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Doctor Who Magazine - Issue #457

Read a previously unpublished interview with The Third Doctor, Jon Pertwee - Exclusive in Doctor Who Magazine #457!

Jon Pertwee, the actor who took Doctor Who to new levels of success in the 1970s, gave an extensive interview about his life and times to two young reporters back in 1994. The vast majority of the interview has remained unpublished - until now...

"I had no preconceptions about the programme when I joined it," says Jon. "I only knew I did not want to be like the Doctors who had gone before. However, the old producers wanted me to play it for laughs, you can see that in the first episode. The hat business. The shower. I had already decided I want to play it straight. Luckily those producers left after the first story and were replaced by Barry Letts who let me play it my way..."  

Also this issue:

THESE ARE A FEW OF MY FAVOURITE THINGS
Doctor Who's showrunner and head writer, STEVEN MOFFAT, replies to DWM readers' questions on Vastra's lips, River's name and his favourite story from each and every Doctor. Some of his answers will surprise you...!

IT MUST BE LOVE
Amy and Rory. The Doctor and Rose. Captain Jack and everyone. Yes, just in time for Valentine's Day, JONATHAN MORRIS turns down the lights, gets out the choccies and takes a romantic look at DOCTOR WHO'S GREATEST LOVE STORIES!

OLD SCHOOL
The Eleventh Doctor has the surprise of his lives, as he's reunited with Ian Chesterton and Barbara Wright in Coal Hill School! And the shocks don't stop there, as the latest comic strip, HUNTERS OF THE BURNING STONE by SCOTT GRAY, with art by MARTIN GERAGHTY, continues…

OH, WHAT A NIGHT!
DWM uses its beryllium atomic clock to turn back time to 1996, and the momentous evening that Doctor Who returned to TV, starring Paul McGann, as COUNTDOWN TO 50 continues.

WALKING ON THE MOON
There's a plasma-sucking pensioner and Judoon on the Moon, as THE TIME TEAM settle down to watch the Tenth Doctor meet Martha in SMITH AND JONES. What will Chris, Emma, Will and Michael make of it all...?

CREEPY CRAWLIES
The Third Doctor faces certain death, while giant arachnids plot to invade the Earth! THE FACT OF FICTION brushes off the cobwebs from 1974's PLANET OF THE SPIDERS, Jon Pertwee's final adventure as the Time Lord, and uncovers a wealth of new information and rare photos.

GIFTS FOR ALL!
Remember last Christmas? It can be fun time if you're a fan, with Doctor Who goodies galore – but what if you're a parent? Will your kids share your passion? JACQUELINE RAYNER reveals what happened to her and her family over the festive season  in RELATIVE DIMENSIONS.

KNOW ME! AM I... THE DOCTOR?
The all-seeing Watcher discusses the delights of Jon Pertwee's seminal single, Who is the Doctor?, challenges readers with a poptastic Six Faces of Delusion and celebrates another Supporting Artist of the Month, in WOTCHA!

+  Doctor Who Magazine Issue #457 is out on Today (Thursday 7th February 2013), priced £4.75.

+  Subscribe Worldwide to DWM from just £17.99 via Unique Magazines!

+  Check Out The DWO Guide to Doctor Who Magazine!

[Source: Doctor Who Magazine]

Matt Smith To Star In Ryan Gosling's 'How To Catch A Monster'

Doctor Who star Matt Smith will be taking the male lead Ryan Gosling's directional debut picture 'How to Catch a Monster'.

The story is set against the surreal dreamscape of a vanishing city and centered on a single mother of two being swept into a macabre and dark fantasy underworld while her teenage son discovers a secret road leading to an underwater town. Production is set to start this spring.

Christina Hendricks and Eva Mendes will co-star in the movie which is produced by Marc Platt (not the Doctor Who Author), Adam Siegel, Michel Litvak, David Lancaster and Ryan Gosling.

Since the news broke, fans are already wondering where this leaves Series 8 of Doctor Who, questioning his involvement and sparking regeneration rumours.

DWO would like to point out that Smith was recently quoted in an interview with The Sun newspaper as saying:

"His first episode sounds great. It hasn't been written yet but the idea is as brilliant and as mental as you'd expect from Steven. So there's a lot to look forward to.

