Home Forums News & Reviews Features DWO Minecraft Advertise! About Email

Event: Who ME Returns To Tour Australia And New Zealand In May 2013

Doctor Who is about to face his greatest challenge: his number one fan.

Rob Lloyd (Fan Number One) is putting The Doctor on trial - not just for Doctor Who fans, WHO, ME is a show about obsession and it’s many faces.  

After sell out seasons for the Melbourne and Adelaide Fringe Festivals, the Melbourne International Comedy Festival plus full houses for Armageddon Expo 2011, Whovention (Sydney) 2013 and Lords of Time Convention (Melbourne) 2013, Rob Lloyd will be asking the BIG questions, as he takes WHO, ME on the road to the Sydney, Auckland & Perth Comedy Festivals in May 2013

Rob Lloyd will be investigating whether Doctor Who (the television show) is guilty of inciting in him a debilitating obsession, or whether it has shaped him into a well-rounded, mentally-sound member of society. 

The Sydney Comedy Festival season of WHO, ME runs from 30th April-4th May 2013, tickets can be purchased here: http://www.seymourcentre.com/events/event/who-me/

The Auckland Comedy Festival season of WHO, ME runs from 7th-11th May 2013, tickets can be purchased here: http://www.comedyfestival.co.nz/auckland/show/who-me-

The Perth International Comedy season of WHO, ME runs from 14th-18th May 2013, tickets can be purchased here: http://www.perthcomedyfest.com.au/events/music/rob-lloyd-who-me/

+  For more information visit Rob's website: http://www.roblloyd.com.au
+  Follow Rob Lloyd on Twitter@futurerobby
+  'Like' the WHO, ME Facebook page: http://www.facebook.com/pages/Who-Me/103024733135485

[Source: Rob Lloyd]

The 50 Year Diary - Day 106 - Escape Switch

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 106: Escape Switch (The Daleks' Master Plan, Episode Ten)

Dear diary,

“Everyone loves Magical Chen, agreed to work as the Daleks' lackey and then, got caught in a chase for the Teranium case, flying though time, it's all such a crime…”

What? I love a good Billy Fluff, me, and the moment when he refers to one of their enemies as 'Magic Chen' instantly set of a verse of the 'Magical Trevor' song in my head. Truth be told, it's still going round there, now, and I'll be a bit disappointed if I don't hear a Dalek singing it by the end of the next episode.

Oh, all right. I should have known that returning to an episode that really exists in the archives would turn things back around for me. I mused yesterday that Douglas Camfield's direction of the fight scenes between the Daleks and the Egyptians would probably be a highlight, and I think that this episode proves that completely.

It has to be said - and this must be an effect of moving into this period where there's more and more missing episodes - when the titles faded away and I saw an actual image of the Pharaoh's treasures, it took me back a bit! It's been a while since I saw a moving episode that wasn't animated (well, a 'while'. Four days. It feels like longer. I blame all that time we wasted mucking around on the volcano world), so something just struck me as odd about it here. Trust me, by the time I finish Season Four, I'll have forgotten that Doctor Who isn't a radio series.

This is probably a good point to mention the way that I tackle the missing episodes, as it's something I get asked about fairly often. I always listen to them now as the narrated soundtracks, or occasionally as an animation (as in the case of Mission to the Unknown or The Feast of Steven). People often ask why I'm not following along with a recon of some sort and the answer is, simply, that I just can't get into them. Oh, believe me, I've tried!

Some of them are fantastic, certainly, and it's the way that I watched Marco Polo, but I find that they just put me off a bit. Truth be told, when I was headed towards this season, the thought of having to sit and watch that many reckons was almost enough to nix the whole diary. I considered hiding in a wardrobe until the Jon Pertwee years landed and missing episodes were a thing of the past. But the narrated soundtracks, I've found myself getting really hooked on (A real U-turn - I couldn't bear the one I listened to for The Roof of the World back in January).

But enough about narrated soundtracks and reconstructed episodes - we can see this one properly! It moves and everything! And - oh - is it just me or does Douggie get better every time? There's a shot in this episode where the Sun morphs into a reflection on a Dalek dome, and I couldn't quite believe what I'd just watched. It. Was. Stunning.

It also means that we get to see the gorgeous shots of the Daleks gliding through the half-constructed Pyramids. It's hard to refrain from using the word 'stunning' here, too. I've said it before, and I've little doubt that I'll say it again before the 60s are out, but this version of the Dalek prop is perhaps my favourite. They just look so good.

And as the bad guys, they're still coming across better here than at any other point we've seen them so far. Remember back in The Daleks, when I complained that the final battle essentially boiled down to them being overthrown by a handful of Thals in leather trousers? That wouldn't happen to this bunch. This lot are set upon by a hoard of Egyptian slaves, and the Daleks just plough though them, exterminating en masse.

Yesterday, I complained that I'd rather have had an Egypt story told on its own terms, away from this story arc about the Daleks and Mavic Chen. As it is, having been though this episode now, too, I think I've had a perfectly good story. Two episodes feels about the right length for this tale - though I can still see how they might get four from it, with the Daleks and the Monk only turning up half-way - and I've really enjoyed it. The ending seems to imply that the Monk is out of the way now, and with the Doctor headed back to Kembel to finish up the story from way back when, so I'll be sad to see him leave. It's been great to have him back again, and he's been far better served in this Egypt portion of the tale than he was by the leftovers from The Chase.

I can't let this episode pass without mentioning the discovery of the film prints. This one, along with the print for Counter Plot were the ones that infamously turned up in the basement of a church (Mormon or others, depending on which version of the story you're being told). The rediscovery of missing episodes is a fascinating topic, and I love the tales of where things were found - this has to be my favourite of the bunch. It's just so, so, surreal. Perfect for this story, then!

Next Episode: The Abandoned Planet

Next Episode: The Abandoned Planet 

'The Daemons' Collector's Set - Toy Exclusive

Forbidden Planet have teamed up with Character Options for another Exclusive Doctor Who Toy.

'The Daemons' Collector's Set features The Brigadier, The Master and Bok, as featured in the 3rd Doctor adventure; The Dæmons.

In the peaceful village of Devil’s End something very strange is happening. A professor is preparing to open a nearby burial mound and a local white has foresees death and disaster. Meanwhile, the new vicar looks suspiciously like the Master and he is using black magic to conjure up an ancient Daemon.

Contents:

1 x Brigadier action figure in jersey with U.N.I.T. beret and pistol.
1 x The Master action figure.
1 x Bok the dæmon action figure.

+  'The mons' Collector's Set is released in August 2013, priced £29.99.

+  Preorder this product from Forbidden Planet for £29.99!

[Source: Forbidden Planet]

<mce:script

Companions: 50 Years Of Doctor Who Assistants - Book Cover & Details

Our friends over at Candy Jar Books have sent DWO the cover and details for their fantastic new Doctor Who book title; Companions: 50 Years Of Doctor Who Assistants.

A brand new Doctor Who book is now available for pre-order. Companions: Fifty Years Of Doctor Who Assistants is an unofficial and frank guide of the Time Lord’s adventures in space and time. Drawing on plots from the TV series as well as other media, this book is fascinating reading for fans of both the classic and current series of Doctor Who.

To coincide with the launch of the book the publisher, Candy Jar, is asking fans to vote for their favourite Doctor Who companion. The results will be released when the book is published in June. To vote go to: http://www.candy-jar.co.uk/companions/index.html

Companions: Fifty Years Of Doctor Who Assistants provides readers with an in-depth account of each Doctor's fellow travellers and shows the impact they had on both the Doctor and the viewers.

Andy Frankham-Allen has been a Doctor Who fan since his childhood and has relished the opportunity to write this book in celebration of the fiftieth anniversary of the series. Andy, who penned several Short Trip stories for Big Finish, feels the time is right for a more detailed look at the journey of the Doctor Who companion. He said:

“It's been a long time since there's been an honest and frank look at the Doctor's journey and the lives he changes. This book will challenge the notion that he always takes the best.”

Gary Russell, former Doctor Who Magazine editor, Big Finish producer, BBC script editor and Doctor Who novelist, has provided the book’s foreword. Gary said:

“Of course there have been books about companions before – but few of them go into this amount of detail, display this amount of in-depth knowledge and above all, this amount of love. As a celebration of everything that makes the Doctor’s (and therefore our) best friends unique and special, this book is essential.”

Doctor Who first appeared on our screens in 1963. The show continued until 1989 but the series was then re-launched in 2005 attracting old fans and new. Doctor Who is now one of the most prestigious shows on British television, loved and watched by millions.

Signed copies of the book are now available to pre-order from the Candy Jar Books website (www.candy-jar.co.uk/books/companions.html) for no additional charge. 

+  Companions: Fifty Years of Doctor Who Assistants is released on 27th June 2013.

+  PREORDER - Companions: 50 Years Of Doctor Who Assistants, for just £8.99.

