Manufacturer: Big Finish Productions

Written By: Lisa McMullin, Tim Foley & Timothy X Atack

RRP: £24.99 (CD) | £19.99 (Download)

Release Date: August 2021

Reviewed by: Robert Emlyn Slater for Doctor Who Online

"Three brand new adventures featuring Christopher Eccleston as the Ninth Doctor.

2.1 Girl, Deconstructed by Lisa McMullin

Marnie is missing. But she hasn't run away, as her dad fears - Marnie is still very much at home. But not quite as she was.

The Doctor joins forces with Missing Persons detective Jana Lee to help solve the mystery of a girl who's gone to pieces.

2.2 Fright Motif by Tim Foley

In post-War Paris, musician Artie Berger has lost his mojo, but gained a predator - something that seeps through the cracks of dissonance to devour the unwary.

Luckily for Artie, the Doctor is here. Unluckily for everyone, he needs bait to trap a monster...

2.3 Planet Of The End by Timothy X Atack

The Doctor arrives on a mausoleum world for sightseeing and light pedantry, correcting its planetary records. The resident AI has other ideas.

Deep within a tomb, something stirs. Occasus is the last resting place of a species far too dangerous to exist. And the Doctor is its way back."

WARNING: The following review contains spoilers. You have been warned!

Christopher Eccleston is back again in Respond to All Calls, the second volume in Big Finish’s Ninth Doctor Adventures series. In three more adventures spanning the past, a future world, and Dundee, the Ninth Doctor literally does what the title of the boxset suggests, and responds to all distress calls that come his way.

The boxset gets off to a very strong start with Girl, Deconstructed, which was written by Lisa McMullin. Set in Dundee in 2004, this story follows Missing Persons detective Jana Lee (Pearl Appleby) who is on the hunt for children who have seemingly vanished into thin air. Meanwhile, the Doctor is tracking a distress call from Marnie (Mirren Mack), a young Scottish girl who’s disappeared too…or has she?

In my opinion, this is the strongest story of the set, and easily my favourite so far from both volumes. The story was engaging and kept me hooked right until the very end, the performances from all involved, Eccleston, Appleby, and Mack, in particular, were excellent, and I felt as though I knew the characters inside out by the time the end credits rolled. Unlike the stories from the last volume, this really did feel like it could have easily have slotted into Series One in 2005. That’s not a criticism of the last boxset, by the way, it’s just the down to Earth nature of Girl, Deconstructed was more in keeping with the feel of Series One, that’s all. 

The small cast of characters gave this story a more intimate, contained feel which I really enjoyed, and the dynamic between Doctor and Jana was fun and left me wanting more adventures with them. 

I also got series 1 vibes from the ‘antagonists’ (if you can call them that) of this story too. McMullin’s story features a race called the Serapheem, a species of tiny dust-like aliens that accidentally cause humans some issues without trying to, in a similar vein to what the Nanogenes did in The Empty Child and The Doctor Dances. Whilst the ‘misunderstood aliens’ theme does feel as though it’s been done a hundred times before now, it really didn’t take away from the story as a whole. 

The second episode, Fright Motif by Tim Foley, is set in Paris, 1946, and features a musician called Artie who’s lost his groove and is currently being stalked by a vicious inter-dimensional monster made of sound. Once again, this tight contained story could just as easily fit into Series One as the previous story, and its down to Earth nature is definitely one of its highlights. 

The limited cast of characters works in this story’s favour too, and once more gives us an opportunity to get to know the Doctor’s new friends over the 45-minute run time. Though Artie (Damian Lynch) is the main focus of this episode, and he does give a great performance where he actually does sound genuinely depressed about the loss of his muse, it’s Maurice Le Bon (Adrian Schiller), the grumpy, snooty hotel manager, who really steals the show. It’s his character who we learn the most about, and it's his character who goes on the biggest emotional journey. The scene where he visits the flat of the man he loved was very touching and extremely well done too. A definite highlight of the episode. 

Gemma Whelan is also in this episode, but not as the Meddling Nun as she was in Dalek Universe 1 (or the upcoming Missy 3). This time around she plays Zazie, Artie’s friend. I do feel as though she was sidelined a little in this story, with Lynch and Schiller getting the biggest chunks of emotion and story, but it’s still a top performance from Whelan. 

