Manufacturer: Big Finish Productions

Written By: Mike Maddox and Alan Barnes

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: 30th September 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 6th October 2012

Arriving in a strange and Hellish landscape, Ace, Hex, Sally and Lysandra have come to rescue the man who unwittingly threw them all together in the first place; The Doctor.

But the rescue will not be easy.

Ancient warriors misplaced out of time are lying dead in rivers of blood and from out of the mists emerge horrifyingly familiar vampire-like creatures. The threads are coming together and the Doctor’s companions come to realise that he has been playing a game; a rematch with an evil from the dawn of time. The past and future will come to haunt them as they become pawns in the endless games of Gods and monsters. 

The pieces are set, the Elder Gods are gathering to bear witness as the Doctor and Fenric prepare to play the contest again. But this time winning may be just the same as losing.

Gods and Monsters is a very difficult play to review. Like Black And White before it, there are so many twists and turns that it would be very easy to spoil your enjoyment. 

It requires not only a great deal of knowledge of the character of Hex but of past stories involving The Forge and The Curse of Fenric. A newcomer to Big Finish may find all this to be quite daunting but rest assured such knowledge is essential to your full enjoyment as this play packs a really emotional and shocking payoff.

Gods And Monsters, the conclusion of this year’s Seventh Doctor range and the final culmination of the many plot threads that have been littered throughout the last few years beginning as far back as Project: Twilight. It seems near impossible that Big Finish could have planned all of this so many years ahead but what they have done is taken everything that has come before, added a few twists and made it all make sense. The play however is not completely perfect, and it’s need to wrap everything up as logically and tightly as possible harms it a little.

Gods And Monsters has many factors that make it a worthwhile recommendation, and the brilliant cast is one of them. Sylvester McCoy, having played a rather reduced role in the previous releases, is back and his performance is spectacular. The master manipulator is completely out of his depth as he begins to see the control of events swept completely away from him. It is a great turning of the tables on this most Machiavellian of Doctors and it will be fascinating to see if Big Finish develops this in future releases.

Ace and Hex are both brought brilliantly to life by Sophie Aldred and Phillip Olivier. The character of Hex is one of the great creations of the Big Finish range and here Olivier proves just what a great contribution he has made to bringing the character to life. 

Maggie O’Neill and Amy Pemberton, having established themselves rather strongly amongst the TARDIS team in Black and White, continue their development throughout Gods And Monsters and are given an excellent scene in which to showcase their talents and the characters relationship to one another.

It was always going to be difficult to recast Fenric, especially in the shadow of Dinsdale Landen, but in John Standing, the Elder God has found a wonderfully chilling new persona. 

It would be easy to just do a retread of The Curse of Fenric, particularly with the inclusion of the Haemovores but Maddox and Barnes play enough with your familiarity of that story to present something new and just as twisted. 

With so many different characters and locations, sometimes in completely different universes and time zones, Gods And Monsters does feel at times a little rushed. The story feels like it needs more room to breathe or at least one more episode to allow all the threads to have equal momentum, but judging by the rather shocking ending it seems the story is far from over.

Mike Maddox and Alan Barnes have created a very worthy rematch with the titular God, as well as a satisfying conclusion to this story arc with the tantalising tease of more shocks to come.

Manufacturer: Big Finish Productions

Written By: James Goss

RRP: £8.99

Release Date: 31st July 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 22nd August 2012

Zoe Herriot is still a prisoner. The mysterious Company are determined to break the conditioning that has been placed upon her by the Time Lords. Her integrator, Jen, has more evidence to prove that Zoe travelled in time with that strange man called The Doctor.

Through her questions, Zoe begins to recall a journey to Earth in the past. She remembers attending the funeral of a young woman called Meg, a physicist who died in an experiment gone wrong. The Doctor, Jamie and Zoe discover that her experiments have brought forth mysterious creatures into our reality.

As Zoe struggles to recall what happened, it will soon become clear that time is running out for her as The Company are growing impatient for results.

The Uncertainty Principle is a sequel to Simon Guerrier’s play The Memory Cheats, which was itself a sequel to Echoes of Grey. Both the central characters of Zoe and Jen return and it is the continuity that makes this release particularly interesting. The Company’s efforts to break through Zoe’s memory block are ramped up further with the knowledge that her life is now at stake. What made The Memory Cheats such an interesting play seems to be lacking in this release. It seems to be more because of the story that Zoe recalls as opposed to her interaction with Jen.

The main story itself is intriguing but is missing the darkness that the previous instalment had. There is some interesting development of Zoe’s character as her logical attitude is put to the test as she unwittingly falls for a young man called Archie, a character central to the main story. To hear Zoe struggling with emotion, which is almost an alien concept to her, is interesting, but I found the story, at times, to be a little pedestrian.

Where the play is really at its best is the interrogation scenes with Jen, played once again by Wendy Padbury’s daughter Charlie Hayes. Both actors give excellent performances and Guerrier drops some very intriguing character development for Jen as we discover more about her own life.

After the distrust which was central to the previous play, we begin to see these characters find some common ground as the situation with The Company begins to intensify. The conclusion promises more from this ongoing story and it will be fascinating to see where Guerrier takes these two characters next time.

The Uncertainty Principle is a not a strong audio play but it is intriguing enough to warrant a further release in this interesting story arc for Zoe.

Manufacturer: Big Finish Productions

Written By: Matt Fitton

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: 31st August 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 27th August 2012

Ace and Hex have just suffered severe mental and psychical torture. Caught in one of The Doctor’s schemes they just barely survived the wrath of Elder Gods. Finally escaping into a now black coloured TARDIS they discover that they are not alone. Inside is former Forge operative Lysandra Astrides and soldier Sally Morgan. 

Both of these women have encountered The Doctor and now claim to have been travelling with him for some months. Confused and seemingly thrown together by design, all of them will have to get past their mutual distrust of one another in the search for The Doctor. By a twist of fate the travellers are separated, arriving in the past and future of one man whose story and name will pass into legend as will the name of the monster he vanquishes. Does the true story about Beowulf and Grendel have any clues to The Doctor’s whereabouts and will the missing Time Lord’s carefully laid plans fall apart at the seams?

Black and White is a story that requires prior knowledge of the last couple of years of Seventh Doctor stories. It is here that the various plot threads that have been littered throughout finally begin to come together. Through the use of flashbacks Matt Fitton does an admirable job of reminding us of all these little clues for anyone coming to this fresh. Your enjoyment of the play however will be increased with an awareness of what has gone on before. 

Black and White is a difficult story to review as a more in-depth examination would give away far too much. In keeping with Doctor Who Online’s spoiler-free policy I will not go into too much detail about what happens except to address some key points.

The Black and White TARDIS plot thread is finally given clarity which reveals some rather fascinating revelations about past adventures and the nature of the TARDIS is general. We get hints as to where this trilogy is heading and it is all strongly linked to adventures gone by. Listening to Black and White makes you want to re-listen to all of the last few Seventh Doctor plays just to see how long this whole plotline has been gestating. 

Not all the answers are given here though as I’m sure all will be fully revealed in the final play of the trilogy Gods and Monsters. Black and White certainly ramps up the excitement for that particular release.

In amongst the revelations is the story of Beowulf and the reality of the how the legend came to be. The difficulty with Black and White is to make room for the lead plot exposition but allow its other story to develop and breathe and it is a credit to Matt Fitton that it does. This story about the reality of the legend of Beowulf could easily have been an adventure in its own right, but as will become clear when you listen carefully; it is linked to the bigger plot going on. Black and White is very entertaining and moves along at a cracking pace thanks to excellent direction by Ken Bentley.

The performances from the main cast are fantastic. It is a real joy to hear Maggie O’Neill and Amy Pemberton as their characters from previous stories Project: Destiny and House of Blue Fire now interacting with our familiar TARDIS crew. Philip Olivier and Sophie Aldred work alongside these new team members really well and there is enough distrust and suspicion to keep the character dynamic always interesting. 

The supporting cast is very strong too - the highlight being Stuart Milligan as Garundel, a character who sounds like a camp and bitchy Billy Crystal. Milligan gives a very funny and memorable performance and it certainly does put a unique twist on the Beowulf legend. 

While not always perfect, Black and White is an entertaining and shocking second chapter which sets up a very promising conclusion to this already fascinating trilogy. 

Manufacturer: Big Finish Productions

Written By: James Goss

RRP: £8.99

Release Date: 31st July 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 22nd August 2012

Ian Chesterton once travelled with an extraordinary man. He travelled the universe far and wide and for all the amazing things he saw, he wanted nothing more but to get back home. But now the past is coming back to haunt him as Ian suddenly wakes up in The Chesterton Exhibition located within a mysterious Time Museum dedicated entirely to his past.

The Museum’s curator Pendolin is delighted to find him but he is scared. There is something lurking in the Museum and it wants them both. Whilst on the run Ian’s memories begin to fade and corrupt. Whatever is out there wants Ian’s past and it is very hungry, but can he escape this nightmare and is Pendolin to be trusted?

Ian Chesterton is about to discover just how important the past can mean to his future...

As the Fiftieth anniversary of Doctor Who approaches we are incredibly lucky to still have William Russell amongst us. That he is still performing the character of Ian Chesterton after all this time is really quite extraordinary and The Time Museum is a wonderful showcase for his talents.

Presented more as a drama unlike the traditional formula of The Companion Chronicles, Russell gives a magnificent performance. His Ian, though much older, is still the same man that stepped into Totter’s Yard all those years ago.

His co-star Philip Pope who plays Pendolin proves to be an excellent foil to Ian, and Pope gives a very intriguing performance throughout.

The Time Museum is a wonderful examination of one of Doctor Who’s most celebrated and fondly thought of Companions, and continues the development that Big Finish has brought to the character in previous Companion Chronicles. 

In this story Ian Chesterton is a man searching for his identity amongst the painful confusion as his past is being eaten away. The disorientation Ian displays here is beautifully portrayed by Russell as the memories he recounts of adventures past is part of the appeal of this story. There is even a surprising little nod to the Doctor Who and the Daleks target novelisation by David Whittaker, that fans will enjoy picking up on.

This play is a wonderful celebration of the show’s past tinged with a sense of melancholy. Listening to The Time Museum reminds you just how important those early stories were in the development of the show as we know it today. Without Ian and Barbara I don’t think the show would have lasted longer than its allotted thirteen weeks. Nostalgia can sometimes be seen as being over indulgent, but here it never outstays its welcome. The kisses to the past are essential to the plot as Ian desperately tries to cling to his sense of self as he and Pendolin come under threat.

As the big anniversary looms around the corner it is certainly not too early to start celebrating and with The Time Museum, Big Finish has created a perfect birthday present to all devoted Whovians everywhere.

Quite simply this is an essential purchase.

