There is a wonderful sense of renewal as we head into Series 11. We have a new show runner, a new writing team, a new composer, a new look and feel - heck, even a new airdate...oh, there's also a new Doctor!

In fact, there hasn't been this much change since the show returned in 2005, but change has always been at the heart of Doctor Who, and its heart is beating as strong as ever.

From the beautiful opening shots of a hilly Sheffield, we are introduced to our new companions, and, after a little exposition, we're thrown right into the action.

About 5 minutes in, it became refreshingly apparent just how little we all know about this new series. Being at the forefront of Doctor Who news and information, it can be tricky to avoid plot details and images (thanks to the many emails we get from our visitors), but for once, every single scene was fresh and new, and unspoiled. Kudos really has to go to the production team on a sterling effort to protect the show's secrets!

We are incredibly hesitant to talk too much about the episode, but what we can say is just how different it feels to the new series direction, thus far. That being said, there's a comforting familiarity, too. This isn't a radical change for the sake of change - it's an evolutional change that takes the show in a bold new direction.

The fact that The Doctor (Jodie Whittaker) now happens to be a woman, really isn't as big of a deal in the show as you would think. I mean, of course it's a big deal in the grand scheme of equality and diversity, and for girls (and boys) to have a rolemodel they can look up to, but, as far as the canonical issue of The Doctor now being a woman is concerned, she is every bit The Doctor as her predecessors, and it's business as usual.

Let's unpack Jodie's Doctor a bit more though. From the second you see her on screen, there's no time for you to question the if's or how's - it's straight into the action, and nitty gritty of getting to the bottom of the alien threat of the story. In fact, it isn't really until about two thirds in that there is a breathing space for her Doctor to start to unfurl who she is. That being said, by the time the credits roll, there is no question that this is The Doctor and she very much knows what kind of a woman she is.

As for our companions, Ryan (Tosin Cole), Yaz (Mandip Gill) and Graham (Bradley Walsh), again, we want to keep light on the detail, but they fit in perfectly with Jodie's Doctor, and all 4 of them already have a wonderful camaraderie with each other and The Doctor. Very much like with the Russell T. Davies era, you genuinely care about the characters, and the fact that there are consequences and fallout from actions and situations in the episodes.

The overall feel of the show is like a perfect mesh between new and classic who in its delivery. It's the familiarity we mentioned early on, and although it's hard to quantify exactly why, there are a couple of moments that stand out, and if you happen to be a fan of the classic series, you will know exactly what we mean.

That being said, this is still very much new ground we are treading. Gone are the monsters of old (for now), and before us stands a brave new world full of scary new threats. It all feels more real and grittier, and you can't help but feel like anything could happen.

To any of you still doubting Jodie as The Doctor, honestly, genuinely you have nothing to fear! She encompasses everything The Doctor was and is, and if this episode alone is anything to go by, we hope it is the start of a long tenure in the role.

Quick mention of Segun Akinola's powerful musical score! It's a little Broadchurch-y in places, and somewhat industrial, too, which feels very different to what we've become used to, but it totally fits. Music is such an important part of Doctor Who, and it really sets the tone of the series. We don't get a title sequence for episode one, but there is a little cue of the new theme in the episode, and it is truly fantastic! Hold out until the end credits and you may just start to fall in love with our new composer!

Finally, a huge tip of the hat to Chris Chibnall for an episode that feels so much larger than the sum of its parts. Beautiful dialogue, believable, earthy characters and an emotional vein that makes you care about them. Between Jodie and Chris, the show is truly in good hands, and what an exciting time it is to be a Doctor Who fan!

5 Things To Look Out For:

1)  A poignant bookend.
2)  Teeth.
3)  A nose-picking Doctor?!
4)  Sheffield Steel.
5)  A moment at the end that is pure Classic Who!

+ 11.1: The Woman Who Fell To Earth airs on Sunday 7th October at 6:45pm on BBC One.

[Source: DWO]

Manufacturer: Big Finish Productions

Written By: Mark Morris

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: September 2018

Reviewed by: Nick Mellish for Doctor Who Online

"The Doctor, Ace and Mel are caught in a forever night. After crossing the threshold, a strange world awaits them.

An army of tortured souls. A lift that leads to an alien landscape. An alien warlord, left for dead, and willing to do anything to prolong his life… it’s all in a day’s work for the Doctor.

But when his companions become victims of the desperate and powerful Arkallax, the Doctor will have to do battle in a psychic environment where he must make a choice. Save his companions… or himself."

When I’m writing these reviews, I try to avoid other people’s. You don’t want to have your ‘voice’ accidentally imitate someone else’s viewpoint and articulation, and you certainly don’t want to start framing your arguments with somebody else’s words, albeit accidentally.

It’s been hard, though, to avoid everyone’s praise for this play and while it did not land for me in the same way Red Planets did, last month, it’s easy to see why it’s getting plenty of nods in the right direction.

The story starts with a battle in space, but before too long, things have been dragged down to Earth with a real bump: an abandoned estate, zombie-esque humans shuffling and moaning that they’re hungry, Northern accents aplenty and a lift that does not go where it should be going, all get thrown into the mix alongside an alien that takes over both the body and vernacular of a local resident, a young couple trapped as the monsters make their way across the land, and, of course, the Doctor, Ace and Mel. Sylvester McCoy especially sounds like he’s enjoying this one, though the extras reveal that Bonnie Langford and Sophie Aldred are in what is termed a “playful” mood during the recording session, which is a lot of fun to listen to.

(As in the norm nowadays, no extended extras were available to listen to upon release or across the days following, which is a real shame but Big Finish don’t appear to be changing this any time soon, sadly. It’s doubly painful this month as The Dalek Occupation Of Winter came out with a set of extended extras simultaneously, the day after The Dispossessed was released. Ah well.)

The opening couple of episodes of the play are very strong, with a nice sense of menace and that wonderfully Doctor Who thing of merging the mundane with the fantastical: a block of flats being attacked by an alien menace. Actually, that sounds a lot like Attack the Block, doesn’t it? Perhaps Jodie Whittaker has been having a word.

Mark Morris has constructed a good setting and nice characters here. None of them entirely likeable and all of them people you root for. That’s so bloody hard to pull off, and I am in awe with how easy he makes it look here. (I also appreciated the return of his running gag about how much sugar the Seventh Doctor takes in his tea.)

It was near the ending that for me things started to feel less spectacular, though never bad or dull. Spoilers will follow, so look away now if you wish to not be ruined…

… still reading? Okay, spoilers begin.

In the end, the big bad is another psychic foe (or rather, a foe with psychic abilities) and though Morris has a neat and novel spin on it, it does rather boil down to the Doctor ensnaring a villain in their own trap and lots of shouting about possession and minds and battling with mental powers.  It just feels beyond over-familiar from Big Finish now to be falling back on this once again and it rather flattens the second half of the play.

I’m also not entirely comfortable with the brain tumour subplot. I understand that Morris is trying to make a point here about how diseases in the past once thought incurable can now be corrected with little fuss, but it comes off as a little trite to have one of our lead supporting characters cured of his with a nod and a lot of laughing about how silly it is to be worrying about them. I wonder if something like terminal cancer would be dealt with which such flippancy? It just felt in rather poor taste for me, though I appreciate the point that was being made.

The Dispossessed ends with Mel going rogue and leading the Doctor, Ace and the TARDIS to the lair of none other than Dogbolter himself, which could be a lot of fun. It’s not the return of Frobisher comic book fans, but it’s close and I’ll take it. The only downside is that this means Guy Adams will be absent from script editing duties. On the strength of his efforts this year, that’s a crying shame and I hope it is not too long before he is persuaded to return to the role.

This does not diminish the good though so let us be grateful for another solid script in this run of Doctor / Mel / Ace adventures. Here's hoping more comes our way soon.

+ The Dispossessed is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

+ ORDER this title on Amazon!

The BBC have just released a second full trailer for Series 11 of Doctor Who, which you can view, below:

[youtube:XCt6f1Ttmy4]

+ 11.1: The Woman Who Fell To Earth airs on Sunday 7th October on BBC One.

[Source: BBC Studios]

Michelle Gomez, who played the Doctor’s best friend and wicked enemy, Missy, in the recent Doctor Who television series, will be returning to the role in some brand new audio adventures from Big Finish Productions made in arrangement with BBC Studios.

Throughout her time on Doctor Who, Missy – an evil incarnation in the guise of a Victorian nanny – was a delightful devil, at one point sentenced to death for terrible crimes against the universe. And now we get the chance to hear more of what she is really capable of. 

These new adventures see an unleashed Missy bringing the universe to wrack and ruin. We can’t wait for its release in February 2019!

Michelle, speaking about her return said:

“I was very excited to return to Missy’s world via the medium of audio because along the way I’ve always had a lot of fun with Missy; her voices and her rhythms. I absolutely love capturing it and distilling it down to the word on the page. I’m absolutely delighted! She’s such a ridiculously brilliant character, and hopefully that earns her that moment in the spotlight. To find myself centre stage with these Missy adventures is thrilling – I’m very grateful.”

And (whilst evading the Doctor’s clutches) Missy will encounter another enemy of her ‘boyfriend’ as she crosses paths with the Meddling Monk played by Rufus Hound.

David Richardson, producer of these adventures, said:

“Missy’s own series is just like the Time Lady herself – anarchic, funny, unpredictable and wildly imaginative. It’s absolutely glorious to have Michelle returning to the character at Big Finish, and our recording days have been filled with so much laughter. And we haven’t even met face to face yet! Michelle’s busy filming the new Sabrinaseries in Vancouver for Netflix and so we’ve been pairing studios down the line; Michelle thousands of miles away while we’re in London synched up with her. It’s been a joy to make. And just wait until you hear the collaboration of Missy and the Meddling Monk!”

Jason Haigh-Ellery, executive producer, said:

“Having Michelle Gomez return to Big Finish is wonderful – a lovely lady who was magnificent as Missy in the past couple of seasons of Doctor Who.”  

Executive Producers: Jason Haigh-Ellery and Nicholas Briggs

Producer: David Richardson

Script Editor: Matt Fitton

Director: Ken Bentley

Pricing:
 

Pre-order: £23 (CD box set) / £20 (Download) from www.bigfinish.com

General Release: £35 (CD box set) / £30 (Download) from www.bigfinish.com

Big Finish online: 

Website: www.bigfinsih.com
Twitter: @BigFinish
Facebook: Facebook.com/TheBigFinish
Instagram: @BigFinishProd

[Source: Big Finish]

The BBC have unveiled a new iconic image for Series 11 of Doctor Who, along with information for the first two episodes and some interviews!

Bigger and bolder than ever, this series marks the arrival of Jodie Whittaker, the Thirteenth Doctor - a super-smart force of nature, alongside a team of new and delightful characters. This series is full of action and adventure, humour and thrills - an unmissable drama everyone will enjoy.

Alongside Jodie’s Thirteenth Doctor, is an all new cast with Bradley Walsh, Mandip Gill and Tosin Cole. 

The series showrunner, Chris Chibnall, said:
 

“Finally – Jodie Whittaker’s Thirteenth Doctor is about to crash land on to the nation’s screens. It’s thrilling to think, there will be children encountering Jodie’s Doctor in the next few weeks who’ve never seen the show before. She’ll be forever their Doctor: you never forget your first. 

Alongside Jodie, we have a delightful ensemble of new characters for the audience to fall in love with, led by the incomparable Bradley Walsh.

So break out the popcorn and hunker down for Sunday night adventures in space and time, with the Thirteenth Doctor and her new best friends. The journey’s about to begin.”
 

Episode One: The Woman Who Fell To Earth
Action-adventure for all the family, starring Jodie Whittaker, Bradley Walsh, Tosin Cole and Mandip Gill. 

“We don’t get aliens in Sheffield.” In a South Yorkshire city, Ryan Sinclair, Yasmin Khan and Graham O’Brien are about to have their lives changed forever, as a mysterious woman, unable to remember her own name, falls from the night sky. Can they believe a word she says? And can she help solve the strange events taking place across the city?