When Steven was going to pitch the next season to me not long ago, he said, 'Are you ready to cry?".

It is likely that the filming schedule for Series 8 will be a tighter one than normal, and could very well be transmitted in the Autumn of 2014. This is yet to be confirmed by the BBC.

[Source: Variety]

The 50 Year Diary - Day Thirty-Seven - A Land of Fear

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Thirty-Seven: A Land of Fear (The Reign of Terror, Episode One)

Dear diary,

I love it when this marathon throws up odd little coincidences. The first recon I watched - for Marco Polo - came on the same day that I saw The Hobbit in its 48fps version. Coming home from that to a tele snap recon that was less than 48 frames per minute? Bit of a culture shock.

Today, I've embarked on The Reign of Terror having spent my afternoon in a cinema watching Les Miserables . It's a full on French Revolution Day for me! Thankfully, having spent two-and-a-half hours trying to stay awake in the cinema (the misses loved it, though, so that's something…), I've really rather enjoyed this.

I should say, before I discuss the episode itself, that I've been purposely avoiding the Reign of Terror DVD for quite some time, now. I started thinking about this marathon several months ago, before we had any preview clips, and so I've avoided them ever since. It's been a tricky ten days or so since the DVD turned up, because I can hear the newly animated episodes calling to me… Still, it's only another few days, and I'm sure I'll appreciate them more by watching them in context like this.

I didn't mention it yesterday, but the cliffhanger comes rather out of nowhere, doesn't it? I've just spent a while praising how far the Doctor has come as a character over the course of this first series, and how much he's bonded with Ian and Barbara, and then one slightly mis-stepped sentence, and the Doctor's throwing them off the ship!

It still feels a bit odd here, when he sets them down and tells them to be off. I'm not sure if it's all going to come round by the end of the story, with him announcing that he doesn't really want them to go (Ian muses early on that he's not really that disappointed that they're off on another adventure together), but for now it feels more than a little jarring. It seems like the Doctor has gone right back to his old self again. Still, i I like the idea that the faults we've witnessed with the TARDIS are quite recent, as is the Police Box look, and that the Doctor isn't used to not having control over his ship yet.

And then we're off! The first time I saw Reign of Terror (many years ago, on a poor quality VHS) I knew that it was the first time the series had done any location work - and I thought it was these opening scenes in the woodland! Looking at it now, on a freshly spruced-up DVD, and having spent just over a month looking at the show's sets, it's quite clear that this bit is only a studio, but it's still looking pretty good.

I was also a bit surprised to work out that this is the first child we've seen in the series since the kids at Coal Hill right back in the first episode. Coming at it from the Matt Smith era, where lots of stories revolve around children, it seems quite bizarre! I'm guessing from his panicked look towards the end of the episode that he'll be back to help the Doctor out during Episode Two.

The cliffhanger here is pretty good, and certainly better than the last episode's. Ian, Barbara, and Susan getting carted off to Paris while the Doctor remains stuck in a burning farmhouse is very typical of Season One - splitting the team up ready to get the adventure going - but it works well enough. I'm also quite keen on the model of the burning farmhouse; The effect of the roof caving in is particularly well done.

All in all, it's a good start to the story, as I've come to expect from historical stories. I'm looking forward to following it on…

Next Episode: Guests of Madame Guillotine

Claudia Grant Cast As Carole Ann Ford in 'An Adventure In Space And Time'

Claudia Grant has been confirmed as playing Carole Ann Ford in Mark Gatiss' Doctor Who biodrama 'An Adventure In Space And Time'.

The confirmation comes on Grant's agency website, which happens to be run by Jessica Carney (William Hartnell's granddaughter):

"Congratulations to CLAUDIA GRANT (see actresses) who is shooting An Adventure in Space and Time, her first TV job since graduating in the summer.  The 90 minuter written by Mark Gatiss for the BBC tells the story of the genesis of Doctor Who. Claudia is filming the role of actress Carol Ann Ford who played the first Doctor’s granddaughter."

DWO are expecting more casting confirmations shortly, including Jamie Glover as William Russell.