Manufacturer: Big Finish Productions

Written By: Jonathan Morris

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: 31st July 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 22nd August 2012

Albert and Peggy Marsden are certainly a very ordinary elderly couple. Living in the North of England in the late 1980s, they go about their day to day business as political upheaval in the East threatens to spill over into Nuclear War.

Albert, following the Government issued leaflet “Protect and Survive” is busy making the preparations to their countryside home should the very worst come to pass. Peggy is expecting their grown up son to be home at any minute, but they are about to get a visit from two very different people. A girl called Ace and a boy called Hex have arrived out of the blue in a strangely white coloured Police Box. 

Taken in by the couple, Ace and Hex begin to see things are very wrong. History is not following its proper course and if that wasn’t bad enough The Doctor has gone missing. Then as the bombs begin to drop on England both companions realise The Doctor will not be there to save them this time.

One of the greatest fears of the 1980s was the potential of any nation armed with nuclear weapons to launch them towards any country it declared an enemy. Nuclear attack was the ultimate in Cold War paranoia and even now it lingers in the memories of those who grew up in that era.

Protect and Survive, the first release in the new series for The Seventh Doctor addresses these fears in an incredibly disturbing way.

Jonathan Morris has clearly drawn on many sources of inspiration for Protect and Survive. Morris uses actual advice issued by the Government to the populace in the event of a nuclear attack. This is given out in a cold and clipped British dialect by the Marsden’s radio. This object not only creates a great deal of tension, but becomes a very important plot device later in the story. This littering of historical details gives the play a disturbing feel of authenticity and for anyone who has ever watched the BBC’s thoroughly bleak Threads it will certainly conjure up many frightening memories.

The first episode is incredibly well written and does an astounding job of balancing human drama amidst the science fiction and apocalyptic elements of the plot. Sophie Aldred and Philip Olivier are absolutely brilliant throughout this story but particularly so in this episode. Without The Doctor they are the ones we turn to for familiarity in this incredibly horrifying world. We really get to see what makes Ace and Hex work so well as companions.

The rest of the cast is superb with Peggy and Albert brilliantly played by Ian Hogg and Elizabeth Bennett. Their characterisation very strongly put you in mind of the Bloggses from Raymond Briggs' heartbreaking Where the Wind Blows, quite clearly another source of inspiration for this story. As the characters of Peggy and Albert dramatically change with the development of the plot, the impact is given great gravitas by both actors’ great performances.

These stories were mostly recorded whilst Sylvester McCoy was in New Zealand filming for The Hobbit but The Doctor’s slight absence does not lessen his impact on the story. The Doctor comes in at several key moments and McCoy is of course brilliant, but this is more of a story about Ace and Hex. For all The Doctor’s scheming and planning, this time they definitely do not have him around to explain what is going on. They are left in the frightening position of having to figure it all out for themselves.

There are plot threads here which have been developing throughout the last few Seventh Doctor releases. The most intriguing is appearances of the black and white TARDIS. In McCoy’s solo he has a black TARDIS adventures and a White one whilst travelling with Ace and Hex. With a very surprise ending to this story it looks like this trilogy certainly promises to answer these questions.

Protect and Survive does somewhat lose some of its momentum as the plot verges away from the Nuclear story into one that has hints of interplanetary consequences, but it cannot be denied that this is a very strong opening to what promises to be a new dramatic trilogy for The Seventh Doctor.

Manufacturer: BBC Worldwide Consumer Products

Written By: Louis Marks

RRP: £20.42

Release Date: 20th August 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 18th August 2012

When the TARDIS doors open as the Ship is landing, The Doctor (William Hartnell), with Susan (Carole Ann Ford), Barbara (Jacqueline Hill) and Ian (William Russell) find themselves reduced to an inch in size. Faced with a whole new world of dangers - from insects to cats, pesticides to homicides, there's a lot standing between the tiny travellers and a very, very small blue Police Box...

Planet Of Giants is a wonderfully imagined three part story featuring the original TARDIS crew. It's a very different idea for this early stage of Doctor Who (although Irwin Allen's Land Of The Giants made a much longer story of the same subject matter on US television a little later on) but works very well indeed, with some brilliant props on the show, some wonderful back projection shots set at Ealing Film Studios, and some stellar performances from both the main and supporting cast.

The audio and visual properties are top notch as usual in this single-disc release, with the restoration showing the vintage material in the best possible light. The release is also bolstered by some great extras... and a truly baffling one.

Special Features:

Episodes 3 & 4 Reconstruction - Back in the day, Sydney Newman ordered the editing and rejigging of episodes three and four into one instalment, as they dragged, lacked tension and took too long to resolve the story. It works very well as a result and the story moves along at a cracking pace. So why in the name of sanity would you now get the half-completed scenes and reusing existing footage and photographs undo that editing to provide two episodes where the story drags along, instead of the finished article? Frankly it's a mystery, however it's here if you want to put yourself through it. Not a bad extra per se, but certainly a puzzling one, as it's completely unnecessary.

Rediscovering The Urge To Live - Ian Levine, William Russell and Carole Ann Ford reminisce about Planet Of Giants almost 50 years on from the original story, whilst Ed Stradling talks about why they decided to remake the cut scenes for this release. Ford looks bored, although her coaching of the Hartnell "soundalike" is a moment of sheer wonder. A very short piece, but it amuses me no end that Ian Levine wants us to see if we can tell the difference between his scenes and the original filmed ones. Promoting an unnecessary extra with another unnecessary extra at the expense of a proper look back at the serial seems to verge on the ridiculous.

Suddenly Susan - Carole Ann Ford talks Susan Foreman and her role in Doctor Who; her clothes and hair, her co-stars, and shooting schedules. Ford seems to remember her time on the show very clearly, both the good and the bad of the series, and she's certainly honest about it all. There's a warmth and humour to Carole Ann Ford, and her views show this effortlessly. An often overlooked character in Doctor Who, Susan Foreman really did go through a great deal during her time in the TARDIS, and it's refreshing to hear Ford reminisce. The whole interview, as with so many on recent DVD releases, is culled from The Story Of Doctor Who.

The Lambert Tapes: The Doctor - The late, and exceptionally great Verity Lambert talks about the genesis of the characters from the very earliest days of Doctor Who and where the programme has gone since then. Lambert, who was never less than entertaining and informative in any interviews, covers many subjects in this archive footage and makes some perfectly valid points when it comes to things like whether children found the show too frightening. With some fantastic name checks and recognition for the BBC Radiophonic Workshop's finest (step forward Delia Derbyshire and Brian Hodgson). Culled footage from 2003 (again) it may be, but this above any other recent DVD interview is required viewing. Verity Lambert was a genius, and her views hold as true today as they were back in 1963, or 2003. Simply wonderful.

Coming Soon Trailer - When the TARDIS suffers the failure of its transpower systems, The Sixth Doctor (Colin Baker) and Peri (Nicola Bryant) make an emergency trip to Varos. With cannibals, public executions and the odious Sil (Nabil Shaban on amazing form), the Time Lord has to fight for his continued existence – all screened on public television to keep the populace entertained… Vengeance On Varos: Special Edition is next up for release!

As always with the Classic Series DVDs Audio Description is available, should it be wanted or needed, and there’s a Photo Gallery of stills from in front of, and behind the camera. There’s also the Radio Times segments from the story in PDF format, for which you’ll need to be viewing on a computer. There’s the obligatory Info Text to give you facts and figures on screen as you watch the unfolding story, and as already mentioned, the DVD has been remastered for optimal visual and audio quality.

Planet Of Giants is an odd tale in itself – the idea may not lend itself to Doctor Who mythos easily, but the execution and production of the story proves what a versatile format the show is. The tale itself entertains effortlessly, and most of the extras are great; with the exception of the main one. The reconstructed parts offer little value and the usual “making of” documentary could have been a lot better. Balancing this are the two interviews with Ford and Lambert, which are both wonderful, insightful and worth the price of the DVD on their own. A must have, certainly; but not for the reconstruction.

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Manufacturer: BBC Worldwide Consumer Products

Written By: Louis Marks

RRP: £20.42

Release Date: 20th August 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 18th August 2012

When the TARDIS doors open as the Ship is landing, The Doctor (William Hartnell), with Susan (Carole Ann Ford), Barbara (Jacqueline Hill) and Ian (William Russell) find themselves reduced to an inch in size. Faced with a whole new world of dangers - from insects to cats, pesticides to homicides, there's a lot standing between the tiny travellers and a very, very small blue Police Box...

Planet Of Giants is a wonderfully imagined three part story featuring the original TARDIS crew. It's a very different idea for this early stage of Doctor Who (although Irwin Allen's Land Of The Giants made a much longer story of the same subject matter on US television a little later on) but works very well indeed, with some brilliant props on the show, some wonderful back projection shots set at Ealing Film Studios, and some stellar performances from both the main and supporting cast.

The audio and visual properties are top notch as usual in this single-disc release, with the restoration showing the vintage material in the best possible light. The release is also bolstered by some great extras... and a truly baffling one.

Special Features:

Episodes 3 & 4 Reconstruction - Back in the day, Sydney Newman ordered the editing and rejigging of episodes three and four into one instalment, as they dragged, lacked tension and took too long to resolve the story. It works very well as a result and the story moves along at a cracking pace. So why in the name of sanity would you now get the half-completed scenes and reusing existing footage and photographs undo that editing to provide two episodes where the story drags along, instead of the finished article? Frankly it's a mystery, however it's here if you want to put yourself through it. Not a bad extra per se, but certainly a puzzling one, as it's completely unnecessary.

Rediscovering The Urge To Live - Ian Levine, William Russell and Carole Ann Ford reminisce about Planet Of Giants almost 50 years on from the original story, whilst Ed Stradling talks about why they decided to remake the cut scenes for this release. Ford looks bored, although her coaching of the Hartnell "soundalike" is a moment of sheer wonder. A very short piece, but it amuses me no end that Ian Levine wants us to see if we can tell the difference between his scenes and the original filmed ones. Promoting an unnecessary extra with another unnecessary extra at the expense of a proper look back at the serial seems to verge on the ridiculous.

Suddenly Susan - Carole Ann Ford talks Susan Foreman and her role in Doctor Who; her clothes and hair, her co-stars, and shooting schedules. Ford seems to remember her time on the show very clearly, both the good and the bad of the series, and she's certainly honest about it all. There's a warmth and humour to Carole Ann Ford, and her views show this effortlessly. An often overlooked character in Doctor Who, Susan Foreman really did go through a great deal during her time in the TARDIS, and it's refreshing to hear Ford reminisce. The whole interview, as with so many on recent DVD releases, is culled from The Story Of Doctor Who.

The Lambert Tapes: The Doctor - The late, and exceptionally great Verity Lambert talks about the genesis of the characters from the very earliest days of Doctor Who and where the programme has gone since then. Lambert, who was never less than entertaining and informative in any interviews, covers many subjects in this archive footage and makes some perfectly valid points when it comes to things like whether children found the show too frightening. With some fantastic name checks and recognition for the BBC Radiophonic Workshop's finest (step forward Delia Derbyshire and Brian Hodgson). Culled footage from 2003 (again) it may be, but this above any other recent DVD interview is required viewing. Verity Lambert was a genius, and her views hold as true today as they were back in 1963, or 2003. Simply wonderful.