Guest starring Sharon D Clarke, Johnny Dixon and Samuel Oatley. Written by Chris Chibnall and directed by Jamie Childs.

Episode Two: The Ghost Monument
Still reeling from their first encounter, can the Doctor and her new friends stay alive long enough, in a hostile alien environment , to solve the mystery of Desolation? And just who are Angstrom and Epzo?

Guest starring Shaun Dooley, Susan Lynch and Art Malik. Written by Chris Chibnall and directed by Mark Tonderai.

Interview: Jodie Whittaker - The Doctor

Why should viewers tune in this series?

If you’ve never seen the show before this is a great season to start with. It doesn’t need an encyclopedic knowledge of Doctor Who to get into it.
 

The show has a very rich history of about 55 years. The wonderful thing about this is every time there’s new cast members, and new Doctors or new companions, the show is regenerated in a literal sense with the character. New energy is brought into it.

We wanted to make a series that was very inclusive because for people like me, we’re all very new Whovians as well. We’re introduced into this world as new fans will be on this season.

What do fans have to look forward to this series?

If you’re a fan of the show already, it’s got everything you expect. It’s got new monsters, it’s got fantastic new worlds. It’s also got worlds that we’re familiar with, but are maybe seen from different points of view. It honours everything that has gone before, but it then has a different burst of energy with all the new cast members. Doctor Who is for everyone and anyone.

What journey do the characters go on this series?

This season is ten stand­alone episodes so you have contained storylines within every episode. So you have a huge series character arc for many of the characters. But if you come in at episode five, you’ll get a stand-alone story which feels like a film, and which stands up amongst all the television that’s available to anyone now.

What themes do you think are important this series?

Friendship and loyalty and survival. All things that are very human, interlaced with things that are very far from human and familiar. It’s a very inclusive world. 

When I watch TV and film I want to feel engrossed and excited, particularly in this world and genre. Doctor Who in itself is its own genre. I suppose you want it to feel like a roller coaster ride!

Interview: Chris Chibnall - Showrunner

Do viewers need to have seen Doctor Who before to enjoy this series?

Not at all. This series is the perfect stepping on point.

With the new Doctor you’ve got a new beginning, a new opportunity for people to join the show as viewers, for people who might have drifted away or haven’t seen the show for a few years, or 10 years or 20 years; it’s a great time to remind people of how amazing Doctor Who is and to have a restart. But also, it’s a great time for a new generation of children and families to start the habit of gathering around the television together to watch this funny, scary, extraordinary show!

It’s not a reboot it’s just that great, unique thing which is built into Doctor Who: a fresh start happens every few years. This is no different to when Tom Baker changed to Peter Davison, or when the show went from black and white to colour, with Patrick Troughton handing over to Jon Pertwee. The show has a history of renewal, while also staying faithful to what it is.

It’s the amazing thing about Doctor Who is this fresh start every few years which brings a whole new jolt of energy to the show. And hopefully encourages the next generation of audiences to try the show, while also reminding existing audiences why they love it.

Casting a new actor also brings in new opportunities to think about where the show is, think about where the world is, think about where you might want the stories to go. I hope we’ve got a fresh set of stories that are engaged with, and resonate with, the world we live in now.

What can viewers expect this series?

You can expect emotion, you can expect action and adventure and monsters and far off planets and huge alien vistas. You can expect a lot of humour, a lot of warmth and some great characters.

Four great new friends for you to meet as they go through past, present and future and meet some incredible people from history and go and battle on alien planets and fight threats closer to home. 

It’s really a whole array of different stories. Ten individual stories that show off the range of the Thirteenth Doctor and her friends but also of the show as a whole. I hope you can expect everything you’ve ever loved about Doctor Who.

More than anything, it’s hopefully incredibly entertaining and I think this series has something for absolutely everyone. If you’ve seen Doctor Who before I hope we’re going to be giving you all the stuff you love. If you’ve never seen it before, this is the place to start and I think you’re in for a rollicking ride.

Interview: Bradley Walsh is Graham O'Brien

Have you enjoyed being part of this year's ensemble cast?

I love being part of an ensemble. I love it. Jodie leads from the front and she’s fun and she’s upbeat and she keeps it all together – it’s great.

Working with Jodie, Mandip and Tosin and the different directors that are coming in, and this fantastic crew – that’s the thing I’m enjoying most about being on Doctor Who.

How do you think audiences will react to the Thirteenth Doctor?

I think they’re going to be excited by Jodie and I’ll tell you for why... Not only is she an exceptional actress, the energy she brings, because she’s still so young, the energy she brings is extraordinary. To keep up with her is hard work! 

Describe the show in a sentence. 

This new dawn for Doctor Who will be ground­ breaking and exciting and fantastic and unpredictable and beautiful and timeless.

I’m telling you now, this is going to be so brilliant. Jodie is fantastic! She works so hard and is so enthusiastic. She leads from the front and she’ll trailblaze for a lot of other shows.

The new series of Doctor Who in a sentence is forward thinking, innovative, bold and brave.

+ 11.1: The Woman Who Fell To Earth airs on Sunday 7th October on BBC One. 

[Source: BBC Studios]

Doctor Who Magazine have sent DWO the cover and details for Issue 530 of DWM.

EXCLUSIVE INTERVIEW WITH JODIE WHITTAKER, PLUS PREVIEWS OF HER FIRST TWO EPISODES – ONLY IN DOCTOR WHO MAGAZINE!

DWM meets Jodie on the set of the new series: “I don’t ever forget what I’m a part of because Doctor Who’s been around much longer than I have,” she says. “But every part of this experience is to make it my own.”

Also in this issue...

CHRIS CHIBNALL
The latest update from Doctor Who’s showrunner.

WHO’S CREW
Meet the team responsible for bringing the new series to our screens.

MATT BERRY
He’s best known for his sitcom appearances, but Matt Berry is reinterpreting the Doctor Who theme for his new record. 

TARDIS EVOLUTION
Secrets of the TARDIS control room revealed!

COSPLAY
A meticulous recreation of the torn coat worn by the Twelfth and Thirteenth Doctors in Twice Upon a Time and The Woman Who Fell to Earth.

THE SEVATEEM
An interview with Christian Erickson, whose new concept album is inspired by The Caves of Androzani.

THE CLOCKWISE WAR
The Twelfth Doctor’s final DWM strip adventure comes to a shattering conclusion.

THE TIME TEAM
The Time Team watches four very different episodes in an effort to discover what the First Doctor was really like.

THE FACT OF FICTION
In-depth analysis of the 2006 Tenth Doctor story School Reunion.

PLUS...
The Blogs of Doom, reviews, news, a huge prize-winning competition and much, much more!

***

A deluxe edition of this issue is also available, exclusive to WHSmith. As well as the regular edition, it includes:

SERIES 11 GUIDE featuring new interviews with Jodie Whittaker, Bradley Walsh, Tosin Cole and Mandip Gill

DOCTOR WHO CD from Big Finish

FOUR DOUBLE-SIDED ART CARDS of the Doctor, Graham, Ryan and Yasmin

A MASSIVE, DOUBLE-SIDED POSTER featuring scenes from the new series

FOUR DOCTOR WHO DOWNLOADS from Big Finish and BBC Audio

+  Doctor Who Magazine Issue #530 is on sale from Thursday 20th September, priced £5.99 (regular edition) / £9.99 (deluxe edition).
+  SUBSCRIBE to Doctor Who Magazine, digitally from just £2.69 a month!
+  Check Out The DWO Guide to Doctor Who Magazine!

[Source: Doctor Who Magazine]

The last time viewers saw the Doctor, she was falling from her TARDIS so it’s about time for the Doctor to land. This time it’s all change, as Doctor Who is moving to Sunday nights, launching on Sunday 7th October.

Never before in the show’s history has an entire series descended to earth on a Sunday. This year marks a brand new era with a new Showrunner, a new Doctor, new friends and a whole host of new monsters – so it’s only fitting that the new Time Lord will land in a new time zone on BBC One.

Chris Chibnall, Showrunner said:

“New Doctor, new home! Jodie Whittaker’s Doctor is about to burst into Sunday nights — and make the end of the weekend so much more exciting.  Get everybody’s homework done, sort out your Monday clothes, then grab some special Sunday night popcorn, and settle down with all of the family for Sunday night adventures across space and time. (Also, move the sofa away from the wall so parents can hide behind it during the scary bits). The Thirteenth Doctor is falling from the sky and it’s going to be a blast.”

Charlotte Moore, Director of BBC Content said:

“With Chris Chibnall at the helm and Jodie Whittaker’s arrival as the new Doctor we are heralding a brand new era for the show and so it feels only right to give it a new home on Sunday nights at the heart of BBC One’s Autumn schedule. ” 

Showrunner Chris Chibnall has written the first episode of the brand new series which is titled “The Woman Who Fell to Earth”. With the Doctor on her way it’s only a matter of time before viewers can enjoy being transported out of this world this autumn.

[Source: BBC Studios]

Manufacturer: Big Finish Productions

Written By: Una McCormack

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: August 2018

Reviewed by: Nick Mellish for Doctor Who Online

"London, 2017. Except... it isn't. Berlin, 1961. But it isn't that either. Not really. Not in the timeline the Doctor knows. Something is very wrong.

While Ace tries to save the life of a wounded British spy, Mel and the Doctor must get to grips with the modern day socialist Republic of Mokoshia. For Mel it feels strangely familiar and 'right', which makes the Doctor feel even more uneasy.

Soon, a message from a dark and blood-soaked distant future is on its way... But the Doctor will have to act fast to stop this timeline becoming reality.

And with Ace stranded in an alternate 1961, will saving the Earth end her existence?"

They say that bad news comes in waves, but I’ve often found the reverse to also be true. 

After a few months now of plays mostly failing to land for me, Big Finish have suddenly hit a run of very strong offerings: The Barbarians And The Samurai is hands-down the best thing Andrew Smith has written for Big Finish and had me raving about it to friends; Flight into Hull! is a truly fantastic story by Joseph Lidster (I was, I’ll admit, very unsure about wanting to hear anything about the Meta-Crisis Doctor until I saw his name attached to the project, and both outings were very strong); False Coronets by Alice Cavender was a lot of fun; I’ve only dipped into Class so far but what I’ve heard I’ve liked; and then there is this, Red Planets by Una McCormack.

In a word? Superb.

Mel and the Seventh Doctor find themselves on Earth in 2017 - only not quite the Earth it should be: Mel is singing Russian anthems and recalls a history very different to that she should remember and even the Doctor can’t persuade her otherwise. Meanwhile, Ace finds herself in Berlin in the early 1960s but, again, things are all askew. Time and history are at a crucial turning point and it’s going to be up to the two groups to put things right.

“Okay,” people will say. “Parallel timelines. Done this before!” Ah, but rarely with such grace and depth and plausibility. This isn’t just spinning out an idea into a side-story, but creating a believable world. You feel you could spend an entire trilogy exploring the ins and outs of this new history and not get bored, and it is this that makes it a cut above the standard, alternative-history adventure. McCormack goes into just enough detail to make it hold tight but not enough to swamp you with detail and research.

The characters are rich, the performances strong, the different locations (the past! The present! Space!) varied enough to stand tall and carry three very different, but equally engaging storylines. The play also scores points for being true to the era in which it is set, i.e. the Seventh Doctor’s run on TV. Yes, Mel here is still the Mel of Big Finish and not the one often criminally underwritten on-screen (poor Mel, I do love her) but you can picture the BBC sets as you listen to this story and imagine them pulling it off. Credit must go to the sound design for that and also the direction by Jamie Anderson, not to mention the script editing by Guy Adams. (He was also in the driving seat for the excellent Davison trilogy which kickstarted the year, and I see he was in charge for next month’s play, too. This bodes well.)

