big Finish audios (played, superbly, by David Bailie. If you've not heard his performance then you really need to. Off to the Big Finish website with you!), the first of the Eighth Doctor's DWM comic strips. There was even a planned return to the programme in the 1980s (again, available from Big Finish now).

I couldn't get my head around why people were so keen to bring him back, but I think it is simply the fact that the idea behind him is a solid one. He's a God. A powerful God who gets terribly bored and draws people like the Doctor to his realm to entertain him. Done well (and this story perhaps isn't the best example of that), he could be a very good character.

And so we move to Episode Three. I'm still a little surprised by my own reaction to the story - as I said yesterday, I'd been dreading this one. Tomorrow's my last opportunity to picture the Toymaker's realm entirely in my mind as opposed to what I can see in the surviving final part, so hopefully it'll give me plenty of imagery that can only work well away from this serial's budget…

Next Episode: The Dancing Floor

Next Episode: The Dancing Floor 

7.10: Journey To The Centre Of The TARDIS - Overnight Viewing Figures

The overnight viewing figures are in for 7.10: Journey To The Centre Of The TARDIS.

The episode achieved a figure of 4.9m viewers, with an audience share of 26.68%, and Doctor Who was the third most-watched programme for Saturday, once again winning its time-slot for the evening.

Top Overnights - Saturday 27th April:

1 - 9.3m - Britain's Got Talent - ITV1 (Includes +1)
2 - 7.9m - The Voice - BBC One 
3 - 4.9m - Doctor Who - BBC One

Final BARB ratings will be available within the next 10 days.

Series 7 Part 2 Final BARB Ratings roundup:

7.6: The Bells Of Saint John = 8.44m
7.7: The Rings Of Akhaten = 7.45m
7.8: Cold War = 7.37m 
7.9: Hide = 6.61m

+  What did you think of the episode? Rate / Discuss in the DWO Forums!

[Source: Andy Parish]

The 50 Year Diary - Day 117 - The Celestial Toyroom

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 117: The Celestial Toyroom (The Celestial Toymaker, Episode One)

Dear diary,

Ohh, I've been dreading this one. So far (with the occasional blip here or there), Season Three has been doing pretty well. The boredom that had started to seep in with Season Two has dissipated, and I'm really enjoying the programme at the moment. But then there's The Celestial Toymaker. For a long long time, this story had a golden reputation. People would fall over themselves to take credit for it.

But then the fourth episode was found.

Overnight, people changed their stories to pin the credit on somebody else. Anybody else. As long as it wasn't them. I'm guessing you can understand why I've not been too keen to reach this one. Thing is, though, I've not seen the fourth episode. I know some of the various criticisms that get levelled at it, but I've yet to witness them first-hand. And it actually seems to be doing the trick.

By the time this episode ended, by which time I'd expected to be sobbing and wondering if it was too late to drop out of this diary, I was more intrigued than anything else. I'm not sure I've actually got a clue what's really going on (it didn't help that the moment the rules of Steven and Dodo's game were announced happened to coincide with me reaching the self-service till in Asda), but I think I've enjoyed it.

One of the things that gets said a lot about the fourth episode is that the story simply looks cheap. Here, again, is the benefit of listening to this one as an audio - I don't know! It could look great! There's a moment in this one, where the Toymaker tells the Doctor and his companions that they can go back to the TARDIS if they want. Peter Purves' narration then explains a screen showing them hundreds of TARDISes.

That's how he described it, yet my mind automatically went for lots and lots of police boxes revolving around them. We already know that they're in an octagonal room with no features, so what if the walls of the room are suddenly lined with facsimiles of the ship? In my mind, that scene looked great.

They seem to be trying to inject a lot of tension into this story, too. Early on, the Doctor warns Steven and Dodo that nothing here is 'just for fun', and we later find out that the Doctor has visited the Toymaker's realm before. We're told that he didn't stay long enough on that occasion to play any of the games, but it's interesting to find a place like this that the Doctor actively knows of - and a place that he's scared of. It really helps to sell the threat to us, and isn't something we've seen before.

Even the ending of the episode sounds quite sinister, with the lights dimming, claps of thunder, and the clowns being reduced to lifeless mannequins which then shrink back down to the size of dolls. The narration describes Dodo as shuddering as she leaves the room, and in my mind at least, it's a pretty creepy scene.

Ah, Dodo. She really is just a companion, now, There's no attempt to suggest that she's new to all this TARDIS travel stuff. Right at the start of the episode (or to be more exact, at the very end of the last episode), she emerges from the wardrobe again, thrilled with her latest discovery. It's 'fab', apparently. When they think they've arrived in an empty place, she's keen to move on to somewhere more exciting. It really is a shame that she's not being given more of a character so far.

Still, it's a much better start than I'd feared to this story - even if it is all in my head so far. Here's hoping things don't go too awry before the last episode rolls around!

Next Episode: The Hall of Dolls

Next Episode: The Hall of Dolls 

7.11: The Crimson Horror - DWO Spoiler Free Preview

DWO’s spoiler-free preview of episode 7.11 The Crimson Horror:

“When the end of days is come, and judgement rains down upon us all...”

When Madame Vastra, Jenny, and Strax are alerted to a spate of strange deaths in the north of England, it’s the last sight of a dead man that grabs their attentions. Sweetville has been established as a place for people to come and repent, opting for a chance to be saved from the coming apocalypse. But there’s something sinister at the heart of this ‘perfect’ community, and the Paternoster Row team aren’t the only ones intrigued by the mystery of Mrs Gillyflower and her ‘silent partner’, Mr Sweet... 

Having made such a hit as a team in The Snowmen last Christmas, the return of Vastra, Jenny, and Strax has been one of the most anticipated points of the 2013 series. Thankfully, Mark Gatiss’ The Crimson Horror does not disappoint. 

The story in places almost serves as a ‘Doctor-lite’ episode, with much of the early focus of the episode being squarely on the guest cast. We almost open mid-story for the Doctor and Clara, and discover the secrets of Sweetville through the eyes of our returning heroes, as they make their way deeper into the sinister new mill, uncovering secrets as they go. Vastra’s advice of how to find the Doctor - to ignore any ‘keep out’ sign, and actively look for danger - is fitting, and it’s wonderful to see these characters given room to breathe. 

The stand out has to be Dan Starkey, returning as Strax for a third time. As during the christmas episode, the character is played purely for comic relief, but all his humour hits just the right spot. The more we see of the trio together, the more we’re desperate for them to front their own spin-off series. This episode seems to perfectly showcase that they could carry it off, with mysteries being brought to their attention, ready to be investigated. 

The other major guest stars for The Crimson Horror come in the form of Diana Rigg and her daughter Rachel Stirling. They play mother and daughter in the episode, too, with Rigg taking on the part of Mrs Gillyflower, owner of the new Sweetville Mill, and her blind daughter, Ada. The pair are fantastic casting and really set the screen alight when they share it.