Coming Soon Trailer - When the TARDIS suffers the failure of its transpower systems, The Sixth Doctor (Colin Baker) and Peri (Nicola Bryant) make an emergency trip to Varos. With cannibals, public executions and the odious Sil (Nabil Shaban on amazing form), the Time Lord has to fight for his continued existence – all screened on public television to keep the populace entertained… Vengeance On Varos: Special Edition is next up for release!

As always with the Classic Series DVDs Audio Description is available, should it be wanted or needed, and there’s a Photo Gallery of stills from in front of, and behind the camera. There’s also the Radio Times segments from the story in PDF format, for which you’ll need to be viewing on a computer. There’s the obligatory Info Text to give you facts and figures on screen as you watch the unfolding story, and as already mentioned, the DVD has been remastered for optimal visual and audio quality.

Planet Of Giants is an odd tale in itself – the idea may not lend itself to Doctor Who mythos easily, but the execution and production of the story proves what a versatile format the show is. The tale itself entertains effortlessly, and most of the extras are great; with the exception of the main one. The reconstructed parts offer little value and the usual “making of” documentary could have been a lot better. Balancing this are the two interviews with Ford and Lambert, which are both wonderful, insightful and worth the price of the DVD on their own. A must have, certainly; but not for the reconstruction.

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Manufacturer: BBC Worldwide Consumer Products

Written By: Stephen Wyatt

RRP: £20.42

Release Date: 30th July 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 3rd August 2012

When the TARDIS is invaded by the intergalactic equivalent of junk mail, The Doctor (Sylvester McCoy) and Ace (Sophie Aldred) are drawn to the world of Segonax, and the Psychic Circus. With sinister clowns in hearses, intergalactic explorers and a very strange family who don't ever seem to be entertained, something's not right; and it's down to the Time Lord to set things back on course.

Coming towards the end of the Classic series, there's still some rather famous faces doing their star turn (Dame Peggy Mount, for example, and T P McKenna), and popular TV personalities of the time Jessica Martin and Gian Sammarco as Mags and Whizzkid respectively.

The story is not great. Most of the series is looking very tired at this stage, and although the main cast do a stellar job with what they're given, it all looks very cheap and lacklustre. The cliffhanger to episode one is non-existant and the other episodes don't fare much better; the story is fairly dismal and seems to drag along - although Sophie Aldred in particular shines as the rebellious teenager who's got a dislike of clowns with a valid reason.

The supporting cast - with the exception of Dame Peggy Mount and Jessica Martin - are mostly unlikable and stilted; Flowerchild and Bellboy are pleasant enough characters, (and Bellboy is very pretty to look at) but the clowns, Deadbeat, Nordand especially mickey-take-of-Whovians Whizzkid are lame pastiches of cliches that have no place in what should be a decent drama. The incidental music is too electronic and late 1980s synth, and is tinny and doesn't work at evoking moods; it's all just rather bland and boring, sadly - much like the majority of the story. After the brilliance of Dragonfire, and the masterpiece that was Remembrance of the Daleks, this story seems a real let down; albeit one with an explosive finale...

The Greatest Show In The Galaxy is a single disc release from the BBC Consumer Products label and as always with the DVD releases, the sound and vision are optimal, and there are a raft of extras on the disc to support thie story.

Special Feautres:

Commentary - This time we've got main cast member Sophie Aldred (Ace) and guest cast Jessica Martin (Mags) and Christopher Guard (Bellboy the eyecandy) along with crew members Stephen Wyatt (writer), Andrew Cartmel (script editor) and musical maestro Mark Ayres. Moderated as always by Toby Hadoke, there's some interesting snippets about the show's limitations and the problems the production went through.

The Show Must Go On - The expected behind the scenes documentary on the making of Greatest Show, which sheds a lot of new light on the serial. From the appalling title for the story, via clowns and their sinister aura, the story and the making of the show are deconstructed and examined, and it does let the viewer understand where a great many of the show's problems came from.  It's very interesting and fascinating to watch, and the information imparted really does give a very different view of the circus and the drama. There's a lot of love that comes across for the story from the cast and crew alike, and happily their enthusiasm is infectious. Ian Reddington looks like he really needs a decent shower, unfortunately, but the rest of the contributors are top notch.  First rate featurette.

Deleted And Extended Scenes - From model shots of the TARDIS and the junkbot to Captain Cook driving his little jeep, there's a plethora of things that were edited out of the aired show for timing or editorial reasons. It's about the same as the story though; a little dowdy and down at the heel, and the interest isn't held for too long when the main cast aren't on screen.

Lost In The Darkness - A short look at the unused model shots for The Greatest Show in the Galaxy. There's some lovely model shots of the TARDIS spinning away in space, with her lamp gently flashing away.  An amazing little sequence that never made it  air because it was "too dark".

The Psychic Circus - A music video. No, really. A horrible piece of tat made of stuttering visuals from the show, with the vocals provided by the guest cast. Would have suited the mid 1990s era Top of the Pops, in the era of dreadful noise masquerading as music tracks.  With inane lyrics such as "There is no escaping us / We are the Psychic Circus!", the one redeeming factor is it's mercifully short and eminently forgettable.

Remembrance "Demo" - More of Mark's Melodies, this time Ayres' demo work for the soundtrack of Remembrance of the Daleks. Whilst it still sounds very clunky and electronic, it's a whole load better than the Greatest Show soundtrack, and this brief set of clips from earlier in the season shows just how good some of the stories really are - to the current release's detriment. Mildly interesting rather than engrossing, and diverting enough because Remebrance of the Daleks was such a good story.

Tomorrow's Times: The Seventh Doctor - Anneke Wills hosts this episode of the series looking at the press reaction to the seventh Doctor Who, Sylvester McCoy, and his stories.  It's a dark piece, sadly, showing just how badly the show was being received and reviewed by both the press and the fans alike. Anneke is a breath of fresh air and always lovely to watch, and the Points Of View style voiceovers are wonderfully pointed and cliche, to great effect.  However the whole piece is painful to watch for the mauling Who receives constantly from the British Press of the age.

Victoria Wood Sketch - Jim Broadbent IS The Doctor!   The Doctor and Fiona run into old enemy Crayola in this witty and suprisingly accurate Doctor Who sketch from Victoroia Wood As Seen On TV.  The effects and the technobabble are spot on for the era, and Broadbent's Doctor has a costume comprising parts of Tom Baker, Peter Davison and Colin Baker's wardrobes. Short but very funny!

Coming Soon Trailer - Oh dear, the TARDIS is playing up and the doors open as the Ship lands, reducing the Police Box and it's occupants to around an inch tall. Join the first Doctor, Susan, Barbara and Ian as they make small steps in a very big world, where domestic cats can be lethal and everything looks very, very large... Planet Of Giants is the next DVD release.

With the usual audio navigation available, a photo gallery of still from both in front of and behnd the camera, four episodes worth of Info Text to give you factoid and figures onscreen during the main story, and the PDF versions of the Radio Times Listings - and possibly the most boring Easter Egg in history (repeated elsewhere in a major extra, so what was the point?), The Greatest Show In The Galaxy is very much divided in two as a disc.  Whilst the story is somewhat uninspiring, the thought and love behind the show liven up the extras to the degree where your view of the story is almost improved as a result. Almost. It doesn't quite work, but it's certainly a valiant attempt.

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Manufacturer: BBC Worldwide Consumer Products

Written By: Robert Holmes

RRP: £20.42

Release Date: 2nd July 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 31st July 2012

The Doctor (Patrick Troughton, on top form) steps from the TARDIS into a planet inhabited by not very bright people. These people - The Gonds - are bred and taught to be two-legged cattle, no more and no less. They mill around and get on with their lives, quite happy with the fact that they've been feeding their best and brightest (a bit of an oxymoron considering) to a machine for the past couple of generations; in the mistaken belief that they will be "companions to the Krotons". What they've actually beeing doing is providing target practice for the inbuilt system that gets rid of thickies.

Together with Zoe (Wendy Padbury) and Jamie (Frazer Hines), The Doctor must pit his wits against the owners of the machine, The Krotons themselves; strangely accented giant vacuum cleaners with ideas above their station. The task they face is huge: defeat The Krotons, teach The Gonds how to fight back effectively, and reverse the conditioning and stupidity that the learning machines (another oxymoron) instil into the populace.

This four-part story, release as a single disc from BBC Worldwide, showcases Patrick Troughton's Doctor perfectly. From the moment he emerges from the Police Box exterior of the TARDIS he's obviously completely in his element. He takes charge of situations with ease, and you get the feeling that this is a very easy day for him; almost a distraction to stop him from getting bored. Zoe manages to cause a lot of trouble and needs rescuing, and Jamie... isn't given a great deal to do.

Notable for the only appearance to date of the TARDIS' H.A.D.S - a very clever idea; The Krotons is a fairly fast moving tale that entertains effortlessly, even if a few of the effects are somewhat less than special.

The usual magic has been woven on the story's audio and visual properties and is pin sharp as a result, and as happens with some of the older Who stories the black and white print works really well for the story, and lends a credence to the alien world and the Krotons themselves.

Special Features:

Commentary - Toby Hadoke talks over the credits again to introduce the people around the table for The Krotons. On this occasion, they are: cast wise, the late, great Philip Madoc (Eelek in this story, and so many other roles in Doctor Who), Richard Ireson (Axus), and Gilbert Wynne (Thara). From the technical and behind the scenes department are Richard Tilley (assistant floor manager), Sylvia James (make up designer), Bobi Bartlett (costume designer) and Brian Hodgson (special sound guru, and the man who invented the TARDIS demat noise!)

Informative as ever and gently entertaining, and always kept in good humour by Hadoke, the commentary doesn't stand out as one of the most memorable in the DVD series, but it's certainly not bad. It might have possibly been helped by having one of the main cast - either Padbury or Hines, present to lend it some more humour and a different perspective for some parts.

Second Time Around - A look at the reinvention of Doctor Who into the Troughton era; both in direction and and portrayal. This behind the scenes look at the show's renewal has contributions from Anneke Wills (Polly to the First and Second Doctors), Frazer Hines (Jamie), Deborah Watling (Victoria), Wendy Padbury (Zoe), Christopher Barry and modern era Doctor Who writers Rob Shearman and Gary Russell.  

An honest look that finally lays to rest the myth that William Hartnell chose to leave, and the ins and outs of the companions' entrances and exits and the transition from the historical adventure to the monster era of Doctor Who. It also covers the episode junkings of the 1960s, when the archive started being wiped for the sake of space. Informative, if a little talky, but entertaining and the narrative flows very easily.