Red Planets is helped along by sterling performances from the three leads. As long-time fans, we know the anecdotes of old: no glasses and late to the audition, a letter sent whilst working with builders, a chance encounter charming people at a party, lying about being American or lying about Australian air hostesses. We know these tales of old and that knowledge can, at times, make us take for granted how good the casting was; how perfect the fit between role and actor. This play helps us be more appreciative of that. Sophie Aldred in particular, gives us what is, for my money, one of her strongest outings as Ace, yet.

The ending of the play sets things up for stories to come and with a whopping five McCoy plays on the trot, it’s doubly nice that this one is so very good. This play, like those at the start of 2018, reminds me just how brilliant the Main Range can be. There’s an energy about Red Planets; a spring in its step and a confidence in its vision that all make for one of the most enjoyable listens I’ve had from Big Finish this year. In short, plays like this make the yearly subscription worth it.

+ Red Planets is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

+ ORDER this title on Amazon!

It is with deepest regret that DWO announces the passing of New Series Production Designer, Michael Pickwoad.

Michael joined the production team during Matt Smith's first Christmas story; A Christmas Carol, and remained in the role of production designer for a total of 71 episodes - right through to Peter Capaldi's final episode as The Doctor in Twice Upon A Time.

Michael's other career highlights include directing credits for; Class, Withnail And I, The Prisoner and Poirot (to name just a few).

DWO would like to extend our sympathies to Michael's family and friends.

[Source: DWO]

Doctor Who Magazine have sent DWO the cover and details for Issue 529 of DWM.

Series 11 Companions Mandip Gill and Tosin Cole write for Doctor Who Magazine! Read their Doctor Who diary in the latest issue.

Doctor Who Magazine 529 also includes:

+  Meet the writers and directors of Series 11

+  An interview with Roy Scammell, who was part of Doctor Who‘s stunt team in the 1970s

+  The life and work of Don Harper, the composer responsible for the soundtrack to 1968 epic The Invasion

+  Big Finish’s Lisa Bowerman answers questions from the TARDIS tin

+  Games company Gale Force 9 reveal the background to Time of the Daleks

+  A tribute to Alan Bennion, who played three Ice Warriors in the 1960s and 70s

+  Part Six of The Clockwise War, a new comic strip adventure featuring the Doctor and Bill

+  The Time Team watches three pseudo-historical Doctor Who stories

+  The Fact of Fiction explores the 2013 Eleventh Doctor story Hide

+  Third Doctor cosplay with Rob Lloyd

+  Previews, audio, DVD and game reviews, news, The Blogs of Doom, prize-winning competitions and much, much more!

+ PLUS a huge double-sided poster featuring the Doctor, Yasmin, Ryan and Graham.

+  Doctor Who Magazine Issue #529 is Out Now, priced £5.99.
+  SUBSCRIBE to Doctor Who Magazine, digitally from just £2.69 a month!
+  Check Out The DWO Guide to Doctor Who Magazine!

[Source: Doctor Who Magazine]

My Name is Barry Aldridge - I'm a Doctor Who fan, born and raised in Forest Hill, London. I also have autism. I am 35 years old and working part-time as a retail assistant (at the time of writing this). I moved out of London when I was 23, and lived in Brighton for 3 months, before moving to West Sussex, to a small town called Goring By Sea, where I live to this day.

I have been a Doctor Who fan since 1988. I can remember watching my first ever story when I was just 5 years old; Remembrance Of The Daleks. I recall the first episode cliffhanger, and my love for the Daleks began. The reason we watched was because my Mum didn’t want to watch Coronation Street (which was on at the same time), and, looking back, I'm so glad she made that decision! To me, the Daleks will always hold a special place, no matter what. It is their design by the late Raymond Cusick that was so iconic and memorable. I can see why people call them pepper pots, even though I never did call them pepper pots, myself.

I remember watching the rest of the season which included The Happiness Patrol which featured the Candyman, who freaked the hell out of me! I was glad he got dealt with by the end. Silver Nemesis was actually filmed near me in a town called Arundel. As for The Greatest Show In The Galaxy, I found that a bit weird as a five year old, but as an adult, I find it rather enjoyable now.

The next season of the show featured Battlefield, the confusing Ghost Light and two true favourites; The Curse Of Fenric and Survival. By the end of 1989 I thought it was coming back and then there was nothing... My Mum had bought VHS Tapes of the show from both the Jon Pertwee and Tom Baker years, and I loved all the stories. Nowadays, I have every single story - organised from outstanding to poor stories (in my view) - but hey, that's just my opinion!

I really loved the theme music, which I found mysterious, scary and generally wonderful to listen to - especially with McCoy’s era, which made feel like I was going into outer space for a big adventure.

Around 1990 there was a weekend where they showed, for the first time in a long time, the black and white episodes - and I loved them! I will admit that I found the first Dalek story a bit long - particularly the bits without the Daleks, which were a bit boring, but watching it years later, I love it. It was during that weekend that I truly fell in love with my favourite Doctor of all time; Patrick Troughton.

In 1993 I watched all the colour stories on UK Gold, which was a real gem. I would start watching at 7am, as some of the earlier Pertwee stories were longer as they were 7-parters.

In 1998, I have to admit that I fell out of love with Doctor Who for a bit, as GCSEs and other things in my life took over, but in 2005 I once again had to thank my Mum as she had watched the new series and told me to "give it a chance". I did, and at that moment, I was back in love with the show. I particularly loved Episode 6, Dalek, by Robert Shearman who actually shares the same birthday as me and Peter Purves. That’s something that being autistic can do; allowing me to build knowledge and remember even the smallest of facts that maybe others would forget.

I first got my diagnosis for autism when I was 3 years old, which, back then was more like an underground movement (like going to a rave club). All good in the hood in my book. I finally found out that I had it, probably around the age of 7 onwards, when I moved from a special school to a mainstream primary school.

Autism has really good and bad points to it. Normally people start with the good then go for the bad, but I'm going to start from the other way around.

When you talk about the show and there are sometimes disagreements, other people wouldn’t give me the time to explain my side and think I am very slow on getting through. It can normally be tricky, but luckily there are fans who are understanding. I can feel quite nervous at conventions, which can be really tricky as noise and lighting can be distracting and trigger a meltdown, which some people find really hard to understand. People wonder why I am having a meltdown and think I am mentally ill and should be locked up. I can also find the number of people at the conventions tough to deal with. I know some people who have had breakdowns owing to the crowds. It happened to me once, but I made sure I quickly got somewhere quiet to relax myself.

I would get anxious about time slots on whether it is a photo shoot or meeting one of the stars of the show. It was / is really important to me to make sure I get everything right. I know some people will see it as a selfish attitude but I call it being prepared and making sure I am on time. Autistic people I know, like to keep up with time and if they are late it can cause a meltdown.

One other downside is that I may not be able to understand certain forms of humour - if explained, then I would be alright, but a few fans can have trouble understanding that.

Now onto the good side of being autistic! You can build a real encyclopaedic knowledge of the show - for example, I know which stories were directed by Barry Letts, or how many episodes Tom Baker did (not stories but individual episodes to every single story he did). I can recall, at a moments notice, who did the music on each show and can even pick out which instruments were used at different times. I can even spot a reference to a certain time in another episode. There are a lot of autistic Doctor Who fans too who are the same and you can have a really good chat - especially talking about good and bad episodes of the show.

Every time I have met someone who has worked on the show, they have always been incredibly welcoming. Conventions or museums like the Doctor Who Experience in Cardiff and other places in Brighton and London were brilliant and very calming atmospheres - especially the Cardiff place which is no longer there, sadly. I think that conventions have improved over the years where there is more understanding for everyone, whatever condition you may have, and I think that is a wonderful thing. There is always going to be a negative that could overshadow the event but I never think of it for long and move on and focus on the positives.

Organising merchandise from the show is really important to me; like putting magazines, books, CDs and DVDs in order - that helps me to be calm! When I was younger, I would make sure to put the stories whether DVD or Blu-Ray, in order, so then I know which one to get down to watch. If it was messed around I would have a bit of meltdown.

Being a fan of the Daleks, I would love to collect anything Dalek related - it was like a mission, and autistic people love missions - or at least the ones I know, do - lol.

Every autistic person is different; not every autistic Doctor Who fan has the same favourites - we are different like everyone else, but the one thing we all have in common - autism or no autism - is our love and passion for the show. Whether we agree or disagree on certain doctors, stories, writers and so on, the one thing we can all agree upon is that we love Doctor Who.

Barry

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[Source: DWO]

The BBC has announced the full list of writers and directors for the new series of Doctor Who, launching this autumn on BBC One.

Showrunner Chris Chibnall, said:

“We have a team of writers who’ve been working quietly and secretly for a long time now, crafting characters, worlds and stories to excite and move you. A set of directors who stood those scripts up on their feet, bringing those ideas, visuals and emotions into existence with bravura and fun. 

Hailing from a range of backgrounds, tastes and styles, here’s what unites them: they are awesome people as well as brilliant at their job. (It matters!) They love Doctor Who. And they’ve all worked above and beyond the call of duty in an effort to bring audiences something special, later this year.” 

Writers

Former Children’s Laureate Malorie Blackman has written over 60 books for children and young adults including the Noughts and Crosses series of novels, and her book Pig-Heart Boy, which was adapted into a BAFTA-winning, six-part TV serial. 

Malorie says:

“I’ve always loved Doctor Who. Getting the chance to write for this series has definitely been a dream come true.”

Ed Hime was nominated for a Craft BAFTA for his first episode of Skins, and won the Prix Italia for his radio play The Incomplete Recorded Works of a Dead Body.

Ed says:

“Writing for this series comes down to the adventure really, and telling emotionally engaging stories to bring everyone along with you.”

Playwright and screenwriter Vinay Patel’s television debut, Murdered By My Father, won the 2016 Royal Television Society Award for Best Single Drama and was nominated for three BAFTAs. 

Vinay says:

“I grew up watching shows like Star Trek and Quantum Leap on the edge of my dad’s bed, and I loved how they managed to capture the imagination of a kid like me as well as acting as a moral compass. I never imagined that I’d get to write for Doctor Who – I was pretty thrilled.”

Pete McTighe is the originating writer of Wentworth, the female prison drama that has sold to over 150 countries. He’s written over a hundred hours of TV drama and been nominated for five Writers Guild Awards. 

Pete says:

"My entire television career has quite literally been an elaborate plan to get to write Doctor Who – and no one is more shocked than me that it paid off. I've been having the time of my life working with Chris, and writing for Jodie and the new team, and can't wait for everyone to see what we've been up to."

Joy Wilkinson has been selected as a Screen International Star of Tomorrow and has had two screenplays featured on the Brit List. Her TV scripts include the critically-acclaimed BBC five-parter The Life and Adventures of Nick Nickleby, while her theatre work has won prizes including the Verity Bargate Award. 

Joy says:

"I loved the show and felt like it might be a good fit for me, but I knew it was really hard to get onto. So quite frankly I’m still pinching myself to be here!”

Directors

Sallie Aprahamian has been directing television for over two decades with critically acclaimed shows including: Extremely Dangerous, The Sins, Real Men, The Lakes, Teachers and This Life. 

Sallie’s memories of Doctor Who go right back to the 1960s, when William Hartnell created the role. She says:

“I watched the First Doctor from behind the sofa through my fingers, frightened and exhilarated. I was really delighted, as a fan and as a director, to be invited to work on the first female Doctor’s series. What a brilliant time to be on the show!”

Jamie Childs, who directed Jodie Whittaker’s reveal as the Thirteenth Doctor, returns for the opening episode of the new series. 

Jamie says:

"Doctor Who represents an important part of our television landscape. We tend to avoid making many shows in Britain that really allow the audience to properly escape, and Doctor Who has been doing this for decades. So yes, sign me up – I’ve always wanted to be part of that! There really aren’t many shows made over here that allow the viewer to travel to another universe.”

Jennifer Perrott wrote, directed, produced and executive produced her award-winning 35mm short film The Ravens. Since finishing Doctor Who she has been directing Gentleman Jack, a forthcoming BBC One/HBO historical drama series created by Sally Wainwright.