[Source: Candy Jar Books]

The 50 Year Diary - Day 105 - Golden Death

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 105: Golden Death (The Daleks' Master Plan, Episode Nine)

Dear diary,

It's tricky, this one. On the one hand, I love the idea of a Doctor Who story set in ancient Egypt, and especially in this era of the programme. On the other… it feels a shame to see it thrown in to this part of this story, where they just seem to be filling time before getting back to the main plot. I've been championing the idea of this being more than one story for a while now, and I wonder if I'd have preferred a 'straight' Egypt story for an episode or two before the Daleks et al turn up on the sand.

That said, there is a lot in this episode that I like, and that I think really works. The idea that the TARDIS is taken into the pyramid as one of the pharaoh's treasures for the afterlife is very much the kind of thing that would have happened back in Season One. Indeed, lots of elements away from the Dalek-based story are the kind of things I'd expect to see in what I'm starting to consider as a 'traditional' Doctor Who story.

There's a scene in which Steven and Barbara are interrogated by a sinister marshall of the soldiers, and they protest their innocence strongly, claiming that they have no interest whatsoever in the treasure being gathered for the tomb. 'Even the old man?' they're asked, being told that he was examining the 'blue box' very carefully. The entire exchange might as well have been Ian and Barbara being put in the spotlight.

I could even go as far as to say that I'd be interested to see this story spread across a few episodes in ancient Egypt, in which the Monk turns up at the end of the first part! The idea of a showdown between the Doctor and the Monk certainly appeals to me, and after I felt yesterday's confrontation was wasted, today's seems to be back on form. The Monk works as a really interesting adversary to the Doctor - the first time that we've seen an equal to him, and the Monk is painted as such.

It's great to watch how bumbling he can be, but then he's filled with a truly sinister streak, where I'm not quite sure what he's going to do next or why. He seems intent on bringing revenge on the Doctor - and he's determined to make sure it happens. There's a school of thought that says the Monk ends up becoming the Master, and, (though it's not an idea I subscribe to)I can see where it may come from. If you take this desire for revenge and keep twisting the dial up, up, up… yeah, I can see the link.

And yet for all that I protest that I'd love to see a pure, Egyptian, historical, or a rematch of The Time Meddler set on the plains and around the Great Pyramids, the Daleks turning up is just wonderful. It's terribly Doctor Who - an extremely surreal juxtaposition as the Daleks massacre the Egyptian slaves. It's so bizarre, I almost wondered if I might be dreaming it. Done right (and directed by Camfield, I'd imagine it is!), that could be a really spectacular moment for the Daleks.

Elsewhere, we've got the Monk being recruited to the Dalek's cause as he tries to save his own skin, and there's some great fun to be had watching him squirm and apologise before Mavic Chen, who has a semblance of his former dignified imposing self back the second the Monk arrives before him. We've seen him just as writing and apologetic toward the Daleks in recent episodes, so it's nice to see the tables turned back for him - albeit briefly.

I won't even go into much detail on the Doctor breaking into the Monk's TARDIS (again) and messing around with the settings. It's really become his signature move when dealing with the man, and you think after the last time he'd have thought to lock the door one he'd hidden his TARDIS away!

Next Episode: Escape Switch

Next Episode: Escape Switch 

The 50 Year Diary - Day 104 - Volcano

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 104: Volcano (The Daleks' Master Plan, Episode Eight)

Dear diary,

Sometimes, there's so much useless Doctor Who knowledge buzzing around in my head that I simply ignore bits of it. I file it away in a cabinet marked 'you'll probably never need to know this' and go on thinking about something else. The nice effect this has is that elements of Doctor Who surprise me, when they probably really shouldn't.

Take today's episode, for example. It's the return of the Meddling Monk! Now, I knew - somewhere in the back of my mind - that the Monk returned in this story. I'm sure I knew that. Heck, the BBC's official 50th Anniversary website has an entry for the Monk in which he's surrounded by Volcanoes! Yet still, I didn't manage to piece it together until almost the last moment.

When this episode opens, the TARDIS is being pursued through the vortex by another time vessel. Steven speculates that it has to be the Daleks, and the Doctor thinks that he's probably right about that. Meanwhile, we keep cutting back to Kembel, where the Daleks are preparing to send a time machine out to hunt for them. It wasn't until the Daleks were ready to leave the planet that I suddenly realised that it couldn't be them chasing the TARDIS, and it all fell into place!

Aside from that nice surprise, this episode is a bit lackluster. It feels like a number of left over ideas from The Chase being added in to help pad out the story a little further. What if the TARDIS were to materialise in the middle of a cricket match? What if it turns up on New Year's Eve, during the countdown? It can't just be fleeting materialisations (and what happened to the ship needing twelve minutes to take off again?), so we get a showdown between the Doctor and the Monk, but rather than the great back-and-forth we saw between them last series, it just dissolves into a bit of laughing, and then we find that the Doctor has been trapped here.

Even then, it only takes the Doctor a matter of minutes to fix the problem and get them back on their way again. To be honest, the whole episode feels like padding before we can get onto the really interesting stuff.

Where things do still fall into place for me is when we spend time with the Daleks on Kembel. These are still the ruthless creatures I've grown used to this season, and they're by far the best thing about this episode. That they allow one of the delegates to die for them as proof that he is truly devoted to his cause is sinister enough. The fact that he survives the experiment - so they exterminate him anyway, just because they were expecting a death - is even worse. These Daleks are unlike any we've had before, and they're a fantastic breed of the creatures.

To tell the truth, though, I think things need to get back to Kembel full-time. While I still believe this tale could be seen as more than one story, it feels like its flagging a little in the middle here - they don't really know what to do with the characters before we head back in for the final showdown. I'm hoping that the final four episodes are where we bring things back into focus…

Next Episode: Golden Death

Next Episode: Golden Death 

7.8: Cold War - Overnight Viewing Figures

The overnight viewing figures are in for 7.8: Cold War.

The episode achieved a figure of 5.7m viewers, with an audience share of 26.4%, and Doctor Who was the third most-watched programme for Saturday, winning its time-slot for the evening.

Top Overnights - Saturday 13th April:

1 - 10.5m - Britain's Got Talent - ITV1
2 - 6.7m - The Voice - BBC One 
3 - 5.7m - Doctor Who - BBC One

Final BARB ratings will be available within the next 10 days.

+  What did you think of the episode? Rate / Discuss in the DWO Forums!

[Source: Andy Parish]

The DWO WhoCast - Episode #287

Episode #287 of the DWO WhoCast, Doctor Who Podcast is Out Now!

In this week's episode of the DWO WhoCast...

Dave and Thomas got all hot under the collar about this week's Doctor Who as the Ice Warrior's reappear to fight a Cold War in Mark Gatiss' latest story.

Listen to Episode #287 of the DWO WhoCast in the player below:

+ Rate / Review the DWO WhoCast on iTunes!
Rate / Review the DWO WhoCast on the DWO Forums!
Follow the DWO WhoCast on Twitter!
Like the DWO WhoCast on Facebook!

[Source: DWO]

The 50 Year Diary - Day 103 - The Feast of Steven

 Day 103: The Feast of Steven (The Daleks' Master Plan, Episode Seven)

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 103: The Feast of Steven (The Daleks' Master Plan, Episode Seven)

Dear diary,

*clears throat * IT'S CHRIIIISSSTTTTMMMAAAAASSSSSSSS! What? It's tradition, isn't it? No? Oh hush, it's my blog. And it's Christmas! Spread the cheer! And isn't it nice of the weather to keep the winter feeling going right the way through until now, just so it would feel more like Christmas. Yeah, let's enjoy the snow as I crank up the heating and mutter 'Bah Humbug' under my breath…

But look! Hooray! Santa has been! And what's that he's left for me under the tree? (By 'under the tree', I mean 'on the computer'. I did suggest getting the Christmas tree back out, but Ellie wasn't having any of it.) It's a copy of The Feast of Steven that's been animated! That's right, I've been enjoying today's special Christmas episode in the form of Adamsbullock's version.

It's another very different style of animation, quite far removed from what I've seen for either The Reign of Terror or Mission to the Unknown. Far more stylised, and with a much simpler tone to it. Outside the police station, for example, the background is painted in with only a few tones and a couple of windows. And yet, it works really well! I don't know if I'd be able to do the entire Daleks' Master Plan in this style, but for the slightly bizarre Christmas episode, it's absolutely perfect.

Truth be told, by the end I'd grown quite accustomed to the animated Hartnell. It's going to be a bit of a shock to go back to the real, human version. Maybe for the next few audio episodes I'll imagine everyone else as real, with this version of Hartnell alongside them. It'll keep me amused at least!

As for the episode itself… it's a bit of a game of two halves really. All the stuff at the police station was great fun, and I really rather enjoyed that. I seem to recall reading somewhere that the original intention was to have the cast of Z Cars take the roles of the police officers, which would have been great fun and really helped add to the Christmas feel - plus, it has to be said, the idea of Brian Blessed squaring up to Hartnell excites me far more than it should!

There's plenty of comedy in this section of the episode, and it's played nicely: lots of fun banter between the policemen as they wait outside the TARDIS, and especially after the Doctor has stepped outside for the very first time. Then there's the business with the man inside the station ('haven't I seen your face before? Of course! The marketplace at Jaffa!') and Steven coming to take the Doctor away by pretending that he's a bit mad.

