Award-winning composer Murray Gold returns to Doctor Who.

Murray Gold originally joined Doctor Who when Russell T Davies first revived the show in 2005, going on to compose the show for over 12 years, he has scored some of the most iconic moments in Doctor Who’s history. 

From revamping the theme tune, to creating the music for the Dalek and Cybermen to name just a few, Murray has been widely celebrated for his role in forging a new musical identity for the show.

And now he’s back! Murray Gold will once again work with the BBC National Orchestra of Wales, with his musical scores appearing when Doctor Who returns in November for three special episodes celebrating the shows 60th anniversary with David Tennant as the Fourteenth Doctor, before Ncuti Gatwa takes control of the TARDIS as the Fifteenth Doctor with his first episode airing over the festive period. 

On returning to Doctor Who, Murray Gold said:

“I’m so happy to be invited back for another joyful ride in the TARDIS. I didn’t think twice. Working with Russell and his team is just a pleasure.”

[Source: BBC]

Going into Series 10 was always going to be a bittersweet situation; there's the excitement of a brand new series, after what feels like an age away from our screens, coupled with the sadness - and reality - that Peter Capaldi will be leaving the show this year. Perhaps, what has made this a particularly bitter pill to swallow, is just how good Capaldi is in this opening episode. He is fully into his groove as The Doctor, and embodies the role with gusto, and you can't help reminding yourself after every little Doctor-y moment, that his days are numbered. Thankfully, we have new companion, Bill Potts (Pearl Mackie), to help distract us from the harsh reality of Capaldi's departure.

'The Pilot' takes Doctor Who back to its basics, and, much like 2005's 'Rose' was a companion-centric episode, Bill has a real chance to shine as she takes up the majority of the screen time in the episode. And just how good is Pearl Mackie as Bill?! She positively shines with energy, attitude, intelligence and...yes...that AMAZING hair! The lump in our throats from Clara's departure is very much still there, but hands-down, Bill Potts will win you over before the end titles roll. There's a heart-breaking scene set at Christmas that is played down wonderfully, allowing you to connect your own dots, but it really gets you in the feels, and Pearl plays it so, so well.

Matt Lucas' Nardole is definitely warming to us and he is fast becoming a character that you're glad to have in moments when The Doctor seems a little too 'alien' to Bill's emotions. There's a rather lovely little scene towards the end of the episode that stands out in particular. 

The episode itself delivers in so many ways, and whilst it may not quite live up to the Series 10 opener, it sets up a new direction, a new companion and a new threat, fantastically. A typical device used by Steven Moffat is to take an everyday object and turn it into something sinister, and The Pilot is no exception. Without wanting to give too much away, there's a puddle that's...well....not *quite* a puddle, leading to some moments within the episode that will genuinely make you jump out of your seat. Oh...and taking a shower will never seem quite so appealing anymore. There's a neat little scene that almost mirror's Rose's descent into the basement in 'Rose', and whilst Bill is very different to Rose, you can't help feeling the connection here. Expect a very different reaction from Bill when she sees the interior of the TARDIS for the first time (rather frustratingly for The Doctor), but it's played out very well indeed, to comic effect.

Those of you expecting an all-out Dalek-filled romp will be disappointed as their appearance is fleeting, but you do get a rather nice cameo from some Classic Series characters who have a certain association with them. The scene that featured in the BBC One companion reveal of 'Pearl Mackie as Bill' does indeed find its way into the episode, albeit an edited version to suit the pacing.

What we are missing most from the episode is Murray Gold's amazing scores. Don't get us wrong, there is some new material here from Gold, mostly connected to Bill Potts, but the music isn't as anthemic as it used to be. For the record we absolutely adore Murray Gold's music for Doctor Who, and there's no denying we've been a little spoiled over the years with so many audible treasures, but the days when 'All The Strange, Strange Creatures' or 'I Am The Doctor' became set pieces that followed through the season, seem to be fading. There is a rousing snippet of the 12th Doctor's 'A Good Man?' theme, but it feels a little shoe-horned in, and what this episode is crying out for is something new and bold to push it above and beyond.

Overall we loved the episode and you definitely feel like you've been on an adventure by the end of it. Things feel renewed and refreshed, which goes hand-in-hand with this show and The Pilot wonderfully, and rather aptly creates a new stepping-on point for anyone wanting to start their own journey into the Doctor Who series.



5 Things To Look Out For:

1) A TARDIS trip to Australia!
2) A jar of Sonic Screwdrivers!
3) A present in the wardrobe.
4) What is The Doctor guarding?
5) "I fatted her!"

+. 10.1: The Pilot airs This Saturday at 7:20pm on BBC One.

[Source: DWO]

Before tonight's episode (8.8: Mummy On The Orient Express) airs, the BBC have released a short, behind-the-scenes clip from Doctor Who Extra, featuring a glimpse at Foxes song which will feature in the episode.

The singer can be seen performing a jazz version of Queen's 'Don't Stop Me Now', before getting to explore the TARDIS set.

