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The Daemons Of Devil's End - (DVD) - [13/11/2017]

In the years following the show's hiatus in 1989, Reeltime Pictures produced some fantastic Doctor Who tie-in media, to keep us entertained whilst the show was off the air. Classics such as 'Downtime', 'Mindgame' and 'Daemos Rising', featured characters and monsters from the Doctor Who universe, written and produced by key players from the show itself.

Now, in 2017, Reeltime Pictures are releasing a brand new production; 'White Which Of Devil's End', as part of 'The Daemons Of Devil's End' DVD release.

DAMARIS HAYMAN, reprises her role as Olive Hawthorne from the Doctor Who story 'The Daemons'. With a blend of dramatic monologue enhanced with visualisations and sound design to develop and tell the stories, the drama is an anthology of tales following the magical life of Olive Hawthorne, from childhood to her final days as the protector of Devil's End. Drawing on a rich heritage and appreciation of witchcraft and fokelore, the stories bring Olive's history to life, pitting her against vampire, succubus, fae, daemonic influence and more - as Guardian of Devil's End, she must do what she must to protect the village... but what happens when she reaches the end of her life? Who will protect the townsfolk then?

Also included, is the long-awaited DVD release of the classic documentary 'Return To Devil's End'. Filmed around the village of Aldbourne in 1992, this marvellous production stars JON PERTWEE (The Third Doctor), NICHOLAS COURTNEY (The Brigadier), RICHARD FRANKLIN (Capt. Yates), JOHN LEVENE (Sgt. Benton) and 'The Daemons' director, CHRISTOPHER BARRY. NICHOLAS BRIGGS (currently the voice of the Daleks in Doctor Who), takes the cast and director on a trip around the locations, deftly gleaning stories and anecdotes about filming the classic Doctor Who series in 1971. Including interviews with villagers and rare archive film and photos... this documentary is rightly considered one of the best behind-the-scenes look at the making of Doctor Who ever produced.

Both discs are packed with bonus features, making this a totally unique production!

PLUS! A third bonus disc containing video of conventions held in Aldbourne to celebrate one of Doctor Who's most fondly remembered stories.

Look out for the DWO review of this title, coming soon! 

+  The Daemons Of Devil's End is released on 13th November 2017, priced £12.99.
+  PREORDER this DVD from TimeTravelTV.com.
+  Discuss all the Doctor Who DVD & Blu-ray releases in the DWO Forums.

[Source: Reeltime Pictures]

So What's Happening With Torchwood?

Back in July, John Barrowman gave us all a glimmer of hope that another series of Torchwood could very well be a possibility. But in the weeks that have passed, it now seems that we may be back to square one. This week, Barrowman added an update, citing 'egos' as the reason for the shows prolonged absence. Today, Steven Moffat hit back at the claims, and rather than trawling through the internet, we have provided you with all the quotes and sources, below:

July 2016 - Barrowman offers hope for the future of Torchwood
Source:
Comic Con HQ

Speaking to Comic Con HQ in San Diego at the weekend, Barrowman explained how the wheels are already in motion to bring the show back:

“I’ve already set the ball rolling to get Torchwood back (and that’s an exclusive here at Comic Con), I have a first telephone conversation on Monday about moving it forward to see how we can get it back on television.”

Barrowman then went on to talk about his new Torchwood comic, explaining how its success will help the cause:

“The fans know me well enough, I’m only going to say it if I really mean it and believe it, and if you do believe in Torchwood as you all do and say online, get the comic, just get the series going; it’s like a kickstarter - if you buy the comic you’ll show the support and also it’ll be a huge success because we need Captain Jack back on the screens!”

11th September 2016 - Barrowman blames certain "egos" for the show's absence
Source:
Radio Times

“I was told that there are some obstacles to overcome, and every time I tried to talk about a way around them, it was almost like there was another obstacle.
 
And this is a personal thing for me, this is not anything that was discussed, but I find it really a little disheartening that a company like the BBC can’t just say “Put your egos aside, we’re gonna go forward with this.
 
There’s a lot of politics involved, and the people that are close to it, I think would love to see it done, but there’s just certain egos in the path that are just standing in the way. That’s all I’ll say…
 
I just don’t understand then why someone very high up can’t say “This is gonna be done. I don’t care.”‘
 
Tuesday 14th September 2016 - Steven Moffat hits back at Barrowman's claims
Source: SciFi Bulletin
 
“If you don’t give a damn about Torchwood, skip this post. For those of you who do .…..
 