Yeah, the first section of the episode is great fun, and I really enjoyed it. But then we arrive in Hollywood and… oh dear. It's a good job I didn't listen to this episode as part of the narrated soundtrack with my headphones in. Whoever was in charge of sound for this segment should be shot. It's so noisy! Every character is shouting, and they're all doing it at once! There were moments when I couldn't understand what was actually being said.

(Incidentally, I did scroll through the audio once I'd finished watching the animation, just in case it had been made better on the narrated soundtrack. One section of screeching was more than enough for me, so I didn't push it any further.)

Something I did wonder about, and it's happened a few times over the last few episodes, is Sara's name. Which way do people tend to pronounce it? I've always said it as 'Sa-ra', as does the Doctor here, and as it's clearly written. Peter Purves (both in the episodes and on the narration) seems to refer to her as 'Sarah' more commonly. Which do people tend to go for? Is 'Sara' the majority vote?

Now, I mused yesterday that things felt like they were building to the end of a six-part story and getting ready to move off onto a new adventure, but that I'd need to watch through more before coming to a decision on that one. Well, I think I've already reached one. The Feast of Steven is not the seventh episode of a twelve-part serial called The Daleks' Master Plan. Frankly, it's not! The only link we have to that story is the Doctor double checking that they still have the terrarium core, to which Sara replies 'Oh, I'd forgotten about the Daleks.'

That's less of a link than the Steven Moffat era has between stories that are a part of the story arc! The six episodes from The Nightmare Begins to Coronas of the Sun are definitely a story, and the episodes that follow this one may be a follow-up to that story, but from where I'm standing now, somewhere around the middle-point, this certainly feels like an individual one-episode story all on its own. I'll review this situation once I finish the next five episodes, but it's looking likely that I'll think of them as separate stories from now on. The campaign to change it starts here!

Next Episode: Volcano

7.9: Hide - DWO Spoiler Free Preview

DWO’s spoiler-free preview of episode 7.9 Hide:

Legends exist throughout time about the ‘Ghast of Caliburn House’ - a spectral figure caught in a moment of abject fear and terror stalking the halls of the house. The house has stood for 400 years, but the ghost is far older than that. She’s held many names over the centuries, and now the Doctor has arrived to solve her mystery. 

For the first half of its running time, Hide is part Ghost Stories for Christmas and part Most Haunted, as the Doctor and Clara team up with Professor Alec Palmer (Dougray Scott) and Empathic Psychic Emma Grayling (Jessica Raine) for a night in the house in November 1974. Palmer and Grayling, along with the Doctor and Clara, carry the weight of much of the episode, while the four of them hunt the ghost through the halls of the house. 

It’s in this part of the story that the episode really sings, building up a nice amount of traditional ghost story terror, and providing plenty of opportunities to make you jump. It also gives us another great chance to see Matt Smith and Jenna-Louise Coleman sharing the screen. The pair of them continue to work well together - it’s telling that while this was the first episode shot with the current version of Clara, the two feel like they’ve been travelling for a while. 

Clara’s continuing to find her feet throughout this episode: she’s not as sure about time travel as some of the Doctor’s other companions have been. Hide plays with the slightly interesting idea that the Doctor and Clara don’t really trust each other, but that they just get on with the adventure - having an empath around certainly allows each of them to be given a few clues about the other. 

Once the story has moved on from the early ghost story feeling and starts to reach outside the confines of the house it somewhat loses its atmosphere, and risks becoming A. N. Other Doctor Who adventure. Though the series has often gone out of its way to find a more scientific explanation for supernatural phenomena, the interesting idea behind this ghost seems to get a bit lost during translation to the screen, leaving the latter half of the episode less interesting than the set-up.

There’s plenty to love throughout the tale, though, including some fantastic direction from series newcomer Jamie Payne throughout, whose style is a perfect fit for a ghost story. This, coupled with the iconic ‘haunted house’ look of Hide really is one of the highlights.

Five things to look out for...

1) “It’s 1974 - you’re the assistant

2) Ignorance is Carlisle.

3) A blue crystal from Metebilis III plays a vital role.

4) Whiskey is the 11th most disgusting thing ever invented. 

5) “Birds do it, bees do it, even educated fleas do it!”

[Sources: DWOWill Brooks]

The 50 Year Diary - Day 102 - Coronas of the Sun

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 102: Coronas of the Sun (The Daleks' Master Plan, Episode Six)

Dear diary,

Hooray! The Doctor and his friends have made it back to his ship, the TARDIS. And while the Daleks are massing outside, with some fake Terranium in tow, out heroes have escaped, in the TARDIS. And it turns out that the scanner isn't working inside the TARDIS. And if either Steven or Sara were to step outside the Doctor's ship - the TARDIS - they would be in big trouble, because the atmosphere is poisonous!

Genuinely, though, was there a reason that the Doctor kept referring to it as his ship, the TARDIS? Did I miss something there? Was it because Steven was under suggestive control? If so, why did he say it to the Daleks a lot, too? In the last five minutes of the episode, the Doctor refers to 'my ship, the TARDIS' on three occasions, and simply 'my TARDIS' on one other. The word TARDIS also crops up twice more in the dialogue, and three times in the narration. I know that's where the end of the episode takes place, but it really does feel incredibly clunky!

For all intents and purposes, this feels like the end of a story. The Doctor and his friends have evaded the Daleks, made it back to his ship, the TARDIS, and have landed somewhere brand new, but can't leave the ship because of the bad atmosphere. Under any other circumstances, this would just be the beginning of a new adventure. I know it's because they wanted the Christmas story to stand alone, but I also can't help but wonder if there was another reason?

Back during Season One, I often mused that I'd love to not know what was coming up. As a viewer in the 1960s, not knowing where one story begins and ends. Right at the very beginning, we go from a four episode story, into a seven-parter, before back to the Doctor's ship, the TARDIS for a two-part tale, followed by another seven parter starring Marco Polo. From there we spend six episodes on Marinus and four with the Aztecs, before heading off for two consecutive six-part stories.

By this point, shortly after the programme's second birthday, it's more-or-less settled down into either 4-parters or 6-parters. There's the odd anomaly, like The Rescue, or Mission to the Unknown, but a regular viewer will have picked up the drill. If they've not started wrapping up by mid-way through the fourth episode, then there's another two to come. Coronas of the Sun is the sixth episode of The Daleks' Master Plan, and so it feels perfectly natural to have reached this point, and be heading off to a new story. I can't help but wonder if this was part of the intent?

It also makes me wonder whether these twelve episodes should really be counted as one big story or not. I'm going to have to watch right to the end before making my decision, but there certainly seems to be some scope here for breaking it up a little. I'm looking forward to seeing how that develops as we go on. I know that there's three Sara Kingdom stories set between the Seventh and Eighth episodes as part of the Big Finish Companion Chronicles range (and they're supposed to be some of the best they've ever produced), so there certainly seems to be a gap of some kind. Incidentally, I'm wondering if I might do those stories in the gap between Seasons Three and Four? I'm already planning on listening to The Destroyers, the Terry Nation solo Dalek story, but that was written at the time, while these Sara audios are brand new… Any thoughts? Leave a comment below, or pop over to the Facebook Page and let me know!

There's a lot to like in this episode, and it's certainly a step up from the last one. One of the most interesting aspects has to be the Daleks themselves. This is their most ruthless story so far, and it's a far cry from the pepper pots we saw in The Chase. There, they were being used for humour, ranging from the coughing Dalek as is rises from the stand, or the one who has to think about its answer before it gives one ('Uh… in Earth Time… Uh… Four… Uh… Four MInutes…'). Here, they're played decidedly straight and they've actually become chilling in a way I don't think we've seen before.

This is closer to their original appearance than we've seen since then (and it's nice to have the Doctor forming a plan that involves caking a Dalek's eye in mud, just as they did in the cell on Skaro - I half expected to have a reference to that one), and it's also a sign of the Daleks to come later in the show's development - the all-conquering galactic force that swamp in and take over. What's nice, though, is the way that they can still be undermined if done properly.

A few episodes ago, a Dalek orders their pursuit ship to return to base, before severing communications with it and instructing that it be destroyed because they do not tolerate failure. This is a sentiment reiterated here, when the Dalek proclaims that the squad from Mira will also be punished. This moment comes at a time where the same Dalek has been berating Mavic Chen for failing in his own orders, and he gets the chance to turn the situation on its head, by pointing out that it's the Daleks who keep failing. I quite like the dynamic we've got going on between the two sides - not quite trusting each other, but needing each other all the same.

Anyway, I must be off to bed. I've left out a glass of warm milk and a plate of cookies in the hope that Santa will come (tomorrow is Christmas, after all). He'll have a job getting down my chimney, though, because I don't have a fireplace and live in a third-floor-flat in Cardiff Bay. He can ring the buzzer, I guess. I've been a really good boy this year (hey - I sat through all of The Space Museum and didn't complain all that much…) so I'm hoping for some extra special presents!