Jennifer says:

“Doctor Who is an iconic show and one I’d loved as a child, especially when Tom Baker was the Doctor. Space travel has become more a part of modern life and this has opened the door for more human stories to be told amidst the escapist fantasy of saving the world from alien invasion. The aliens are now as emotionally complex as the humans, and I was really excited by that.”

Mark Tonderai went to school in Zimbabwe and architecture school in Kingston, before landing a job at the BBC as a trainee presenter. Mark has directed the full season of The Five, Impulse, Lucifer, Gotham, Black Lightning, George RR Martin’s Nightflyers and Jennifer Lawrence thriller House at the End of the Street.

Mark says:

“What was really crucial in my decision to direct the show was Chris Chibnall. I’m a huge fan of his and I like the way he sees the world. He has this ability to entertain and also deliver truths – questions, too – about who we are. And he does it all with a hint of a smile.”
 

[Source: BBC Studios]

In 2019 Big Finish will celebrate 20 years of creating Doctor Who stories on audio, and it’s doing so in style with The Legacy of Time – the biggest audio crossover event ever!

Six hour-long stories see characters from the entire history of Doctor Who crossing paths – some for the very first time – Classic and New Series Doctor Who will collide! 

Professor River Song (Alex Kingston) meets her predecessor, another time-travelling archaeologist, Professor Bernice Summerfield (Lisa Bowerman). Kate Stewart (Jemma Redgrave) travels back in time to classic UNIT and meets the Third Doctor (voiced by Tim Treloar) and Jo Grant (Katy Manning). 

As 2019 is also the 30th anniversary year of their first appearance in Remembrance of the Daleks, the Counter-Measures team will be reunited with the Seventh Doctor (Sylvester McCoy) and Ace (Sophie Aldred). And the Sixth Doctor (Colin Baker) and his companion Charlotte Pollard (India Fisher) once again meet Detective Inspector Patricia Menzies (Anna Hope) in a police procedural like no other! 

Plus we go to Gallifrey, and elsewhere we enter the Time War. Doctors will meet, and there will be Easter Eggs aplenty.

"Time is collapsing.

Incidents of temporal chaos and devastation are appearing throughout the many lives of the Doctor and his friends – fallout from one terrible disaster.

The Doctor must save history itself – and he will need all the help he can get."

1. Lies in Ruins by James Goss

2. The Split Infinitive by John Dorney

3. The Sacrifice of Jo Grant by Guy Adams

4. Episode four by Matt Fitton (to be confirmed)

5. The Avenues of Possibility by Jonny Morris

6. Collision Course by Guy Adams

The truth is revealed, and it will take more than one Doctor to save the day! 

Executive Producer and one of the founding members of Big Finish, Nicholas Briggs told us about this exciting new release:

“The Legacy of Time will probably go down in Big Finish history as our biggest, most exciting production, ever! Celebrating 20 years of Doctor Who at Big Finish, it expertly pulls together all the strands from our many and varied Doctor Who ranges. This is down to the brilliance of script editor Matt Fitton and producer David Richardson. They epitomise the creative strength, organisational expertise and leadership of the company. Quite simply, this is going to blow people’s minds! It’s got everything!” 

Big Finish Producer, David Richardson said:

“How do you celebrate 20 years of Doctor Who at Big Finish? How do you celebrate something that has meant so much to all of us who work here – the friendships, the freedom to be creative, the glory that is Doctor Who itself? That was the challenge facing myself and Matt Fitton, but once I’d had an idea for what this six-hour epic would be about (spoilers!) it was then relatively easy to start assembling the huge team of characters and actors who would take us on the journey.

The Legacy of Time is quite possibly the biggest Doctor Who story we have ever told at Big Finish. It’s been so hugely satisfying to make – I hope everyone finds it just as satisfying to listen to!”

Chairman and Executive producer of Big Finish, Jason Haigh-Ellery, said:

“In July 1999 we released The Sirens of Time. In July 2019 we're releasing The Legacy of Time. Those two decades have been so fulfilling for us at Big Finish - a chance to work with so many great and talented actors, writers, productions crews and all of our friends at the BBC. This is a celebration of it all, with lots of surprise returns and references. Think of it as one massive Doctor Who party - and everyone is invited…”

Doctor Who: The Legacy of Time will be available from www.bigfinish.com on download and, as one of the last audio producers and distributors still making CDs, released in an eight-disc CD set with a limited edition of just 4,000.  

Doctor Who: The Legacy of Time will be released in July 2019 to coincide with the 20th anniversary of Big Finish’s first Doctor Who release, The Sirens of Time. 

The cast of The Legacy of Time includes:

Tom Baker, Peter Davison, Colin Baker, Paul McGann, Sylvester McCoy, Alex Kingston, Lisa Bowerman, Sophie Aldred, Simon Williams, Pamela Salem, Karen Gledhill, Hugh Ross, Tim Treloar, Katy Manning, Jemma Redgrave, Ingrid Oliver, India Fisher, Anna Hope, Lalla Ward and Louise Jameson…

Producer: David Richardson

Writers: James Goss, Guy Adams, John Dorney, Matt Fitton, Jonathan Morris 

Script Editor: Matt Fitton

Executive Producers: Nicholas Briggs, Jason Haigh-Ellery

Pricing:

Pre-order: £45 CD box set / £40 download from www.bigfinish.com

General release: £60 CD box set / £55 download from www.bigfinish.com

[Source: Big Finish]

Subscribers to Doctor Who Magazine, who have received their copies of Issue 529 early (due out this Thursday), have reported confirmation of the planned release of Season 19 on Blu-ray.

The release follows the recent success of the Season 12 blu-ray box-set, which featured Tom Baker's (The 4th Doctor) first 5 adventures. As with the Season 12 release, Season 19 will feature Peter Davison's (The 5th Doctor) first 7 adventures, remastered together with special features, all presented in special, limited edition packaging, in an 8-disc box-set.

The set will be released on 19th November 2018, priced £54.99, although we expect the date could be pushed back if there are any technical issues.

+ PREORDER this title from Amazon.co.uk! 

[Source: Doctor Who Magazine]

Manufacturer: Big Finish Productions

Written By: Andrew Smith

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: July 2018

Reviewed by: Nick Mellish for Doctor Who Online

"Answering a call from UNIT, the Doctor arrives in London to find the streets deserted, apart from looters in possession of a valuable commodity - water.

Britain is suffering an extreme and bizarre drought. The cause is suspected to be extra-terrestrial.

The discovery of a signal being transmitted into space, and of a spacecraft whose crew are desiccated corpses, provides a possible answer. But the true enemy is an old foe of the Doctor’s.

The Cybermen have been patient, setting their plans in place over a number of years. As the final stage is implemented, in the darkest hour, the Doctor must identify who among his allies he can trust."

There was a real buzz online and through fandom when it was announced that David Banks and Mark Hardy were returning to the role of Cyber Leader and Cyber Lieutenant after so many years. Given that Banks had previously said no to a return, it felt all the more exciting that it was finally happening. When I saw that they were coming back in a script written by Andrew Smith, my interest was piqued further still as Smith is always a solid pair of hands and has done some good work for Big Finish in the past.

What is the end result though? Nothing special, sadly, but it has some very nice parts.

The play starts well with the Doctor landing in a deserted London, wryly wondering if dinosaurs have returned, and stumbling upon looters. Before long, and before it really does descend into a full-blown remake of Invasion of the Dinosaurs, UNIT arrive and the Doctor is shown the plight England is enduring and is then reunited with some old friends.

Hour of the Cybermen is a follow-up, of sorts, to The Helliax Rift, a play which roundly unimpressed me. You definitely need to have listened to that first to get any sort of emotional satisfaction out of this play, even if the plot mechanics do not carry over.

Blake Harrison and Russ Bain return as Daniel Hopkins and Lewis Price respectively, and both have changed a fair bit, with Price now written as likeable and Hopkins sombre after suffering a personal tragedy. There is some justification for Hopkins, but you have to question why they’ve gone down this route with Price as it doesn’t really fit in with what we had before, at all. That said, Price’s character was utterly ludicrous in Rift, so I suppose we should be thankful.

The plight mentioned earlier is a drought, which amused me. England has been enduring a heatwave with record-breaking temperatures, so the subject matter feels one step removed from being bang on the money at present. That said, the play was released on the day the hot weather broke and rain fell in some parts of the country, so depending on where you listened to it, it’s either a reminder of what’s outside the window, or a reminder of what was only the day before.

As you would expect from the play’s title, it turns out that the Cybermen are responsible for this state of affairs and it’s with them that the play’s true success lies. Smith writes for the 80s Cybermen really well. Their dialogue rings utterly true, all pomp and bluster despite protesting they have no emotions, and on paper you could read their lines and hear their voices without a moment’s hesitation. On paper. You’d think that having the original actors back to deliver them would make that dream a reality, but in truth it doesn’t quite work. It gets close, but the modulation used for the voices is a bit… off. Not massively, not earth-shatteringly, but definitely off. 70% there and 30% missing at the best of times, nearer 60-40 at the worst. It means you are continually noticing something isn’t quite right beneath the surface, even if Banks’ performance in particular is absolutely perfect, which is a real shame.

And then there is the rest of the play. The main issue with it is that a lot of the plot revolves around a traitor and about, ooooh, ten minutes into the first episode it is very obvious who that traitor is. The fact the others are in the dark is insulting to their intelligence and the listeners’, especially with the Doctor. The traitor’s lines, and especially their performance, robs the play of any suspense whatsoever. It kills the play dead as much of it - most of it, even - is reliant upon this being a shock or dramatic talking point, but because it isn’t a shock it lacks drama, and because it lacks drama, what you’re left with is a lot of people running around and the Doctor carefully and slowly explaining his plans and how clever he is in front of the baddies to substitute for the lack of visuals. This becomes an increasing problem as the play goes along, and the final two episodes in particular suffer enormously from this to the point where those episodes’ 31-minute-long running time felt like a bit of a chore.

Hour of the Cybermen is not a write-off by any means, thanks to the performance Banks gives and Smith’s dialogue for him, but once you take the thrill of the original actors returning and a decent opening episode, you’re left with something a bit empty. Approach with caution. 

+ Hour Of The Cybermen is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

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The Legacy Of Karn

This month Panini have published a superb Doctor Who Magazine Special Edition that deals with the many-faceted phenomena of Doctor Who fandom - covering fanzines, conventions, websites, and numerous other shining little corners of this uniquely strange and delightful world that we inhabit. Oddly, however, they seem to have neglected to mention the fan group that I’ve been involved with for the past decade or so - outrageous! So, I’ll just have to tell you all about it here… Think of this column as an addendum - for you to print out and slip into the magazine proper, to paper over this glaring omission… 

The Sisterhood of Karn is a London-based society for LGBT Doctor Who fans. I’ve been helping to run the group for a few years now, but it will be celebrating its 25th anniversary next year. Founder member Ian D P recalls the origins of the Sisterhood:

“The Sisterhood of Karn was formed in February 1994, a particularly dark time for Doctor Who. The TV movie hadn't yet been announced and over four years had passed since the final episode of the original twenty-six year run of the series. 

The group was originally called 'Strictly no Anoraks’, but as this might have put off a significant proportion of the potential membership, the name 'Sisterhood of Karn' was chosen at the first meeting. In the 1976 episode ‘The Brain of Morbius', the mysterious coven known as the Sisterhood of Karn were entrusted to keep alive the flame of eternal youth. The new group also kept alive the flame of Doctor Who and, in a sense anyone who continues to follow Doctor Who into their adult life is keeping alive their own youthful sense of wonder and imagination.

The Sisterhood met in the upstairs bar at The Kings Arms, at the time home to many special interest groups including the self explanatory 'Beards meet Beards' and 'Blue Haze'  - a group for cigar and pipe smokers. I once made the mistake of entering the upstairs room whilst 'Blue Haze' were in full session and the smoke was so thick that you couldn't see the far corners of the room. If this group still exists today they must have difficulty in finding a suitable venue. (In contrast, Beards meet Beards would be inundated with members.)