The direction of the episode, by Saul Metzstein (who also directed our unusual Victorian investigators last Christmas), is as fantastic as we’ve come to expect from him, and there’s an interesting use of flashbacks to catch us up with the story when needed. 

The only question now... when will Vastra, Jenny, and Strax be getting their own spin-off?

Five things to look out for...

1) “Did you think I’d forgotten you, dear monster?”

2) “Just when you think your favourite lock-picking Victorian chamber maid will never turn up!”

3) “Brave heart, Clara...”

4) “Horse! You have failed in your mission!”

5) “I’m the Doctor, you’re nuts, and I’m going to stop you.



[Sources: DWOWill Brooks]

The DWO WhoCast - Episode #289

Episode #289 of the DWO WhoCast, Doctor Who Podcast is Out Now!

In this week's episode of the DWO WhoCast...

Dave, Elizabeth and Thomas take a Journey To The Centre of the TARDIS.

Whilst lost in the depths of the time machine, Thomas finds a copy of Festival of Death by Jonathan Morris to review, Dave finds Dean clutching a copy of the latest Big Finish / AudioGO title; Destiny of the Doctor: Babblesphere and have a listen together whilst somewhere near the Eye Of Harmony, Elizabeth reads the Third Doctor eBook The Spear of Destiny.

Only Elizabeth makes it back and she is so distraught that she settles down with Michelle to watch The Ribos Operation.

Listen to Episode #289 of the DWO WhoCast in the player below:

+ Rate / Review the DWO WhoCast on iTunes!
Rate / Review the DWO WhoCast on the DWO Forums!
Follow the DWO WhoCast on Twitter!
Like the DWO WhoCast on Facebook!

[Source: DWO]

The 50 Year Diary - Day 116 - The Bomb

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 116: The Bomb (The Ark, Episode Four)

Dear diary,

After everything I said yesterday, the Monoids actually look really good here! The scenes where they emerge from the jungle on Refusis and attack the others is fantastic. Yes, they're a slightly silly idea, and yes they don't quite work as well as they might have hoped, but I'm completely won around. It'd be interesting to see a modern take on them. Has anyone drawn up any designs for a re-imagined Monoid?

I find that this is another one of those episodes where I'm left with very little to say. Over the last three days, I've praised the direction, the design, the story… and all of that's waiting to be talked up again here. Stories like this are tricky, because you really don't quite know what to talk about without repeating yourself. A lot.

It's fair to say that the story suffers one of its few less successful effects here, when the Monoids leave the Ark and head for the planet. The shot of the shuttles leaving the ship is plagued by some very obvious wires, but I think it's a case of falling back on my old argument - the original broadcast wouldn't have been on a screen as big as this, or with a picture as clear as this.

There's a wonderful special feature on The Ark DVD, during which Peter Purves talks about the way that the programme would have been seen back in 1966. They show the image on a tiny TV set, and with the contrast up high - just as it would have been when first shown. The shot they use is the opening scene, where the Monoid turns to the camera and it's our first introduction to this world. It looks great. I wonder if I can play with the settings on the Mac and watch an episode in a worse quality than the DVD affords, just to see how it might have looked? That would be an interesting experiment for maybe an episode that's not particularly well regarded.

On the whole, I've rather enjoyed The Ark. It's not a particularly stand-out story in the way some others the season might be, but there's a lot in there to be praised, and I'm surprised it's not considered more popular. I don wonder, though, if it may work a little better were it given the Mission to the Unknown treatment: splitting it apart. Would the story be given any more impact if they had their two episodes dealing with Dodo's cold, left as we see here, and then headed off to another story. They could even move on and do the Celestial Toymaker story - the final few minutes of today's episode would tag onto the end of Episode Two quite well.

Then, having spent four weeks away, they could return to the Ark, and Dodo could still do her whole 'Oh, look! They've completed the statue! Do you remember, last time we were here, they said it would take 700 years…' and play the story out just the same. It might be nice to see the story given a bit more space to breathe like that, and give the real impression that time has passed for the Ark, by making time pass for us. I guess that can jut be one of those 'what ifs'.

Next Episode: The Celestial Toyroom

Next Episode: The Celestial Toyroom 

Fifty Years In Time And Space - Book Cover & Details

Fifty Years in Time and Space: A Short History of Doctor Who is a new critical study by Frank Danes, available from St Mark’s Press.

Those of you with long memories may remember that Frank used to edit the fanzine Fendahl way back in the late 70s and early 80s.

These days, Frank says of himself:

"I’ve always been a Doctor Who fan even as I have become (in Terrance Dicks’ words) older, fatter, greyer, but not noticeably wiser."

Professionally, Frank is Head of English at King’s Ely in Cambridgeshire; he’s also written Victorian Literature for CUP.

Frank comments:

"Fifty Years in Time and Space is inevitably a personal reading of the series and is coloured by my own critical preferences:  any book about the programme which doesn’t demonstrate the author’s own views would, I think, be very dull.  I haven’t religiously covered every single story and I haven’t provided a plot précis or production details of every one.  Interested readers can find these in many of the programme guides that are available online or in book form.  I hope readers will forgive me for jumping around and pursuing the bits I’m most interested in.  Since these bits include all of Doctor Who, I hope most issues are touched on, in more or less detail."

The book offers a new approach to the history of the series; by turns analytical, by turns funny – and with a stunning cover by Roger Langridge.

+  Fifty Years In Time And Space is Out Now, priced £11.95 from www.stmarkspress.com.

[Source: St Mark's Press]

Harvest Of Time - Book Cover & Details

Ebury Publishing have sent DWO the cover and details for the upcoming BBC Doctor Who book title; Harvest Of Time.

Synopsis:

After billions of years of imprisonment, the vicious Sild have broken out of confinement. From a ruined world at the end of time, they make preparations to conquer the past, with the ultimate goal of rewriting history. But to achieve their aims they will need to enslave an intellect greater than their own…

On Earth, UNIT is called in to investigate a mysterious incident on a North Sea drilling platform. The Doctor believes something is afoot, and no sooner has the investigation begun when something even stranger takes hold: The Brigadier is starting to forget about UNIT's highest-profile prisoner. And he is not alone in his amnesia.

As the Sild invasion begins, The Doctor faces a terrible dilemma. To save the universe, he must save his arch-nemesis… The Master.

From award-winning science fiction writer Alastair Reynolds, a spellbinding new adventure featuring The Third Doctor.

+  Harvest Of Time is released in Hardback on 6th June 2013, Priced £16.99.

+  Compare Prices for this product from as little as £14.44 on CompareTheDalek.com.

[Source: BBC Books]

The 50 Year Diary - Day 115 - The Return

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 115: The Return (The Ark, Episode Three)

Dear diary,

I've mentioned before that Season Three is something of a weak point in my early Doctor Who knowledge. I've not seen much of it before, and only really know the overall 'gimmicks' of the stories. The cliffhanger for yesterday, for example, is the main thing I know about this story. It's telling that today we've touched down on the planet Refusis 2, and I didn't know we were going to! I thought the whole story took place on the Ark, and reached the planet right at the very end, in time for the Guardians to take their place on the new world.