Doctor Who Stories - Frazer Hines: Part One - With the usual animated beginnIng (albeit tailored to his run on the programme) Frazer Hines talks us through his time on Who. The footage used is not new, it's culled from 2003 and The Story of Doctor Who. It's fast and not terribly in-depth, but Frazer is always engaging and entertaining, so there's no chance of boredom creeping in.

For a short piece, the gentleness and informality of the extra turn it into something wonderful, and you can tell from first glance that Frazer still holds a great deal of affection for Jamie McCrimmon.

The Doctor's Strange Love: The Krotons - Oh. They're back. "Simon Gond" and "Joe Gond" (this time without "Josie Gond") are back in Sarah Jane's attic to discuss The Krotons. Unlike the other instalments of this extra series, this one's not actually bad at all; the duo seem to be a lot more positive about the story, and a decent discussion about the best elements of The Krotons ensues. A huge, quantum leap of an improvement on the previous editions as the sillyness and the constant barbing has been removed.

There's a lot to like in this little extra, and with the removal of the sneering tone, and a look at what's good, great, and works well in the televised story, this Doctor's Strange Love manages to go a long way towards redeeming itself.

Coming Soon Trailer - Do you like the circus? The Psychic Circus is certainly different to most others you might have visited: The Doctor, Ace, a robot from Rentaghost, a werewolf and the gods of Ragnarock. Robot ticket inspectors and sinister clowns. All coming soon to a DVD near you, as The Greatest Show In The Galaxy is the next release off the starting blocks.

There's Audio Navigation for those who many want or need it, and the usual helping of Info Text to give you facts and figures on-screen during the story included too. Add in the Radio Times Listings available in PDF format if you're viewing the content on a computer; and a Photo Gallery of publicity and behind the scenes stills of the story, and you have The Krotons on DVD.

Whilst the story itself may not be an all-conquering fan favourite, this DVD has plenty going for it. It's one of the few complete Troughton stories, and shows perfectly just what an amazing Doctor Patrick was. The Krotons, although hardly terrifying, are a decently realised adversary, and the story keeps a cracking pace through it's four episodes. The extras put on the disc, whilst hardly numerous, are some of the best produced (especially "Second Time Around") and with Mssrs. Guerrier and Lidster upping their game considerably this is a well rounded, great value release.

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Manufacturer: Big Finish Productions

Written By: Marc Platt

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: 30th June 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 21st July 2012

The TARDIS is hit by an errant stream of zygma energy, putting the time ship into peril and sending Nyssa and Turlough into the time stream. They arrive on a desolate snow-bound wasteland where the bodies of aged and withered people are falling out of the air, littering the landscape in a sea of corpses. Amongst this graveyard there is one survivor who is barely alive. This man claims to know who Nyssa and Turlough are and that they will both play an important part in future events.

The Doctor and Tegan, meanwhile, in a desperate search to find their missing friends trace the zygma energy to the ruined countryside of Brisbane in the 51st Century. The Doctor is anxious to find his friends and get away as soon as possible, as this war torn century holds far too many horrors. Through sinister events The Doctor is captured by the cold and ruthless alien scientist Findeker and Tegan comes under the protection of the Earth Free Media, made up of journalists investigating and reporting on the wrong-doings of Earth’s Supreme Alliance.

One of the most important events in the Alliance’s history is about to take place. The Icelandic Alliance has sent a delegation to establish a new trade accord and the Supreme Alliance representative chosen to oversee this affair is the Minister of Justice, Magnus Greel. 

As Tegan and The Doctor will discover to their horror, this historic chain of events could not have come into fruition without the help of Greel’s bride to be; Nyssa of Traken.

The Butcher of Brisbane is quite simply brilliant, which makes it incredibly difficult to review...To spoil one moment of this play is to rob the listener of one of the best Fifth Doctor Big Finish stories ever made. 

Marc Platt has pulled together the tantalising nuggets of information that were littered by Robert Holmes in The Talons of Weng-Chiang and created a more than worthy prequel to that story. How Platt makes each reference work within the confines of this play is extraordinary and Big Finish must be applauded for handing this story to him. 

Bold in its execution and unafraid to address the complex, dark and even sympathetic elements of Magnus Greel - the man, this play works not only as a brilliant time travel thriller but an excellent character study.

The main cast are the best they have ever been with everyone getting an equal amount of time to take centre stage. No one in this story feels like they have no strong contribution to make including the most minor of supporting characters. Sarah Sutton must be singled out from the main cast as she delivers an incredible performance, as Nyssa shows how even a monster can induce some sympathy in others.

Angus Wright as Greel is sensational. To take over from the late and great Michael Spice is no easy feat and Wright makes the character his own by delivering a complex yet quite clearly damaged individual. He plays Greel, like all psychopaths, as a man able to exude charm whilst hiding and sometimes unleashing a dangerous and deluded edge. The Greel in the Butcher of Brisbane is a much more human monster than the ruined creature he is destined to become. Here is a bureaucrat, abusing his position with dirty tricks and slowly giving in to his own paranoia. 

Rupert Frazer is quite brilliant as the cold Sa Yy Findecker, a scientist damaged so much by his own discovery that he becomes a grim foreshadowing of the events of Weng-Chiang . 

With so much reference to the past it was inevitable that the Peking Homunculus Mr Sin would make an appearance. Lacking the visual element of the murderous doll, Big Finish has rendered Mr Sin on audio in a simple yet effective way. By focusing on the porcine component of Sin’s cyborg brain, they bring him to life through the use of a series of grunts and pig like snorts which make the character incredibly creepy and grotesque.

The story is bold in using a cyclical storyline to satisfying yet tragic effect. There is a real sense of doom and foreboding running throughout the play, made more effective given the benefit of hindsight with the familiarity of having see Talons.

For anyone worried how a future version of The Doctor would work when up against a past version of a villain who hasn’t met him yet, I’m happy to say that Marc Platt solves this in a very simple way which does not damage the story's credibility.

Technically the play is superb, as Fool Circle Productions contribute a brilliant sound design and musical score with the play's direction being expertly handled by the great Ken Bentley.

It is difficult to find anything wrong with this release except a personal disappointment towards an only fleeting mention of the infamous Filipino army at Reykjavik, but such a criticism is only a minor thing when there is so much to enjoy here.

The Butcher of Brisbane is a superb closing to this Fifth Doctor season and one of the best Big Finish audios of the year. An essential listen.

Manufacturer: BBC Worldwide Consumer Products

Written By: Terry Nation

RRP: £20.42

Release Date: 18th June 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 25th June 2012

The TARDIS suffers a mains power loss, and materialises in a foggy gravel pit on the planet Exxilon. The Doctor (Jon Pertwee) and Sarah Jane (Elisabeth Sladen) must leave the stricken craft and investigate their surroundings if they hope to repair the TARDIS, but the planet is teeming with hostile life forms and the odd duplicitous Human. However when The Doctor's worst enmies arrive on the scene, affected by the same power problem, it's up to the Time Lord to defeat The Daleks, an intelligent city and an assortment of locals intent on sacrificing everyone possible to their indigenous deity... or a metal snaky root. This single disc BBC release boasts the usual cleaned up and sparkling audiovisual experience, backed up by a decent set of extras and even an Easter Egg hidden away on one of the screens.

Special Features:

Commentary - Toby Hadoke hosts the all-male guest list for this commentary, with Julian Fox (Hamilton), Richard Leyland (Assistant Floor Manager), Michael Briant (Director), L Rowland Warne (Costume Designer), and Dick Millks (Special Sound Maestro) all gathered to discuss the story and its plusses and minuses. Although it can seem to lack the humour of some of the more recent commentary tracks, it is packed full of information and little-known facts, and the featurette runs effortlessly along through the story.

Isolated Score - Are you a fan of saxophones?  Repetitive saxophones playing the same theme for The Daleks over and over and over, with the occasional use of someone with a metal thimble over a metal board to provide more annoying noises, somehow meant to represent Exxilons attacking. It's all a bit bizarre and surreal, but it's all available in the Audio Options section, next to the Commentary.

Beneath The City Of The Exxilons - A rather upset Dalek introduces and narrates this behind-the-scenes look at the serial. Noting creator Terry Nation's parallels with current events of the time, the story's cast crew and current Dalek supremo Nicholas Briggs discuss the origins, locations and power issues with the production. On a majorly positive note, the extra has started using backdrops again as opposed to the dismal stark white background of other recent releases, and the Dalek that trundles across the bottom of the screen introducing guests is just marvellously diverting and amusing. A great use of graphics and "Dalek technology" to illustrate points and segueway scenes add to the brilliance of this extra. A real gem of an feature.

Studio Recording - One of the studio blocks of recording, with The Doctor, the Earth party, and some truly brilliant CSO trickery (yes, that's sarcasm) join the Daleks in this extra - from a time when stories were mostly recorder in order, not as later years when it was done with all relevant scenes on each set in turn. Some rather fun subtitles to illustrate the more visual points - such as appalling mattresses - enhance the amusement, and although not a great deal happens, it's a fascinating look at how old school Who was produced.

On The Set Of Dr. Who And The Daleks - Here's something rather special. Jason Flemyng (he of Primeval, and offspring of director Gordon Flemyng) talks us through - with the aid of Marcus Hearn - the mute film trims from the first big screen version of Doctor Who in 1965. Lots of fascinating clips of Peter Cushing's first outing with The Daleks, and some very nice snippets from Dalek operators and crew fill out the story nicely. Jason Flemyng is eminently likable from the off, and it's nice to feel that he's got a new look at his Father's career as well. A real rarity, a truly wonderful look into the past and an entertaining and thoroughly wonderful extra. A must see, and would make the DVD worth buying alone.

Doctor Who Stories: Dalek Men - The operators of the ever cranky alien dustbins get their moment to shine. John Scott Martin and Nicholas Evans, (footage for both being culled from an interview back in 2003) talk about how to operate a Dalek, how they got the jobs, and Dalek salaries!  Another fun and interesting diversion that even manages to cover how Daleks go to the toilet. Not exactly anything new, as we all know from old VHS releases like "Daleks: The Early Years" how the perambulating pepperpots work, but extra stories about the Slyther, and William Hartnell hold the interest.

Coming Soon Trailer - The Doctor-Gond (Patrick Troughton), Zo-Gond (Wendy Padbury) and Jamie-Gond (Frazer Hines) take on some oversized vacuum cleaners with delusions of grandeur, whilst Philip Madoc attempts to wreck some early internet terminals and start a very badly thought out revolution, and the TARDIS shows off a flashy new trick. The next scheduled release is The Krotons, coming soon!

There's also a Photo Gallery of behind-the-scenes and publicity shots from the serial, the Radio Times listings for Death To The Daleks (available in PDF format), Info Text giving extra information as the adventure unfolds on-screen, as well as Audio Navigation and Subtitles for those who many need or want them.