“You may be aware that John Barrowman has been saying, publicly, that I’ve been blocking a new series of Torchwood. To be very clear – I haven’t blocked it; I wouldn’t block it; I wouldn’t even be ABLE to block it. I didn’t even know a revival had been mooted till I read about it on the Internet. As John perfectly well knows, it’s not my show and I could no more prevent it happening that he could cancel Sherlock. I am bewildered, and a little cross, even to be included in this conversation. For the record, I really liked the show (especially the third series) and would be very happy to see more – monsters and mayhem, why not? But the fact is, it has nothing to do with me. Please pass this on to the anxious and the angry – I’ve had enough hate mail now.”


So what does this all mean for the future of the show? If there really is some bad blood between John Barrowman and Steven Moffat (the writer of Captain Jack Harkness' first ever TV episodes), then there obviously needs to be some resolution before everything can move forward amicably. It's clear, (and one is inclined to believe what Steven says here), that he is not trying to block the show, but according to Barrowman, someone is. The question is who, and, more importantly, why?!

DWO would like to hear from our visitors as to what you think about the situation and how you'd like Torchwood to return. Please leave your thoughts in the comments box, below.

[Sources: Comic Con HQ; Radio Times; SciFi Bulletin]

New Doctor Who Spin-Off Show 'Class' Announced

BBC Three today announces Class - a new 8-part, 45 minute Doctor Who spin-off from the acclaimed young adult author Patrick Ness.

Class is a YA series set in contemporary London. Incredible dangers are breaking through the walls of time and space, and with darkness coming, London is unprotected. With all the action, heart and adrenalin of the best YA fiction (Buffy, Hunger Games), this is Coal Hill School and Doctor Who like you've never seen it before.

Steven Moffat says:

“No one has documented the dark and exhilarating world of the teenager like Patrick Ness, and now we're bringing his brilliant storytelling into Doctor Who. This is growing up in modern Britain - but with monsters!”

On his first television series, writer Patrick Ness says:

"I'm astounded and thrilled to be entering the Doctor Who universe, which is as vast as time and space itself.  There's so much room there for all kinds of amazing stories, and to work with Steven Moffat and Brian Minchin to find a place to tell one of my own has been an absolute joy. I can't wait for people to meet the heroes of Class, to meet the all-new villains and aliens, to remember that the horrors of the darkest corners of existence are just about on par with having to pass your A-Levels."

Damian Kavanagh, Controller BBC Three, adds:

“We’re excited to give Patrick Ness this opportunity to work with us at BBC Three and the Doctor Who family. Patrick understands young audiences and I’m delighted he will use his incredible skills as a storyteller to delight audiences on BBC Three. BBC Three will always innovate and offer opportunities for brilliant new talent."

Polly Hill, Controller of BBC Drama Commissioning, adds:

“I am thrilled that Patrick Ness is writing his first drama series for BBC Three. The combination of Patrick and Steven Moffat is an exciting partnership that has created a brilliant Doctor Who spin-off for our BBC Three audience.”

Class is executive produced by Steven Moffatt, Patrick Ness and Brian Minchin. It was commissioned by Damian Kavanagh, Controller of BBC Three, and Polly Hill, Controller of BBC Drama Commissioning.

An 8x45 minute series is produced by BBC Cymru Wales in association with BBC Worldwide for BBC Three.

The series will film in and around Wales from Spring 2016 and be on air next year. 


Since the announcement broke, Patrick Ness has confirmed that the show will also be broadcast on BBC One:

Fan reaction appears to be generally positive, but some fans have taken to Twitter sharing their dissatisfaction at the premise. Fans took particular umbrage in the way the BBC teased the announcement before 11pm last night.

DWO Verdict:
Wait until the show airs - as Doctor Who fans, there was a time we would have grabbed anything available with both hands. Let's show Class the support it deserves and come together as fans instead of fragmenting over something we have very little information about.

For the BBC to have invested in the spin-off, shows immense trust and commitment to the brand, in a time when cuts and cancellations are at the forefront of news. It also shows trust and commitment to the spin-off itself, so, to bookend our 'verdict', lets wait until the show airs.

