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Obituary: Derrick Sherwin - (Classic Series Script Editor & Producer) - [1936-2018]

It is with deepest regret that DWO announces the passing of Classic Series Doctor Who Script Editor & Producer, Derrick Sherwin.

Derrick began his work on Doctor Who as Script Editor for the following stories: The Web Of Fear, Fury From The Deep, The Wheel In Space, The Dominators & The Mind Robber. He then took on the role of Producer for The War Games & Spearhead From Space.

Derrick also wrote the 2nd Doctor adventure, The Invasion, which was the first story to properly introduce UNIT. It was also his idea to exile The Doctor to Earth for Jon Pertwee's early 3rd Doctor stories.

Derrick's other career highlights include acting credits for; Here Lies Miss Sabry, United!, The Scales Of Justice and even an uncredited cameo appearance in Spearhead From Space as a UNIT Commissionaire.

DWO would like to extend our sympathies to Derrick's family and friends.

[Source: DWO]

Review: UNIT: Shutdown

Manufacturer: Big Finish Productions

Writers: Matt Fitton & Andrew Smith

RRP: £20.00 (CD) / £20.00 (Download)

Release Date: June 2016

Reviewed by: Bedwyr Gullidge for Doctor Who Online


2.1 Power Cell by Matt Fitton

"Osgood and Captain Josh Carter are sent to investigate the disappearance of a UNIT scientist.

Meanwhile, alien technology has fallen into the hands of Lyme Industries, and Kate Stewart can't persuade the company’s CEO, Felicity Lyme, to give it back.

But UNIT find themselves fighting a third battle when innocent people start to die. Who are the mysterious assassins? And what does Felicity Lyme want with top secret alien technology?"

UNIT is back! Jemma Redgrave and Ingrid Oliver return to their roles of Kate Stewart and Osgood for a second outing with Big Finish. UNIT: Extinction was the skilled storyteller’s first venture into the world of modern Doctor Who created in 2005 and such was its success the team have returned for a second outing in a proper, full-fledged drama featuring the popular characters seen in only a handful of onscreen stories. It is such a joy to have more adventures with these individuals because it allows for more time to be dedicated to them alone, for instance, more scenes that they dominate instead of the Doctor, which aids their personal growth and builds that connection with the audience still further. As an example, the story opens with Osgood at a pub quiz, something which there simply would not be time for during a television episode that needs to grab the audience’s attention immediately and to engage them enough to quell the impulse to change the channel.

Osgood and Kate Stewart are the leading stars of the series and hopefully draw in new listeners to the wonders of Big Finish audio adventures. Ingrid Oliver’s Osgood has become a popular choice for cosplay fans but she is far more than a clothes horse and is a wonderfully rounded character; her likeable nature without question and she even uses a cloister bell message alert tone. Similarly, Kate Stewart maintains an approachable connection to her inferiors, despite her seniority, much like her father did. Jemma Redgrave is very respectful of the legacy passed down to her by her character's onscreen father, the sadly missed Doctor Who legend Nicholas Courtney. This story also draws an element from the UNIT era of Third Doctor Jon Pertwee which the Brigadier played such a key role in.

Writer Matt Fitton creates a tale which shines an investigatory light on Whitehall figures in a similar way that the Third Doctor's era provided scathing critiques on those Governmental types, such as Chinn in The Claws of Axos or Walker the Parliamentary Private Secretary in The Sea Devils. The timing of this subject matter also seems appropriate given the current political turmoil in Westminster, with Kate Stewart stating categorically, “I don't trust the Government” and seemingly capturing the mood of a nation. In the UK we fear the intrusion of public companies, siphoning off our most valuable resources for the sake of profit margins, the privatisation of the NHS for example, is a constant concern these days. For UNIT it is their alien technology which they place the highest value upon and so must be recovered from the hands of the unknown but wonderfully intriguing Miss Lyme, expertly played by Alice Krige. These competing ideologies, supposedly in partnership and on the same side but yet the potential selling off of those shared secrets, adds further to the developing intrigue.

However this story is not only a satirical perspective on the Government, as the first part draws to a close with an action sequence of unidentified, but clearly alien, creatures attacking Osgood in her own flat. Things are developing quickly and the adventure has only just begun…


2.2 Death In Geneva by Andrew Smith

"With few people left to trust, and with assassins on their tail, Kate and Osgood race to UNIT Command in Geneva. Will General Avary be able to help them?

But when death follows UNIT all the way from the English countryside to the snowy slopes of the Alps, Captain Carter finds himself in a race against time.

As the body count rises, Kate struggles to separate friend from foe, danger circles Osgood ever closer, and, high in the mountains, Josh comes face to face with the enemy..."

In a move borrowed from Brigadier Lethbridge-Stewart himself, Kate and Osgood head to Geneva to gain support from UNIT Central Command. Unlike the television production of the 1970’s the limitless scope of Big Finish allows listeners to follow the action to Geneva. Unfortunately, the danger follows too and even in Switzerland not everyone can be trusted. Slowly the UNIT team begin to unravel events and learn more about the mysterious Tengobushi as the bodies start piling up and innocent people are now being caught in the crossfire.