Death To The Daleks hasn't dated terribly well in the effects department, and the bright silver Daleks aren't really looking their best, but they still manage to convey a chilling dose of xenophobia with their trigger happy machine guns firing in all directions. The story stands up very well however, and cast and crew hold the attention effortlessly. The host of extras on this single disc release are equally impressive, with some absolute treasures, and everything is bang on target at holding the attention and providing quality entertainment. Can't fault the DVD, and with its superb clean-up of the archive footage, it's a must-have.

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Manufacturer: Big Finish Productions

Written By: Eddie Robson

RRP: £8.99

Release Date: 31st May 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 24th May 2012

Jamie McCrimmon is trapped. Trapped not only within a four wall cell but within several time streams and not all of them are in the right order. 

His interrogator, and at some points prisoner Moran is interested in The Doctor and his agenda towards the local alien race the Unhelt. Jamie maintains that the Unhelt are harmless and that The Doctor trusts them. But why does Jamie keep switching from prisoner to captor and why do the Unhelt seem to be the enemy he believed they weren’t?

It soon becomes clear that someone is playing a game with Jamie. But it seems that there are two more players than just the highlander and Moran. The mysterious Si is behind it all, informing The Doctor that Jamie is indeed part of a game and it is one that will guarantee his freedom, if he can put the pieces of the puzzle in the right order.

Jamie McCrimmon must now face a test not just of his own resources but of his trust in the Doctor as he may not be right this time around.

Big Finish has recently been experimenting with the format of The Companion Chronicles by releasing them as audio dramas rather than talking books. This can be seen in the recent release Binary and the same format is used here to great effect. The nature of the story allows the pace to be kept at a great momentum in the audio drama format and as a result the story never feels boring.

The Jigsaw War is an intriguing play and certainly not one for a causal listen. This story, with its jumping about in time at an almost disorientating pace, demands your attention. Part of the fun is hearing Jamie trying to figure out his escape route as we hear him in both increasingly desperate and relatively calm situations within the same room. 

Frazer Hines is superb as Jamie especially when he is on the defensive about The Doctor towards Moran. This story is again another opportunity to hear Hines’ uncanny impersonation of Patrick Troughton, this time given full credit as The Doctor and not Jamie impersonating him. When these moments come they are delightful as Hines really acts like the Second Doctor which lends it more authenticity than simply doing a heightened impression of Troughton. It is a joy to listen to.

Hine’s fellow cast member Dominic Mafham is terrific as Moran, particularly as the actor has to play the character at several points in a very disjointed timeline. These moments require many different emotional states which Dafham excels at. He makes for a wonderful straight sparring partner against the rough and ready Scot and the contrast is admirably brought to life by both Hines and Mafham.

Deep within the puzzle of the play are some very interesting questions about The Doctor that Moran raises to Jamie during their interrogations. These mostly concern the off audio Unhelt and The Doctor’s opinion of them. The Unhelt to Jamie and The Doctor are simply subjugated and oppressed by Moran’s people whereas Moran present s a plausible case that they are dangerous and his people’s methods in containing them while admittedly cruel do serve a greater purpose in keeping the peace between the races. It is suggested by Moran that The Doctor simply takes things on face value and sees only a small part of the picture without full possession of the facts. This does cause an interesting moral dilemma for Jamie but it is brushed away somewhat by the far bigger puzzle that is the main story.

When the conclusion comes it is rather abrupt and does not really leave the listener fully satisfied. However, writer Eddie Robson has been rather clever to design the story in such a way that when the story is over, a way is offered to the listener to hear the adventure in the correct chronological order of events. It is a clever twist and adds a great deal of replay value to the listener.

The Jigsaw War is an enjoyable Companion Chronicle despite some of the more intriguing ideas being swamped by the main narrative in whatever order you choose to listen to it. A recommended listen.

Manufacturer: Big Finish Productions

Written By: Alan Barnes

RRP: £10.99

Release Date: 31st May 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 24th May 2012

Derbyshire in the year 1979. The Doctor and Leela arrive in the middle of a hunt for a missing girl.

Confronted by suspicious locals and the retired though rather unhinged Colonel Spindelton, the travellers begin to discover that everyone is living in fear of an ancient legend from the time of the Romans. It tells of a great White Worm, living in the Dark Peak Gap surfacing only for the flesh of animals or children.

Since the Derbyshire countryside is rife with trails of mysterious slime and missing people, all evidence suggests that the Worm is much more than a mere legend.

The Doctor begins his investigation of the strange events but he is not the only Time Lord interested in the White Worm. This Time Lord has been waiting and planning for a long time and the Worm is essential to his schemes. The Doctor is about to confront an ancient evil and a very old nemesis. 

Trail of the White Worm is not only a love letter to Bram Stoker and the Hammer Horror influences of the Philip Hinchcliffe era, but the return of The Master to Big Finish.

It is no secret that the character was coming back and the weight of expectation to see Geoffrey Beevers return to the role opposite Tom Baker was huge. The last time these two actors met as their characters was Baker’s penultimate story The Keeper of Traken, so it is a little disappointing that this adventure is not as strong as one would hope.

Having said that when The Master is present Beevers’ performance is sublime; dripping with menace, charm and a gleefully sadistic nature. When The Doctor and The Master finally confront one another it is tantalisingly brief but promises great moments to come in the next story.

Trail of the White Worm is a standalone adventure which concludes as a direct set up for the finale of the first Fourth Doctor season. It is only towards the end of part two that we see the story setting up the next act and this rather hurts it, as, upon reflection, the story begins to feel a little rushed. This is a shame as the concept and ideas on display here are so good.

As soon as The Doctor and Leela arrive we head straight into the adventure, and the marvellously mysterious characters that are set up either have their motivations exposed quickly or are dispatched just as fast. This is more evident in the supporting characters such as the wonderfully mad Colonel Spindelton and the rather enigmatic Demesne Furze. Spindelton’s motivations are explained but his reasoning for siding with The Master seems rather fickle but then again people have done far worse things for the most selfish of excuses. Furze, a character we eventually learn is crucial not only to this story but in helping to spark the beginning of the next one comes perilously close to being merely a plot device by the end. This is in no way a reflection on the cast as everyone is on top form.

Tom Baker and Louise Jameson continue the wonderful rapport they have built throughout this season and once again prove that age and time are no barriers to them returning to these classic parts. Michael Cochrane is fantastic as the barking mad Spindelton and Rachel Stirling creates a real sense of mystery in her portrayal as Furze which elevates her character from becoming too much of a device to simply get the story going. 

Trail of the White Worm feels like it should have been a much longer and darker tale than what we have here, but despite its flaws it is still very entertaining, but you cannot escape the feeling that this story is merely a stepping stone to a much larger one.

AAAAAAAAAAA

Manufacturer: BBC Worldwide Consumer Products

Written By: Ian Briggs & Graeme Curry

RRP: £30.63

Release Date: 7th May 2012

Reviewed By: Dale Who for Doctor Who Online

Disc One: Dragonfire

We're off to the dark side of the planet Svartos with The Doctor (Sylvester McCoy) and Mel (Bonnie Langford) on this single story release as part of the Ace Adventures set. Sophie Aldred's inaugural story pits the seventh incarnation of the Time Lord reuniting with Glitz (Tony Selby) to fight against the cold hearted Kane (Edward Peel) and his deep frozen band of mercenaries, and the somewhat violent staff of an intergalactic branch of Iceland...

This story from 1987, is spectacular and memorable for many reasons, and the wonderful Belazs (Patricia Quinn, of The Rocky Horror Picture Show fame) steals every scene she's in with effortless ease. Ace is the wonderfully explosive-obsessed teenage tearaway who joins the TARDIS crew, Mel gets a really amazing leaving scene, and Kane gets possibly the most gloriously gruesome and gory death scene in the history of Classic Doctor Who... and an extra ten points if you can spot the cameo by Batman!

Special Features:

Commentary - Toby Hadoke presides over a full house of commentators: Sophie Aldred (Ace), Edward Peel (Kane), Ian Briggs (writer), Andrew Cartmel (script editor), and Mark Ayres (musical genius!). The pace is calm and quite informative, and it's very evident that Aldred and Peel enjoyed this story and the making of it. Good humoured and entertaining, it doesn't drag or have to try too hard, as the people assembled all know their trade and craft very well indeed. There's also an isolated score feature in the audio options section, if you like the music.

Fire And Ice - The obligatory retrospective of Dragonfire. Like the recent Nightmare Of Eden release, it's all filmed against a stark white background - and again it's too harsh to have as a background. Unlike the previous release, this is a great, positive look back at the show, with contributions from most of the cast and crew, including Sylvester McCoy (archive footage culled from The Story of Doctor Who), director Chris Clough, and Sophie Aldred who seems to have a thing for red and snoods.

There's a great look at Mel's departure and how that scene came together, which has some great footage of McCoy's audition for the role of The Doctor. Like the commentary, the pace and feel of the look back at the story is very calm and sedate, but no less enjoyable for that; in fact it lends a very confident and positive air to the extra. Great stuff!

Deleted & Extended Scenes - A "does what it says on the tin" reasonably short extra; including a great alternative to Belazs' first run in with Glitz, and various trims and edits from the story. Including some fun one liners, and some truly dreadful polystyrene ice shards threatening Tony Selby... a rather entertaining collection of clips that sometimes puts an entirely different spin on the scenes they were culled from.

The Doctor's Strange Love - Oh Lord, it's them again! Simon Guerrier, Josie Long and Joe Lidster on camping chairs, sitting in the current TARDIS control room to discuss Dragonfire. Complete with dreadful "comedy" moment of Sylvester McCoy falling off the titles, this trio witter on aimlessly, much like they did in their previous outing on the Nightmare of Eden release, although thankfully this time they're a lot less sneering about the show. Josie comes to the somewhat astounding conclusion that she's based her life on Ace, and again the scenery is much more entertaining than this 'talking heads' trio's aimless witterings.

The Big Bang Theory - Our whole Universe was in a hot dense state, then nearly fourteen billion years ago expansion started... wait... hold on half a millisecond (as Glitz would say), that's the other Big Bang Theory! In one of those extras that will have you wondering why someone thought this was a good idea for a DVD extra, Doctor Who special (physical) effects pyrotechnics expert Danny Hargreaves sits in the TARDIS looking at some Classic Series explosions and big bangs on a laptop and talks about them.

Odd thing is, Hargreaves is so wonderfully unassuming and genial he manages to hold the attention very well, and it's very easy to get engrossed in this short extra. From The Daleks in 1964 to The Parting of the Ways in 2005, Danny shows he's a master of his profession, and there's a wonderful nod of respect to Jack Kine, BBC FX supremo in the the early days of Doctor Who. Utilising a lot of clips from old and new Who, this piece holds the attention effortlessly and turns out to be highly entertaining.