[Source: BBC Press Office]

The 50 Year Diary - Day 725 - Downtime

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 725: Downtime

Dear diary,

I’ve been curious about Downtime for ages. Back when I was first getting in to Doctor Who it seemed like the most amazing thing in the world - the return of three former associates of the Doctor, and of the Yeti after almost 30 years. Of course, at that point there were only two Yeti episodes surviving in the BBC archives, so the thought of a complete story featuring them instantly won extra brownie points. Over the years, I must have seen this story more times than I’ve seen some real episodes of Doctor Who, and you know what? I’ve always been confused by it.

Partly, I think, that’s because I’d never experienced the two Patrick Troughton Yeti adventures. I therefore had no clue why the little wooden carving of a Yeti was so important (and, watching again here, I note that it’s never actually explained), and I was forever getting confused by the fact that Victoria is looking for her own father - who’s long dead - but finds Professor Travers, played by Deborah Watling’s real life father, who goes on to talk about his daughter; meaning Anne. Can you see where my confusion came from? Please say you can.

And yet, somehow, Downtime always remained oddly fascinating to me. I think a certain amount of that comes from the fact that it’s the ultimate example of the programme surviving in any climate. In 1995, it had been six years since the BBC had actively produced a proper new episode of Doctor Who, and through all the false starts of various film projects in the preceding half-decade, didn’t really have much interest in the property. And yet you get a group of fans clubbing together, getting a licence to use various elements that aren’t directly owned by the BBC, and making something new with them, that sits firmly - and comfortably - within the Doctor Who world. I think it’s something to be admired, and actually, it comes off rather well.

Because this time around, I’m actually surprised by just how much I’ve enjoyed this! Truth be told, the main reason I wanted to watch it again was to see if my half-memories of earlier viewings fitted neatly in to the Great Intelligence timeline that I was pondering back during The Abominable Snowmen and The Web of Fear last year (more on that in a moment). But then as I watched, it suddenly became less about simply ticking this one off on the list of things I needed to see for the marathon, and more about simply enjoying it. Certainly, having experienced those earlier Intelligence stories, I’ve managed to follow the plot of this one a whole lot better than ever before, but there’s numerous other things that had troubled me in the past that all fit together perfectly well here - I guess I was too busy worrying about things I didn’t understand before that I missed some important dialogue.

It’s also great to use this story as something of a send-off to ‘classic’ Doctor Who. The TV Movie being isolated out on its own in the middle of the 1990s means that it doesn’t really feel like it belongs lumped in with those earlier Doctors, and the recent reappearance of McGann in the programme means that he feels, if anything, closer to the new series than the old. The appearance of Sylvester McCoy in the film just makes it feel a little bit like a handover between the ‘old’ and the ‘new’. So this story is perfectly placed to have a reappearance for Sarah Jane Smith, the Brigadier, and Victoria Waterfield. All three were on hand to celebrate the programme for Dimensions in Time, but in regards to the actually main narrative of the show, the Brig hasn’t been seen in six years, Sarah Jane for more than ten, and our last sight of Victoria was on a beach almost thirty years ago! Bringing them all back together here for a new story alongside an old foe really does work, and introducing Kate Stewart, who’ll go on to be a recurring presence in the revived series later on, makes it feel like another vital part of the ‘Wilderness Years’.

Indeed, I’ve been somewhat struck by just how much this feels like proper Doctor Who, and I even found myself slightly mourning the fact that it’s never had a DVD release with some special features. Several key members of the cast are sadly no longer with us, but it would be nice to see if given some kind of treatment, because it comes across as so much more than ‘just another fan film’.

So. The big question - for me at least - is how this fits in with the timeline I proposed last year. Back then, I suggested that following the defeat of the Intelligence on the Underground, it retreated back onto the Astral Plane, but continued its link with the ‘many human hands’ at its disposal. I think that’s borne out here - Travers has been summoned back to Det Sen and kept alive beyond his years, and Victoria is later brought to the same location, and used to carry out the task. The plan seems to be using the fledgeling internet to carry the Great Intelligence and take over the world… which isn’t a million miles away from the plan we see in The Bells of Saint John. Yeah, I’d say that this fits in rather nicely with what I’ve assumed before - and I’m glad about that! I’ll keep reviewing the situation when we reach Season Seven in a few month’s time, but I think for now this is going in as part of my personal ‘canon’ when it comes to Doctor Who.