The group moved from the Kings Arms in Poland Street to Central Station in Kings Cross when the Kings Arms decided to install a pool table in their upstairs room (one of us had to go) but returned to the Kings Arms just as soon as the pool table was removed. The group survived both the return of Doctor Who to the television screens and the formation of a short lived breakaway group. A great many firm friendships (and one or two lasting enmities) have been formed over the last twenty five years and The Sisterhood of Karn is still going strong and meeting once a month in that upstairs bar in Poland Street.”

I can’t remember how I initially became aware of the Sisterhood - presumably I had carried out an internet search for ‘Gay Doctor Who’… but from the moment I first ascended the narrow stairs up to the first floor room of the Kings Arms in Soho - London’s foremost ‘bear bar’ - I was immediately made to feel welcome.

Aside from a couple of Panopticon conventions as a young teen, this was my first proper interaction with other fans - and also one of my first social events with other gay men since moving to the capital. (While all are welcome, and we’re always striving to improve diversity, the vast majority of our membership is made up of cis gay men…) This double-barrelled kinship made for an exceptionally warm and light-hearted atmosphere, and before I knew it I had become a regular, quickly making firm friends - not to mention a few more ‘involved’ dalliances - and found myself volunteering to run the admin side of things - which is basically just listing the monthly meetings on Facebook, attending to the social media, and organising the occasional special event. People jest about me being the group’s ‘Maren’, but the truth of the matter is that a collective like ours has no need for something as appallingly hierarchical as a ‘leader’!

One of my first memories of Karn is being incredibly hungover during an outing to Chislehurst Caves - one of the locations used for the planet Solos in Jon Pertwee story ‘The Mutants’ - that I’d organised because an actor that I was appearing with in a play at the time had a day job giving guided tours there. And I mean *really* hungover - irresponsibly so, and on the verge of blacking out. Not an ideal condition for traipsing through miles of dark, oppressive, labyrinthine underground caverns infested with evil looking massive spiders… Fascinating as the history of the complex was, the urge to flee was overwhelming. And to cap it all - when we finally emerged into the sunlight at the adventure’s end, our guide realised that he’d completely forgotten to show us the portion of the caves where Doctor Who was filmed - so the delegation from Karn never actually made it to Solos after all…!

As well as the more unusual events - including intimate Q&A sessions with both Louise Jameson and Matthew Waterhouse - some of the most memorable moments of Karn, for me, have been at the regular monthly meet-ups. Whether we’ve been happily plastering the free gay bar-magazines with stickers of Toclafane, making Dalek figures pop-up on the security cameras, or just nattering over too much wine, that warm and joyful room above The King’s Arms in Soho has always been such a happy and hearty place. I recall a particularly lively evening that saw one one of our more gym-oriented members bench-pushing a popular Big Finish author… Never, in all my time involved with the group, have I seen a hint of the egos or rivalries that one hears stories of other fan gatherings being plagued by. Maybe we’ve just been lucky - maybe we’ve just been too silly! But I like to think that there’s something rather special about our little gathering of like-minded folk, who find kinship with each other, month after month, in a bustling bar, slap bang in the absolute centre of London’s tireless and trendy LGBT heartland - mainly to talk about Dodo. 

At the time of writing we’re gearing up for our latest special event - ‘An Evening with Lisa Bowerman’ - a special appearance from the actress who plays Bernice Summerfield for Big Finish, and who also appeared as Karra the Cheetah Person in the final Sylvester McCoy story, ‘Survival’. So if you’d like join us on the evening of August 17th, tickets are still available (see link below), or feel free to turn up at one of our regular monthly meetings - on the third Thursday of each month - for a drink and a chat. We’re very informal and newcomers are always welcome. Sacred fire, sacred flame. 

Tickets for ‘An Evening with Lisa Bowerman’ can be purchased here: www.eventbrite.com/e/an-evening-with-lisa-bowerman-tickets-47678420439

Follow the Sisterhood of Karn on Facebook: https://www.facebook.com/SisterhoodofKarn/

And on Twitter: https://twitter.com/sisterhood_karn

Richard Unwin

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[Source: DWO]

Manufacturer: Big Finish Productions

Written By: Chris Champman

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: June 2018

Reviewed by: Nick Mellish for Doctor Who Online

"It's London, 1828, and the father-and-son team of Marc and Isambard Kingdom Brunel are masterminding a dangerous project - the digging of the Thames Tunnel. There's just one problem...

The Brunels' tunnel is haunted. Every night, a spectral blue lady walks the excavation.

Now, the 22-year-old Isambard, eager to step out of his famous father's shadow, finds himself dealing with not only the supposed supernatural, but a second unexpected guest - a colourful trespasser who calls himself 'The Doctor'.

Isambard would like to know a great deal more about this strange man and his mysterious blue box..."

After a couple of major lows for the monthly range, I was a little nervous stepping into this play. Big Finish and historicals usually make for good bedfellows, but the sour taste left by The Lure Of The Nomad especially made me a little wary. Please (I thought to myself, going in), please, not another one like that.

The first thing to note is the cover: it’s beautiful. The wider space for the play covers’ imagery is a welcome thing, finally ditching the awkward black bars, and the new logo? It looks superb here, really catching the eye and wowing the viewer. It all makes for a far, far nicer and more consistent ‘Who identity’ and level of design than we’ve had before and I can’t say I’ll be mourning the loss of the old any time soon. A very good move / insistence by whoever is in charge of branding.

Iron Bright is by Chris Chapman, rapidly becoming a regular contributor to Big Finish’s monthly outings. So far, he’s given us The Memory Bank, a very solid one-episode-long story that I have found myself returning to since the first listen (always a good sign), and The Middle, which I thought had some very strong ideas but perhaps didn’t quite do them justice: very enjoyable overall all the same, mind.

Iron Bright probably falls into the same category, but that’s not to slight it. Big Finish were canny when they released the first episode as a free download for newsletter subscribers as it’s a lot of fun: ghosts and history, the Doctor and Isambard Kingdom Brunel, and Colin Baker giving one of his best performances for a while all make for thirty minutes of drama which whizz by. The second two episodes are not quite as strong though.

When people see ‘Sixth Doctor + Historical’, the go-to story is normally The Mark Of The Rani, and this has some similarities in that the historical figures are, at times, sidelined in favour of alien goings-on. I feel, though, that this story shares most of its DNA with Timelash.

Remember how H.G. Wells is treated less as a figure of historical importance and more as a substitute companion, and historical period settings are largely ditched in favour of alien landscapes? That’s how Brunel is treated here, and indeed how the middle of this story feels a lot of the time.

When we return to Earth, I felt the story picked up a bit and I perhaps wish we’d been given a straight historical, or one with greater earthly grounding. I don’t feel the Doctor’s meeting with Brunel is wasted, in the same way his meeting with George Stephenson in Rani is not, and perhaps it was a silly and false expectation on my part to think we’d be getting something more ghostly and less... well, traditional Doctor Who.

After all this, the final episode then arrives and things really kick up a gear in quality again. The pocket emptying scene in particular is wonderful (even if Baker does note in the extras that he’s apparently hiding a key prop from the story’s opening in the process: surely a job for a script editor and not the lead actor?), and I want to stress again that the story is never bad.  Far from it.

One thing Iron Bright really has going for it is a truly excellent supporting cast. There is not one flat performance in there; everyone gives a wonderful turn. It’s one of the best ensembles we’ve had, with Catherine Bailey and Imogen Church being particularly impressive, and all credit must go to John Ainsworth for sorting it out. That said, Colin Baker’s remark that Becky Wright should return as a companion made me shake a little: surely no more companions for him? Baker and McGann between them seem to be having a competition to see who can collect the most, like a Gallifreyan game of Pokémon.

(In addition, Wright’s character, Flo, really did sound like the lost child of Flip and Ellie from Jago and Litefoot crossed with some of the backstory of Gwen from The Unquiet Dead, so I’m not sure it would be the wisest move.)

By the time Iron Bright finished, it had won me round again. This doesn’t wash away the bad taste left by recent plays, but it goes a long way to helping.

One thing is utterly apparent, mind: keep an eye on Chris Chapman. I truly believe he is one or two scripts away from writing something utterly superb for Doctor Who and I cannot wait to hear it. The Middle and Iron Bright may not quite hit all the marks, but my word do they show a promise and verve that makes me very, very excited to see his name next to a play again before too long.

The Box-Set Of Delights

With the new series still several months away, there seems to be more and more focus on classic Doctor Who as we eagerly await the new Doctor making her grand entrance in October. The Twitch marathon continues apace, 20th century companions Wendy Padbury, Carol Ann Ford, and Sophie Aldred grace the front cover of this month’s Doctor Who Magazine, and we’ve recently seen the (slightly delayed) release of the shiny new Season 12 Blu-ray box-set. (Or the ‘Tom Baker Season 1 box-set’ if you’re in America…) 

I confess to being slightly nonplussed when the announcement was first made that seasons of the classic show were going to be re-released as box-set collections. I mean, lovely as they are - how many times can we possibly be expected re-buy these old episodes…? But then the sheer amount of love and care that was being put into making this an ‘ultimate’ edition quickly became apparent - this was no rush-job cash-in. Seduced by the strikingly beautiful box artwork by Lee Binding, as well as a glorious gallimaufry of brand new extra features - it took me, ooh, minutes, before I caved in and pre-ordered. And now that I’m sitting here with this sexy and sturdy box of complete joy in my hands, it’s got me thinking about all the different ways in which we’ve welcomed these old friends into our homes over the years… Allow me to take you by the plunger and lead you on a personal voyage through thirty years of house-calls from the Doctor… 

Live Transmissions

I became a fan at the age of eight, in 1988, halfway through Remembrance Of The Daleks - so, although I didn’t know it at the time, opportunities to watch new episodes as they went out live were shortly to be subjected to something of a hiatus… We did have a video recorder by this point, but no one knew how to work the timer - someone had to be there to press ‘record’ as each episode went out, or it was lost to the time vortex forever. At that time Doctor Who was transmitted on a Wednesday evening, which clashed with the local cub scout pack meetings that I attended, so the sacred duty of capturing each week’s instalment was entrusted to my parents. Something went wrong with the taping of Part Three of The Happiness Patrol, however - they somehow managed to record the wrong channel, and I was inconsolable to find that all I had was a tape of northern people going about their everyday lives. I had to wait NINE years to see it - when the commercial VHS release finally came out in 1997. Naturally, this incident prompted me to quit the cub scouts for good. To this day I can’t make a fire or tie a knot, but I did manage to see all of Silver Nemesis, which, I’m sure you’ll agree, makes me the winner in this story. 

VHS Tapes

I’d already begun to collect the VHS releases by the time the TV show came to an abrupt end in 1989. Those early tapes, such as Pyramids Of Mars, Day Of The Daleks, and The Talons Of Weng-Chiang, were so indelibly impressed upon my young mind that I can still recite them word for word. And watching the fuzzy, unrestored, VHS quality was like looking through a time-window to a thousand years ago - I felt like a noble historian, carefully collecting and preserving these impossibly old artefacts - most of which were in reality not much older than myself. Our family home was burgled once, when I was about eleven, and I was utterly distraught to see that my collection had gone. Never mind the priceless heirlooms and family silver - I insisted upon giving the police a detailed description of each and every Doctor Who video that I owned. (It later turned out that I’d actually just not left them where I thought I had, and they hadn’t been stolen at all. Some burglars have no taste.) 

UK Gold

As with many technological innovations - satellite television was something that I only became interested in when it offered an opportunity to see more Doctor Who. My parents surprised me with a satellite dish one Christmas, when I was thirteen. This was too good to be true - they were showing my favourite show on UK Gold EVERY DAY! And the truly dedicated fan could get up at some ungodly hour on a Sunday morning and catch an omnibus of a complete story - every week! The first story I caught on this space-age medium was The Ark - I loved it so much. The following September, however, I was packed off to boarding school - where there were definitely no satellite dishes, and putting up a poster of a Sea Devil in one’s dorm room was, in retrospect, not the best way to make friends and influence people. So they were short lived, those heady satellite days, but they were UK Golden. 