This story, again, has some similarities to what’s come before on TV. An artist who’s struggling with his muse being stalked by an invisible creature? Sound familiar? Whilst I do still think Vincent and the Doctor did this kind of story better, Fright Motif is still an entertaining way to pass an hour or so, and features yet another excellent performance from Christopher Eccleston, who, somehow, keeps going from strength to strength. Foley has nailed the Ninth Doctor in this episode, and the Time Lord's constant stream of witty one-liners and sarcastic comments give this episode a huge boost, especially at times when it feels like it’s slowing down. 

If Girl, Deconstructed and Fright Motif are very Series One-esque, then The Planet Of The End by Timothy X Atack is something else entirely. The great thing about Big Finish is that they can explore interesting, complex new worlds and stories that would perhaps be too expensive or complicated to put on tv. In this story, on the deserted cemetery world of Occasus, the Doctor is kept busy for a very long time as his regenerative abilities are exploited by the money-hungry Incorporation.  

The thing with exploring the Ninth Doctor pre-Rose is that he doesn’t have a full-time companion yet. Throughout this boxset, the Doctor has been meeting new temporary companions to help him in his adventures, and I think Fred (Margret Clunie) in this episode is my favourite of the lot. Fred is an AI who’s started to develop a personality and is so endearing, and her chemistry with the Doctor and growth as a character is so much fun to listen to, that I really wish we could have just a few more episodes with her.

This episode is a bit different from the others too in that it takes place over a very long period of time - 90 years in fact. The Doctor is incapacitated for a lot of the story, and parts of it take place inside his mind, which I thought was really interesting and very different from anything we saw on-screen back in 2005. 

I think this is the episode that stretches Eccleston’s acting chops as the Doctor the most (from the audio dramas) too. It gives him so much to do (including having a motivational chat with himself at one point), and I really do like to think that Eccleston was having a great time acting out this episode (and the boxset as a whole). 

The only factor that stops this episode from being my favourite is that it was a little too complex at times. I struggled to keep up in the last few minutes, but maybe that was just me not paying attention properly. I also feel as though the ‘evil businessmen/corporation who only care about money’ trope has been done a million times before too, so I wasn’t too interested in the villains of the piece unfortunately. 

Other than that these minor issues, this is a great end to the second volume of adventures in the Ninth Doctor series! 

The stand-out performance of this boxset is obviously Christopher Eccleston. I was worried that he wouldn’t sound as interested or as ‘into it’ as he did in the first boxset, but I was thankfully proven wrong, yet again. He’s amazing. He’s such a good actor and such a good Doctor, and I’m so, so glad that he decided to come back. He’s been tested in so many different ways already in the 6 episodes Big Finish have already provided us with, and I really can’t wait to see where they (and Eccleston) take his character next. The next boxset features the return of the Cybermen, so I’m really excited to see how the Ninth Doctor deals with them! 

Overall, this is yet another success from Big Finish. This is 3 more strong stories for the Ninth Doctor, written by three excellent writers who have nailed Eccleston’s Time Lord perfectly. Fantastic stuff! 

+ 9DA 1.2: Respond To All Calls is OUT NOW, priced £24.99 (CD) | £19.99 (D/L).

+ ORDER this title from Big Finish!

Manufacturer: Big Finish Productions

Written By: Mark Wright & Tim Foley

RRP: £24.99 (CD) | £19.99 (Download)

Release Date: May 2021

Reviewed by: Robert Emlyn Slater for Doctor Who Online

"Two brand new adventures for the Third Doctor, Liz Shaw and Sarah Jane Smith:

7.1 The Unzal Incursion by Mark Wright

Under the supervision of the Doctor, the Brigadier and Dr Liz Shaw, UNIT are getting ready to activate Hotspur: their new, advanced early warning system.

But something goes wrong. Can it be that UNIT has been betrayed from within? Suddenly bases are falling across the globe, and only the Doctor and his friends are able to escape.

Not knowing how far the conspiracy goes, the Doctor, Liz and the Brigadier become fugitives. Their investigations lead them to the Fulcrum military training facility. And something beyond the Earth.

7.2 The Gulf by Tim Foley

The TARDIS lands on an ocean planet where the Doctor and Sarah find themselves stranded on a former rig, which has recently been converted into an artistic retreat.

But art is far from the residents’ minds. A troubled member of their collective has disappeared, and the Doctor senses a sinister psychic presence. The waves are rising. And there’s something in the water."

WARNING: The following review contains spoilers. You have been warned!

We’re thrown back into the 70s this month with two new adventures featuring the Third Doctor, Sarah-Jane, Liz Shaw, and the Brigadier. Taking place in two different eras of the Third Doctor’s time on the show, we’re given two completely different stories here in the seventh volume of The Third Doctor Adventures.