[Sources: Jessica Carney Associates]

The Nameless City - eBook Cover & Details

The second instalment in a sensational series of stories celebrating the 50th anniversary of Doctor Who is written by Michael Scott, best-selling author of The Immortal Nicholas Flamel.

Speaking to DWO on the @DrWhoOnline Twitter account, Scott (@FlamelAuthor), had the following to say on his upcoming title:

"I was thrilled to be asked. Dr's one of the reasons I ultimately became a writer! And I started with Patrick Troughton too."

Synopsis:

When Jamie McCrimmon brings the Second Doctor a mysterious book, little does he realise the danger contained within its pages. 

The book transports the TARDIS to a terrifying glass city on a distant world, where the Archons are intent on getting revenge on the Time Lord for an ancient grudge.

Eleven Doctors, eleven months, eleven stories: a year-long celebration of Doctor Who! The most exciting names in children's fiction each create their own unique adventure about the time-travelling Time Lord.

+  The Nameless City is released on 23rd February 2013, Priced £1.99.

+  Preorder this eBook from iTunes for £1.99.

+  Preorder this eBook on Amazon for £1.99.

[Source: Puffin Books]

The 50 Year Diary - Day Thirty-Six - A Desperate Venture

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Thirty-Six: A Desperate Venture (The Sensorites, Episode Six)

Dear diary;

It's nice to have Barbara back, but this is the first time that one of the regular cast's absences hasn't really worked. In The Keys of Marinus, it didn't feel strange that the Doctor was missing, because the rest of the characters were busy moving from place-to-place anyway. In The Aztecs, Susan gets a few brief scenes in every episode anyway, even if she is separated from the rest of the group.

Here, we see Babs returned as a part of the plot - she's reading the letter Carol was forced to write - and it just feels wrong. The rest of the cast have been down on the Sense Sphere for two-and-a-half episodes, so Barbara feels out of place here. It's even more jarring to have her taking part in the story, which has shifted considerably since we last saw her.

As for the rest of the story; it's been rather good. The story changes route again, as much of the action is set down in the aqueduct, moving us away from the Sensorite city, where things have started getting desperate. When the (former) City Administrator starts making people write letters to explain their absences, it all starts to get a bit too much.

It's a shame, having seen him plotting and scheming for so long, that the entire subplot about his character is swatted away so simply at the end with a very basic 'The map proves his treachery. We'll sort him out'. I was hoping for a grander denouement.

It's something which has become something of a theme with these longer stories - both The Daleks and Marco Polo stretched on for a long time, but the final episode had me wanting more. It always feels as though five episodes are sent setting things up, and then 25 minutes at the end isn't enough to pay it all off. A shame.

Meanwhile, with the Doctor and Ian, I really enjoyed the stuff about the survivors of the previous visit to the Sphere. I'd (sort of) pieced together what was happening in the Aqueduct, so it's nice to see that coming to fruition. What did surprise me, considering my complaints earlier in the story about how obvious the script was (the whole water instance, for example…) is how well it all ties together.

We're told early on that the previous spaceship had blown up when it tried to take off and that they suspected the other humans had stowed away on board. Here, we find that they'd been hiding down in the Aqueduct, and the destruction of the ship was their doing.

The warfare angle is an interesting one, and again, it all ties in to the way we've seen the Sensorite's mind-reading powers affecting John early on in the story. The captain of the little group is particularly fun, and it's a bit of a shame that we only get him for the one episode.

On the whole… The Sensorites is nowhere near as bad as people make it out to be.

There are times - Episode Four, to be precise! - where I thought the reputation this story has gathered over the years was going to turn out to be entirely accurate, but then it manages to swing itself round quite well during the second half.

There's enough variation in the story to keep things interesting. The first two episodes are heavily focussed on the spaceship, before shifting to the city for episodes three, four, and five, and then to the Aqueduct for the final part. The dialogue is possibly the story's biggest failing, but even that improves as time goes on.

One thing, though… What was the 'monster'? Was it just the rebel group of humans trying to keep the Sensorites out of the Aqueduct? Why did they batter up the Doctor's coat if they'd been waiting for a 'human' as a sign that the war was over? That was a bit of a letdown…

Next Episode: A Land of Fear

Obituary: Peter Gilmore (1931-2013)

It is with deepest regret that DWO announces the passing of Classic Series Doctor Who Actor, Peter Gilmore.