DVD

I was in my first year of drama school by the time Doctor Who started to be released on DVD. Again - it was this development that prompted me to invest in the technology required to play the shiny futuristic discs. My first acquisition was The Robots Of Death. The picture was so sharp and clear! And there were extra features and menu screens - we truly were living in the promised times! (Admittedly, the main extra feature on that first disc was a copy of the studio floor plans - but I remember thinking at the time that they were a valuable and fascinating resource. I have never looked at them since.) The DVD range went on to spoil us with vast arrays of bonus content and VidFIRE restorations. For years it felt like getting a monthly video magazine, packed with making-of features and interviews - and the occasional documentary on black pudding. Truly, we thought - this is the definitive collection… 

Back to the present day…

Now, of course, there are more ways than ever to pipe Doctor Who into our homes, with the likes of Twitch marathons and iPlayer streaming. And the aforementioned blu-ray box-set, which surely is the ‘ultimate’ collection of these stories that we’ve carried with us throughout our lives. There’s a special feature devoted to a compilation of studio clocks. And half an hour of silent footage of the Season twelve cast chain-smoking. (As well as my absolute favourite extra bit - Janet Fielding, Louise Jameson, and Sarah Sutton doing a ‘Gogglebox’ style viewing of episodes that they weren’t in - I could happily watch this trio chewing the fat for hours, on any topic at all. Lots more of this please, blu-ray elves.) So, finally, we can be sure that we’re buying these episodes for the last time, can’t we…?

Yeah, right. See you in 2028 for the 3D brain-implant of Spearhead from Space - featuring an artificially intelligent and fully-restored Terrance Dicks. I can’t wait. 

Richard Unwin

+ Follow @Richard_Unwin on Twitter!
+ Follow @DrWhoOnline on Twitter!
+ Join the DWO Forums!
+ Donate to DWO's running costs via PayPal!

[Source: DWO]

Our friends over at TBT Props have been in touch with an exciting opportunity for die-hard Doctor Who collector's to get their hands on a Dalek, which appeared in the 50th Anniversary Trailer.

Truly a piece of art, it mimics in a hyper realistic appearance what an original 1970’s Dalek would have appeared on screen in Planet of the Daleks. It was used on screen in the 50th Anniversary Trailer, at the Doctor Who Exhibition in Cardiff, London Excel, a Tom Baker Photoshoot, and various promotional photoshoots.

Although only a quick trailer appearance on screen, it can be classed as an official screen used Dalek, as was seen and used in the official BBC Doctor Who 50th Anniversary trailer.

Construction is a mixture of fibreglass, wood and metal. It has had a replacement gun put on as the old gun was sold separately.

A brief history on the Dalek and its components:

Uses a Planet of the Daleks Eye Stalk

Planet Style Eyestalk came from the collection of JNT through a friend and is believe to have been production used, the eye stalk was then put onto the Dalek to contribute to it’s highly accurate nature.

Doctor Who Experience Cardiff

This was a long term resident Dalek at the Official BBC Doctor Who Experience, if you visited the Exhibition or have seen photos from the Exhibition, it is more than likely that you will have seen or touched this Dalek.

Doctor Who London Excel

Dalek made appearance at the London Excel Doctor Who exhibition

Screen Used in BBC Doctor Who 50th Anniversary Trailer

Dalek was used in the Official BBC 50th Anniversary Doctor Who Trailer, making the Dalek Screen Used. We have attached screens shoots of the Dalek where it was used exterminating a unit soldier

Dalek Used in Promotional Photoshoot with Tom Baker in 2014

The dalek was used in a promotional Photoshoot with Tom Baker in 2014 to celebrate his small part return on Doctor Who – http://www.dailymail.co.uk/tvshowbiz/article-2605430/Doctor-Who-Tom-Baker-meets-old-enemy-launch.html

Price does not include shipping and will need to arrange shipping quotes, please call / contact TBT Props before purchasing for payment option at: web@tbtprops.com.

[Source: TBT Props]

The guys at Anoraks have been in touch to announce that stage and television actress, and one of the most loved Doctor Who companions of the classic series, Louise Jameson, will be joining them as a guest star in a special two-part episode of Anoraks – the sitcom about Science Fiction fandom. 

Louise will also be appearing at their December 1st minicon event in Cardiff. (Details for the minicon will be announced very soon!).

Contributors to their Indiegogo campaign will get the opportunity to meet Louise and receive autographs, but hurry as there is only 2 days left!

+ Contribute to our Indiegogo campaign and get some fantastic perks!  

+ Read more about Anoraks on their website.

+ Watch the first season on our Youtube Channel and subscribe for exclusive content. 

Follow Anoraks on social media:
 

+ https://www.facebook.com/anorakstv/

+ https://twitter.com/anorakstv

Check out the Anoraks fundraiser video:
 

[youtube:yHMJYeOJLVM&t]

[Source: Anoraks]

Publisher: BHC Press

Written By: Gary Morgenstein

RRP: £14.95 (Paperback) / £4.52 (Kindle) / $18.95 (Paperback) / $5.96 (Kindle)

Release Date: 29th March 2018

Reviewed by: Richard Wright

Review Posted: 1st July 2018

Book reading has been, and always will be one of humanities greatest pastimes, with countless themes, genres and styles to suit anyone. Like most things, however, there reaches a point where certain genres get saturated, and it takes the next 'big thing' to buck the trend and take things in a new direction.

Enter Gary Morgenstein with 'A Mound Over Hell' - a Science Fiction / sports genre crossover the likes of which we've never seen (or heard of - or READ), before.

If you're a die-hard SciFi nut, and sport isn't your thing (an vice versa), you'll still find solace in Morgenstein's writing.

Things kick off at a bracing pace in the year 2098 of a dystopian Earth, after World World III. It's the last ever season of baseball - a sport which has become associated with terrorism. Our central character (Baseball historian, Puppy Nedick) wakes up to "find a hologram named Greta dancing on his chest" - there's something ludicrously amazing about that line, and in Morgenstein's humour, which is peppered perfectly throughout the novel.

Radical islam has almost destroyed America as we know it, and a new world has been borne out of love. But could the very game of baseball itself usher in world peace, or could it be the cause of a new war to end all wars?

I genuinely haven't read a book so refreshingly different, well-paced, surprising and completely and utterly unique. It is incredibly pleasing to learn that this is part of a planned series for Morgenstein's 'Dark Depths' saga, and the second part cannot come quickly enough!

Highly recommended!

+  A Mound Over Hell is Out Now!
+  Buy this book from Amazon.co.uk & Amazon.com!
+  Follow Gary Morgenstein on Twitter.

If you're up for a fun night out filled with Doctor Who and comedy, we highly recommend the upcoming UK tour of Rob Lloyd and his hilarious Who, Me, show.

Rob, who some of you may remember as the host of 'The Science Of Doctor Who' tour by the BBC, will be performing 7 UK venues for Who, Me:

-  June 27th Exeter.

-  June 29th Bordon.

-  June 30th Southport.

-  July 4th Chipping Norton.

-  July 5th Norwich.

-  July 7th Salford (near Manchester)

-  July 8th Inverness. 

DWO caught up with Rob for a quick interview:

What is your earliest memory of Doctor Who, and do you have a particular favourite episode of the classic / new series (or both)? 

My earliest memory of Who was after school episodes of the Sylvester McCoy era on our Australian National Broadcasting network (the ABC) when I was in Grade 5/6, so I was roughly 10/11. I distinctly remember Paradise Towers and Survival. 

It wasn’t until University that I had someone sit me down and explain ALL of Doctor Who to me…and I’ve been a fan ever since.

My favourite classic story is Inferno or The Robots of Death.

My favourite modern story is either Dinosaurs on a Spaceship or Oxygen.

You had great success at last year's Edinburgh Fringe Festival; how did you find the audience and would you return again? 

Last year was the second time I’ve performed Who, Me. at the Edinburgh Fringe. I was also there in 2013 for the 50th Anniversary of Who. I adore Edfringe, it is an intense experience and it is an incredible amount of hard work but it all worth it to be playing in the biggest playground (for performers) in the world. You have the opportunity to meet so many different people from around the world and see so many amazing shows. I cannot wait to return to do another one of my shows there.

This year sees you touring the UK - is there a particular leg of your tour that you are looking forward to? What can we expect from Who, Me this year? 

To be honest…and I don’t mean this to be a cop-out but…all of it really! 

I’ve never had the chance to explore England. On this tour we’ve got to cover seven cities in three weeks. So we’re hiring and car and then we will most definitely see a lot of the English landscape. I’m so excited.

Who, Me. is a solo comedy show where I put Doctor Who on trial, to see whether he has been a negative or a positive influence over my life. The audience are the jury and ultimately the fate of The Doctor is in their hands.

Finally, if you could take a round trip in the TARDIS, anywhere in time and space, where would you go and why?

Oh that’s easy... the UK in the 1960s, so I could record all the incomplete stories and missing episode of Doctor Who. Then I would bring them back to modern times and be worshipped as a god!

+ Purchase tickets for Who, Me, here!
 

[Source: DWO]

The Day Of The Zarbi Riots

One of the biggest stories from this past week has, rather surprisingly, been original companions Ian and Barbara making it back to London in 1965. Contrary to Mr Chesterton’s claim in An Unearthly Child, it seems that time does indeed go ‘round and round in circles’… 

When the news broke a few weeks ago that Doctor Who was coming to ‘Twitch’, I confess to having no real idea what that meant - but as it happens, it’s turned out to mean something rather marvellous. Twitch is an online service for watching and streaming digital broadcasts which has acquired the rights to show almost all of the original run of Doctor Who. (Missing episodes and, sadly, several Dalek adventures are excluded - the latter on ‘rights’ grounds apparently.) It’s streamed in batches of three or four stories a day, Monday to Friday, with the whole batch on a loop that gets repeated twice. They started last week with An Unearthly Child and are working their way right through the classic series. What  makes this different from other repeats, however, is the inclusion of a chat box that allows viewers to comment on the episodes in real time - suddenly watching these beloved old treasures has become a worldwide communal experience. And judging from the rapidly streaming chat, the audience includes thousands of young people, many of whom have never experienced classic Doctor Who before - and they’re LOVING it. 

The comments whizz by at such a frenetic rate that it’s impossible to read every single thing that’s being said, but if you stare at the chat box for long enough, and relax your mind, it’s possible to achieve a zen-like state of higher consciousness that allows one to perceive the mood and general opinion without focussing in on each individual statement. It feels rather like being one of the infospike journalists from The Long Game - a massive download of information that is processed and packaged subconsciously by the human brain to become comprehensible content. Unlike many other social-media platforms, there’s no facility to ‘like’ or ‘favourite’ anyone’s contributions, so there’s no dopamine reward for outstanding efforts - people are simply joining in the chorus of commentary for the sheer joy of it. The Cave of Skulls, for example, provokes gems such as: “Za is a poser”, “Praise Orb”, and “LISTEN TO THE WOMAN”. The first glimpse of the cat in Planet Of Giants results in a bewildering blizzard of feline emojis and countless cries of “KITTY!”. 

What’s really fascinating is witnessing the formation of patterns that emerge from the maelstrom as these new viewers seize upon and celebrate certain moments and lines of dialogue, happily weaving memes from fragments of the past - ones that we’ve always been aware of, but have perhaps never celebrated to this degree. At the time of writing, Ian Chesterton’s line from The Chase about he and Barbara having made it back to London in the year 1965 has become an overnight internet sensation. This is mainly due to the clip in question being featured in a trailer for the Hartnell era that’s currently playing (twice) between each episode - along with the First Doctor’s “Believe me - I know!” from The Aztecs, which has been similarly seized upon. (In a pleasing piece of synchronicity, Russell T Davies’ currently airing BBC1 drama about Jeremy Thorpe - A Very English Scandal - happened to open with a massive caption reading ‘London 1965’. Always got his finger on the pulse that one…!) 