This episode starts with a bang and maintains that pace throughout, gripping the audience with numerous twists and turns along the way as Kate and Osgood come under seemingly constant attack. Continuing the work of Matt Fitton, Andrew Smith picks up the momentum created by the introductory first episode, skilfully teasing out more information for the developing plot. Although the Kate Stewart and Osgood pairing receive the bulk of the attention - and rightly so - they are in reality two thirds of a trio which also includes James Joyce as Captain Josh Carter. Admittedly Carter has a curiously convenient knack for turning up at the most opportune moment, which happens a lot in this four part story, but when under threat from lightning fast alien ninja warriors UNIT need a military leader and Joyce is perfect in his role - one which will be vital in the next episode…


2.3 The Battle Of The Tower by Andrew Smith

"The threat is now clear, and Kate Stewart retreats to UNIT HQ with her most trusted colleagues. She has no choice but to place the Black Archive into lockdown, and the Tower of London is where UNIT will make its stand.

While the capital sleeps, an alien horde is gathering, ready to rise from the shadows to attack Earth’s greatest defence force inside its own stronghold.

The Tower is infiltrated, and UNIT must hold the line. At any cost. Lock and load..."

The action packed pace of Death in Geneva continues as UNIT retreat to the stronghold of the Tower of London - first identified as a UNIT base in The Christmas Invasion. This episode also allows a period of downtime to expand on the plot as UNIT attempt to identify and understand the alien trinket which has drawn the Tengobushi to London so they can recover it. Osgood and Kate Stewart are able to investigate the artefact, postulating why the Tengobushi want it back so badly and revealing crucial plot points required for the story’s final resolution to the audience.

Like an episode of Game of Thrones, these early parts of the episode provide material that adds depth and detail to the story that would be quickly skirted over in a Doctor Who television episode, limited by a finite running time.

Other nice story touches include the revelation that the Yeoman warders are in fact members of UNIT capable of reporting to Kate Stewart. There are also lovely references for fans of the televised output such as name checking Malcolm who appeared in Planet of the Dead and the Ravens needing batteries as mentioned in The Day of the Doctor.  When the Tengobushi do reach the Tower and begin their attack, the action comes thick and fast, the accompanying soundscape headed by director Ken Bentley aiding in the dynamism that builds nicely for a spectacular conclusion… 


2.4 Ice Station Alpha by Matt Fitton

"Caught between human greed and an unstoppable alien power, Kate Stewart leads her closest allies on one final, desperate mission. This could be the very last chance for the human race.

But the UNIT team has been declared rogue, and ruthless military forces are in pursuit as they race across the globe. Kate calls Lieutenant Sam Bishop to their aid, while Josh and Osgood head out across the frozen Antarctic plains to try and prevent a disaster no-one else knows is coming."

In the concluding part we return to the original themes outlined at the very beginning, casting a scathing comment on the spurious methods of big business, plus raising doubts about the true motives of those individuals supposedly working to protect us. The tale also raises an interesting argument regarding UNIT’s own use of alien technologies and the dangers of allowing unregulated individuals equal free-reign. However whilst the small-minded humans argue amongst themselves a much more substantial power is closing in on the eye of the storm in Antartica…

This second adventure with Kate Stewart and Osgood is another triumph; superbly combining intelligent plotting from writers Matt Fitton and Andrew Smith with explosive action in a journey across planet Earth - the likes of which would be difficult to do justice to on a television budget. In a refreshing move, the lines between good and evil are masterfully blurred to deliver an excellent adventure which grips and thrills the listener throughout.



+  ORDER
this CD via Amazon.co.uk!

The 50 Year Diary - Day 837 - The Day of the Doctor

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day 837: The Day of the Doctor

Dear diary,

Oh, d’you know, as the TARDIS was hauled across London and David Tennant’s name flashed up on the screen, I felt really excited for this one. I’ve been excited by several episodes through the course of this marathon - one’s I’d never seen before, ones that have been recently recovered, ones that I’d recalled liking a lot on first run through… but this was somehow different. There’s something in the air about this 50th anniversary episode that even eighteen months on still makes it something really special. A chance for the programme to stop and congratulate itself for being something so brilliant for so long. Steven Moffat is right when he says you couldn’t do a story like this every week, because the series would drown in self congratulation, but let’s be honest, when you reach the golden anniversary, it’s only fitting that the show should get something so good.

I think there’s also an extra thrill because this episode is very special in terms of The 50 Year Diary - because it was supposed to be the final entry! The 50 Year Diary. The clue is in the name, really. The plan devised way back in the dying days of 2012 was to start the marathon with An Unearthly Child on January 1st, and then watch every episode in order, one a day, until I hit the 50th anniversary story. The first 50 years of the programme neatly summed up. Only then Matt Smith went and threw a spanner in the works by announcing that he’d be leaving in the episode immediately after the 50th. Right, okay. Not an issue, I’d go the the 50th and then finish the marathon off with his final story. Done. Easy. Oh, but those decisions were made way back when, and now I’m here… well, as someone pointed out when I raised the question with you lot, it would be a shame to end here, only a handful of episodes short of doing them all in this format, so you’re stuck with me for another two weeks yet.