Next Episode: The Feast of Steven

Next Episode: The Feast of Steven 

The 50 Year Diary - Day 101 - Counter Plot

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 101: Counter Plot (The Daleks' Master Plan, Episode Five)

Dear diary,

I'm a bit hit-and-miss with the episodes that survive from this era of the programme. I can easily list all the stories which have missing episodes, I just can't pin-point which odd episodes survive from Seasons Three, Four and Five. It's just a bit all over the place. I came into this story, for example, thinking that it was Episodes Four and Ten which existed in the archives, when it's actually Two, Five and Ten.

Would this, then, be an episode I'd have chosen out of the ones I've watched for this story so far? Well, yes and no. No because I'd have liked to have Episode Four complete in the archives - even if it is a bit of a bloodbath, it's an interesting one, at least! Or Episode One, maybe, to set up the story? Maybe Mission to the Unknown, if I can count that as a part of the tale…

On the other hand, this episode contains one of the scariest moments in Doctor Who so far. Hah! Oh yes, I can see you sitting up at the back there, trying to rack your brains and figure out what's got me so terrified of Counter Plot. Is it the mice? The sinister bald man? The invisible creatures on the planet Mira?

No. It's the Doctor. Babelcolour has a wonderful video on his YouTube page, which collects together a number of short clips he's colorised from the Hartnell era. There's also a rather fantastic Troughton one on the page, too. There's a shot in that First Doctor one, though, which has freaked me out since the very first time I watched it, and it turns out it's from this episode.

It comes from the moment that the Doctor, Steven, and Sara first get caught in the molecular dissemination experiment, and we see the image posterise as they go through the pain of being disassembled. One of the shots features Hartnell rolling his head around in a circle, with a vacant expression on his face and a wide grin. Frankly, it's terrifying. I've genuinely seen that shot in a dream after watching the video, and it's no less freaky in black and white (even if it is less psychedelic). Aside from that potentially scarring shot, it's certainly worth checking out Babelcolour's videos, because they're stunning.

Quite aside from that moment, there's not an awful lot to note about Counter Plot. This is the 'sagging' part of the story, and I'm hoping that it won't be dragged out for too long. Our heroes - and Sara - are transported to what appears to be another jungle planet, and I'm just thankful that their surroundings have yet to be described as being more animal than vegetation.

The invisible creatures are realised quite well (that's an odd thing to say), and I've certainly enjoyed them (even if they seem to serve little purpose). Early on, I did think how nice it would be if they were able to achieve a footprint effect, before realising they wouldn't really have the technology to pull it off - and then they do! Weyhey! Good old Camfield. Incidentally, how did they do it? Is there a series of footprint-shaped bits under the sand that can be dropped down? Stop motion? Someone put me out of my misery, I wanna know!

And then there's Sara Kingdom. She comes around to understanding the truth a little easily, if anything. I thought we were going to see her coming after the Doctor and Steven for a bit before giving in and joining their side in the battle against the Daleks. It's a shame to see her switch teams so simply, and after she's killed her own brother for it. The fact that Bret is her brother is one of the well-known facts about this story, so it's shame to see it treated so simply here, in a moment that you could easily overlook. I had high hopes for Sara, and I'm hoping that she'll live up to them before too long.

If nothing else, the cliffhanger - 'I'm afraid, my friends, the Daleks have won' - is striking, and a wonderful note to end on. Here's hoping that things get back to the higher standard again for the next episode…

Next Episode: Coronas of the Sun

Next Episode: Coronas of the Sun 

The 50 Year Diary - Day 100 - The Traitors

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 100: The Traitors (The Daleks' Master Plan, Episode Four)

Dear diary,

Hooray! This is my one hundredth consecutive episode of Doctor Who (It's not the hundredth episode of the programme, because I took a six-day gap between seasons one and two to listen to Farewell Great Macedon). What better way to celebrate such a milestone than by… Oh. Having a complete and utter bloodbath of an episode.

Yesterday, I spoke about my impatience in waiting for Katarina to die. How I'd spent the entire story so far somewhat on edge just waiting for her to kick the bucket. It felt almost as though she had to die before the story could get going properly. And here, she does die! I've reached that point in the tale and things can continue on from here nicely. It's the one story-point that I know about in The Daleks' Master Plan (aside from the fact that Episode Seven is something of a Christmas special), and now everything else is a delicious unknown. A real adventure.

Except… I'd always thought Katarina's death would be a cliffhanger. An 'end-of-the-episode' shock, leaving you reeling for the next week while you wait to see what happens next. That's why it threw me so much yesterday when the episode drew to a close, everything seemed to be in place and then she just screamed. How were they going to stretch out this episode inside the spaceship for a full 25 minutes before she died? The simple answer: they don't.

Katarina's dead within about five minutes of the episode starting, and then we just carry on with the story. There's a few minutes spent to mourn her before the story moves forward, but it's very quick, very sudden, and very… un-affecting. Yes, yes, yes, I know we're supposed to revere this moment - it's the first time we've seen one of the Doctor's companions (and I've decided that she is a companion, as we'll see below) has died. The problem is that I just don't have any kind of connection to Katarina.

While the idea that she thought she was dead and on the way to limbo was interesting enough to begin with, by the time she was sucked out of the airlock, I'd grown a little weary of it. The problem was that they needed her to be at once blissfully ignorant of everything that she's being introduced to, but at the same time able to pick it up quickly enough to be of some use to the plot. In the end, wether it's because I knew she was destined to die or because it's just the way that the character feels for five episodes, she never quite fitted in for me.

I think I'm right in saying that when Terry Nation first delivered his scripts for this story, he'd not realised that Vicki would be leaving in The Myth Makers, and thought that it was her who would be killed off here. Now that would have been a shocker. Especially had the story moved with the same beats for the rest of the episode, moving on very quickly from the death. In some ways, I wonder if it would have been too distressing for viewers at the time - especially children. Having followed Vicki through the series for a year, to suddenly see her killed in such a brutal manner. In that sense, at least, it feels right that we should have a temporary stand in.

All that said, I still don't believe it when the Doctor says he will remember her always. I bet he'll have forgotten her by the time ben and Polly turn up.

Now, this is the best time to bring it up again - Katarina's companion status. Over the years, I've seen many different criteria for what forms a companion. 'They have to have travelled in the TARDIS!', ''They need to appear in consecutive stories', 'They have to be described as one in the press' etc etc. The problem with most of the theories is that they all end up needing to use the 'except for' phrase. For example, I've seen someone say 'If they don't travel in the TARDIS, they're not a companion. Except for Liz, who is'.

More closely tied to this story, I've also seen people say that even though Katarina does travel in the TARDIS, and she is in consecutive stories, she still 'doesn't count' as a companion. Just because, you know?

The best criteria I've ever seen for deciding if someone is a companion or not (aside from just 'gut instinct') is: 'Someone whose presence hasn't got to be explained but whose absence does need to be'. Basically, they're a companion if you expect them to be there. It seems to make sense to me. If Katarina suddenly stopped appearing between episodes, it would need explaining, since she was there in the TARDIS.

Equally, you don't need to explain the Brigadier's absence from Pertwee stories set on other planets, because you don't expect him to be there. He's not a companion, he's an acquaintance of the Doctor's who appears when stories are set on Earth. And don't even get me started on Kamelion, who's absence isn't explained for about a season! To that end, I've decided that Katarina is indeed a companion of the First Doctor - albeit a very temporary one.

While I'm on the subject of the Brigadier - I didn't know that Bret Vyon died here, too! I knew that Sara Kingdom killed him, but I assumed it was at the end of the story somewhere! I thought he was in this one for the long haul! That came as a bit of a shock.

Next Episode: Counter Plot

Next Episode: Counter Plot 

The 50 Year Diary - Day Ninety-Nine - Devil's Planet

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Nine: Devil's Planet (The Daleks' Master Plan, Episode Three)

Dear diary,

One of the problems with the narrated soundtracks is that they don't always feature the narration where you would like it. The very end of this episode is the perfect example: the ship is taking off, the Daleks have made a bad landing, giving the Doctor and his friends some much needed time to escape, the Doctor turns to ask Katarina to keep an eye on the door… and she screams. CRASH! The theme music kicks in!

Now, I don't have a clue what she's screaming about. Has she turned to find a Dalek in the doorway? Maybe she's stubbed her toe and it really hurts? There was a similar problem with the narration on the Galaxy 4 release, where Vicki turns and screams - it's only later that you actually find out what's happening. Still, it's a minor niggle, I suppose.

Something that keeps surprising me in this story is that Katarina is still alive. I feel like I'm a spectre at the feast, constantly waiting for her to die. I thought it was going to happen at the end of the second episode, as the ship lifts off from the Dalek conference and we've seen Zephon wiggling his plant-like appendages as he breaks free of his bonds. But it didn't.

Then I spent much of this episode waiting for someone to step out of the shadows and do the deed, but they didn't. Later in the episode, I figured that the convicts would be the ones to get aboard the ship and drag her into the airlock, but they didn't (that said, there's one convict unaccounted for, so I think I can probably piece together what she's just seen in that cliffhanger - a madman with a knife). I really wish that I was coming into this not knowing that she was destined to die in this story, because it really does feel like I'm just waiting for that to happen, and that everything else is merely delaying it.