Peter was perhaps best known to Doctor Who fans for appearing in the Classic Series adventure Frontios as Brazen.

DWO would like to extend our sympathies to Peter's family and friends.

UPDATE: Wednesday 6th February 2013

There are some reports online that Peter's death was a hoax, but DWO have contacted Equity and Peter's agent (Roger Carey Associates), who both sadly re-confirmed the news that he passed away on Sunday 3rd February.

[Sources: Alan Pulverton; Equity; Roger Carey Associates]

Matt Smith VS Benedict Cumberbatch For Best Actor At 2013 Virgin Media Awards

Matt Smith and Benedict Cumberbatch are up against each other to win Best Actor in this year’s Virgin Media Awards!

At the moment Benedict Cumberbatch has edged ahead with 36% of the votes, and we're calling on all fellow Doctor Who fans to cast your vote to help Matt win!

To cast your vote, simply visit the following link: http://www.virginmedia.com/tvradio/awards/best-actor.php

Voting closes on Sunday the 10th February so there’s still time for fans to get their votes in and even tweet their support (to @VMDotCom)! The winners will be announced on 13th February on virginmedia.com.

[Source: GolinHarris]

Luke Spillane's Beginner's Guide To Doctor Who - YouTube Series

Doctor Who fan and friend of DWO, Luke Spillane, recently started his very own (rather cool) YouTube web series on the history of Doctor Who, called 'The Beginner's Guide To Doctor Who'.

We caught up with Luke to chat about the series, which has already received a total of over 10,000+ views, and asked him to describe the catalyst behind the project:

"I've been a Doctor Who fan for as long as I can remember - throughout 'The Wilderness Years' when no other kid in the playground wanted to reenact Destiny of the Daleks! 

Since Doctor Who came back in 2005 there are now so many more fans my age and a lot of them want to learn about older Doctor Who, what happened, what were the Doctor's like and all the connections to the new series. The Beginner's Guide to Doctor Who is my attempt at helping document the whole show through a series of videos on each Doctor's era; what each Doctor was like, the companions that he travelled with and the adventures they had. There will also be additional episodes on the missing episodes of Doctor Who, the Extended Universe in the books, comics & audios and even my very own short film in late September. 

I wanted to do something to celebrate the 50th anniversary and what better way then to go back and revisit all of the fifty years of history through this year, and why not share that with an audience that want to learn all about it."

We will certainly be tuning in each month, and hope you do too! Check Out the first two videos in the series below:

[youtube:3k75AMQ6BZI]

[youtube:J0_eEXNb0aU]

[Source: Luke Spillane]

The 50 Year Diary - Day Thirty-Five - Kidnap

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Thirty-Five: Kidnap (The Sensorites, Episode Five)

Dear diary,

It's strange, really. We're back to a situation where not much happens in this episode, and yet it's held my attention throughout. It looks like the third episode really was just a blip - The Sensorites isn't half bad.

There's quite a lot to love in this episode, too. I enjoyed the continuing schemes of the City Administrator, and the way he turns the death of the Second Elder to his advantage, trying to frame the Doctor was rather good work. As soon as the jacket defence came up, I thought it would be a case of drawing it out a bit to fill some time, so I was glad to see it dealt with immediately.

The whole situation with the jacket is something to praise, actually. In so many episodes (and this isn't something that Doctor Who is uniquely guilty of), our heroes go through all manner of things, and then return to the TARDIS looking as pristine as the moment they stepped out of it. It's quite odd to see the Doctor's jacket torn to shreds, but it's effective.

The only other story to use this to such a good effect is right back in An Unearthly Child - the regulars are all much worse for wear by the end.

It's nice, too, to see them making plans for the return of Jackie Hill in the next episode - I'd worried that she'd either just appear from nowhere, or that she wouldn't turn up until somewhere near the end, when the rest of the cast make it back up to the space ship. I wonder what she's been doing up there all this time?

Something I've been meaning to talk about for a few days (but keep forgetting!) is the TARDIS' role in the stories to this point. In every story (with the obvious exemption of The Edge of Destruction), the Doctor, Ian, Barbara, and Susan all have to be forcefully separated from the ship in some way - the story is usually about them trying to get back to the TARDIS.