Coming Soon Trailer - "Doctor, should that red light be flashing?" - no, it's just the TARDIS playing up again. Sarah and the Third Doctor (Jon Pertwee) come up against some overly silver cranky dustbins on the planet Exxilon; that is, if he can get past hostile natives and weird snaky robotic roots that kill. Death To The Daleks is out soon!

The sound and picture quality, as usual with the Classic series releases, is optimal, and the disc has the usual standard included special features: a Photo Gallery of publicity and behind the scenes shots, the Radio Times PDF segments for the serial, and the on-screen Info Text, which in this story seems to be all about cut lines and rearranged scenes. There's also Audio Navigation and Subtitles as standard for those who may want or need them.  

Dragonfire is a great punchy three part story, and is happily backed up by a series of decent, positive extras that enhance the good memories the story leaves you with. Even the chronic witterering threesome are more positive. From iconic icemen to the argumentative Ace, this release has masses of appeal and is a great addition to the range.

Disc Two: The Happiness Patrol

What happens when you cross a time travelling television series about a killjoy Time Lord who battles evil, and a parody of the happy, lovely Margaret Thatcher led Conservative government? You get The Happiness Patrol, in which the Seventh Doctor (Sylvester McCoy) and Ace (Sophie Aldred) arrive on Terra Alpha on the trail of something sinister. Soon they're up to their necks in sweets, lies, fake Tories and Bertie Bassett's evil doppelganger. Helen A (Sheila Hancock) rules the roost in this single disc story from BBC Worldwide as part of the Ace Adventures Box-set; and we hope you're very happy about it.

An overlooked gem of a story, The Happiness Patrol is obviously political and satirical, and it's OTT performances and tacky sweetie sets simply add to the artificial feel of the story, an unsettling and creepy place where enforced happiness is the norm. The Kandy Man - often maligned - is perfectly wonderful as the needed maniacal villain, and then there's the infamous pink TARDIS that's caused many a fan debate! It's rare that a lack of budget actually works for a story, but the whole fake feel of the place seems to fit perfectly, I'm happy to say.

Special Features:

Commentary - Toby's talking over the credits again. Gathered round the table this time are Sophie Aldred (Ace), Graeme Curry (writer), Andrew Cartmel (script editor) and Dominic Glynn (composer). It's another sedate and pedestrian one, but again it's a welcome piece that builds up and promotes the story. There's also, in a terribly modern and technical move, the results of a Twitter competition! As with the other story in the Ace Adventures Box-set, there's also an isolated music option so you can listen to Dominic Glynn's glorious blues based score.

Happiness Will Prevail - That white background's back again for this retrospective of the story. Andrew Cartmel and Graeme Curry discuss the origins of this serial and how there's a lot of truth in the ideas in the tale. The whole "Thatcher" influence comes up again, and the design of The Kandy Man is explored. Sophie's back in the red snood and praise is heaped upon the wonderful portrayal of Helen A from Sheila Hancock.  

A somewhat neutral piece that seems to be happy (I'm glad you're happy) to stick to the details, but the surprise of the piece is actually seeing what David John Pope (The Kandy Man) actually looks like, and happily it's nothing like a giant liqorice allsort. Nicely understated, and although this featurette is remarkably neutral, there's a gentle positive vibe that lingers from it. 

Deleted & Extended Scenes - A plethora of extended and deleted snippets from the production, including some great scenes between the Doctor and Ace, and the wonderful Gilbert M upsets the Kandy Man yet again. Great stuff. Helen A's televised broadcast is uncut, and Evil Bertie Bassett cuts his thumb off. As with all the extras of this nature, it's got some real hidden gems that never made it to air, and holds the attention effortlessly. This collection, therefore, should be enough to keep you very happy.

When Worlds Collide - The politics of Doctor Who is explored, using archive footage from both Classic and New Who. Shaun Ley presents this featurette looking at The Doctor's battles with the status quo (that's the environment of the time, not the rock band you understand).

An interesting look at how politics seeps into all our lives, whether it happens through Doctor Who or not, with contributions from such Doctor Who luminaries as Terrance Dicks, Gareth Roberts, and of course Andrew Cartmel himself, whose mis-quote made the BBC news in 2010 and ended up with said writer on the BBC's flagship news programme "Newsnight".

A well thought out and very entertaining extra; interesting and enlightening, and the presentation and approach of the piece gives it a great deal of weight and a lot of credence.

Coming Soon Trailer - "Doctor, should that red light be flashing?" - no, it's just the TARDIS playing up again. Sarah and the Third Doctor (Jon Pertwee) come up against some overly silver cranky dustbins on the planet Exxilon; that is, if he can get past hostile natives and weird snaky robotic roots that kill. Death To The Daleks is out soon!

As always with the Classic Series releases, the disc comes with the usual additions of a Photo Gallery of happy shots behind the scenes and jolly publicity stills. There's the info text, which of course is all positive, and the Radio Times joyous announcements of the story's airing, in PDF format. There's also Audio Navigation and Subtitles as standard for those who may want or need them.  

Overall the sound and vision are at their tweaked and superbly enhanced best, matched by the anarchic imagination that came up with the Kandy Man (possibly the most wonderfully eloquent and funny villain of eighties Doctor Who, and certainly better than dustbins with attitude problems), and for a team of "ratbags with guns", The Happiness Patrol really does have an enjoyable flavour - it's strawberry. Remember when you watch the DVD that above all else, happiness WILL prevail!

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Manufacturer: Big Finish Productions

Written By: Barnaby Edwards 

RRP: £14.99

Release Date: 30th April 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 2nd May 2012

It is 1926 and in Calcutta, The Doctor and his companions arrive, not to soak up the atmosphere of Imperial India, but to watch a cricket match. Things are never that simple in The Doctor’s life as they are immediately attacked by a rabid man who infects Nyssa with a virus. After the TARDIS and the urgently needed medical supplies end up on a private train, The Doctor and his companions are separated. Helped by a local archaeologist he discovers that there is more to Nyssa’s condition than meets the eye.

All roads seem to be leading deep within the jungle, to a lost land where nature, myth and evil lurk. This is the realm of the fabled Emerald Tiger.

This is the first in the third trilogy of stories featuring The Fifth Doctor, Tegan, Nyssa and Turlough. It is pleasing to know that Big Finish has a lot of faith in these releases as The Emerald Tiger is certainly one of the best plays for this TARDIS team since Heroes of Sontar.

For a start the performances from the entire cast are excellent. The main TARDIS crew, especially Peter Davison are on top form and it reminds you just why this is one of the strongest groupings in the main Big Finish range. 

Barnaby Edwards has put together a stellar supporting cast with the wonderful Cherie Lunghi leading the charge as Lady Forster. Lunghi instils in the Lady Forster, a quiet but very strong sense of dignity and resolve in the face of extreme personal danger and in dealing with the tragedy that the character has suffered. It is the strongest performance in the play and I hope that Lunghi’s services are called on again by Big Finish as she has a natural voice for audio.

Central to the story are both the roles of Professor Narayan and the highly intriguing character of Dawon played by the lovely Vineeta Rishi. It would be a horrible thing to spoil the true motivation and nature of their characters (especially Dawon) so I shall refrain from giving too much away. Both actors are very well cast and both characters are our guides into the realm of the Emerald Tiger and the dark secrets that lie within.

Neil Stacy is great as the villainous bounder Major Haggard, who, as The Doctor rightly observes is “a walking embodiment of everything that’s going to bring down the British Raj.” He is dastardly, cold and sometimes rather charming despite the awful deeds he commits. But Haggard is just small fry compared to the real villain of the piece.

Shardul Khan is a wonderful creation; a character hidden in the shadows until the conclusion, his menace is excellently conveyed by the vocal talent of Vincent Ebrahim and his performance is one of the plays many highlights.

From a technical point of view, The Emerald Tiger is brilliant as it offers an incredibly rich sound design by Howard Carter who also provides a suitably beautiful and authentic score. Barnaby Edwards and Carter have worked closely together on the Textbook Stuff audio book series and Carter brings the same quality and skill to Big Finish. Carter’s work gives the play an incredibly epic feel and does much to story the imagination during the many action sequences Edwards has put into the story. 

Edwards had littered The Emerald Tiger with many references to the colonial literature of India under British rule and anything pulp related. There are strong echoes of The Jungle Book, King Solomon’s Mines and even a charming nod to Tarzan. Characters have names such as Forster and Burroughs which are of course all linked strongly to the jungle tale theme. Listeners who are familiar with their literature will enjoy spotting the references whilst being swept along by the story.

The Emerald Tiger is an adventure story steeped in the mythology and magic one associates with India particularly of that period. For the first three parts of the play the pace is kept very high; even expositional conversations feel exciting and there are many classic action set pieces used throughout. From a car crash to a fight for survival on a train, there really is never a fully dull moment in this play.

The only sad thing is that a little of the momentum of the first three parts is lost near the conclusion of the fourth. The play seems to wrap itself up a little too quickly and there is a slight lack of an emotional pay off. This IS merely a minor niggle from me as there is so much to enjoy here.

The Emerald Tiger is a highly enjoyable play and an incredibly strong start in a new trilogy from one of Big Finish’s finest Writer / Directors.

Manufacturer: Big Finish Productions

Written By: Richard Dinnick

RRP: £8.99

Release Date: 30th April 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 26th April 2012

The TARDIS arrives in Siberia near the end of the 19th century as shooting star has falls from the sky. Its arrival heralds a strange illness that effects not only the local population but the Doctor and his granddaughter Susan. The object from the stars brings not only sickness but knowledge so powerful it would be catastrophic in the wrong hands.

With time running out Ian Chesterton must rely on the help of a mysterious wanderer Grigory, a man who believes God has granted him the gift to heal those in need. The stakes are high for Ian as the alien object offers not only answers to save The Doctor but the chance he and Barbara have been waiting for: a way home.

The Wanderer is an interesting Companion Chronicle as it not only a rather good story but a lovely exploration of what it is to be a wanderer who wishes to go home.

The strongest part of this release is the great William Russell, a man with a real gift for narration and character. Whenever I hear a new Ian Chesteron Companion Chronicle I always imagine sitting by the fire with a drink, listening to Ian recount his adventures, such is the quiet brilliance of Russell’s performances. They are special as he is one of the old guard; the original TARDIS team and just listening to him you‘re instantly transported back to that golden era in 1963.

It is not so much a spoiler to reveal Grigory’s true identity as writer, Richard Dinnick piles the clues up to such a degree it would be foolish not to guess this wanderer is the infamous “Mad Monk” Rasputin. In an odd way The Wanderer acts as a sort of origin story for Rasputin, playing with the legend of the man’s supposedly mystical healing powers and gifts of prophecy. Tim Chipping is excellent in the role of Grigory, adding a more troubled and human element to this most vilified of historical figures.