That said, everything that's getting in the way of her demise is still pretty good. The confrontation between Zephon and Mavic Chen is nicely played, and Chen comes out of it rather well. He's incredibly cool and calm, and the kind of villain that you really love to hate. I'm still impressed by his appearance yesterday, which I think is helping me like him even more. I'm not sure where I got the idea from (maybe a piece of fan art? A dodgy photoshop once? I honestly can't remember. Maybe I dreamt it…), but I've always thought of Mavic Chen as being Kevin Stoney in a slightly ill-fitting orange mask, with a dodgy beard attached.

Thinking about it, I might be thinking of his appearance in Revenge of the Cybermen and simply transplanting bits of that costume over to him here. When he appeared on screen yesterday, and he looks fantastic, that just helped to make everything fall into place. Another thing transferring over from yesterday is the great design of the sets - in my mind, the confrontation between the delegates took place in that huge council chamber, with Chen and Zephon stranded in the centre, while the other delegates called on from their places on the sidelines.

I feel that I should probably also mention Nicholas Courtney, considering that we're witnessing his first of many appearances in the series. Suffice to say that he's as good here as he ever is, playing a character who I rather like, but I probably shouldn't. He's cold and hard-nosed, and it's interesting to see his interplay with the Doctor and Steven. I love the fact that he refers to the Doctor as 'grandpa', and generally has very little time for him - it's making for a very interesting dynamic.

Next Episode: The Traitors

Doctor Who At The Tower Of London - Official Location Report

The BBC have put together an official location report video from the recent filming in London for the Doctor Who 50th Anniversary Special.

Watch the Doctor Who location report video with Jenna-Louise Coleman, Jemma Redgrave and Ingrid Oliver, below:

[youtube:6IbgOJd-VGw]

The video confirms the as-yet unannounced casting of Ingrid Oliver.

UPDATE - Tuesday 9th April @ 1:00PM

Londoners were treated to the sight of a flying TARDIS swooping over Trafalgar Square this morning as Matt Smith and the team were in town shooting more scenes for the Doctor Who 50th Anniversary Special.

It was an early start for Matt Smith (The Doctor), Jenna-Louise Coleman (Clara), director Nick Hurran and the rest of the cast and crew but judging by the smiles it was worth it. At one point the famous blue box was suspended over Trafalgar Square with Jenna-Louise Coleman inside, peering out across the capital whilst the next moment saw another figure – looking like The Doctor – dangling from the TARDIS as it was suspended way above ground level!

The BBC have included a promotional image from today's shoot (pictured-right), and a promotional video below:

[youtube:Za6A6vh1nEk]

+  The 50th Anniversary Special is due to air on 23rd November 2013.

[Source: BBC Doctor Who website]

7.8: Cold War - Promo Images

The BBC have released a series of Doctor Who promo images from 7.8: Cold War.

Enlarge Image Enlarge Image Enlarge Image Enlarge Image
Enlarge Image Enlarge Image Enlarge Image Enlarge Image
Enlarge Image Enlarge Image Enlarge Image Enlarge Image
 
Enlarge Image Enlarge Image Enlarge Image  

Check Out DWO's Guide to Series 7 Part 2, below:

 W = Written By / D = Directed By:

7.6: The Bells Of Saint John - [W: Steven Moffat / D: Colm McCarthy]
7.7: The Rings of Akhaten - [W: Neil Cross / D: Farren Blackburn]
7.8: Cold War - [W: Mark Gatiss / D: Douglas Mackinnon]
7.9: Hide - [W: Neil Cross / D: Jamie Payne]
7.10: Journey To The Centre Of The TARDIS - [W: Stephen Thompson / D: Mat King]
7.11: The Crimson Horror - [W: Mark Gatiss / D: Saul Metzstein]
7.12: Nightmare In Silver - [W: Neil Gaiman / D: Stephen Wolfenden]
7.13: The Name Of The Doctor - [W: Steven Moffat / D: Saul Metzstein] - Rumoured Title

+  7.8: Cold War airs on Saturday 13th April on BBC One at 6:00pm.

[Source: BBC]

The 50 Year Diary - Day Ninety-Eight - Day of Armageddon

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Eight: Day of Armageddon (The Daleks' Master Plan, Episode Two)

Dear Diary,

A few years ago, when I first started reading the Wife in Space blog, it used to astound me how easily Sue could spot an episode directed by Douglas Camfield. I mean sure, every director has a distinct look, but it's not something that I often notice while watching Doctor Who. For Season One and most of Season Two of this marathon, there's a fair few places where I wouldn't be able to tell you where one directer stops and another takes over.

I've never really noticed the direction in Doctor Who before. It's usually being made under such pressures that it becomes very basic, with plenty of use being given to stock framing and basic direction of actors. In fact, then only time I've ever really connected to a Who director was shortly after Blink aired for the first time, and I found myself in an interview for a place at university, studying film production. I wasn't sure what to expect at the interview and was caught completely off-guard when they asked about my favourite example of direction. The first thing I thought of was Blink (since it was the most recent episode to air) and I managed to make up a load of stuff about how much it had affected me.

Of course, I couldn't remember that it was Hettie MacDonald who'd directed it, so I had to stall on using the name for as long as I could. Then I spoke about how Graeme Harper likes to shout 'lots of energy' before each take. Bizzarely, I actually landed a place on the course, but six years on, my own directorial work amounts to an afternoon of Blue Peter and a selection of rubbish student films.

Anyway, it always struck me how easily Sue reacted when Camfield was behind the cameras, but suddenly, I get it. I didn't have a clue that he was the man responsible for tackling this twelve-part Dalek epic, but as soon as I loaded up the Lost in Time DVD for today's episode, it was obviously him.

For a start, the sets are of a quality in places that is very reminiscent of The Time Meddler. For the last episode, my image of the jungles of Kembel were based more on the look of The Chase than of the animated Mission to the Unknown. As soon as they appeared today, though, I couldn't quite believe it. They're stunning! I mean, really, stunning. I was a little disappointed by the Daleks gathering around the TARDIS - the narration on the soundtrack made it sound more impressive than it actually is - but the shots Hartnell creeping around in the foliage are great. He's got the same confident air here that I praised during A Battle of Wits a few weeks ago - Camfield really brings out the best in him.

Then we've got the Dalek's council chamber, for want of a better description. Oh, sure, it's not the best-looking set we've ever seen in the series - it's mostly a load of drapes and some fancy chairs - but the sheer size of it! There's a shot early on, when Mavic Chen sits at the table writing and a Dalek glides down the ramp to meet him and it feels like ti takes the Dalek an age to reach him! I don't think we've had a bigger set in the programme than this before.

Of course, while I'm raving about the direction (there's only 25% of this story available to watch, so expect me to really latch onto the direction when I can see it!), I have to talk about the way the Daleks themselves look. There's shots of them talking that involve the eyestalks reaching out towards the camera, and just giving them more of a screen presence than we've had before. It just feels like this is the best they've ever looked.

And there's the scene of them burning down the jungle. I have to admit, it was terribly exciting to see them first ignite their flamethrowers. I'm a twenty-three-year-old-man, I shouldn't be as excited by the thought of a Dalek with a flamethrower, but frankly… how brilliant! The way they come on, one at a time…

I mean, in fairness, things then feel a bit dragged out as we watch them - slowly - trundle around and wait for the set to catch fire, but it's still brought about by a terribly exciting moment. If anything, this episode has made me regret that I'm not going to get to see more of this story than I am. I mused the other day that of all the ones to be missing from the archives, Galaxy 4 wasn't perhaps the biggest visual loss. I'm getting the feeling that this one might be…

Next Episode: Devil's Planet

Next Episode: Devil's Planet 

Celebrate Regenerate - Book Cover & Details

To celebrate Doctor Who's 50th anniversary, fan of the show Lewis Christian has been putting together an epic fan-collaborated/written celebratory book, Celebrate Regenerate.

Over the past 9 months, fans from all over the world (and of all ages, races and species) have been invited to submit positive reviews and articles for all of the televised episodes, right from An Unearthly Child to the current run of episodes, to be published in the book.

The project, a mammoth undertaking, is still in progress, though most of the book has now been edited. Lewis is currently accepting submissions for Series 7B, and you can get involved! For more information about 7B submissions, check the book's website here: http://celebrateregenerate.weebly.com/series-7b-info.html

On the site, you can also find out how to get your name listed in the book, and you can view lots more details about the project so far. You can also follow the links below for more information, sneak peeks and anything else to do with Celebrate Regenerate!

The book, once finished, will be published via Lulu.com and there will also be a free PDF version, allowing everyone to get hold of a copy. At over 300 pages (one story per page is the rule), it'll make for great summer reading. 

At present, there is no precise launch date, though the book is expected to be released in August 2013.

