Manufacturer: Big Finish Productions
Written By: William Gallagher
RRP: £14.99 (CD) / £12.99 (Download)
Release Date: March 2013
Reviewed by: Nick Mellish for Doctor Who Online
Review Posted: June 2014
“Thursday 28 May 2071: the day the Anglo-Indian Salvage 2 rocket launches. Its mission: to clean up space; to remove from Earth’s orbit over a century’s worth of man-made junk…
From the viewing window of a nearby space station, the Doctor and Flip have a unique view of Salvage 2 as it sets about its essential task – and of the disaster that unfolds when Salvage 2 encounters something it’s not been programmed to deal with. Something not of human manufacture…
Back on Earth, the Doctor fights to save Flip from becoming part of a 500-year tragedy being played out in orbit, hundreds of miles above. And millions will die if he fails.”
So, here we are: the end of this current run of adventures for the Sixth Doctor and Flip, and what better way to end things by blasting off into space?
Inevitably, a lot of the previews of this play have muttered about the similarities to Gravity, which has had the downright cheek to do rather well in the Oscars around the same time this play has been released. Both stories are set in space and involve missions going awry, but the similarities end there and the two stand very much alone after this. (Oh, and for the record, Gravity is the better of the two. Sorry, Scavenger.)
There are some things definitely worth highlighting about this play. To begin with, it is by a long shot William Gallagher’s best script for Big Finish yet. I was extremely impressed by the way he manages to take two characters at the start (Salim and Jessica Allaway) and transform them steadily over the course of four episodes from being very, very irritating and speaking almost entirely in soundbites with no hint of natural dialogue, to two very intriguing characters with a lot of heart behind them and added dimension. In many ways, they represent the very best this tale has to offer: two characters starting out bland and developing well as the story carries on. In the grand scheme of things, it’s a rare Doctor Who story indeed that pulls that off successfully.
On a similar note, the story has a truly brilliant Part Two, improving a lot on the opening instalment and really giving us a lot of energy, tension and plot. It’s the best half an hour this story has, but that’s no bad thing given how strong it is.
It sadly falls down a little after this, relying on a few slightly old and familiar tropes and steadily wasting the character of Jyoti Cutler, a character so integral to the opening, played with a slightly variable accent by Anjli Monhindra (the rather wonderful Rani from the rather wonderful Sarah Jane Adventures). However, its main problems lie not with the story itself but in the wider arc and plans that Big Finish apparently have afoot. I should stress here that major spoilers are coming up, not just for this story but others from Big Finish’s main range of plays, so read on at your peril and don’t complain that you were not warned.
Anyone keeping abreast of the ongoing Hex saga will be aware that Big Finish are increasingly reluctant to finish a character’s story, which is sadly to the detriment of the character themselves. In short, it’s hard to invest in the build-up to a character’s farewell when the rug is continually pulled from under one’s feet. Big Finish just about– just about– got away with it with Charley Pollard, but with Hex and now, in a way, Flip, it’s starting to get silly. Because a lot of this trilogy has been building up to her departure, really, and setting up the start of a new trilogy of adventures with the Sixth Doctor and Peri, but at the last minute... we get none of this. Instead, we are left with a cliffhanger ending, which is fun in some ways, but frustratingly in others. Is Flip dead? No. I mean, it’s not stated, but let’s face it, she won’t be, because that’s an ending and Big Finish aren’t so keen on those at present. What it means is that we are going to have to twiddle our thumbs somewhat and wait for at least a year before anything is resolved, and in the meantime, the Sixth Doctor and Peri trilogy that has been built up will come and go (probably with a lack of definite resolution there, too) and then have another trilogy of adventures with Sixie and Flip and have to hope for a conclusion there, and if not that, then no hint that such a conclusion will be forthcoming. Have it like Mary Shelley, where we know things come to an end, but there is no sign of that any time soon and an open ending looking to the future instead. Do not build up to a departure and then not do it at the very last minute. It’s just frustrating.
As for the play itself? It suffers from increasingly relying on cliché, but has enough sparkle about it and some good and, contrary to the plot, increasingly well-written supporting characters to recommend it. Mainly though, it suffers from being part of this wider problem with lack of resolution, and in the end, that has dragged my rating of it down somewhat, which is unfortunate.
There’s teasing, there’s misdirection, there’s twists, and then there is having your cake and eating it, and I’m sorry Big Finish, I really am, but I for one am stuffed.