A truly heartwarming aspect of the week has been the degree to which this hyperactive hivemind has embraced the characters of Ian and Barbara. (The former now often referred to as ‘EEYAN’ due to the pronunciation of his name by Ixta in The Aztecs…) It’s been more than half a century since our intrepid schoolteachers first followed their unearthly child home through the London smog, and a whole new audience has fallen completely in love with them. There’s been fan-art, and memes, and a genuine connection - proving indisputably the brilliance of those wonderful performances, still shining through from all those years ago. (Though the adoration of Barbara did experience a brief wobble when she shoots Sandy the sandbeast in The Rescue… “She’s a MURDERER!”) There’s apparently even been ‘shipping’, whatever that is - probably something to do with the Mary Celeste scenes in The Chase. 

Then, on the forth day of the schedule, something went terribly wrong at Twitch HQ - the fluid links burnt out, the fault locator was on the fritz, and a time loop was established. Viewers tuning in for the scheduled showing of The Web Planet were instead confronted with a repeat performance of An Unearthly Child. Frustrations were vented in the comments: “Wrong Episode!”, “Wrong Episode!”, “WRONG EPISODE!!!”. After about fifteen minutes of protest, the episode was was eventually changed… to Planet Of Giants. They then proceeded to show the entirety of that story, and then The Dalek Invasion Of Earth - repeating the previous day’s playlist while an increasingly disgruntled audience continued to demand the promised trip to Vortis. The outrage was mostly good natured and healthily humorous, but still overwhelming. Variations on “We want Zarbi!”, “Justice for Vortis!”, and “ZARBI RIOT!” were repeated ad infinitum. This was one of the strangest, most surreal, and unexpected Doctor Who moments of the year so far. Thousands of young people on the internet, in 2018, threatening to riot if they weren’t shown The Web Planet immediately. All quite tongue-in-cheek, obviously - no one was actually going to take to the streets and start smashing the place up in the name of insect movement movement by Roslyn De Winter, but apparently The Web Planet was trending on Twitter. In 2018. Extraordinary. 

Eventually the time-track was corrected, and the clamouring masses got their fix of vaseline-smeared sci-fi action. Whether it was quite what they were expecting is another matter: “BLEEP BLOOP. I AM AN ANT!”… But the Day of the Zarbi Riots made one thing very clear - that these dusty old episodes are more than being enjoyed by their shiny new audience - they are being cherished.

Younger fans may well be getting rather fed up by now with the constant and sometimes rather patronising commentary from older enthusiasts on their viewing habits, attitudes, and Time Teams. Sorry about that. But honestly - seeing you take such delight from this material - that many of us had never imagined would once again be so celebrated - is actually rather moving and beautiful. We love that you love what we love, and can’t wait to see what mega-memes you pluck next from the Doctor’s adventures as the Twitch marathon progresses. We hope you enjoy it as much as we're enjoying your reactions! 

Richard Unwin

+ Follow @Richard_Unwin on Twitter!
+ Follow @DrWhoOnline on Twitter!
+ Join the DWO Forums!
+ Donate to DWO's running costs via PayPal!

[Source: DWO]

Anoraks is a Nerd web sitcom. The first season saw the adventures of the three Men Behaving Sadly featuring Big Finish actor Seán Carlsen and cameos from Doctor Who actors Anneke Wills and Terry Molloy. Season Two is in pre-production and the Anoraks team need your help with our Indiegogo campaign! 

They are all fans themselves, so have first-hand knowledge of how warm, passionate, and often-times how ridiculous, self-obsessed yet warm, welcoming and creative fandom can be.

Series two sees the addition of a new cast member in the form of acclaimed stand-up comedian, Lorna Prichard, who will bring a new and younger voice to the Anorak's worlds of fandom. Season One was mostly about Doctor Who fans and fandom. Series Two sees them open their vista to have fun with Marvel, Star Trek, Star Wars and SF/Fantasy. They've included a host of new secondary characters, more guest stars and a planned bigger budget, and special guest stars to be announced! 

Help the Anoraks team make the best possible second series!

+ Contribute to our Indiegogo campaign and get some fantastic perks!  

+ Read more about Anoraks on their website.

+ Watch the first season on our Youtube Channel and subscribe for exclusive content. 

Follow Anoraks on social media:

+ https://www.facebook.com/anorakstv/

+ https://twitter.com/anorakstv

Check out the Anoraks fundraiser video:
 

[youtube:yHMJYeOJLVM&t]

[Source: Anoraks]

For a limited time, friends of Doctor Who Online can get this unique Doctor Who 2017 pure silver coin at 20% OFF the recommended retail price. In order to qualify for the discount simply use the code DOCTOR when you purchase your coin on the New Zealand Mint website before 5pm, 31st May 2018.

This stunning coin depicts the Twelfth Doctor along with key characters from the 2017 series: his foes Missy, the Master, the Cybermen and, of course, his companions Bill and Nardole. The coin is packaged in a modern, stylish case featuring black and white images of the iconic TARDIS. Inside the case you’ll find the Certificate of Authenticitywhich contains information about the coin and its unique serial number - confirming it as one of only 10,000 coins available worldwide!

This may well be your last chance to own a coin featuring Peter Capaldi as the Twelfth Doctor. And with a new season – and a new coin - on its way, don’t delay and start your collection here.

[Source: New Zealand Mint]

Over 500 classic episodes from the 1960s to the 1980s will air worldwide on Twitch from May 29th to July 23rd.

Social video service Twitch today announced it is joining forces with BBC Studios for the first-ever digital broadcasting event of the Classic Doctor Who series. Over 500 episodes from 26 seasons dating from the show’s inception in 1963 until the 1980s will air worldwide over a seven-week period. Starting May 29th, fans can tune in each week Monday to Friday at 11 am PDT to catch episodes on Twitch.tv/TwitchPresents.

Doctor Who is a British action adventure sci fi series produced by BBC Studios which follows the adventures of "The Doctor", an alien Time Lord from the planet Gallifrey who travels through time in a TARDIS, a spaceship shaped like a police telephone box. Accompanied by a number of friends, the Doctor combats a variety of foes, while working to save civilizations and help those in need. Instead of dying, the Doctor is able to "regenerate" into a new body, taking on a new personality with each regeneration. This has led to 13 different incarnations of the Doctor appearing in the series.

Nick Coulter, Director of Digital Sales and Business Development at BBC Studios says:

“We are constantly looking at ways to reach new audiences and make it easier for fans to engage with our most popular shows. Doctor Who, in particular, has a great tradition of pioneering new technologies, from early VHS all the way through to the new digital services of today. Twitch is another great example of this, as a brilliant service with over 15 million active daily users, we are thrilled to be able to offer them the chance to indulge in the Classic Doctor Who series and celebrate its amazing 54 year legacy of excitement and innovation.”

Leveraging the real-time shared viewer experience that has defined Twitch, Doctor Who is the latest entry in over a dozen TV shows that have aired on the service. To elevate the social experience in chat, viewers who Subscribe to the TwitchPresents channel will gain access to 14 exclusive emotes themed after each of the first seven doctors.

For Doctor Who fans in the US, UK, and Canada, Twitch is hosting a giveaway each week of the event, including a grand prize trip to London Comic Con in Fall 2018. For details on the giveaway, visit: https://watch.twitch.tv/DoctorWhoSweepstakes.

As part of the event, leading UK digital content creators The Yogscast are producing a series of shows that will introduce each Doctor. With a cast of Doctor Who screenwriters, experts, fans, and even a former companion, the Yogscast's Turps and resident Doctor Who expert and High Roller's player Matt Toffollo will be discussing why modern audiences should be watching Doctor Who. Each 20-minute episode will provide a brief summary of the stories that are about to be shown, including the actors, monsters, famous phrases or production gaffes to look out for. With first-hand knowledge from former companion Katy Manning (who played Jo Grant the Third Doctor Companion) and writers Bob Baker and Paul Cornell, the shows will give insight into the series alongside the humor and irreverence viewers expect from the Yogscast.

Also joining them will be Beth Axford of The Time Ladies, Tom Spilsbury of Doctor Who Magazine and YouTuber, Bill Garratt-John.

Jane Weedon, Director of Business Development at Twitch, says:

“Doctor Who and its clever take on sci-fi exemplifies the type of adjacent content to gaming that has resonated with the Twitch community. By presenting this iconic BBC show in a new interactive format, it is a fun new way to bridge several generations of Doctor Who fans, while building a new generation of them.”

For more information on the Doctor Who episodes that will air on Twitch, visit the Twitch blog.

[Source: BBC Studios]

Manufacturer: Big Finish Productions

Written By: Matthew J. Elliott

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: May 2018

Reviewed by: Nick Mellish for Doctor Who Online

"For thousands of years, it has drifted through space, unimpeded, forgotten, seemingly lifeless. Now, finally, it has been discovered.

Responding to a distress call from the mysterious hulk, the Doctor and his companion, space pilot Mathew Sharpe, walk into a desperate situation. The multi-tentacled semibionic Makara were tasked with renovating the abandoned craft, but now they’ve begun murdering their employers.

The Doctor soon realises that the Makara have been programmed to kill, but by whom, and for what reason? Finding out the truth will mean uncovering a secret that threatens the entire Universe."

The following review contains massive spoilers for this play from the very start. Please read NO FURTHER if you do not want twists and character / plot developments ruined. I cannot stress enough how from the off YOU WILL BE SPOILED should you choose to read any further.

Heard the one about the spaceship that’s about to crash with a sole occupant left behind, sending out a distress signal which is picked up at the last possible minute by a man in a Police Box, who materialises on board to save the otherwise doomed pilot? What’s that? You have and it featured the Eighth Doctor? How about you listen to it featuring the Sixth Doctor for Big Finish instead.

You like the Sixth Doctor you say? Then have you heard the one where we are introduced to his new companion after he’s been travelling with them for some time? You can pick or choose Mel or Constance here. Or perhaps the one where the Sixth Doctor has a brand new companion in spin-off media? (Hello, Grant or Flip or Evelyn or Frobisher, and so on and so forth.) 

No? Then maybe the Big Finish play where we are introduced to a new companion that turns out to be solely for this tale, as they’re secretly a baddie? Again, you can pick The Fifth Traveller or this one: it’s your call.

You catch my drift, I’m sure. The Lure Of The Nomad, written by Matthew J Elliott, is Big Finish’s 238th main range release and boy does it feel like it. Uninspired and riffing off past glories, it’s difficult to imagine that anyone genuinely read the script without a feeling of déjà vu hanging around. I simply cannot believe the CD extras where they express surprise at the ending. From the moment the story was announced with tiny fanfare for the supposed new companion, and no image of said companion on the cover art, I would have had money on them either dying or turning out to be a wrong’un by the end of the play had I been able to get decent odds anywhere, so when the twist comes that Mathew Sharpe is not the man we thought he was, it was less a surprise and more a case of “Well, obviously, yes. Can we hurry this up now please?” It’s a pity but not something that shocked me, and if anything that’s the saddest part of all.

Nicholas Briggs kicks off the play by announcing with funereal gravitas that you’re listening to a Big Finish production, but he needn’t have bothered. By the time we have references to Quarks, the very first Dalek serial and a joke about carrot juice and exercise bikes riffing on Terror Of The Vervoids, I could have guessed. Later nods to Terileptils, Harry Sullivan and Stattenheim remote controls only add to this sense of it being business as usual, where characters cannot go five minutes without making a nod to past adventures and winking unsubtly at the audience.

Done well, these sorts of kisses to the past can be fine and not derail the action, but done with the sledgehammer regularity as is the case here, they are not. Indeed, the one to Harry is the worst offender. It stems after Mathew makes a reference to the boxer John L. Sullivan, which makes no sense for the character. We’ve already had much said about how far into the future he is from and so he is unfamiliar with cultural touchstones such as Monty Python’s Flying Circus, so why would he then be able to namecheck a boxer dead since 1918CE?