+  Website: http://celebrateregenerate.weebly.com
+  Facebook: http://www.facebook.com/CelebrateRegenerate
+  Twitter: http://twitter.com/lewis_christian

[Source: Lewis Christian]

Jemma Redgrave Reprises Role As Kate Stewart For 50th Anniversary Special

The BBC Doctor Who website have confirmed that Jemma Redgrave, who previously appeared in Doctor Who as Kate Stewart (Daughter of Brigadier Lethbridge-Stewart), will be reprising her role for the 50th Anniversary Special.

The BBC said:

"Jemma is part of a brilliant cast that is already known to include Matt Smith and Jenna-Louise Coleman who are joined by the returning David Tennant and Billie Piper plus screen legend John Hurt and Joanna Page. Filming is underway on the special which will be a 3D spectacular shown later this year."

In previous news, the BBC also confirmed Classic Series villains, The Zygons, would return for the anniversary special.

More casting announcements are expected shortly...

[Source: BBC Doctor Who website]

The 50 Year Diary - Day Ninety-Seven - The Nightmare Begins

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Seven: The Nightmare Begins (The Daleks' Master Plan, Episode One)

Dear diary,

Oh, lord, that's not a promising title to start on a twelve-day 'epic', is it? I have to confess, I've been slightly dreading this. I've found something of a new love for the Daleks since the start of this marathon, to the stage that by the time The Chase rolled around, I was actually quite excited to have them back again. Now, though, I'm faced with almost two whole weeks of them. I tend to start getting bored (and running out of things to say, too!) during a six-parter! Hold tight, this one could sink the entire experiment…

As per usual, I'm listening to this story via the narrated soundtrack, which is available for download at a really reasonable price! It's one of the few that I didn't already own, and I was dreading the cost, so that was a pleasant surprise. The audio opens with a pre-titles sequence that recaps the ending of The Myth Makers - all the stuff with Steven coming round in the TARDIS and Katarina believing that she's in limbo.

It's a fascinating way to introduce a new character to the show, and very different to any of the other introductions that we've had over the last fifty years. I must confess that I've been really looking forward to her arrival, because I wanted to settle something in my own mind: is she a companion or not!?! I was rather hoping that actually hearing the introduction might clear it up once and for all, but that doesn't seem to be the case.

Whereas the introductions of both Vicki and Steven were used to remind the viewer of the programme's basic premise, reintroducing us to the important aspects of the show, Katarina is just sort of treated with a sense of 'well, here she is then'. Even the Doctor, when he departs from Troy pretty rapidly, doesn't stop to panic that he's accidentally kidnapped a young handmaiden, he simply asks her to carry on looking after Steven. It's all very odd, and all a little rushed.

I don't know if it's this feeling of rushing that's making Katarina feel like a part-time companion, or if it's because I know that she'll be dead before too long. It's a shame, because there's a fair bit of scope in the idea, and the way she describes the TARDIS ('this isn't Troy. This is not even the world. This is the journey through the beyond') is wonderful. That said, she takes to the idea of how to open the TARDIS doors pretty quickly, and seems more comfortable in the ship that Bret Vyon does later on. Is this a case of Clarke's third law? To Katarina, this is all the magic of her Gods. To Brett, it's just a really really bizarre space ship.

The episode proper is a curious beast. For the first half or so, you could be forgiven to assume that it's a repeat of Mission to the Unknown, as the TARDIS doesn't appear until quite some way into the story. That's not a bad thing, though. Already, thanks to that earlier episode, we feel like we have a head start on the Doctor - we know what's going on inside the buildings he's headed for. We know that the Daleks are here on Kembel. We know that the Doctor should be avoiding the strange, spiky plants. Incidentally, the soundtrack narration makes a great point of mentioning that the Doctor doesn't know how dangerous these plants are.

The entire first section of the plot is a perfectly executed way of setting up the background for the story we're about to watch. We follow Vyon's communication from Kembel right back to the SSS central control, where it's being ignored by two people arguing over what to watch on TV. It's this simple, every day situation that makes it feel so natural when we're told of a 'Mars-Venus' game being screened (there's no need to give any more information, this paints in more than enough beautifully), and we're introduced to Mavic Chen, the 'Guardian of the Solar System'.

Sure, by the end of that section, it does feel a little like we've been given one massive info-dump, with lots and lots of information being thrown at us very quickly. Most of it can fade away into the background, though, just there to spark up if and when it's needed. We're told that it's now the year 4000, and we're given the date for the signing of a Solar System peace treaty. We're even given a date for it (was it 3975? Something like that?), and that's all I need to know. It's the 41st century. The Solar System is at peace, and Mavic Chen is the Simon Cowell of his age. Good enough.

Something that I'd been planning to bring up here - ever since the strange culture shock of going from Daleks in a jungle to the plains of ancient Troy - was that we don't need that other story between Mission to the Unknown and this. You could just as easily go from that episode into this one and it would flow just nicely. But then… what took me by surprise is that this episode picks up some time after that one, with Vyon and his comrade here out hunting for the SSS agent we saw back in Mission.

It feels like time has passed in the story, because time has passed for us watching it. That's clever. And because we know that the Daleks are around on Kembel, there's no need to make a big surprise out of it - the first time they appear, they simply turn up and kill a man. No questions asked. It's the most ruthless we've ever seen them, and it's really quite effective. It's just a shame that we spend the first few minutes being told that 'they' are out there, trying to build up at least a little suspense.

Next Episode: Day of Armageddon

Next Episode: Day of Armageddon 

7.8: Cold War - DWO Spoiler-Free Preview

DWO's spoiler-free preview of episode 7.8 Cold War:

The Ice Warriors haven’t had the most lucky experience with Doctor Who over the years. After appearing in two 1960s stories, and two 1970s stories, they somewhat disappeared from the show. In the 1980s, two planned returns for the creatures were both scuppered when the series was cancelled. They’ve shown up plenty of times in comics and novels since then, but this is their first appearance in televised Who for 39 years. That’s one hell of a nap.

The Doctor and Clara - headed for Vegas, but getting the direction a little wrong - arrive on a Soviet submarine in the mid-1980s. Following an expedition to the North Pole, the sub is carrying a very precious cargo: a creature found perfectly preserved in the ice. As curiosity gets the better of the crew, disastrous consequences await them...

Coming after two adventures set in big, open places - filled with panoramic views of modern London, or overlooking an alien vista with a parasitic sun - the most striking thing about Cold War is the claustrophobia of the episode. The feeling of being trapped on an submarine, with a vengeful alien bearing down on you really comes across, and director Douglass Mackinnon really sells the feeling of entrapment, and ramps up the tension as time runs out for the Doctor and the crew. 

Praise also needs to be given for just how... wet the set is throughout. Almost every scene features the sub leaking from somewhere, with water streaming down the walls. Visually, it’s quite unlike anything we’ve seen in the programme before - and it’s gorgeous.

Of course, the thing that everyone is waiting on this episode for is the reappearance of an Ice Warrior to the series. It’s pleasing that the design of the creature remains true to what we’ve seen in the series before now, and proof that some Doctor Who monsters are so fantastic that they don’t need a big overhaul to make them acceptable to twenty-first century viewers. We see the advancement of the Ice Warrior, though, and it performs a trick that even the Doctor hasn’t seen one do before.

Ice Warrior aside, this is another important step for Clara as a companion - her first trip back into history. Following on from last week’s episode, it helps to establish the rules of the programme again for a new companion, and an audience that might have joined since Amy Pond ventured into World War Two in 2010 (in another script by Mark Gatiss, who pens this week’s instalment). There’s plenty of opportunity for Clara to learn about life in the TARDIS: it can get very real sometimes. 

Elsewhere, David Warner as Grisenko steals the show, puncturing all the end-of-the-world macho-ness with a wonderfully fun performance, roaming the corridors of the submarine singing the hits of the day. Warner’s character is fairly representative of the story as a whole. For all the danger of the Ice Warrior and the threat to the world, Cold War is a very funny episode, filled with great dialogue that really gives the cast - and especially Matt Smith - a chance to shine. 

Five things to look out for...

1) It’s probably a mammoth.

2) An Ice Warrior isn’t the only Second Doctor-era invention to appear in this episode.

3) The Doctor is always serious. With days off. 

4) Polar Bears are cuddlier than Ice Warriors.

5) It’s not a mammoth. 

[Sources: DWO, Will Brooks]

New DWO 50th Anniversary Doctor Who Spin-Off Audio Adventure Needs YOU!

Open auditions for 'One Fine Time Lord' - a brand new 45 minute full cast audio drama starring some familiar faces and... YOU?

It’s official! Doctor Who Online have teamed up with Children in Need, the production crew involved in the new series of Doctor Who Online Adventures and two top radio drama producers to produce a unique, one-off, 45-minute Doctor Who audio drama spin-off to celebrate the 50th Anniversary, titled 'One Fine Time Lord'.

This, however, is the best bit - we are now looking for actors & actresses both young and old to audition for the various parts! No specialist experience is required as it is an OPEN audition!

The auditions will be held in Cambridge on 27th-28th April 2013, so if you ever fancied having a go at acting - NOW's your chance!