The rest of the story which deals with the alien race responsible for the alien object and the resolution of Rasputin's story are interesting but what really captures your attention is the insight into Ian Chesterton. He is a man who, despite being fascinated by his adventures with The Doctor, is absolutely determined to get home. It is a striking reminder that in recent years, The Doctor’s companions have been so up for adventure it is easy to forget that Ian and Barbara ended up in the TARDIS by accident. They didn’t ask to be wanderers in the fourth dimension; they do not want to be facing death every other day. He wants to be at home, with the familiar and the comforting, such as a pint of beer at the pub or listening to the Test Match Special. Much is made that Ian has Barbara with him, a friendship and someone he loves and values very deeply. Barbara is someone Ian can relate to as they are in this situation together and the outcome at this time is unknown.

Of course we all know that Ian and Barbara will get home but it is fascinating to explore the hope, disappointment and sheer determination that Ian has to get back to his old life.

The Wanderer is an absorbing tale in which, despite its good story and guest star, is more interesting when it focuses on Ian himself.

That said any Companion Chronicle in which William Russell is involved is more than worth your time.

Manufacturer: Big Finish Productions

Written By: Nicholas Briggs

RRP: £10.99

Release Date: 30th April 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 26th April 2012

The Doctor and Leela return to Earth in the year 2025. The planet is suffering a severe energy crisis and the GlobeSphere Corporation is about to test a solution. With a giant satellite dish at the top of the National Gallery in London, head of GlobeSphere and radical thinker Damien Stephens' plans save humanity. But talk of backroom deals and corruption has brought thousands of protestors to Trafalgar Square lead by Stephen’s former colleague Jack Coulson. But something is very wrong. 

Before landing, The Doctor detected a mysterious energy signal and the crowds are being dispersed and arrested by armed GlopeSphere employees. It isn’t long before the Doctor and Leela are separated and with Coulson’s help the Time Lord begins to put the pieces of the puzzle together. 

Has Damien Stephens not just sold out on his beliefs but humanity as well? The source of the energy signal will bring The Doctor face to face once again with his deadliest enemy.

We all know that this is the one we have been waiting for. The Fourth Doctor is back against the Daleks in this fun adventure from Dalek supreme Nicholas Briggs.

The Fourth Doctor’s encounters with The Daleks on television were rather odd affairs, as Genesis of the Daleks and Destiny of the Daleks were very much centred on Davros. Briggs has chosen wisely to tell a very traditional Dalek story, using the nostalgic elements of the Dalek stories we love, such as including the Robomen, the main antagonist under their control. Even their ultimate plan brings The Dalek Invasion of Earth strongly to mind. While some may think of this as heavy borrowing, I would argue that as a piece of nostalgia, Energy of the Daleks hits all the right notes.

For a two parter, the plot moves at a breckneck pace and there is enough going on and satisfactory resolution to the story that it never feels rushed.

Do the Daleks fare well in this story?  Nicholas Briggs has always been one of the best writers for Daleks but here some avid listeners of Big Finish may feel he has taken a bit of a step back. Big Finish has done much to evolve The Daleks as characters in their previous audio adventures, including Briggs' own Dalek Empire series.

There are times when a Dalek should simply be a Dalek, a squawking, scheming tin can of cybernetic nastiness and this is the direction Briggs has chosen to take. It is a lot of fun to hear them get angry when The Doctor outsmarts them and is enough to tickle the most cynical bone of any fan.

This was the first audio Tom Baker recorded for Big Finish and there are moments when you can tell he is searching for the character again, finding the balance between the humour and drama. But this in no way damages his performance as he is still very much The Fourth Doctor.

Louise Jameson is simply excellent as Leela and due to her strong performance you can easily believe Leela would possess a powerful enough mind to resist a Dalek Mind probe. What has been so impressive throughout these adventures so far is Big Finish’s keenness to right some of the sexist wrongs imposed on past companions, such as Leela preferring trainers over high heels. It is a simple moment but creates a very strong image.

The supporting cast is excellent even if some of the characters don’t get much room to develop. By far the strongest are Damien Stephen’s and Jack Coulson, played very well by Alex Rowe and Mark Benton.

Lydia Harding and Dan Starkey do well with what they have but the running time obviously does not allow much depth for their characters to be explored.

Despite some weaknesses, Energy of the Daleks is a highly fun romp, made more special by seeing The Fourth Doctor once again clash with his greatest enemy. 

Manufacturer: Big Finish Productions

Written By: William Gallagher

RRP: £14.99

Release Date: 31st March 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 30th March 2012

In the year 16127, the once devastated and abandoned planet Earth is slowly being repopulated forty years after the colonists of Nerva Beacon returned. Those who have been chosen for the program find living conditions are from tough to the extreme. Transmat scientist Roger Buchman, his wife Veronica and daughter Toasty arrive at one of the new settlements on an island surrounded by the frozen waters of what was once called Loch Lomond.

The island is empty and the other crew members are nowhere to be found. As if that is not enough trouble to deal with, two complete strangers beam in from Nerva city, calling themselves Flip and The Doctor. It isn’t long before the horrific fate of the crew is discovered and The Doctor realizes an old enemy is lurking, hidden under the ice waiting to emerge and feed. But what do the Wirrn want other than hosts for their eggs? Who is the mysterious voice that taunts Flip over the two way radio and just what connection does it have to the Buchman family’s tragic past?

The Wirrn have always been a fascinatingly gruesome foe for The Doctor, and in Wirrn Isle (their second appearance in a Big Finish audio since the superb Wirrn Dawn), we get to see how the absorption of their host’s memories and personality can cause heartbreak and devastation on a galactic scale. The Wirrn were a strikingly visual creature on television, so it is up to the excellent sound design of Simon Robinson to bring every sinister chirp they make to life, creating a instant feeling of dread once they are heard.

The majority of The Wirrn swarm are used sparingly in the play, allowing the scenes in which the character of Iron appears, to have more of an emotional punch producing some genuinely chilling moments, such as the scene where he stalks Flip out on the ice over the radio. It is incredibly creepy and memorable scene.

Colin Baker is of course on top form as The Doctor, playing not only the scientific expert but a mediator between the warring factions of the Buchman family. The Doctor knows the terrible danger that he and the others are in and his struggle to keep them all together in the face of the ever growing danger is riveting to listen to. It is lovely to hear how The Doctor is becoming almost like a worried parent towards Flip and this is really rather touching. The Sixth Doctor has been lucky that Big Finish has provided him with such distinctive and likeable companions and in this trilogy he has struck gold again.

The wonderful Lisa Greenwood utterly shines as Flip, a character I personally am becoming fonder of the more I hear of her. Greenwood’s strong, funny and sweet natured performance has been one of the highlights of this series of plays. The scene in which she lies, broken and battered after a flight in a mini airplane while her blood has frozen her to the ice as The Wirrn begin to emerge is a truly nerve shredding moment and Greenwood sells every moment of it.

What is great about Flip is summed up by The Doctor himself in that he is not sure whether she is incredibly brave or foolhardy. The attention devoted to this idea makes one wonder whether this will be revisited in future stories with Flip of which I hope there will be many more of.

It is a shame when Flip ends up on Nerva City out of the main action, but this is necessary given the extremity of the family drama that plays out around The Doctor. He has enough trouble playing the science fiction equivalent of Jeremy Kyle as he struggles to keep the family together in the midst of coming galactic doom.

The rest of the cast perform very well in their roles particularly Jenny Funnell and Tim Bentinck who play Veronica and Roger. Funnell excels in a role which requires a lot of deep emotional turmoil, in regards to the loss of her son and her anger at everyone, including The Doctor if they so much as lead her on with false hope of any kind.

Some of the supporting characters, including the frankly ridiculously named Toasty, do not come off as well as the main players. I do not think this is a fault of the writing, but they seem to just not have as interesting a dynamic as that between The Doctor, Flip and Veronica and Roger.

I get the feeling that when Wirrn Isle expands the threat to a universal level it loses some of the intense, under siege threat that runs so strongly in the first two episodes. It doesn’t diminish the play at all, but the marvellous sense of claustrophobia is taken away.

Also if you are a lover of transmat action then this is the play for you as the latter half of the story seems to be utterly devoted to it. Although the presence of it adds much to the threat posed by The Wirrn, the story at times ends up being like a game of musical chairs, as one person or Wirrn is transported here there and everywhere for the latter half of the story.

Wirrn Isle is a very good play; a powerful family drama set amongst a horrific science fiction setting that, despite losing some of its momentum towards the end, has enough strong ideas and excellent moments to linger in the memory.

Manufacturer: Big Finish Productions

Written By: John Dorney

RRP: £10.99

Release Date: 31st March 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 30th March 2012

The Doctor has taken his companion Leela to ancient Norfolk to learn about her ancestors but they get a little closer than they hoped. Caught in the middle of a battle between Roman centurions and tribal warriors, the travellers unexpectedly become guests of the legendary warrior queen Boudica.

After hearing of the tragic circumstances which have led to her fight against the Romans, Leela is keen for The Doctor to help Boudica and her tribe, The Iceni overthrow the invaders. The Doctor however is anxious to move on, as incredibly significant events in Boudica’s history are drawing closer and any further interference from him could cause irreparable damage to not only the future of the world but perhaps also a very dear friendship.

After some of the more traditional monsters and corridors stories it is lovely to see The Fourth Doctor and Leela in a purely historical drama. In a way The Doctor actually takes a step back from most of the precedings as this is quite clearly a story about Leela.

A warrior of the Sevateem meeting the most fearsome warrior Queen in history is simply too good an opportunity to pass up and, in the hands of the very skilled John Dorney, the results are fantastic.

It is extraordinary how quickly Leela does fall under Boudica’s spell, but this seems to be very much a consequence of her conflict with The Doctor. Until now she has always believed The Doctor was a force for good, righting the wrongs, defeating the invaders and freeing the subjugated. Now her mentor has challenged this with his desire to leave the Iceni to their fate, all for the sake of preserving the course of unfolding history. But why does The Doctor feel he has the right to decide who is saved and who must die? Through Leela, the ethical and moral choices of The Doctor’s actions come into question and to see Leela replace The Doctor with Boudica as a mentor more on the level of her warrior upbringing is both understandable and believable.

It is a credit to Louise Jameson’s strong and convincing performance that we see Leela’s struggle as she discovers her new Queen to be cruel and heartless in the pursuit of her revenge. One scene in particular when Leela observes Boudica killing innocent and defenceless people stirs the two women into a one on one fight to the death; a scenario that Dorney must have enjoyed writing immensely as it is one of the highlights of the audio.

Following up on the strength of Jameson’s performance is undoubtedly Ella Kenion as Boudica. Her portrayal is electrifying; all at once noble, fierce, cold and monstrous. This is clearly a woman who has dedicated her sole purpose to the extinction of the Roman occupation of her country and anyone who gets in her way will be trampled under horse or run through with her blade.