I know this is a minor point, but it’s symptomatic of a script littered with clumsy dialogue. The opening scene is painfully bad with its on-the-nose exposition, for example: nobody in the world speaks how the two characters here do. It’s the sort of ham-fisted “Let us set up the backstory” chatter we mocked The Space Museum for many moons ago now, and it’s sad to see we haven’t moved on yet. Elsewhere, we’ve more than the usual quota of ‘say what you see’ descriptive lines and the conclusion features a self-sacrifice so out of the blue and out of character that it’s insulting to suggest it happens for any reason other than to wrap up the plot.

(Sadly, these are familiar issues with Elliot’s writing, similar and in some cases identical to ones in his last main range play, The Silurian Candidate, and also present in Backtrack, which he wrote for The Tenth Doctor Chronicles, which makes me suggest this clumsiness of his isn’t moving anywhere any time soon.)

The Lure Of The Nomad is not a good play. There are good aspects, but good aspects do not a good play make. For what it’s worth though, these good aspects include an amusing joke about the plural of ‘octopus’ and nice performances by Matthew Holness and Anna Barry in the guest cast. The final scene is relatively underplayed and memorable, too. It’s for these reasons and these alone that it gets 2 out of 10.

Three very good main range plays followed by two of the worst in recent memory? I really hope things pick up again soon. The Lure Of The Nomad is as forgettable as it gets.

Terror Of The Time Team!

In the absence of any new news from Cardiff, the big talking point this past week has been the reveal of Doctor Who Magazine's all-new Time Team lineup. Traditionally, the Time Team - a feature launched in 1999 - has consisted of a group of four fans working their way through the entirety of Doctor Who, in chronological order, giving commentary, opinions, and observations as they go - usually accompanied by sublime illustration by Adrian Salmon. Now, however, it’s all-change, and a brand new group of twelve bold adventurers, who’ll be ruminating on a selection box of stories each month, was revealed in Issue 525 on Thursday the 3rd of May.

This may not sound like a big deal to the casual observer, but such was the interest in this unveiling that the phrase ‘Time Team’ was trending on Twitter - it appeared that everyone had something to say about this shiny new team. The responses could be broadly sorted into three main categories - celebration, apoplectic fury, and people who were confused that the news wasn’t to do with Tony Robinson and archeology.  

Most of the complaints seemed to stem from the fact that none of the new team are over the age of twenty-six, and that some of them are *gasp* only familiar with the post-2005 modern series of Doctor Who. Some people clearly felt that the magazine was betraying its loyal older readership by ‘dumbing down’ and presenting a selection of young ’n’ trendy social media types who wouldn’t know a Garm from a Gastropod. The sense of entitlement - the outrage that these whippersnappers could be permitted to pass comment on OUR holy texts - was fascinating to witness. And, at times, a little disturbing. 

There were also complaints from some quarters about the fresh team being diverse in race and gender - presumably from the same sorts of people who refuse point-blank to watch a female Doctor, get their knickers in a twist about racially diverse actors appearing in historical adventures, and think that accusing someone of being concerned with social justice is somehow an insult… You know the type - those who are convinced that even the vaguest mention of anyone who’s not a straight white cisgendered male is some sort of ‘box-ticking’ PC conspiracy. We shan’t concern ourselves with this monstrous minority any further - let’s just leave them screaming impotently into the void.

I have to confess to some brief, initial agreement with those who voiced concerns. And, as someone who was born in the year of City of Death, I’m naturally confused by, suspicious of, and a little bit scared by YouTubers and social media ‘influencers’…  The few that I’ve been exposed to in the past seemed to share identikit ‘upbeat’ personalities and unnatural uniform beauty, weaponised by ruthless commercial acumen. ‘YouTuber hair’ is definitely a thing. I quickly realised, of course, that this distrust is merely a product of my own advancing years and a failure on my part to embrace and comprehend new forms of expression. (But I still reckon that someone ought to write a Doctor Who episode where YouTubers turn out to be Autons - have that for free if you’re reading this Chris…) 

However, having done some light research on the debuting dozen, I’m pleased to report that any foolish fears have been allayed. They appear to be a delightful bunch of bright young things, many of whom have more than demonstrated phenomenal creative talents in various other projects and arenas. And of COURSE they are - they were selected and put together by Benjamin Cook, a shining stalwart of our beloved periodical since he was but a tadpole himself, and proof, if it were needed, that it’s perfectly possible to be simultaneously a YouTube sensation AND wield expertise on the life-cycle of a Vervoid. Plus I’m already familiar with, and a fan of, the work of two of our intrepid archeologists - the fabulous Fan Show presenter Christel Dee, and the smouldering Big Finish performer Jacob Dudman. We’re in safe hands. (If you’re reading this Jacob - I love you.) 

Yes - they could have plumped for greater variance in age, but isn’t it actually rather fun and exciting that they haven’t…? We’ve all heard a hundred opinions on The Claws of Axos from the old guard who can recite the production codes backwards. The fact that some of this new gang of bright-eyed beauties have never even seen a single episode of ‘classic’ Who means that we’re going to get real fresh and untainted responses to the material. In a way, this modern approach is more akin to the phenomenally successful ‘Class 4G’ articles put together by Gary Gillatt in the nineties, than the classic Time Team's who were often clearly just faking that it was their first time. I know it seems unthinkable to some that Doctor Who fans could possibly be trendy young people who don’t own even a single anorak, but to me it’s thrilling and heartwarming to see the sacred flame being passed on to the next generation of space oddities. I’d encourage anyone who’s worried by this development to do their best to put aside their concerns, embrace the future, and enjoy the ride. Sure, these youngsters may spout the occasional odd opinion - such as classic show cliffhangers being ‘cheap tricks’, or describing the Brigadier as a ‘babe’ - but surely we’ve all held odd opinions at some time or another…? (I took me until my thirties to truly appreciate the utter glory that is Time And The Rani. “Leave the girl, it’s the man I want!”) Different perspectives are what makes this interesting.

Isn’t it extraordinary that the lineup change of a humble magazine feature has sparked such passionate discourse…? But, ultimately, the only way is forward. Doctor Who is for everyone - everyone who ever caught a glimpse of the magic blue box and had it imprinted forever on their hearts. To jealously guard our fantastical treasures and deem others who are perhaps less well-versed in the scripture as somehow ‘unworthy’ of studying them is the antithesis of everything that blue box represents. If the magazine, and the show, are to survive for future generations to enjoy, we literally HAVE to welcome fresher faces to the party - none of us are immortal! I wish the Time Team of 2018 the very best on their new adventure. Enjoy! 

However, I’m FURIOUS about the new article not being accompanied by an Adrian Salmon illustration. Doctor Who Magazine is dead to me!
 

Richard Unwin

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[Source: DWO]

Manufacturer: Big Finish Productions

Written By: Scott Handcock

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: April 2018

Reviewed by: Nick Mellish for Doctor Who Online

"Daniel Hopkins thought he knew what he was letting himself in for when he joined the top-secret UNIT organisation as its latest Medical Officer.

Racing about the countryside, chasing strange lights in the sky? Check. Defending the realm against extraterrestrial incursion? Check. Frequent ear-bashings from UNIT’s UK CO, the famously no-nonsense Lt-Col Lewis Price? Check. Close encounters of the First, Second and even Third kind? Check, check, check.

But he had no idea what alien beings were really like. Until the day of the Fallen Kestrel. Until the day he met the Doctor."

The start of this year has been a joy when it comes to writing these reviews.  The main range has been well and truly riding high and each month has presented us with something funny, something well-constructed and something downright enjoyable.  It is far more fun to write a review praising something to high heavens than to write one explaining why a certain release has utterly failed to grip you.

But all good things must come to an end perhaps.

I want to state here that I have enjoyed Scott Handcock’s work elsewhere. His direction of The War Master was very strong, for example, as it was in The Worlds of Big Finish (a much underrated release) and a lot of Gallifrey. His first outing as a writer for the ‘main range’ of Big Finish plays, World Apart, was a triumph of character study and understatement. Handcock is a very capable and strong writer, producer and director, of that there is no doubt in my mind at all. It just wasn’t to be, here.

The play starts as follows: the Doctor lands on Earth, drawn there by a signal of extra-terrestrial origin. He is not alone though. UNIT are also on the scene, but this is a UNIT the likes of which the Doctor has not encountered before. Gone are Lethbridge-Stewart, Bell, Yates, Benton and the rest. In their stead is a far colder and harder military outfit headed by one Lieutenant-Colonel Lewis Price. Sometimes, it’s the lack of familiarity on your home soil that can be the biggest threat of them all…

There is a problem here. The problem is quite a big one because it goes on to undermine and underline everything that comes next. The problem is that this new version of UNIT are fully aware of who the Doctor is and his past with UNIT: and they still treat him as an alien hostile, threatening him with execution, giving him orders and acting as if he could be a traitor to the Earth and an enemy of humanity. Which makes no sense whatsoever. If they just thought he was another alien wandering around with significant intelligence, then so be it, but the Doctor? He of heroism and daring do? He who helped UNIT so often?

It doesn’t work and renders these soldiers utterly inept and stupid, thus making a huge aspect of the story just a bit… well, silly. UNIT has moved on, yes, but they know the Doctor of old and all he has done, so to try and make him out to be a threat to the planet just doesn’t wash or hang together at all.

This isn’t helped by the aforementioned Lieutenant-Colonel, who is as drab and one-note a character as the range has ever seen. There is no nuance or depth; no subtlety or, crucially, believability. He shouts, he snarls, and when the plot needs to wrap up he has a slight change of heart for no explicable reason. Everything about this character is painfully dull. It is utterly flat and this extends elsewhere sadly. The plot feels overfamiliar: aliens fall to Earth, humans experiment upon them. Aha, though! There is a twist!

Because of course there is, because you expect there to be, because nothing here feels new or exciting or fresh at all. It feels like we’ve been down this path many, many times. Misguided humans, the power of love, the Doctor poised against the authorities, a token ‘good’ character who is on the Doctor’s side against their commander’s wishes.

The same goes for the Morden Clinic and those who work there. They never convince as real people. They’re plot devices and twists. They’re there to try and make you think the story is going one way when in fact it’s going quite another: only you never believe it’s going just one way, because that sense of familiarity from the off means you never expect to be surprised.

In the end, it all makes for a rather boring play.  I don’t think I ever once failed to see what was round the corner, and even if I could not spot the specific incident about to unfold, I was certain that a twist or incident was incoming because it’s that sort of Big Finish play. The plot would be competent at least, but the UNIT element in the wider world of Doctor Who means it stumbles on that front as well. 

Across the past three releases, I’ve talked about how exciting and fresh the plays have felt; how new and interesting. This feels like a massive leap back, into predictability and stale writing; into characters poorly executed and an absence of shock. Lewis Price is the worst of them all, but he is by no means alone.

Perhaps this is just a blip; a small hiccough and no more. I hope so. Because as it is, this has been as disappointing a release from Big Finish as I think I’ve ever heard.

Our friends over at Pwork Wargames make some awesome mats that we think would go nicely with the Warlord Games, Doctor Who miniatures range!

One of their recent releases includes a partnership with Osprey Games, where they have exclusively created the official Frostgrave gaming mat; a fantasy skirmish wargame of epic wizard battles.

Whether you are an Enchanter, a Thaumaturge or an Evil Necromancer with his warband, if you are a Templar or just a foot soldier, facing a snow leopard or a flesh Golem, hunting the treasures of a collapsed empire… still, you will tread the same frost ground: the ruins of an ancient abandoned frozen city.

Pwork Wargames, a passionate Italian design and manufacture company, took inspiration from the wargame background and created a dedicated landscape. The exclusive design wisely balances an enchanted fantasy atmosphere with a touch of cold (!) realism, in a scenario of collapsed snow-covered buildings and a cobblestone pavement cracked by frost and ice.

Limitless adventures can be found amidst the ruins of the Frozen City, on Pwork Wargames Official FROSTGRAVE gaming mat!

Check it out on www.pworkwargames.com

Available materials:

High quality PVC or premium Mousepad material

Available sizes:

4×6’ (122x183cm) - 4×4’ (122x122cm) - 3×3’ (92x92cm)
 

[Source: Pwork Wargames]