Home Forums News & Reviews Features DWO Minecraft Advertise! About Email

The 50 Year Diary - Day 138 - The Tenth Planet, Episode One

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day 138: The Tenth Planet, Episode One

Dear diary,

RIght then! Here we are! The Tenth Planet! Arguably one of the most important stories in the entire, 50-year history of Doctor Who. Not only is it responsible for the introduction of the Cybermen - who, I'd argue, are one of the most recognisable monsters from the programme, up there with the Daleks - but also the first story to change from one incarnation of the Doctor into another. Without this story, the history of the show could have gone very differently.

And you know what? I've never seen it. Thinking about it now, I'm not quite sure why I've never seen it. I've owned the VHS for almost a decade now, but when I came to watch it today, I had to actually unwrap the tape. That felt novel. It's been a good few years since I've had to unwrap the plastic on a VHS tape. Im sure there's been several occasions over the years where I've sat down with the intention to watch it, but for one reason or another, I've simply never made it through to even starting on the story.

Still, for me here and now on the 138th day of this marathon, it's a good thing that I've never seen the story before. It feels strange to be so far through that I'm almost out of William Hartnell-era Doctor Who, and I'm glad that the last Hartnell story I'll see is the last Hartnell story. It would have been a shame to go out on The Smugglers or something.

So, another story and another new way of doing the titles. Here, they appear on screen following a jumble of letters. It's another attempt to be futuristic and represent computers, as in The War Machines, but here the title and the letters are overlaid to shots of technical equipment, and follow on from a shot of a rocket taking off. It's a different setting to open in, but it works.

More and more lately (since the early part of Season Three) tracking shots that end with the TARDIS materialising have become fairly common. That's not a complaint - they're always done well, and it looks fantastic appearing into the snow-swept landscape on show here. It's also nicely led in following discussion of looking out through the periscope of the base. It's a shame that the inside of the TARDIS isn't really looking up to much at the moment. The doors are the most noticeably damaged bit, with the backs of the top roundels sitting lower than they should, leaving a very obvious gap on the set. It's very noticeable in some shots from The Smugglers of the Doctor and his companions in the ship, and it's a shame to see the same is true of the actual episodes themselves.

Stepping outside, the snow effect really works for the most part. It's at its best during some close-up shots of the regulars, where the thickness of it really does help to sell the effect. It probably helps that because I'm watching on a VHS, with less of a polish that the DVD will have later this year, things are looking a bit rough round the edges - some of the less-well-realised parts of the snow are probably covered up a little.

Elsewhere, many of the effects on show come across as looking a bit like a 1950s B-movie. When the Doctor and friends crowd round a screen and watch as the mysterious Tenth Planet approaches (and just how fast is it spinning? Malaysia comes around twice in about a minute!) it looks pretty hokey. A shame, because I'd have loved this to be the stand-out shot from the episode. In many ways, it feels like a step backward, and I imagine I'd be more forgiving of the effect had it occurred back in Season One. Coming now, though, after stories like The Ark have pulled off better effects as if they were child's play, it's disappointing.

I'll discuss the Cybermen properly tomorrow, once they've fully arrived in the story, but I can't go by without mentioning today's cliffhanger. It's one of those moments that most fans of the series have seen in one shape or another, as the silver giant turns around, pulls off the cloak and kills a couple of guards. It's a striking moment, and easily becomes the best part of the episode. There's a great, lingering close-up on the Cyberman's face, really making sure that the image has bled into your brain for the next week, while you wait to find out what on Earth it is…

6/10 

Add comment