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8.1: Deep Breath - DWO Spoiler-Free Preview

DWO’s spoiler free preview of Episode 8.1: Deep Breath:

 

It’s an exciting time for Doctor Who right now, isn’t it? Last year saw the programme celebrate 50 years of adventures in time and space with real flare and style - taking this little show that went out on a Saturday tea time in 1963 and catapulting it into the television schedules around the world. Just a month later, and we watched on as Matt Smith faced down legions of the Doctor’s greatest enemies on the fields of Trenzalore, bursting with regeneration energy, before rushing back to the TARDIS to make his farewells, and setting the wheel in motion all over again.

 

When Peter Capaldi was announced as the new Doctor a year ago this month, the reaction was almost entirely positive. There were a few cries of anguish that he was going to be considered simply ‘too old’ to be the Doctor… but these cries largely seemed to come from Doctor Who fans who were convinced that the general public simply wouldn’t take to a Doctor in his fifties in this day and age. But on Thursday of last week, Doctor Who Online’s Will Brooks and Nick Mellish were lucky enough to attend the world premiere of Season Eight in Cardiff and we can confirm that the reaction is overwhelmingly positive.

 

Oh, the crowds! Hoards of screaming fans simply thrilled to see the new Doctor and Clara as they made their way down the red carpet towards the screening. Crowds made up of - yes! - children. And teens. And adults from thirty, through forty, and fifty, and right up to their eighties. Even those who’d clearly been dragged along to the event by a younger relative couldn’t help getting caught up in the thrill and magic of the event. The new Doctor had arrived, and the reaction has never been better.

 

But enough about all of that! You want to know about the episode itself! I can quite honestly say that sitting in that hall, I have never enjoyed an episode of Doctor Who more. Some of that has to be put down to the sheer atmosphere of the event - a crowd of people who were simply loving this new instalment in their favourite show, and who laughed, and cheered, and cried, and clapped, all at the right moments. I’ll forever associate one particular moment of the episode (and when you watch it, I’m sure you’ll be able to guess which one) with the sound of a packed auditorium simply bursting into cries of elation.

 

There’s been a lot of talk over the last few months about Series Eight being a ‘darker’ year of Doctor Who, with much more ‘serious’ drama and less comedy involved. I can confirm that the programme certainly has a darker edge to it, often brought in by the reactions of the new Doctor himself, but it doesn’t come at the expense of the lighter moments. Keeping the Paternoster Gang of Vastra, Jenny, and Strax, means that they’re able to help inject some well executed comedy into a story that could otherwise feel a little bit bleak. In the same way that The Christmas Invasion takes the Doctor out of action for a while, allowing the focus to be squarely on Rose and her family, here it’s the Paternosters and Clara who we really want to focus on. They’re one big support group to oversee the arrival of a very different Doctor.

 

The story itself, while engaging, is really secondary to the characters here. We’re watching to see how each and every one of them reacts to the regeneration, and I came away feeling like everyone had reached a decent point of acceptance about events. Although I say that people accept the change, though, that doesn’t mean that they entirely like it. Having come away from the screening someone asked me what Peter Capaldi was like as the Doctor, and the only answer I could think to give was that “He’s brilliant… but I don’t know if I like him”. That’s clearly the intention here - the Doctor’s not playing at being your best friend, or your boyfriend, or the wacky madman with a box any more. He’s a man who’s spent a long, long, time travelling the stars, and he’s done pretending. I think he’s going to be the incarnation that we all love to hate. But fear not - while I don’t like this Doctor, I do absolutely love him, and Capaldi is clearly born to play the role.

 

Kick-starting the era with a story directed by a name director like Ben Wheatley really does seem to be setting out stall for what the programme wants to achieve. Doctor Who has never looked more cinematic than this, and if you’ve got the chance, then I’d certainly recommend making the trip to see this story when it’s screened in a cinema. It’s a character piece nicely suited to the small screen, but with beautiful visual sequences simply made to be seen projected onto a cinema screen.

 

It’s now less than two weeks until Doctor Who returns to the saturday night schedules, for its longest continuous run since 2011. We’ve a fantastic new lead actor, a supporting cast of characters who are turning in stellar performances, and a programme that feels like it’s been given a real shot of adrenaline. Hold on tight - we’re in for a heck of a ride…

 

Five things to look out for:

 

1) The Doctor is Scottish now - that means he can complain about things.