The first story, The Unzal Incursion, written by Mark Wright, is a pacy, bombastic adventure which sees the Doctor, Liz Shaw, and the Brigadier become fugitives who have to go on the run when it seems that UNIT has turned against them. 

This four-part story never really lets up, right from the first minute. It’s an action-packed game of cat and mouse, with the Doctor and his friends always trying to keep ahead of the people that are chasing them, by any means necessary. There are car chases, airplane chases, and even a big Venusian Aikido fight for the Doctor against the villainous Unzal in this rip roaring adventure. It was a thoroughly entertaining ride, and one I’m looking forward to revisiting already.

I must give praise to the acting in this story. Daisy Ashford is brilliant as Liz Shaw and provides a really convincing performance as Liz Shaw, the role her late mother, Caroline John, used to play in the show. I was very impressed with what I heard from her in this boxset and look forward to hearing more from her in the future. 

Jon Culshaw is also utterly fantastic. His impression of the Brigadier is so scarily accurate that I had to keep reminding myself that it wasn’t actually Nicholas Courtney who was stood behind the microphone. I always knew Culshaw was good with his impressions, but this was something else. A 10 out of 10 performance and impression.

My only criticism of this adventure is that I feel as though the final ‘fight’ between the Doctor and his friends and the Unzal in episode four fell a bit flat. The Unzal were much more intimidating when they were hidden away, rather than when they went all ‘lumbering monster’ and turned up for a scrap at the end.

I was a big fan of the Unzal’s plan, however, and thought it was a nice, clever change from the usual ‘alien invasion of Earth’ trope. The ‘mystery’ that was left dangling at the end was also a really nice touch.

Overall, for the most part, this was a pacy, exciting adventure with fantastic performances from all the cast that was a real joy to listen to. I’m hoping for more adventures with Ashford’s Liz and Culshaw’s Brigadier in the future.

The second story, The Gulf, written by Tim Foley, was in my opinion, the slightly stronger story from this boxset. Featuring Sadie Miller as Sarah Jane, this adventure takes place aboard an old rig out in the midsts of an ocean planet. The rig, which floats just above the water (which is a really cool mental image) is now home to an artist’s retreat which is seemingly being haunted by a maleficent telepathic force.

This base-under-siege-esque adventure was a nervy, atmospheric story that could be quite disturbing at times. You could really feel the claustrophobic sense of isolation here, and the Doctor and his friends being chased through the rig as it slowly falls into the sea was incredibly exciting. 

I was particularly impressed with the performances from the guest cast in this adventure. Everyone was on top form, in particular, Wendy Craig as the famous painter, Marta Malvani. Lucy Goldie also gives a chilling performance as Laurel, the woman who fell into the sea and came back changed. 

The Gulf is Sadie Miller’s second appearance as Sarah Jane Smith following her debut in The Return of the Cybermen earlier this year, and I was once again really impressed, and blown away, by how similar she sounded to Elisabeth Sladen at times! It wasn’t an outright impression, but there were times where it was really uncanny, especially towards the end. I’m looking forwards to hearing more from her in future audios.

It goes without saying that Tim Treloar was absolutely brilliant as the Third Doctor in this boxset. He nailed his impression, as always, and had everything right, down to even the smallest of mannerisms. 

In fact, it was really weird, and obviously really impressive, that every single performance of these much-loved characters was an impression of them given by another actor. I honestly felt as though I’d just tumbled back through time into the 70s and was listening to the original cast act out two brand new audio adventures for me. I did have to keep reminding myself that these people weren’t the real actors, and I guess that just goes to show how brilliant they all were in this boxset.

I also have to give huge praise to the production team too. The sound design in particular was excellent, and really felt as though they’d lifted music straight from the show and placed it into this boxset. This volume was clearly made by people who loved this era of the show, and the adventures available here really feel as though they could slot into their respective seasons quite easily. 

If you’re a fan of this time in the show’s history, or if you just want to sit back and listen to two excellent, atmospheric, pacy stories that will have you gripped throughout, then I highly recommend you giving this volume of The Third Doctor Adventures a listen. It’s a huge success, and I for one can’t wait to see where they go next in volume 8. 

Excellent stuff. 

+ The 3rd Doc. Adventures: Vol. 7 is OUT NOW, priced £24.99 (CD) | £19.99 (Download).

+ ORDER this title from Big Finish!