Check out the video in the player, below:

[youtube:9OC3c7I5BOM]

+  Mummy On The Orient Express airs Tonight at 8:35pm, on BBC One.

[Source: BBC]

Our friends over at Ultra Records are pleased to announce the release of Frontload’s newest track, appropriately titled ‘Dr. Who’.

Their latest beat combines the group’s signature electronic sound while modernising the popular Doctor Who theme song from the long running British television series, which is currently in its 51st year worldwide.

The owners to the publishing rights of the Doctor Who intro theme gave their stamp of approval by clearing the theme part of the track.

‘Dr. Who’ is a follow up to the group’s previous popular track titled Rebels (Wake Up).

Hear the listening track for 'Dr Who' via Ultra Music's YouTube channel, below:
[youtube:3sxOUDOmEAM]

+  Download Frontload’s ‘Dr. Who’ on iTunes, here.
+  Stream Frontload’s 'Dr. Who', here.

[Source: Elaine Karlsson Management]

New Rock group; Space Elevator, have released a new track, titled 'I Will Find You (Gallifrey Dreams)', as a tribute to Doctor Who.

DWO visitors wanting to listen to the song can download it here: http://www.spaceelevatorband.com/mp3-download/.

The password to download it is Gallifrey and you also need to include your email address.

You can also watch the music video, which features the track, below:

[youtube:6v5BnCdfqKQ]  
Space Elevator’s Lead Singer (and huge Doctor Who fan) ‘The Duchess’ says:

“Quite simply, our debut album is all about space and would not be complete without a Dr Who song. The song is a tribute as I have a Time Lord crush in all his incarnations. There’s something there for every woman! He’s strong, intelligent, unobtainable (crucial), he will fight daleks and cybermen..he has two hearts.. lol! ...or maybe I’m the only girl that dreamt of what her own Tardis would look like inside?”

The album Space Elevator (Cat No SECD1) is Out Now at HMV, Amazon and all good record stores, with the vinyl album (SELP1) being released on 14th July 2014. 

[Source: Paul Sabin]

They’re back! Actor David Banks, known for his portrayal of the CyberLeader in the Classic Series of Doctor Who, presents The ArcHive Tapes: Cybermen - an audio book series originally released in 4 parts in 1989.

This new 4 CD set is a high definition re-mastering of that audiobook series, the hypothesised history of the Cyber Race, written, narrated and entirely reconstructed by the CyberLeader himself.

A gripping retelling of their origins and history, fully dramatised with vivid effects, and original music heard here for the first time, it includes exclusive video interviews with Andrew Skilleter and David Banks.

Just when you thought the Cybermen would never return, here they are again – large as life and ten times as scary! The ArcHive Tapes: Cybermen. This is one small purchase for a human, one huge cyber leap for humankind.

View the YouTube Trailer below:

[youtube:dB_rAFf4JT8]

+  Available on CD at: www.thearchivetapescybermen.com

+  Available on iTunes here.

[Sources: Explore Multimedia]

BBC Inside Out will feature a previously unbroadcast interview with the late Delia Derbyshire – the woman who created the iconic Doctor Who theme tune – on Monday 15 November on BBC One at 7.30pm.

In this episode, excerpts of Derbyshire's interview will be heard – which were originally recorded in the late-Nineties by BBC Radio Scotland's John Cavanagh but never broadcast before.

In the interview she reveals that one of the primary influences on her music, including Doctor Who, were the abstract sounds she heard as a child during the Coventry blitz.

Inside Out also features previously unseen footage of Delia later in life at a Doctor Who fan convention.

In the programme, BBC Radio 2 presenter Stuart Maconie looks at her career and explores why the woman herself remains a mystery despite her work influencing the world of electronic music, including Pink Floyd and today's modern dance acts – because, in 1963, hardly anyone outside of avant garde music circles and academia knew electronic music even existed.

But, 47 years on, the Doctor Who theme is probably the most famous piece of electronic music in the world.

Now, her lost recordings, discovered in her attic after her death, are being lovingly restored by the University of Manchester.

BBC Inside Out explores how Delia revolutionised pop music and why she turned her back on music and disappeared. Stuart begins his journey in war-torn Coventry, where Delia grew up, and follows her journey to the Radiophonic Workshop at the BBC. He talks to a range of people, including the man who invented the infamous sound of the Tardis, Brian Hodgson.

Also uncovered in this episode is the revelation that Delia composed music for an astonishing number of landmark programmes of the day, with the original Doctor Who theme being just a small part of Delia's massive output whose style was described in her own words.

Delia says: "Well, the first stage in the realisation of a piece of music is to construct the individual sounds that we are going to use. we can build up any sound we could possibly imagine almost.

"We spend quite a lot of time to invent new sounds, sounds that don't exist already, ones that can't be produced by musical instruments."

As Stuart explains, it was the theme that changed the world and the very first time the public had heard electronic music so who was the person behind it and why was she so important?

He says: "Everyone knows the Doctor Who theme – most of us here have grown up with it. But the techniques developed by one woman to make it have changed the shape and sound of modern music for ever. But the woman herself remains a mystery."

[Source: BBC Press Office]