So. The Day of the Doctor had a pretty unenviable task, didn’t it? Work as a standalone episode celebrating the first 50 years of the programme for an audience that would no doubt be significantly higher than usual, while at the same time provide the kind of fitting multi-Doctor extravaganza that we fans are always so keen on, just like they did for the 20th, 30th, and 40th anniversaries. I can remember watching the Tennant era and thinking ahead to the 50th anniversary which felt like just a million miles away. As things always tend it, it came round rather fast and I think it did the best possible job of being everything it needed to - I still see people complain that it’s an ‘8th anniversary special’ as opposed to a ‘50th anniversary’, but frankly they always come off as stubborn for the sake of it. Did they miss the frankly brilliant ending in which all the Doctors turn up to save Gallifrey?

You might have noticed that I’ve not really got a particular focus today, because it’s tricky to do that with an episode quite as expansive as this one, so I think I’m going to have to resort to simply going through things in brief as I think of them. Bear with me…

First of all, that multi-Doctor thing. I think we all assumed that it would be happening because that really is the template. I think we also had a fairly good inkling that Christopher Eccleston wouldn’t fancy popping back to Cardiff for a bit. What we didn’t expect, I feel pretty confident in saying, was a whole new incarnation of the Doctor that we’d never even known about before. Oh, but it’s clever done, isn’t it? John Hurt (also, while I’m on the point: John bleedin’ Hurt!) doesn’t just get dropped into the programme and left for us to accept as a whole new Doctor - they went to the trouble of getting Paul McGann to come in for a regeneration scene! Oh, all those years where his regeneration only took place across a million YouTube videos! Hints and suggestions that we’d be getting such a scene were fairly thick in the air, but it didn’t stop it from being any less amazing when a friend text me at work to say that the scene had arrived on the website, and I found an excuse to leave my customer for ten minutes while I went and watched the birth of the War Doctor. And he’s good, isn’t he? I mean, obviously, when you canst John Hurt as the Doctor, you’re bound to get something a little bit special, but I mean he’s really very good. A world weary soldier who still can’t quite shake off that twinkle that the Doctor always had in his eyes. He plays so well opposite Tennant and Smith, and really is a fantastic edition to the world of Doctor Who.

As for the story itself, I rather like that, too. I remember coming out from the cinema screening of this (which I’d told myself I wouldn’t go to until about eleven pm on November 22nd, when I realised that of course I would), and wondering what happened with the whole Zygons plot. Not even a cursory line to the effect of things being resolved. And yet, watching it again today, I realise that you don’t need that line. That’s part of the point - the Zygons adventure is something the Doctor would usually be all over (and indeed is with queen Elizabeth), but not today, because before the adventure can even get started, he’s been whisked off to meet his former selves and start devising a plan to end the Time War without killing them all. As stories go, it’s a pretty perfect idea for the 50th - it’s an excuse to pick up on all these elements of the programme’s mythology, and to bring back lots of Doctors, while also taking something the show has been for the past few years and shaking it up again, setting up the next stage of its long history. Well played, Steven Moffat.

And then there’s that moment at the end - ‘you know, I really think you might…’. Oh, the chills that caused. A whole ripple of emotion across the entire cinema screening (and, if it doesn’t sound too hokey, right across the world), because of course Tom had to be in there somewhere himself. Even after all these years, he still very much is Doctor Who. I remember people being incredibly impressed because he’d never come back to the programme before (which is wrong, he came back for Dimensions in Time, too, which is surely a career highlight), but I was just impressed that they’d managed to slip such a wonderful moment in right at the very end - the final treat in this great big box of chocolates. Had this ended up being my final entry in the Diary, I think I’d have been pretty pleased with it. 

UNIT: Extinction - Big Finish Audio Cover & Details

Big Finish have announced a brand new UNIT audio series, featuring New Series actress Jemma Redgrave (Kate Stewart).

Synopsis:

In this four-story box set, Kate Stewart and her UNIT team confront an alien invasion by the Nestene Consciousness and its army of plastic Autons...

Written By: Andrew Smith, Matt Fitton
Directed By: Ken Bentley

Cast:
Jemma Redgrave (Kate Stewart), more details to follow...

Producer: David Richardson
Script Editor: Ken Bentley

Executive Producers: Jason Haigh-Ellery and Nicholas Briggs 

+  Released November 2015, priced £20.00 (CD & Digital).

[Source: Big Finish Audio]

<mce:script

The DWO WhoCast - Episode #284

Episode #284 of the DWO WhoCast, Doctor Who Podcast is Out Now!

In this week's episode of the DWO WhoCast...

UNIT. How does it fit into the story of The Doctor? Is the Brigadier the ultimate companion or is he more than that?

Dave, Elizabeth and Thomas have a good natter, Elizabeth offers her opinion of The Second Doctor eBook The Nameless City and Dave and Dean are intrigued by the third Destiny of the Doctor release Vengeance of the Stones.

Listen to Episode #284 of the DWO WhoCast in the player below:

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[Source: DWO]