You will only be required on ONE of these days and if you are interested in getting involved, here is the information you will need:

What type of cast is the production team looking for?

-  Male Actors aged between 14-17 and 35-70 if you are in your 30-40s you must be able to turn you hand to playing this age and older! (Please note that if you are aged between 14-17 you will require a chaperone, we will not audition you without one.)

-  Female Actresses aged between 20-40.

-  We are looking for standard British accents (how very Gallifreyan of us).

Ok! Ok! I’m interested how do I get an audition?

You will need to book an audition place with one of our Producer’s (email below). Auditions will take place in front of a panel of up to 4 people including our cool Director! You will be asked to do three things:

1) We’d like you find a famous speech and adapt it. Instead of reading it in it’s original context you will be reading it out to a panel of senior Time Lords! So maybe you could find a speech from a King or Queen? A piece of Shakespeare or maybe a hero of your own and then give it your all.

2) We will obviously be finding out a little about you and why you’ve come to audition but we will also get you to read sections from the script.

3) And the third... Well the third we’ll keep a secret until the day but it will involve improvising!

These auditions will be fun so don’t feel nervous and we will let you know on the day if you have been shortlisted. Please note that you may be asked to come back and do joint readings with other hopefuls but shortlisting does not guarantee you a part.

Auditions should last around 20 minutes per person (depending on the response).

The recording date for 'One Fine Time Lord' will be: June 3rd/4th and possibly 5th, it will be recorded in the evening, not during the day - the recording will also take place in Cambridge.

Should you have any further questions or to book your place please email the producer Kim Bates: kimberleymbates@gmail.com

Good luck and book EARLY to avoid disappointment.

[Source: Doctor Who Online]

7.7: The Rings Of Akhaten - Overnight Viewing Figures

The overnight viewing figures are in for 7.7: The Rings Of Akhaten.

The episode achieved a figure of 5.5m viewers, with an audience share of 29%, and Doctor Who was the third most-watched programme for Saturday, winning its time-slot for the evening.

Top Overnights - Saturday 6th April:

1 - 7.3m - Saturday Night Takeaway - ITV1
2 - 6.4m - The Voice - BBC One 
3 - 5.5m - Doctor Who - BBC One

Final BARB ratings will be available within the next 10 days.

+  What did you think of the episode? Rate / Discuss in the DWO Forums!

[Source: Andy Parish]

The DWO WhoCast - Episode #286

Episode #286 of the DWO WhoCast, Doctor Who Podcast is Out Now!

In this week's episode of the DWO WhoCast...

Dave and Thomas are transported to The Rings of Akhaten where they witness The Doctor and Clara battle an ancient evil for the soul of a young girl meanwhile Elizabeth and Michelle are stuck in the past with The Doctor and Sarah Jane in Tom Baker's first adventure Robot.

It's like a podcast version of Mawdryn Undead except it isn't really.

Listen to Episode #286 of the DWO WhoCast in the player below:

+ Rate / Review the DWO WhoCast on iTunes!
Rate / Review the DWO WhoCast on the DWO Forums!
Follow the DWO WhoCast on Twitter!
Like the DWO WhoCast on Facebook!

[Source: DWO]

The 50 Year Diary - Day Ninety-Six - Horse of Destruction

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Six: Horse of Destruction (The Myth Makers, Episode Four)

Dear diary,

Can we please have a petition to change this episode's title back to Is there a Doctor in the Horse?, as Donald Cotton originally suggested? I'm willing to mount quite an aggressive campaign in favour of this.

Do you know, I'd completely forgotten about Katarina. I knew that this was Vicki's final episode. I knew that Katarina existed. And yet I'd not managed to put two and two together to remember that she was actually going to turn up in this story.

It's odd, considering how much time I spent yesterday praising the amount of care and attention given to the departure of companions in these early days, to then be confronted with a new addition to the TARDIS who simply turns up in the last episode, and doesn't even play a vital role until the very last scene! If anything, she feels like a temporary stop-gap companion, but that's possibly because I've always known her to be just that - but there'll be plenty of time to discuss Katarina's companion status during the next story, I'm sure.

Elsewhere, the departure of Vicki is still handled magnificently, right until the end. As I've said, I know that this is Vicki's last episode, but when we hear the TARDIS dematerialise, having seen the Doctor and Vicki venture inside it towards the end… it threw me. I wondered if I'd understood the terms of Vicki's departure wrongly for all these years, and that we might be getting what you might call a Time-Flight situation developing.

But when we cut from that to Trolius injured out on the plains, calling for his newfound love as the city burns before him, and Vicki appears to him, having opted to remain behind so that he wouldn't think she'd misled him… Oh, of course it's well handled. It's actually incredibly moving in a way that I wasn't expecting it to be, and the appearance of Trolius' cousin serves to suggest that there's a real future for Vicki here, in the same way that David's outstretched hand and Ian and Barbara laughing on a bus did for them.

Elsewhere, this is quite a dark episode, especially following the humour that I'd grown used to from the last few day's entries to the diary. The latter half of the episode basically consists of the city burning while the Trojans are massacred by the Greeks. Having experienced this entire story via the narrated soundtrack, I had grown used to the feel of listening to Doctor Who as audio again, and there's not much left to the imagination in this way.

It's perhaps another reason to be pleased that I'm experiencing the story in this way - there's a moment when Peter Purves' narration describes the Greeks opening the gates of the city, and a whole army flooding in to win the war. On screen, I can imagine this being a few extras running in, swords aloft. In my mind, it could almost look like a scene from Lord of the Rings. I do usually picture things as looking more-or-less the way I think they would have done on screen (that's the result of moving through the series at this pace and in this way!), but the sound design here is too good to not suggest more.

On the whole, The Myth Makers has been an odd one. It's moved from something that didn't really appeal to me, to being funny, dramatic and moving to varying degrees throughout it's last three parts. This is the first time in the marathon that I've encountered one of those stories that I really know little about - aside from the departure of Vicki - and so it's a very interesting time for me.

Hopefully, that'll be continuing into the next story. While I know it's the single longest story from the 1960s, features the Daleks and has a Christmas episode hovering around in the middle, I don't really know all that much about The Daleks' Master Plan. And so we move into what I'm likely to be calling Dalek Fortnight

Next Episode: The Nightmare Begins

Next Episode: The Nightmare Begins 

The 50 Year Diary - Day Ninety-Five - Death of a Spy

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Five: Death of a Spy (The Myth Makers, Episode Three)

Dear diary,

Something that I've found a little odd so far is the way the Doctor has reacted to being forced to make plans for getting the Grecian army into Troy. Yesterday, Steven suggested the obvious one - let's build a great, big, wooden horse. You know, like it says in all the legends of this war. The Doctor's dead set against the idea, because it was all made up and probably never even happened… and then he goes an suggests that they build gliders and flying machines to sail over the walls of the city!

Still, it's really only an excuse to give the Doctor something to play around with for an episode or so, until they're ready for him to announce his plan to use the wooden horse after all part-way into today's instalment. This way, everything is in place ready for the final episode. I can't complain, though, as we do get some rather nice comedy as the suggestion is made that the Doctor be the first man to fly into Troy, and he swiftly tries to back-track!

The comedy is a bit toned down for this episode compared to the last, although there's still plenty of it in evidence. There's a lovely discussion between Vicki and Steven as they find themselves locked away in the dungeon, where he protests that he's dressed as a Greek to come and rescue Vicki, and she droles 'You've done a beautiful job'. It's nice to see the pair getting some time together again here - I'm really going to miss the pairing of Steven and Vicki.

It's a period in the companionship of the programme that I've never really considered before. In my mind, the Hartnell era is usually Ian/Barbara/Susan - Ian/Barbara/Vicki - Steven/Dodo - Ben/Polly, and then onto the Second Doctor. I wonder if it's because this is such a short pairing together (only 13 episodes, if we count the end of The Chase)? A real shame, though. I even spent some time wondering if I could slip in a Big Finish adventure for the pair before embarking on this story, but it didn't seem right to have a more contemporary tale thrown in. It's definitely going to the top of my list for the future, though!

One of the most interesting aspects of this episode is sadly overlooked rather early on. While the Doctor is being given just one more day to devise a plan to invade Troy, Vicki is tasked to coms up with a way to stop a potential Grecian invasion, and to bring a swift end to the war. Steven sums it up best, when he says that it's Vicki against the Doctor, and knowing the Doctor, he's probably already got a good plan.

There's something quite intriguing about having the Doctor and his companions on opposite sides of a battlefield, each working against the other without truly realising it (come to think of it, isn't there a book along those lines? Though with a different incarnation of the Doctor on each side? Or did I imagine that? If there isn't then there should be!). It's a shame, then, that this is swept under the rug so quickly, when the Doctor's actions see Vicki released from prison and praised for winning the war, without ever lifting a finger.

Before she's released, though, we get a lovely scene between her and Trolius. I commented when Ian and Barbara left that the programme at this stage was still very good at setting up a companion's departure, and it's been really well handled again, here. Little hints yesterday that the pair may be falling for each other are enough to start the ball rolling, but it's really brought to the fore here, as they talk together - ignoring Steven for the most part - and Vicki sighs that she thinks she'd be very happy here, in time. I really can't fault the work being put into this area here, and special praise must be reserved for Maureen O'Brien, who turns in one of her very best performances in the programme for the scene.