In An Unearthly Child, they're banged up in the Cave of Skulls. In The Daleks, they can't leave until they get the fluid link back from the Dalek City. Marco Polo has the TARDIS physically taken away from them, and the same is true of The Keys of Marinus, when Arbitan puts it inside a force field until they do his bidding. The Aztecs sees the ship shut away inside the locked tomb, and here the Sensorites steal the lock.

I've mentioned (lots!) how the Doctor has changed over the last month or so, but it's interesting to note how the others have, too. Ian and Barbara are a part of the adventure, now, not just looking to get home (though they do still have that ambition). Susan gives the impression that she's always quite enjoyed the adventures.

The point is; following the Doctor's announcement yesterday that he wasn't content just curing a problem if he could stop it at the source, the idea of having to take the TARDIS away from him is growing less important. We're at a stage, now, where the crew will get involved in the adventures because they want to, not because they're forced to. That's going to be interesting to keep an eye on as we move forward…

Next Episode: A Desperate Venture

The 50 Year Diary - Day Thirty-Four - Race Against Death

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Thirty-Four: Race Against Death (The Sensorites, Episode Four)

Dear diary,

It's not something you often see said, but actually, I quite like the design of the Sensorites. No, genuinely! I've been meaning to mention it for a few days now. There's one or two obvious flaws (those feet are very impractical. You'd better hope they never have to run anywhere…), but on the whole it's a good design.

It's quite well realised, too. There's one or two instances where the joins are perfectly visible, but as I've said before, I'm watching a VidFIREd version of this story on a 21.5" iMac screen. This isn't the natural format for this show. On the whole, I really like them.

Shortly before watching this story, I stumbled across a redesign of the creatures on the blog 'Mels Art Stuff'. I really liked it, and I've had it in mind while watching… but it's not a million miles away from what we've got here! It's this exact design with a bit more freedom of budget.

Now then, if that opening has sounded pretty positive, it's because I've enjoyed today's episode! I know! I resolved to go into it with a positive outlook, as assuming it would be like yesterday's installment was going to get me nowhere. It's a good thing, though, because this one's been rather good.

The Doctor very quickly deduces that it's the water infecting the planet, which is good. I'd worried that even after it was so spelt out in the last episode, they'd leave it running as a mystery for a while. The main complaint that I hear about The Sensorites is that it's dull, and I feared that would be because the solution was clear to us long before the characters arrived at it.

And once that deduction is out of the way, the story rattles on at quite a pace! There's even chance for a montage, with the Doctor working on an antidote, Susan caring for Ian, and the Sensorites testing water for the poisons. Part of the fun of watching the montage is seeing everyone get into position ready for the shot to return to them, as cutting was out of the question due to time and budget. Plus, Hartnell pulls some wonderful faces while trying to look as though he's concentrating.

Alongside this, we've got the thoroughly evil City Administrator trying to get rid of 'The Humans' as best he can. There's some interesting parallels to The Aztecs, here, but with the morality angle almost completely removed. There, Tlotoxl was desperate to show up the TARDIS crew as false (when they actually were being), while here, the City Administrator is trying to prove that Ian's 'illness' is false (though it's not).

And then there's the Doctor. His transformation into the character we know and love is pretty much complete, now. He's found the solution for curing Ian, and it can be scaled and applied to the rest of the planet, but that's not enough for him. To quote the Doctor himself; 'Why cure something when we can stamp it out?'. It's great to see him at this stage, finally.

Oh, and then there's even room for a cliffhanger involving a monster! Brilliant!

Next Episode: Kidnap

The 50 Year Diary - Day Thirty-Three - Hidden Danger

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Thirty-Three: Hidden Danger (The Sensorites, Episode Three)

Dear diary,

Oh, all right, then. This one was a bit of a slog. I'm starting to worry that my desperate attempt to find good in a story usually considered to be terribly dull may be a tougher task than I'd anticipated.

I'm not even completely sure what the problem is. Plenty happens in the episode; they have another encounter with the Sensorites, they leave Barbara on the ship so that Jackie Hill can take a couple of weeks in Spain, we meet another group of Sensorites, and Ian falls victim to the disease that's been wiping them out, as we discover by the filling on of a lot of back story.