It was a bit exciting, then, when the Doctor, Dodo, a Monoid and his personal slave were bearded into a shuttle and sent down to scout out the planet first. What would they find? Arid desert? Beautiful countryside? A quarry? A studio set? Oh, of course. It's a jungle. Full of invisible creatures. Didn't we do this not all that long ago?

I think what frustrates me is that I know they can do a good jungle set on the show in this era. Heck, I quite liked the one we got in The Chase, but then it was bettered by The Daleks' Master Plan and the first two episodes of this story. Yes, it's a lovely design again, but… I want to see something new! Doctor Who has always been very good at re-using its good ideas over and over, but it doesn't really work when it comes so quickly in succession like this.

Still, there's a lot to like in this episode. Imison as director continues to impress - there's several 'effects' shots in this instalment and they're all pulled off very well. From the magically appearing food, through to the invisible creatures moving around, and the explosion of the capsule at the end, there's a lot to enjoy and it's really helping push this story along. It's the first time, I think, that we've had so many effects like this all in one episode, and just as par-for-the-course. It really makes The Ark stick out from the stories we've had leading up to it.

There's also still a number of design choices being made in this episode that I'm really liking. Quite aside from the jungle itself, and the sets for the Ark, which are still just as nice (though we see less of the scope, now), I really love the capsule that the Doctor and co use to descend to the planet. I love the way the door opens, with the wall folding away and the seat overturning to form steps - though you'd need to be careful if you were the one sitting there. I wonder how many accidents those things have caused over the centuries?

Oh, alright then. I'm going to have to discuss the Monoids properly at some point, aren't I? They've never been the most well-regarded creatures in Doctor Who history, and I think it's fair to say that they're not the greatest design on show in this story. That said, I do sort-of like them, and they look better in some shots here than they have before. I've often thought it strange to build an entire monster around the idea that you could make the eyes move by wiggling your tongue around a bit, but it does work on some occasions.

The voices are something of a let-down, though, Having had them evolve from speechless beings into this, I don't know what I was expecting. We seem to have ended up with 'generic evil alien' voices, not all that far removed from Mechanoids or Daleks. I am keen on the way that Monoid One keeps gesticulating, though. It's almost a throwback to the way they communicated before, and that works quite well.

Mind you, the less said about the 'Security Kitchen' the better…

Next Episode: The Bomb

Next Episode: The Bomb 

7.12: Nightmare In Silver - Official Synopsis

The BBC Press Office has confirmed the synopsis for Neil Gaiman's Doctor Who episode; '7.12: Nightmare In Silver'.

712: Nightmare in Silver
By Neil Gaiman

Hedgewick’s World of Wonders was once the greatest theme park in the galaxy, but it’s now the dilapidated home to a shabby showman, a chess-playing dwarf and a dysfunctional army platoon.

When the Doctor, Clara, Artie and Angie arrive, the last thing they expect is the re-emergence of one of the Doctor’s oldest foes. The Cybermen are back!

[Source: BBC Press Office]

Regeneration Set - DVD Box Art & Details

BBC Consumer Products have sent DWO the box-art and details for the Doctor Who 'Regeneration' DVD Box-set.

Regeneration - Box-set
Featuring: The 1st, 2nd, 3rd, 4th, 5th, 7th, 8th 9th & 10th Doctors

Regeneration: a limited edition collectors’ book, including over 1000 minutes of Doctor Who adventures on DVD will be released in June.

The Doctor Who Regeneration set is an individually numbered, beautifully packaged, coffee table album including six DVDs of Doctor Who adventures – including fan favourites like The Caves of Androzani and The End of Time, plus an advance release of the First Doctor’s final adventure The Tenth Planet.

The set is adorned with superb photography from across the era and features detailed and informative accounts of each regeneration. The collection features each Doctor’s iconic regeneration episode; from the First Doctor played by William Hartnell, exhausted after battling the Cybermen to Jon Pertwee’s Third Doctor suffering from radiation that had been unleashed by the Great One; and from the spectacular transformation of the Ninth Doctor to David Tennant’s emotional farewell as the Tenth.

And if that wasn’t enough, new to DVD is The Tenth Planet featuring the Doctor’s first regeneration – beautifully restored with the missing fourth episode now brought to life with stunning animation. Utilising the original soundtrack, off-screen photographs and a short surviving sequence of the Doctor’s regeneration the episode has been now reconstructed in animated form, incorporating the restored version of the surviving sequence.

A full list of stories included on the DVD are:

•  The Tenth Planet
•  The War Games
•  Planet of the Spiders
•  Logopolis
•  The Caves of Androzani
•  Time and the Rani
•  Doctor Who: The Movie
•  Bad Wolf and The Parting of the Ways
•  The End of Time

Watch a trailer for the box-set below:
[youtube:bjICZ4qzLmM]

+  The Regeneration Box-set is released on 24th June 2013, priced £43.25.

+  Compare Prices for this product on CompareTheDalek.com.

[Source: BBC Consumer Products]

The 50 Year Diary - Day 114 - The Plague

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 114: The Plague (The Ark, Episode Two)

Dear diary,

The Ark really is one of the best stories that we've had so far, design-wise. Everything about this spaceship has been really well thought-through, from the look of the place to the way that the characters interact with each other. It's only a small (and very silly) thing, but there's a moment where one of the Guardians addresses the rest of his people, and there's one off to the side - barely in shot - translating to sign language for the benefit of the Monoids. There's really no need to have someone specifically doing this, but it really does help to make the world seem far more real.

And then there's the design of the sets, too. Back during The Daleks' Master Plan, the existence of a surviving episode left me stunned at the sheer size of their council chamber. The same can be said of the main hall seen in this story - you really get a sense of the scale of this ship. It doesn't hurt that Imison is still proving to be one of the best directors we've had on the show, and his high-angled shots really make the most of the space.

It's frustrating, then, when things aren't done so well in this episode. There's a moment when a Guardian looks down that the Doctor on a video monitor, and the case around the screen looks like it's been thrown together in ten minutes out of MDF. I know that's more or less the way that most of Classic Doctor Who was made, but it sticks out like a sore thumb in an episode that's otherwise very well realised.

Perhaps even more of a problem for me is the Monoid's form of transport. The buggies appear to be scenery carts from the BBC (I'm willing to bet that they are), and they take me right out of the story every time they appear. There's a lovely moment early on, where a dead Monoid is taken on a funeral precision, carried through the gathered crowds to be jettisoned into space. It's far more moving than the death of a Monoid has any right to be, but then when they load him onto the back of the truck, it all falls apart.