 

2) That’s not a hat… that’s hair. 

 

3) Where do the Doctor's new faces come from?

 

4) We don’t get a ‘choosing the new costume’ scene here, but the Doctor does get to test drive several outfits before finding his ‘look’.

 

5) How long can you hold your breath?

 

[Sources: DWO, Will Brooks]

Silhouette - Book Cover & Details

BBC Books have released the cover art and details for their forthcoming 12th Doctor novel, Silhouette.

Silhouette
By Justin Richards

"Vastra and Strax and Jenny? Oh no, we don't need to bother them. Trust me." 

Marlowe Hapworth is found dead in his locked study, killed by an unknown assailant. This is a case for the Great Detective, Madame Vastra. 

Rick Bellamy, bare-knuckle boxer, has the life drawn out of him by a figure dressed as an undertaker. This angers Strax the Sontaran. 

The Carnival of Curiosities, a collection of bizarre and fascinating sideshows and performers. This is where Jenny Flint looks for answers. 

How are these things connected? And what does Orestes Milton, rich industrialist, have to do with it all? This is where the Doctor and Clara come in. The Doctor and his friends find themselves thrust into a world where nothing and no one are what they seem. Can they unravel the truth before the most dangerous weapon ever developed is unleashed on London?

+  Silhouette is released on 11th September 2014, priced £6.99.
+  Preorder via Amazon.co.uk for just £5.24. 

[Source: BBC Books]

7.11: The Crimson Horror - DWO Spoiler Free Preview

DWO’s spoiler-free preview of episode 7.11 The Crimson Horror:

“When the end of days is come, and judgement rains down upon us all...”

When Madame Vastra, Jenny, and Strax are alerted to a spate of strange deaths in the north of England, it’s the last sight of a dead man that grabs their attentions. Sweetville has been established as a place for people to come and repent, opting for a chance to be saved from the coming apocalypse. But there’s something sinister at the heart of this ‘perfect’ community, and the Paternoster Row team aren’t the only ones intrigued by the mystery of Mrs Gillyflower and her ‘silent partner’, Mr Sweet... 

Having made such a hit as a team in The Snowmen last Christmas, the return of Vastra, Jenny, and Strax has been one of the most anticipated points of the 2013 series. Thankfully, Mark Gatiss’ The Crimson Horror does not disappoint. 

The story in places almost serves as a ‘Doctor-lite’ episode, with much of the early focus of the episode being squarely on the guest cast. We almost open mid-story for the Doctor and Clara, and discover the secrets of Sweetville through the eyes of our returning heroes, as they make their way deeper into the sinister new mill, uncovering secrets as they go. Vastra’s advice of how to find the Doctor - to ignore any ‘keep out’ sign, and actively look for danger - is fitting, and it’s wonderful to see these characters given room to breathe. 

The stand out has to be Dan Starkey, returning as Strax for a third time. As during the christmas episode, the character is played purely for comic relief, but all his humour hits just the right spot. The more we see of the trio together, the more we’re desperate for them to front their own spin-off series. This episode seems to perfectly showcase that they could carry it off, with mysteries being brought to their attention, ready to be investigated. 

The other major guest stars for The Crimson Horror come in the form of Diana Rigg and her daughter Rachel Stirling. They play mother and daughter in the episode, too, with Rigg taking on the part of Mrs Gillyflower, owner of the new Sweetville Mill, and her blind daughter, Ada. The pair are fantastic casting and really set the screen alight when they share it.

The direction of the episode, by Saul Metzstein (who also directed our unusual Victorian investigators last Christmas), is as fantastic as we’ve come to expect from him, and there’s an interesting use of flashbacks to catch us up with the story when needed. 

The only question now... when will Vastra, Jenny, and Strax be getting their own spin-off?

Five things to look out for...

1) “Did you think I’d forgotten you, dear monster?”

2) “Just when you think your favourite lock-picking Victorian chamber maid will never turn up!”

3) “Brave heart, Clara...”

4) “Horse! You have failed in your mission!”

5) “I’m the Doctor, you’re nuts, and I’m going to stop you.



[Sources: DWOWill Brooks]