Actually, that's it. That's the problem. The 'filling in'. It's not the greatest writing of all, is it? There's a very real attempt to make the Sensorites seem like a three-dimensional race, but it's not done very subtly. Perhaps the worst offender is the scene where two of them set up a disintegrator machine to use against our heroes.

The dialogue between the two is along the lines of 'Is their hurt on the left, or the right? Or is it in the centre, like ours [because we're aliens! See? Aliens! Our hearts are in a strange position! Because we're aliens!]'. As if that wasn't clunky enough, they then decide to set it to the centre anyway. If they have no reason to assume that their hearts wouldn't be in the centre, then why bring it up? Poorly done.

And the disease is none-too-subtle, either. It's actually quite a nice set up, and a good way of shifting the focus of the story slightly for the remaining episodes; the first two were about encountering the Seonsorites, the other four are about curing their ills. Except…

When the Doctor, Ian and Susan are given glasses of water, a big point is made that they've been served the 'basic' water, which is filtered down through an aqueduct from the hills. The Elders don't drink this water, but Ian takes a sip. A few minutes later, a point is made that the disease affects all of the Sensorites. Except the Elders. Who don't drink that water. And then Ian suddenly starts to show symptoms of the illness. Shortly after drinking the water.

I know that Doctor Who is aimed at a family audience with a large number of children watching, but after we've sat through four episodes of The Aztecs, which is rich in history and very deep, this just feels… well. patronising.

The dialogue, aside from being so clunky, continues to be functional as in the last episode. There's even one exchange which goes along the lines of 'But how?' / 'I will explain…'. I think this is the main thing making The Sensorites a bit of a chore now.

Still, we're at the half-way point. Maybe things get better from here as Peter R Newman gets used to writing for the series? Once the world of the Sensorites is set up, he may be able to tell a decent story to keep me hooked…

Next Episode: A Race Against Death

The 50 Year Diary - Day Thirty-Two - The Unwilling Warriors

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Thirty-Two: The Unwilling Warriors (The Sensorites, Episode Two)

Dear diary,

It's January 2008. I've recently moved out of home for the first time, and I'm living with a fellow Doctor Who fan called Alex. I don't know if Alex reads the 50 Year Diary, but I hope he does. Hi Alex.

Anyway, around the same time, I'd gained a new girlfriend, who when she was back from university on one occasion told me she wanted to watch Doctor Who. Hooray! Good times! What was even better is that she wanted to watch it from the start. Apparently, I was raving about the classic stuff so much, she wanted to see what all the fuss was about.

So the deal was made, we'd watch one story a week, during her couple of days back from uni. We started, of course, with An Unearthly Child, followed by The Daleks (Though I seem to recall skipping most of this one because it was boring!) and then The Edge of Destruction. We skipped Marco Polo, as a description of a recon had met with a stoney stare. For some reason, we ended up skipping The Keys of Marinus and The Aztecs, too. If I had to guess, I'd say that by this stage, she'd given up on wanting to watch them all, and decided to just go for ones she liked the sound of, instead.

So, The Sensorites was the next on the list. I was excited, I'd never seen it before! What's more, living with Alex meant that I suddenly had access to all the Doctor Who stories that I'd never owned on VHS or DVD. The whole library! In the same house as me! I remember setting up The Sensorites in the VHS player (having to take the plastic wrapper off first. Evidently, Alex hadn't ever watched it, either…), watching Episode One, thinking it was quite good, starting Episode Two…

And the tape cut out. The tracking went all weird, then the screen went to static. Fast forwarding back and forth brought some brief images of men in a sewer (I'm guessing that's still to come) and not a whole lot else. We more-or-less gave up on trying to watch the classic ones after that.

The one thing I did get to think at the time, thanks to seeing the first few minutes of this second episode before the tape cut out, has still held true today, though. Basically; 'How does the cliffhanger look so good at the end of Episode One and so stupid at the start of Episode Two?!'. The cliffhanger works so well because of the eerie way that the Sensorite is pawing at the window. Here, he just stands there like an over-familiar neighbour watching you eat dinner through the window.