At the end of the story, when the Doctor and his friends are taken back to the TARDIS rising on one, Hartnell looks as though he's off to the boarding gate at Gatwick. I'd not be at all surprised if he didn't turn up in tomorrow's episode… That said, how good does he look when Face Timing with the Guardian? He does it better than a few of the other actors in this story…

When people talk about The Ark, the thing that usually comes up pretty quick in the conversation is this mid-way cliffhanger. That's the unique selling point of this story - the Doctor and his friends turn up, cause a problem, save the day, leave… and then they come back again. That's the thing that everyone knows about this tale. It's almost a shame that I'm coming to it knowing that we're only half-way through, as I'd be keen to know what my reaction might be if I didn't know what was happening.

Especially since - and this isn't something that often seems to get said - the reveal of the cliffhanger is bloody brilliant. Seriously, I think it may be the best reveal that we've ever had in the series. The TARDIS rematerialises (having departed in a gorgeous shot that contains a Monoid! There's some gorgeous spilt-screen work in there), the Doctor and his friends look around, and then the cliffhanger is that the statue has been completed. That's it. They've arrived back on the Ark, and it's 700 years later. The 'Next Episode' caption comes up and everything.

It's only after that's all happened that we get the slow pan up the statue to reveal it's got the head of a Monoid. It's almost like you're let down by a naff cliffhanger, and then they hit you with that one! Bam! Oh, it's very clever, and it really works.

And it's set up very cleverly, too. What we get beforehand is the final scene of a Hartnell story. They all say goodbye. They sum up the resolution to us, wish those staying behind well and then depart for the next story. It might as well be the final scene of The Web Planet (but with less jumping around). It really takes what you expect from the series and turns it on its head.

Mind you, why do they instantly assume they're back on the Ark when they arrive? They've been in so many jungles lately that it shouldn't come as much of a shock! And, for that matter, why do they head back up to the main area instead of getting back in the ship and trying again? Dodo says it herself - 'it's only been a few seconds' - yet she still wanders around calling 'we're back!' as she looks for people. Strange.

Next Episode: The Return

Next Episode: The Return 

The 50 Year Diary - Day 113 - The Steel Sky

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 113: The Steel Sky (The Ark, Episode One)

Dear diary,

It still feels weird to do an episode that's not been narrated by Peter Purves. I'm almost wondering if I can hire him so sit next to me on the couch and narrate the existing episodes while I watch them. I might look into that.

That said, it's nice to be back to a visual episode for today (and, indeed, for the rest of this story). Even better, it's a very visual episode! It's gorgeous! Right from the very start, as we see a lizard, followed by a bird and then a shot of a Moniod… That's striking. It's almost as if they knew this episode would survive, and decided to make full use of the fact that you can see it by really putting the effort in.

The direction continues to be of a consistent standard throughout the episode - from the tracking shot which stops just as the TARDIS materialises, to a range of high-angled shots. Director Michael Imison even manages to make the Moniods look good when the Doctor and friends come out of the caves and find themselves surrounded.

Ah, yes. The Doctor's 'friends'. I know it's early days yet, but I don't really know what to make of Dodo. On the plus side, she brings out the best in Steven - I'm greatly enjoying his exasperation with her, for example - but on the other… I've spent a lot of time so far in this marathon praising the way that companions are treated on the whole. The introductions of the last two 'major' companions (Vicki and Steven) have both been chances to reestablish the programme, and bring new viewers up to speed before we launch off on another adventure.

Dodo, though, right from her slightly odd arrival in yesterday's episode just seems to be thrust into things a bit too fast. It's almost as though they don't want to waste time in setting up this new character, so they're just getting all the early character beats out of the way as quickly as they can, before they move on with the story. Yesterday, we had the very quick introduction to her ('Hello! I'm Dodo! My full name is Dorethea, I'm an orphan, I live with my aunt, but she hates me, so I won't be missed. I might be from Manchester, but I've yet to decide on that…'), and an attempt to try and set up the show again ('this is a time machine. We can go anywhere in space, too. Don't know how to steer it though, so you may never get home. Off we go!). Today, she's already rooting through the TARDIS wardrobe and keen to explore. It's all just a bit too quick for me.

I'm hoping that it'll eventually settle down (The War Machines is the only Dodo story I've seen in full, and it was so long ago that I can't remember much about it…), but for now… no. Not sitting right with me at all. Still, that said, I do love the idea of her emerging from the TARDIS with a cold. It's a different idea, and it's lovely to see how it impacts on the plot. I wonder if these days they'd describe the TARDIS as having some kind of 'cure-all' filter inside it, to stop you from bringing back all manner of diseases from your travels through history? I know enough about The Ark to know where it's going in this story, but it's by far the best thing about Dodo so far.

I'm hoping that the direction continues to be of this standard moving forward, because it's the best thing about the story so far. I'm just enjoying the novel feeling of moving onto another moving episode! It's not something I've been able to do for a while, now…

Next Episode: The Plague

Next Episode: The Plague 

The 50 Year Diary - Day 112 - Bell of Doom

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 112: Bell of Doom (The Massacre of St Bartholomew's Eve, Part Four)

Dear diary,

I was really not looking forward to this one. Having found the thing I enjoyed most about The Massacre was the whole subplot about the Doctor and the Abbot looking alike, I really worried that there wouldn't be anything in part four to hold my attention. Thankfully, this episode really brings everything together nicely, and I was captivated by it.

Early on, Steven returns to meet with Anne, and solemnly tells her that his friend is dead. He admits that he doesn't know what to do, and that if he can't find the Doctor's TARDIS key, then he won't be able to make it out of Paris. It's another chance for Peter Purves to shine (there are several in this episode), and it's interesting to see a companion in this predicament.

Towards the end of The Daleks' Master Plan, when Hartnell took a week off, Steven and Sara found themselves stranded, not knowing where the Doctor was. There, they were filled with optimism, and knew that he had to be out there somewhere, probably in the middle of the Dalek's plans. Here, though, Steven is convinced that he's actually seen the Doctor's body, and that he's got no hope. It's a brave thing to do with the programme, and one which we don't often see.

But then the Doctor appears, and all is well! Hooray! Except… where has the Doctor been all this time? He chastises Steven for not being at the tavern when he got back there, and says that the curfew is responsible for a lot of the mess they're in, but… Does he ever actually tell us what he's been up to? Has he just been wandering the streets of Paris for a few episodes?

The actual plot of the massacre itself has been of more interest to me here, too. Throughout the story, I've somewhat struggled to keep abreast of who's on which side, and which one is meant to be trying to massacre the other. Here, it's spelled out nice and clearly. The Queen Mother has given the order, and everyone of the opposing religion is to be killed at daybreak. Simple. The Doctor ten gives us a brief run-down of the events once we're safely back to the TARDIS, and suddenly I'm back up to speed again.

Indeed, it's these final TARDIS scenes that really sell the episode. I've praised Steven as a character in the past because he's not afraid to speak his mind and stand up to the Doctor. Never is this more in evidence than here, when he riles against him for sending Anne Chaplet home, even though it meant sending her to death. It's a beautifully written scene and Purves plays it with perfection again. All the more effective is the way that having told the Doctor he intends to get off the ship at their next stop, he barely says one more word to him before leaving. It's powerful stuff.