Next Episode: Horse of Destruction

Next Episode: Horse of Destruction 

Eccleston Pulls Out Of 50th Anniversary Special?

Some conflicting reports have appeared online and in printed newspapers that Christopher Eccleston (The 9th Doctor) agreed to appear in the 50th Anniversary Special, and then pulled out.

The rumours, which were unsurprisingly started by The Daily Star newspaper, claimed Eccleston was all set to star in the special but as filming started, he apparently pulled out.

An official BBC source (speaking to Digital Spy) has reportedly claimed that: "Eccleston was never attached to the 50th and the decision has had no impact on production." The source was further quoted as saying the following:

"Chris met with Steven Moffat a couple of times to talk about Steven's plans for the Doctor Who 50th anniversary episode. After careful thought, Chris decided not to be in the episode. He wishes the team all the best."

Further rumours claim that Paul McGann has stepped in and the storyline originally intended for The 9th Doctor has simply been swapped for The 8th Doctor.

According to The Independent newspaper, The 9th Doctor may still have an appearance in the special:

"Fans might still get the chance to see Eccleston's portrayal of The Doctor as show bosses are rumoured to be planning to use old footage of previous doctors for the special show."

At this stage we would suggest taking all rumours with a pinch of salt until confirmed by the BBC.

[Sources: The Daily StarDigital Spy; The Independent; DWO]

The 50 Year Diary - Day Ninety-Four - Small Prophet, Quick Return

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Four: Small Prophet, Quick Return (The Myth Makers, Episode Two)

Dear diary,

Well today's episode has certainly picked things up a little for me! I still don't know enough about the events of Troy to get as much from it as I should, but with references to the wooden horse, and suggestions of things being brought into Troy with Greeks hidden inside… there's enough here for me to latch onto.

Perhaps the best thing about this episode, though, is the addition of the Troy characters. They've got a sense of humour to them that really struck a chord with me, creating a historical comedy that I'm enjoying, as opposed to something like The Romans, which didn't appeal. I wonder if it's because I knew that The Romans was supposed to be a comedy, and as such was waiting for it to make me laugh. With The Myth Makers, I was expecting a more traditional tale (and that's certainly what Episode One seemed to promise), so the comedy is an unexpected and happy addition.

I think Paris has to be my favourite of the characters on display, and he certainly gets the best of the more humorous moments from the script. The way he mocks Cassandra over her ability to tell the future ('I'm sure you don't have a monopoly on it') and his sense of pride at having captured the - unguarded - police box from the middle of the plains ('What use is it? What use is it? Well, I've not idea, really…').

It's nice to see Vicki brought back into the action again today, too, and given more of a presence in the story. The moment that she emerges from the TARDIS at just the right moment to be mistaken for a God is still fun, just as it was with the Doctor in the last episode, but it's nice to see her cutting though the pomposity almost instantly, telling the assembled crowd that she's nobody important, just a girl from the future.

All round, there seems to be a lot of open and honest talk about where our regulars have come from. Vicki tells the Trojans, while Steven explains their predicament with the Greeks (calling it a 'miscalculation' on the Doctor's part, who seems pretty pleased with himself to have managed to land on Earth at all). It's unusual to hear them talking like this - not something we're often shown. It's another (albeit minor) step down the road of this history-altering arc we've been on.

Next Episode: Death of a Spy

Next Episode: Death of a Spy 

Doctor Who Magazine - Issue #459

There's sssssomething very sssssspecial in the new isssssue of DWM!

The new issue of Doctor Who Magazine hits shops Today (Thursday 4th April), and features full previews of next few episodes to hit your screens over the next few weeks – and writer MARK GATISS tells DWM how excited he was to bring back one of Doctor’s Who’s iconic monsters in Cold War:

 “The Ice Warriors are back where they belong and I’m absolutely thrilled! Whilst absolutely respecting the source, the source has huge gaps in which you can invent. I was talking to a couple of members of the crew, and they had no idea the Ice Warriors were an old monster. It’s very powerful. You don’t need to know they first appeared in the 60s.

I thought, 'Why don't we put the Ice Warriors on a sub?'" Mark continues. "And suddenly it all clicked! The submarine set is amazing. Fantastic! The moment it's all lit and full of steam, it's incredibly believable."

Also in this issue:

HIDE AND SEEK - JESSICA RAINE, soon to be seen as Doctor Who’s original producer Verity Lambert in An Adventure in Space and Time and star of Call the Midwife, reveals all about guest-starring in the forthcoming episode Hide – and how she believes in ghosts!

WHERE THERE’S A WILLS ANNEKE WILLS looks back on her time as glam-girl Polly, companion to the First and Second Doctors – and how thrilling it was to be present at the first-ever regeneration.

THE MARTIAN CHRONICLES - As The Ice Warriors return to menace The Eleventh Doctor, DWM winds back the clock to 1967 and the Doctor’s first encounter with the Lords of the red planet. Discover a wealth of fascinating facts about what happened to The Second Doctor, Jamie and Victoria when they fought Varga on Britannicus Base as THE ICE WARRIORS is thawed out in The Fact of Fiction.

MAN AT THE TOP Doctor Who lead writer and executive producer STEVEN MOFFAT answers more of your questions – including what Blink and his his other stories were originally called...

ROAD RAGE - The Tenth Doctor and Martha Jones get stuck in traffic when they travel into the future for a visit to New Earth. THE TIME TEAM get caught in the Gridlock, but what will Will, Emma, Chris and Michael make of it all?

TRIBAL DANCE - The Doctor faces his past in more ways than one as the Hunters are revealed to be the unearthly Tribe of Gum! The Doctor, Ian and Barbara attempt to unravel the mystery in Part Four of our epic comic strip, HUNTERS OF THE BURNING STONE, written by SCOTT GREY and illustrated by MARTIN GERAGHTY.

SECOND HELPINGS - it’s 2006 and Doctor Who has become the most talked about show on TV! DAVID TENNANT is the new Doctor, BILLIE PIPER plays Rose – and the sky's the limit on the trip of the a lifetime. DWM's trip through five decades of adventure reaches Series 28 in COUNTDOWN TO 50!

PRACTICAL PARENTING - What do you do when your children swap Time Lords for another interest? JACQUELINE RAYNER soothes the fevered brow of Doctor Who-loving parents everywhere in RELATIVE DIMENSIONS.

CAUGHT IN A VACCUUM - The Watcher ponders the triangular nature of one of Doctor Who’s greatest design innovations in A History of Doctor Who in 100 Objects, jumps to the left for a Rocky Horror-themed Six Faces of Delusion and dazzles with more entries from the Stockbridge English Dictionary. Its WOTCHA!

PLUS! - All the latest official news, reviews and previews from the worlds of Doctor Who, prize-winning competitions and crossword, and, much, much more.

+  Doctor Who Magazine Issue #459 is out Out Now, priced £4.75.

+  Subscribe Worldwide to DWM from just £17.99 via Unique Magazines!

+  Check Out The DWO Guide to Doctor Who Magazine!

[Source: Doctor Who Magazine]

Doctor Who Executive Producer Job Advertised On BBC Careers Website

The BBC have advertised the role of Executive Producer for Doctor Who on their BBC Careers website.

The position which became available when Caroline Skinner stepped down earlier last month, has been temporarily occupied by Faith Penhale, while the replacement is found.

The role will be for a 20-Month contract, which confirms (in case anyone doubted) that Doctor Who will be in production in 2014, and the closing date for applications is 14th April at 11:59pm (to be precise).

Below are details of the role and its requirements, as per the posting:

The Role

"We are looking for someone with extensive experience in producing complex action packed drama which appeals to the broad BBC One audience, who will help develop, communicate and implement the creative vision for our show. 

As Executive Producer you will be responsible to the Head of Drama, Wales, for the editorial, production and financial management of Doctor Who. The successful candidate will therefore have extensive production experience in popular and complex primetime television series and be confident in leading and inspiring a team to create their best work.

Working closely with our Lead Writer you will consistently deliver fresh, original, high quality and high profile episodes of Doctor Who to BBC One."

Requirements

"If you are strong editorially, driven, self-motivated, approachable and passionate about making popular, ground-breaking television drama, we’d love to hear from you.

Experience of producing complex period dramas including effects is essential. You must have original and creative ideas for storylines and characters as well as the skills and abilities to communicate these to the team.  You need experience of leading a production team; an eye for detail and be used to working with internal and external stakeholders such as co-producers.  You’ll be privy to confidential and commercially sensitive information so it’s important you understand how to handle this. In addition you’ll have an awareness of our audiences and the knowledge of professionals within the industry including writers, directors, production teams and actors. This is not your normal 9-5 job, so you will need to be flexible with your time and duties and demonstrate resilience."

It is worth noting that advertising a vacant job role is a legal requirement and the role may very well be filled or partie(s) approached already.

[Source: BBC Careers website]