Thankfully, standing around staring is still very effective when used in the right way - and John is pretty unnerving while he's in contact with the Sensorites. There's something about the way he stares right down the camera lens at us that really jars with what we're used to in the series, so it leaves you feeling a bit on edge. It's one of the things that's saving the story for me.

I can't say I've yet seen why it's got such a reputation among fandom. Sure, it's not the most action-packed of stories, but it's not bad (at least so far). If anything, I found that this episode held my attention even more than the last had. There's some unusual things in here, such as a full two minutes in which only two lines of dialogue are shared, while Ian and Barbara explore the ship looking for the Sensorites.

What does strike me as odd, though, it the way Ian reacts to them. He finds something to use as a weapon, and scares them with it if they try to move. Doesn't he even think to try talking to them? It seems a bit strange, especially given that they're perfectly willing to have a chat just a few minutes later…

So far: not as bad as reputation suggests. It's just bog-standard Doctor Who

Next Episode: Hidden Danger

Shroud Of Sorrow - Book Cover & Details

BBC Books have sent DWO the cover and details for the forthcoming 11th Doctor, Doctor Who Book release of Shroud Of Sorrow.

Shroud Of Sorrow:
By Tommy Donbavand

23 November, 1963

It is the day after John F. Kennedy’s assassination – and the faces of the dead are everywhere. PC Reg Cranfield sees his late father in the mists along Totter’s Lane. Reporter Mae Callon sees her grandmother in a coffee stain on her desk. FBI Special Agent Warren Skeet finds his long-dead partner staring back at him from raindrops on a window pane.

Then the faces begin to talk, and scream... and push through into our world. 

As the alien Shroud begins to feast on the grief of a world in mourning, can the Doctor dig deep enough into his own sorrow to save mankind?

A thrilling new adventure from the spectacular BBC series, starring Matt Smith and Jenna-Louise Coleman. 

+  Shroud Of Sorrow is released on 11th April 2013, priced £6.99.

+  Compare Prices for this product on CompareTheDalek.com!

+  Check Out the DWO Release Guide entry for this product! 

[Source: BBC Books]

The Dalek Generation - Book Cover & Details

BBC Books have sent DWO the cover and details for the forthcoming 11th Doctor, Doctor Who Book release of The Dalek Generation.

The Dalek Generation:
By Nicholas Briggs 

"The Sunlight Worlds Offer You A Life of Comfort and Plenty. Apply now at the Dalek Foundation."

Sunlight 349 is one of countless Dalek Foundation worlds, planets created to house billions suffering from economic hardship. The Doctor arrives at Sunlight 349, suspicious of any world where the Daleks are apparently a force for good – and determined to find out the truth. The Doctor knows they have a far more sinister plan – but how can he convince those who have lived under the benevolence of the Daleks for a generation?

But convince them he must, and soon. For on another Foundation planet, archaeologists have unearthed the most dangerous technology in the universe...

A thrilling all-new adventure featuring The Doctor as played by Matt Smith in the spectacular BBC TV series.

+  The Dalek Generation is released on 11th April 2013, priced £6.99.

+  Compare Prices for this product on CompareTheDalek.com!

+  Check Out the DWO Release Guide entry for this product! 

[Source: BBC Books]

Plague Of The Cybermen - Book Cover & Details

BBC Books have sent DWO the cover and details for the forthcoming 11th Doctor, Doctor Who Book release of Plague Of The Cybermen.

Plague Of The Cybermen:
By Justin Richards 

‘They like the Shadows. You know them as Plague Warriors…’

When the Doctor arrives in the 19th-century village of Klimtenburg, he discovers the residents suffering from some kind of plague – a ‘wasting disease’. The victims face a horrible death – but what’s worse, the dead seem to be leaving their graves. The Plague Warriors have returned…

The Doctor is confident he knows what’s really happening; he understands where the dead go, and he’s sure the Plague Warriors are just a myth. But as some of the Doctor’s oldest and most terrible enemies start to awaken he realises that maybe – just maybe – he’s misjudged the situation.

A thrilling all-new adventure featuring The Doctor as played by Matt Smith in the spectacular BBC TV series.

+  Plague Of The Cybermen is released on 11th April 2013, priced £6.99.

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+  Check Out the DWO Release Guide entry for this product! 

[Source: BBC Books]