I'm only hoping that it gets picked up on in the next story. I've been impressed on more than one occasion with the series so far, when they pick up on big character moments like this even as we move to a new story, and it feels like a moment that really does deserve to have lasting effects. It was an argument like this from Barbara back in The Edge of Destruction that set the Doctor off on a route to becoming a new man, and it would be nice to see this moment continue pushing the Doctor down the right path.

The scene is then lifted even higher by Hartnell's monologue, straddling Steven's departure. He tells the boy that he stands by his decision, and that there is a chance - however slim - that Anne may have survived. Having then watched Steven storm out, the Doctor muses that everyone leaves him in the end. He thinks of Susan, and Vicki, before commenting that Ian and Barbara were all too eager to get back to their own time and place.

It then marks the first occasion in a while where the Doctor has really spoken of his own world, when he considers that it may be time to return. It's a very moving moment for the Doctor, and Hartnell is perhaps the best he's ever been. Much gets said in this story about the way he plays the Abbot in such a different manner to the Doctor - without the little gestures and the flubbed lines. People don't often seem to talk about this moment, where he gets everything spot on, and really sells it to us.

And then… Dodo! It feels silly, but I'd never realised the Anne Chaplet / Dodo Chaplet link had been made so explicitly in the programme itself. I always thought that it was left as a bit of a subliminal hint that everything might have been ok in the end for Anne. Unfortunately, the scene itself isn't perhaps the best introduction to a character - it's serves more as a four-minute info-dump than anything else, checking off everything we need to know (and then some) before heading back out to the stars.

The series has been a very dark place of late, with plenty of death and destruction. I've enjoyed it as a direction for the programme, but I'm looking forward to having Dodo here, and seeing the series head for a slightly less morbid place once more…

(By the way: There's a story that says Ian and Barbara were supposed to appear in this episode, watching the TARDIS as it departs across Wimbledon Common. Sadly, it never happened. How brilliant would it have been, though? I know I was sick of them by the end, but a brief snippet of them here and now would simply be marvellous…)

Next Episode: The Steel Sky

Next Episode: The Steel Sky 

The 50 Year Diary - Day 111 - Priest of Death

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 111: Priest of Death (The Massacre of St Bartholomew's Eve, Episode Three)

Dear diary,

Well… I hope that the Abbot isn't the Doctor in disguise, because if he is then the history of Doctor Who must have flowed very differently to the way I've always understood it, with Hartnell's Doctor killed here and his corpse left out on the streets of Paris.

Yes, this subplot is still the thing that's interesting me the most about this story, and I'm a little sad to see the back of it here in Episode Three, meaning that I'll need to find something new to latch onto for the final part of the tale. Throughout this episode, the entire storyline is expertly woven into the tale - you only need to look at the moment the Abbot's death is announced to see that.

Steven has just assured us again that the Abbot really is the Doctor in disguise, and announces that he's 'certain' of that fact now that he's seen the man up close… at which point we're told that he's been murdered outside his home. Steven is horrified (and Peter Purves turns in a great performance - he really is very good when he's having to portray anger), and rushes out to see for himself.

It's another one of those times that I extol the virtue of experiencing these missing episodes in the form of the narrated soundtracks - because the sight of this man laying dead on the street with the face of the Doctor was far more striking in my mind that it would have been on screen. Just to compare, I did stick on the last few minutes of the Loose Cannon recon when I got home (I've been listening to today's episode on a walk around the supermarket. The death of the Abbot was announced just as I picked up some lamb for tea. Lovely.), and while it's perfectly good enough, it really did very little for me.

What's also interesting in this episode is Steven's faith in the Doctor. Early on, while trying to convince Anne to go back to the Abbot's home, he tells her that if the Abbot is the Doctor, then she has nothing to fear - the Doctor will make sure that no harm will come to her. It's interesting when you consider that his two most recent additions to the TARDIS (Katarina and Sara, and if you want to be really picky, then Brett, too) have both met their demise while under the Doctor's care. I've never been more convinced that Anne is destined for death.

Otherwise… I'm afraid I have to admit that I'm still just not into this story. I'm sorry. I'm trying, really I am, but I'm just not connecting with it. I've been so looking forward to Lucarotti's return to the TARDIS, but whereas his previous tales were painted on a broad canvas that was easy enough to follow, I just feel like I'm losing track of who's who and which side they're fighting on. And have France now gone to war with Spain or not? Yesterday I thought they had, but today they seem to not be…

Next Episode: Bell of Doom

Next Episode: Bell of Doom 

7.9: Hide - Overnight Viewing Figures

The overnight viewing figures are in for 7.9: Hide.

The episode achieved a figure of 5.0m viewers, with an audience share of 24.5%, and Doctor Who was the third most-watched programme for Saturday, once again winning its time-slot for the evening.

Top Overnights - Saturday 20th April:

1 - 10.3m - Britain's Got Talent - ITV1 (Includes +1)
2 - 7.9m - The Voice - BBC One 
3 - 5.0m - Doctor Who - BBC One

Final BARB ratings will be available within the next 10 days.

Series 7 Part 2 Final BARB Ratings roundup:

7.6: The Bells Of Saint John = 8.44m
7.7: The Rings Of Akhaten = 7.45m

+  What did you think of the episode? Rate / Discuss in the DWO Forums!

[Source: Andy Parish]

The 50 Year Diary - Day 110 - The Sea Beggar

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 110: The Sea Beggar (The Massacre of St Bartholomew's Eve, Episode Two)

Dear Diary,

I think I’ve said it before, but some days of The 50 Year Diary are easier than others. Sometimes, as I hit ‘pause’ on the music player (usually while the end credits are playing out), I’ve got a list of notes that fills a full side of my notepad, and the hard part is trying to decide which notes to pick up on, and discuss during my entry. More than once, I’ve started to talk about something before realising that it’s probably only of interest to me, deleted it, and taken a different direction for that day’s entry.

Other days… are just difficult. Today is one of those ‘difficult’ days. The problem is that there’s nothing really all that wrong with this episode – it’s perfectly fine as an episode of Doctor Who and all, it just hasn’t really grabbed me all that much. I’ve come away with only about four notes from this episode, and some of those are just bits of dialogue that I’ve liked.

Yesterday, I complained that I didn’t really know this period of history, and mused that it could be one of the problems I was having trying to connect with the story. The problem is… I’m loathe to look into it too much. A quick scan of the top paragraph on Wikipedia tells the that it took place in the late sixteenth century, and that’s where I stopped reading. It’s going to sound odd, but I don’t want any spoilers! Spoilers from a story (made and broadcast 48 years ago) about a historical even that happened several centuries ago!

I can already surmise that The Massacre isn’t going to have a happy ending. Just look at the title to know that! I don’t want to know the exact details, though, because I want to experience it as a part of the tale. This means, though, that I’m still wading through it not quite knowing the significance of events. There’s a few moments where characters say things that (judging by the performance) are obviously important contextually, but I don’t really get them. Ho hum.

Still, there’s plenty of interest coming in the form of the ‘is he or isn’t he the Doctor’ plot line. I thought it was quite clearly a case of the Abbot just happening to be a double of our lead character, but actually there seems to be more to it than that. When Steven first speculates that it could be the Doctor, passing himself off as an official for some reason (he wasn’t around to see the Doctor’s role in The Reign of Terror, but I’m imagining the Abbot as wearing the same feathery hat. Just because. I like that hat), the entire sub plot takes a very different turn.

Even more interesting is that other characters state definitively that it isn’t the Doctor. It can’t be him, because the Abbot has been an important figure in their lives for longer than the Doctor and Steven have been in France… but then they’ve only recently actually met the Abbot in person. Maybe this man is the Doctor in disguise?

The Doctor himself doesn’t actually appear in this episode (well, he might, if the Abbot really is the Doctor undertaking some clever ruse, but we’ve not been made privy to that yet), which only serves to make the whole thing even more of a mystery. It’s this that I’m enjoying the most at the moment, also I’m hoping it continues being built up as a key element of the plot. I’m half-wondering if the next episode might be this one told again, but from the point-of-view of the Doctor, before they reunite again at the end of the story…

And that’s the key thing. I’m interested to move on. I’m actively looking forward to tomorrow’s episode. It’s not like some of the stories we’ve gone through, where I’ve really not been all that bothered about the next episode. It’s just that – for now – The Massacre is just sort of there. Nothing wrong with it, but nothing particularly great about it either. Here’s hoping that things pick up from here on out!

(Are we placing bets on whether the Doctor is the Abbot, by the way? Don’t tell me if you know – avoiding spoilers there, too! – but for now I’m thinking… I’m thinking that it would be great if he were the Abbot, but I don’t think he is. I think.)

Next Episode: Priest of Death

Next Episode: Priest of Death 

The DWO WhoCast - Episode #288

Episode #288 of the DWO WhoCast, Doctor Who Podcast is Out Now!

In this week's episode of the DWO WhoCast...

Dave and Thomas Hide as Elizabeth and Michelle face The Talons of Weng-Chiang before Elizabeth and Dean meet up to discuss it all with Jago and Lightfoot.

From the latest series starring Matt Smith to a classic Tom Baker story and the popular Big Finish range of Jago and Lightfoot stories, the DWO Whocast looks at Doctor Who from all angles.

Listen to Episode #288 of the DWO WhoCast in the player below:

+ Rate / Review the DWO WhoCast on iTunes!
Rate / Review the DWO WhoCast on the DWO Forums!
Follow the DWO WhoCast on Twitter!
Like the DWO WhoCast on Facebook!

[Source: DWO]

7.10: Journey to the Centre of the TARDIS - DWO Spoiler Free Preview

DWO’s spoiler-free preview of episode 7.10 Journey to the Centre of the TARDIS:

When the TARDIS is dragged aboard a salvage vessel and begins leaking time, the Doctor and the Van Baalen brothers must fight through the labyrinthine corridors of his ship to find Clara before the ship can explode. But they're not alone, and something sinister is stalking them through the TARDIS, angry, and ready to attack... 

It’s safe to say that Stephen Thompson’s contribution to Series Seven, Journey to the Centre of the TARDIS has been one of the more hotly anticipated moments of the 2013 run. The title alone promises so much, and after years of fans clamouring to see more of the TARDIS interior, this is the opportunity to deliver. 

In the most recent issue of Doctor Who Magazine, Thompson says that showrunner Steven Moffat felt ‘duty bound to atone for’ 1978’s The Invasion of Time, the last story to take us deep into the TARDIS’ many winding corridors. Industrial action taken during the production of that story meant that the TARDIS interior had to mostly be filmed on location in an old Victorian hospital - perhaps not exactly the way the production team, or the audience, expected the ship to look. 

Journey takes the brief to make up for that story and really runs with it, giving us more to see of the Doctor’s machine than ever before. It would take a whole season (or several!) to see every room the ship has to offer, but the ones we catch sight of here are sure not to disappoint. There’s an appearances for both the library and the swimming pool (though, sadly, neither is inside the other), alongside some less-well known rooms, too. 

The design of the whole ship has clearly been the subject of an enormous amount of effort, and praise must be given to all involved, from the art department through to the set decorators, who’ve really pulled out all the stops to get this to screen. It’s everything you could possibly want to see from the TARDIS interior. Director Mat King guides us expertly through the many levels of the ship, managing to show us the beauty and the terror of the TARDIS at every turn. 

Tapping the cast together in a confined space (it it’s fair to call the ship that) means that we get to confront some of this season’s on-going story arcs head on. The Doctor has been trying to solve Clara’s mystery for some time, now, and the cracks are starting to show. The dynamic between Matt Smith’s Doctor and Jenna-Louise Coleman’s Clara continues to develop in interesting new ways, and the distrust between the pair reaches boiling point when subjected to this kind of pressure. Both of our regulars shine as bright as ever - it’s electrifying to watch them share the screen. 

Journey to the Centre of the TARDIS, with many nods to the history of Doctor Who, and many hits as to what may be yet to come in the remainder of Season Seven is sure to be a fan pleaser, and is definitely one of the gems of this era of the programme.

Five things to look out for...

1) “You’re like one of those guys who can’t go out with a girl unless his mother approves”

2) ‘The History of the Time War’

3) It’s rude to whisper.

4) Lancashire, South.

5) “You call yourself ‘Doctor’. Why do you do that? You’ve got a name. I saw it..."



[Sources:
DWO; Will Brooks]

The 50 Year Diary - Day 109 - War of God

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 109: War of God (The Massacre of St Bartholomew's Eve, Episode One)

Dear diary,

“I wish I understood what's going on!” wails Steven about two-thirds of the way into this episode. Truth be told, I did wonder if he was just speaking aloud what was on my mind.

I've been looking forward to reaching The Massacre since… ooh, about three minutes after I finished The Aztecs. During the first season, John Lucarotti's scripts were fantastic, and really sold the idea of the pure historicals to me. While it's often said that this story was rewritten almost wholly by Donald Tosh, I was still hoping for the kind of richness in the setting that we got with visits to Cathay and South America.

In this area, the episode doesn't disappoint. The whole thing is steeped with atmosphere, even though my only frame of reference was a half-remembered image of the Doctor and Steven sat in a tavern. That said, the episode takes place in very few sets, and I can quite believe that they're the kinds of sets the Doctor Who team would have been very good at producing.

Where things fall a little flat for me, though, is in the denseness of the setting. As has been the case more and more with the historical stories since Season One, I'm finding myself in settings that I'm not familiar with. Most of the time, I'm able to bluff myself through the story to some extent, and in some cases I'm even sure that I actually learn something from Doctor Who. Sydney Newman would be so pleased!

Here, though, I genuinely didn't have any context for the setting until Steven be can to vocalise my confusion. I knew this story was set in France, and from the title I'd figured that it wasn't likely to be a light-hearted romp, but then I didn't have much else to go on. The story itself doesn't try to reassure either - the Doctor and Steven's first appearance comes as the enter a tavern, where we've already a scene in progress. I did briefly wonder if I'd managed to switch the soundtrack into 'shuffle' again.

What is nice about this story is the way that Steven and the Doctor get on during their initial scene together. This is the only story from the classic run to feature the Doctor alone with just a single male companion, and so it's a dynamic that feels very fresh. It doesn't last long before the Doctor is off to explore and Steven is caught up in trouble, but it's nice for a while. It's also clear that some time has passed since the end of the previous story, as the tone between the pair is far happier than it was when we left them yesterday.

The cliffhanger - the Abbot turning around and looking exactly like the Doctor - perhaps loses some if its imp ace by being heard on audio rather than witnessed on screen, but it's still quite a striking moment. It helps that Hartnell changes the tone of his voice for the part, too, so that he's almost, but not quite the man we know. The Massacre isn't a story that I know well, so I'm unsure if we'll get more Doctor-on-Doctor action as we had in The Chase (though if we do, because this is a soundtrack I'll be able to have Hartnell playing both roles all the time!), but it could be interesting to see…

Next Episode: The Sea Beggar

Next Episode: The Sea Beggar 

DWAS Doctor Who Charity eBay Auction In Memory Of Philip Jessett

Our friends over at The Doctor Who Appreciation Society have been in touch with details of a charity eBay auction of items belonging to late Doctor Who fan, Philip Jessett, who sadly passed away of Leukaemia.

By agreement with Phllip's mother Paula, the items in the collection are now available to bid on via the DWAS eBay site. 100% of each item's sale price will be donated (via eBay's charity partner Missionfish) to 'Leukaemia & Lymphoma Research'.

We hope that everyone who reads this will take a look at the items available and consider placing a bid for something.

Some items have been restricted to UK bidders as delivery costs to overseas locations are likely to be prohibitive.

+  More information about the charity can be found at: http://leukaemialymphomaresearch.org.uk

[Source: DWAS]

The 50 Year Diary - Day 108 - The Destruction of Time

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 108: The Destruction of Time (The Daleks' Master Plan, Episode Twelve)

Dear diary,

Whether you choose to look at this as one big story, or several little ones connected by a common thread, there's no denying that the last twelve episodes have seen an awful lot of death and darkness.

Sara's demise under the influence of the time destructor is one of those moments from this story that everyone sort of knows about. It's fairly common knowledge that she cops it before this story is out, and for the most part people know how she goes. That doesn't do justice, though, to just how effective the death is. She dies because she's gone back for the Doctor. I'd always assumed that she was captured by the Daleks and tried to escape or something, not that she was behind by choice.

And the basic knowledge that I had of the death didn't hold a candle to just how nasty it actually is. I mean, sure, I knew that she was aged to death, but when you're actually in the thick of it and listening to it happen… then it becomes genuinely horrific. The worst bit comes afterwards, when the narration describes Steven approaching her lifeless body, before a gust of wind brushes the hair and skin away from it, scattering them around in the dirt. It's a truly ignoble end for Sara, and perhaps a moment that I'd love to see recovered and put back in the archive.

Elsewhere, though… This episode always had an awful lot to live up to. This Dalek plot has been building up - either as the main story or in the background somewhere - for a full seventeen episodes, ever since Mission to the Unknown. It's a far grander scheme than we've seen the Daleks attempt before (and, with the debatable exemption of some 21-sf century stories), bigger than we'll ever see again. The problem is that after all that time, nearly three weeks for me, and a full four-and-a-half months on screen back in the 1960s… I'm not quite sure I can work out the Daleks' plan.

I'm sure that it made sense at some point during the story. After all, most of the plot has revolved around the Daleks trying to get back the Terranium so that they can get their Time Destructor up and running. But then alongside this, they've brought together delegates from a number of galaxies so that they can wipe them out and seize control of said galaxies.

So… what's the point of building a machine that will power through time very quickly and ruin those places? Have I missed something? As I say, at some point during the story, I'm sure it all made sense - I've never had cause to question the story before now - but I've completely lost it at the very end here.

One of the things that I did enjoy in this final instalment was the final end of Mavic Chen. I said yesterday that I hope he didn't die here, because nothing could top the shock of his fake death in the last episode. He does die, though, and while it's true that it really isn't as effective as his last one, there is still merit to having him back again. For a start, he's clearly gone completely mad. Proper bonkers. It's great to see the way that the Daleks play him and lead him right through to the right moment, before they simply exterminate him like any other person. It's fun to listen to Kevin Stoney ramping it up in the mad stakes, too.

On the whole, while I've enjoyed the episode, I don't think it quite fulfils the role of being the final part to an epic such as this one.

Speaking of which… just what is The Daleks' Master Plan? I've been saying for a week now that it feels like several separate stories, and I stand by that. I think in my mind now, I'll be thinking of it as;

Mission to the Unknown
A 1 Episode prequel (as it standard thinking).

The Daleks' Master Plan
6 Episodes. In which the Daleks' plan to take over the universe, but the Doctor and his chums steal the core of their machine and leave them in a bit of a pickle.

Revenge of the Monk
4 Episodes. The Doctor, Steven, and Sara bumble around in time a bit, getting arrested in the 1960s, and visiting Hollywood. They then realise that they're being followed by another time machine, and get caught up with the Meddling Monk. The Daleks then turn up to demand their Terranium back.

The Mutation of Time
A 2 Episode Coda to the entire arc, which sees the Daleks defeated and an end to the threats posed by their galactic conquest plans.

Does anyone else have a way of thinking about this story which isn't as a 12-parter? The thought of breaking it up seems a little like heresy, but it just seems right!

Next Episode: War of God

Next Episode: War of God 

Series 7 Part 2 - More Promo Posters & Synopsis'

BBC Pictures have sent DWO the promo posters for Doctor Who Episodes 7.10: Journey To The Centre Of The TARDIS, 7.11: The Crimson Horror7.12: Nightmare In Silver & 7.13: The Name Of The Doctor.

The poster can be viewed to the right. Below are the synopsis' for the episodes:

7.10: Journey To The Centre Of The TARDIS
by Stephen Thompson

A spaceship salvage team drags the TARDIS on board, sending its systems into meltdown.

As the Doctor marshals the motley salvage crew outside, he realises Clara is still trapped within his malfunctioning ship, pursued by a dangerous group of ossified monsters. He has just 30 minutes to find Clara and save his TARDIS before it self-destructs.

7.11: The Crimson Horror
by Mark Gatiss

There’s something very odd about Mrs Gillyflower’s Sweetville mill, with its perfectly clean streets and beautiful people.

There’s something even stranger about the bodies washing up in the river, all bright red and waxy. When the Doctor and Clara go missing, it’s up to Vastra, Jenny and Strax to rescue them before they too fall victim to the Crimson Horror!

7.12: Nightmare In Silver
by Neil Gaiman

Hedgewick's World of Wonders: the perfect theme park day out - and ground zero for a deadly silver resurrection.

7.13: The Name Of The Doctor
by Steven Moffat

Someone is kidnapping the Doctor's friends, leading him towards the one place in all of time and space that he should never go.

The trailer for the next epsiode 7.9: Hide, can be viewed below:

[youtube:A-SN09lw3yU]

Check Out DWO's Guide to Series 7 Part 2, below:

 W = Written By / D = Directed By:

7.6: The Bells Of Saint John - [W: Steven Moffat / D: Colm McCarthy]
7.7: The Rings of Akhaten - [W: Neil Cross / D: Farren Blackburn]
7.8: Cold War - [W: Mark Gatiss / D: Douglas Mackinnon]
7.9: Hide - [W: Neil Cross / D: Jamie Payne]
7.10: Journey To The Centre Of The TARDIS - [W: Stephen Thompson / D: Mat King]
7.11: The Crimson Horror - [W: Mark Gatiss / D: Saul Metzstein]
7.12: Nightmare In Silver - [W: Neil Gaiman / D: Stephen Wolfenden]
7.13: The Name Of The Doctor - [W: Steven Moffat / D: Saul Metzstein]

[Source: BBC Pictures]

The Mind Of Evil - DVD Cover & Details

BBC Consumer Products have sent DWO the cover and details for the Doctor Who DVD release of The Mind Of Evil.

The Mind Of Evil
Featuring: The 3rd Doctor

Professor Keller has created a machine that can pacify even the most dangerous of criminals.

But when the Doctor and Jo arrive at Stangmoor Prison for a demonstration, things start to go horribly wrong – especially when they discover that the Doctor’s old enemy the Master is responsible for the machine.

What could he possibly want from the criminals? And what connects him with an impending World Peace Conference?

Special Features:

Disc One: 

•  6 x 25 mins approx colour episodes with mono audio.
•  Commentary – stereo. With actors Katy Manning, Pik-Sen Lim and Fernanda Marlowe, director Timothy Combe, producer Barry Letts, script editor Terrance Dicks and stunt arranger Derek Ware. Moderated by Toby Hadoke.
•  Programme subtitles.
•  Subtitle Production Notes.

Disc Two:

•  The Military Mind (dur. 22’ 43”) – shot back in 2009 on location at Dover Castle, this look at the making of the story is made unexpectedly poignant by the appearance of Nicholas Courtney and Barry Letts, who both passed away in the intervening years. Featuring actors Nicholas Courtney, Pik-Sen Lim and Fernanda Marlow, director Timothy Combe, producer Barry Letts and script editor Terrance Dicks. Narrated by Cameron McEwan.
•  Now & Then (dur. 7’ 06”) – the latest in our long-running series visits the filming locations used in the story to see how they have changed over the years.
•  Behind the Scenes: Television Centre (dur. 24’ 00”) – back in 1971, at around the time The Mind of Evil was in production, presenter Norman Tozer visited Television Centre to find out what went on over 24 hours in the life of what was then an incredibly busy ‘television factory’.
•  Photo Gallery – production, design and publicity photos from the story.
 Coming Soon – a trailer for a forthcoming DVD release.

+  The Mind Of Evil is released on 3rd June 2013, priced £20.42.

+  Compare Prices for this product on CompareTheDalek.com.

[Source: BBC Consumer Products]

The 50 Year Diary - Day 107 - The Abandoned Planet

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 107: The Abandoned Planet (The Daleks' Master Plan, Episode Eleven)

Dear diary,

Within a minute of Mavic Chen arriving back on Kembel and reporting to the Dalek Supreme, proudly boasting about the return of the Terranium, the Dalek asks him a - very sensible - question, which I can't quite believe Chen hasn't yet thought to ask himself: 'Are you sure it is the real core?'.

It's a valid point, if you think about it. Right back in Coronas of the Sun, the Doctor managed a bait-and-switch, with he and his companions handing over a replica so perfect that it was only when the Time Destructor failed to operate that the Daleks realised something was amiss. On this occasion, the Doctor has dropped the core into Chen's hands and darted off back into the pyramid to make his escape… and Chen didn't even question it. I was almost willing it to be fake again, just because I quite like the idea of the Doctor managing to keep fooling Chen and the Daleks time and time again with the same trick.

And so, here we are. Via the police station and 1920s Hollywood, a cricket match, a volcano world, Christmas and New Year's eve, Ancient Egypt and all, we're back on Kembel for the big final showdown. Except, we're not quite. Not yet. The Doctor's gone AWOL (Hartnell on Holiday again?) and most of the episode is spent moving the pieces into place for the big finale tomorrow. I'm guessing (?) that the delegates from the Galactic Council will be returning with their armies to wipe out the Daleks, while the Doctor slips away quietly, unseen. I'm just hoping that it's spectacular. It certainly deserves to be.

So, here we are. Eleven episodes into (debatably) one of Doctor Who's longest ever stories. Eleven whole days I've been withering on about this tale. And in all that time, I've not once managed to muse on the identities of to delegates. I thought that was going to come up early on! 'Which Delegate is which' is one of those questions that crops up in several forms in Who fandom, and I thought I was going to be able to make my own opinion. I was all set to give my great idea to the world, my version of who's who.

But as it transpires, the Delegates aren't really all that important, are they? We witness their first meeting right back during Mission to the Unknown, where they gather together and agree to do some evil things. We then watch them thump the desk a bit during a council meeting, and run around trying to point the finger of blame at each other when things start to go wrong. In today's episode, they get a bit ratty with Chen again and then find themselves locked in a cell.

I wonder if it's because I'm listening to the story via audio. My entire notion of what the delegates look like comes from the Mission animation and the surviving Day of Armageddon. I know what they look like for the most part (my favourite is 'Christmas tree'. It's a shame he doesn't turn up in the Christmas episode, really), and that's enough. The one with the raspy voice in this episode is in my head as the chap with the cracked face. One of the others is 'pebble guy'.

Unfortunately, that means I've nothing witty or new to say about them, or the way in which we can identify them. Sorry. Thought I'd better bring that up, in case you read through all my thoughts and figured I was just ignoring it. Mind you, I sort of am.

That said, I must confess a real love for Mavic Chen. The moment when his spaceship explodes really did take me by surprise. I think I may have actually gasped out loud. I listened to today's entry while I was painting a wall (it's spring - not that you'd know it to look outside - and time to freshen the place up!), and that was the moment I physically stopped and took it in. I thought it was a terribly sudden way to get rid of the character, but a fantastic one, and very in-keeping with the dark tone the series has been developing.

And then, like all good panto villains, he turns up again! Wielding a gun and making threats. Of course! I hope he doesn't die in tomorrow's episode, because it's never going to have the impact that this moment did.

Next Episode: The Destruction of Time

Next Episode: The Destruction of Time