The Doctor gets to enjoy some lovely scenes with the Iceni cook Bragnar, played by the lovely Nia Roberts. This provides Tom Baker with some nice moments for comedy but Bragnar is given some interesting depth in a subplot in which she overhears The Doctor relate to Leela the tragic fate of the Iceni prompting her decision to flee rather than die a wasteful death.

Supporting players Michael Rouse and Daniel Hawksford are very good in their rather small roles but give enough to elevate their parts from simply being devices to steer the plot forward.

The cast is surprisingly small considering the scale and ambition of the play. The sound design of Richard Fox and Lauren Yason is to be applauded, for bringing the battle scenes to vivid life and for providing an excellent score.

The Wrath of the Iceni is a highly enjoyable play and an excellent character piece, and proof that Big Finish can create a thoughtful and convincing historical adventure story - let us hope that they do more of them.

Manufacturer: Big Finish Productions

Written By: Eddie Robson

RRP: £8.99

Release Date: 31st March 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 30th March 2012

UNIT have recovered a damaged Alien computer, and for once they do not require The Doctor’s help. Preferring to keep their scientific advisor in the dark, they call in Dr Elizabeth Shaw, to oversee the repair of this alien technology. All is not what it seems however as the soldiers who had been guarding the computer have vanished without a trace.

To help her in the repairs UNIT have sent to Liz a computer expert by the name of Sergeant Andrew Childs. As repairs begin it is not long before Liz and Sergeant Childs find themselves inside the computer.

Trapped and desperate to escape, Liz and Childs begin to traverse the inner workings of the computer. But why are they finding the vanished soldiers dead and just what is stalking them through the mainframe? The Doctor is not around to save the day this time, so Liz must find her own way out but can the increasingly evasive Childs be trusted?

Liz Shaw, one of the shortest lived companions in the history of Doctor Who, but despite this has made a rather strong impact in the hearts of many fans. So it seems only fitting that Big Finish are determined to give this Companion the life she should have had on screen and have pulled out this rather fun and thoughtful Companion Chronicle.

What is at first striking about Binary is the decision to make this release a full cast audio drama rather than a talking book. This is rare for the Companion Chronicles, one of the last releases to get this treatment was the superb Solitaire, but the effect really helps this story as it is nice to hear Caroline John reacting to another actor instead of creating the parts herself.

The story of Binary is a good one. It is not brilliant or particularly striking but it is entertaining. The concept of being trapped in a computer is not a new one, but there is enough ideas running throughout the story to help it elevate past more than a mere run around story. One of most interesting parts of Binary is the idea of a computer producing an organic life form to fix faults within it. Although this does generate a stereotypical foe to chase Liz around a corridor, the concept is so highly original you can forgive the short comings of its ultimate execution.

The cast all work well together, particularly Caroline John. John portrays Liz as a woman struggling to make something of herself in a man’s world, and her bitterness towards the sexism and the patronising attitude of The Doctor (who appears in this story thanks to messages on a screen) really add depth to Liz’s character.

Joe Coen as Seargent Childs is excellent in the role and although the revelation of the true nature of his character is at times rather obvious. Coen, though, brings enough charm and subtle manipulation to the part to make any listener second guess his character’s motives.

The full cast play format is an excellent device for the Companion Chronicles as a series and I for one would like to see Big Finish exploring the possibilities of this direction with future releases in the range.

Binary is an entertaining and intriguing addition to the Companion Chronicles, with some very good performances and for anyone jumping on board is a lovely introduction to a sadly short lived TV companion.

Manufacturer: BBC Worldwide Consumer Products

Written By: Bob Baker

RRP: £20.42

Release Date: 2nd April 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 30th March 2012

It's a well known fact in science fiction programmes that some stories work better than others. In the case of Classic Doctor Who, there are some that are held up as being deserving of fan worship, whilst others are often looked down upon as being somewhat less than successful. Nightmare Of Eden sadly falls into the latter camp for many people. Derided over the years for it's studio-bound action and it's rather lovable monsters, this release should be a perfect opportunity to redress the balance and defend what's both a fine story and, for a meagrely budgeted television show in 1979, a determined, spirited, damn good try at getting that story on-screen.

In a move that's saddening and infuriating in equal measure, that's not how it's treated. It's derided still further, and talked about so negatively, someone should have thrown the supposedly "special" features into the bin and started again. Please remove all sharp objects from your vicinity and if possible have a great deal of chocolate or tea to try and improve your mood whilst sitting through the extras.

When the commercial starliner Empress rematerialses from warp speed and collides with the Hecate, the passengers and crews of both craft are put in mortal peril. Drug smuggling, unstable projection devices and huge marauding monsters are all in the mix. When the TARDIS materialises in the vicinity, it's up to The Doctor (Tom Baker), with Romana (Lalla Ward) and robot superdog K-9 (voiced here by David Brierly) to save the day. Can The Doctor seperate the ships, stop the smugglers, recapture the menacing Mandrels, and fix the shonky CET machine?

This single disc release from BBC Worldwide has done the usual magic with sound and picture quality so they're both amazing, and has audio navigation and subtitles available. Also included on the release are the Info Text and Radio Times PDF extras and a Photo Gallery of behind the scenes and publicity shots from the serial.

Special Features:

Commentary - Firstly, someone needs to tell Toby Hadoke you do not talk over the episode one titles of a Doctor Who story, you need to let the programme start before you do. In this commentary he is joined by Lalla Ward (Romana), Colin Mapson (visual effects designer) and story writer Bob Baker. It lacks the wit and warmth of many of the commentaries, and although Lalla somewhat defends the show and its budget, it does seem the only person who seems to remember what it's like to actually enjoy Doctor Who is host Hadoke himself.

The Nightmare of Television Centre - A negative, and disparaging piece, starting with severely lacking titles and everyone being filmed against a stark white background. Colin Mapson, the visual effects designer, does nothing but moan about the whole story from start to finish, calling it "a disaster" - apart from his models of course which were apparently the best things ever made. AJ "Mitch" Mitchell, video effects designer, gives a very half hearted defence of some of the technology used and million pound slow-motion video machines belonging to BBC Sport being available for twenty minutes, and Assistant Floor Manager Val McCrimmon tells of stroppy directors getting fired, Tom Baker being loud and mouthy, and Lalla being over picky and playing up. The cast and crew and the sets and monsters are mocked, laughed at, and spoken badly of. Honesty is fine, and of course necessary, but this crosses the line into a complete hatchet job of what's not the worst story in history, even with the hystrionics in the studio, despite what these people would have you believe.

Going Solo - More unimaginative white titles, followed by Bob Baker also being filmed against a white background.  aker will probably be best remembered for his work with two dogs: Gromit, of Wallace and Gromit fame, and as co-creator of K-9, one of the most endearing/irritating (depending on your view!) science fiction robots in TV history. Here, he's talking about his first solo writing task for Doctor Who, his ideas and research for the CET machine. You can tell he's less than enthusiastic about The Mandrels and a certain Germanic accent, but he's got the right attitude about these things ("What can you do?") and Bob easily comes across to the viewer as the best advocate of the story. Hardly surprising considering he wrote it, but at least he's positive and defends it very well indeed.

The Doctor's Strange Love - Simon Guerrier presents this piece from Sarah Jane's attic.  Mister Smith is out and all lit up, and the set looks glorious, which causes a small flutter of love lost in the heart. Joining him in this piece to mock and laugh at Nightmare Of Eden are Josie Long and Joseph Lidster. It starts off quite nicely... but in under two minutes it's poking fun and being generally unpleasant about it all. It's all far too fannish and jokey, and seems like we're watching a group of fans just laughing at things in their own private mocking party. A few funny lines from the pair on the chaise longue lighten it up a little, but mostly it's a case of very few valid points being made, against far too much "look at this, it's rubbish" and "let's laugh at this bit now". By far the most intelligent input in the whole extra comes from Mister Smith himself, who wisely opts to remain silent the whole time. Another negatively slanted mess that could have reinforced the story's many good qualities rather than just poking fun at the show.

Ask Aspel - A 1979 edition of the children's show in which the wonderfully calm and affable Michael Aspel asks viewers' questions to his guest; in this case the second Romana - Lalla Ward. The questions from the youngsters who've written in are entertaining enough in this light and fluffy piece, and there's a rather fabulous clip from The Creature From The Pit. Lalla is honest and open and rambles on at great speed with much laughter and smiling. It also showcases Lalla's artwork for two books from that era, and there's one or two clips of Ms. Ward in other TV appearances, followed by another lengthy Doctor Who clip, this time from The Horns of Nimon. A lovely little piece, and would have benefitted greatly from being put on a disc with much better support from the other extras. A hidden gem.

Coming Soon Trailer - Nitro-9 at the ready, Doctor Who's next box-set is all about the teenage tearway from Perivale! Featuring her introduction into the series in the story Dragonfire and further adventures on Terra Alpha in The Happiness Patrol, the next DVD releases can truly be described as Ace Adventures!

Nightmare of Eden is not a bad story. It's not in the same league as Terror of the Zygons, but it doesn't deserve the unending scorn poured on it in this release. With the exception of Bob Baker there's very little done to defend the tale from any of it's critics, mostly of whom seem to have an axe to grind against the tale. The extras filmed for this disc seem designed to make you take a real dislike to the story, and although we can all agree that it's not exactly at the top of its game, it really deserves a lot better than the sorry back-up features its given here, which are both limited and woeful.

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Manufacturer: Big Finish Productions

Written By: Justin Richards

RRP: £10.99

Release Date: 29th February 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 29th February 2012

Knowledge is power. To know everything, every piece of knowledge that has ever existed is the desire of many but at what cost? Is knowledge detrimental to learning and understanding? You can list species of butterfly but do you know that they are beautiful?

This is the question that runs through the heart of this really enjoyable adventure for The Fourth Doctor.

The Doctor is determined to continue Leela’s education and decides that a trip to the universally famous Morovanian Museum is just what she needs. Upon arrival, things don’t go according to plan. First of all, why are they in an English village and just why are people dying around them, driven mad by the loss of something great?

The Doctor quickly begins to deduce that the mysterious Reginald Harcourt, resident of the local manor maybe the cause of the sinister goings on. Harcourt is the owner of The Collection, a place where everything, all knowledge and artefacts from everywhere are present. But as the Doctor points out, it is not fully complete and there is someone who will do just about anything to achieve its completion. Someone more than prepared to kill.

After the slightly underwhelming Destination: Nerva, The Renaissance Man is a much stronger entry in the new Fourth Doctor range.

Justin Richards' script is witty and clever. He captures the character of The Fourth Doctor and Leela very well, setting up the Pygmalion relationship that Big Finish is exploring with this series of adventures. Louise Jameson’s performance is very strong in this story despite the overuse of Leela’s mispronunciation of words, such as her repeated use of “runny science” for renaissance. Although Leela came from a primitive culture she is certainly not stupid. This however is a minor criticism of a well written and delivered portrayal. In fact, the relationship between The Doctor and Leela is much improved from that of their television appearances and this is definitely down to the way they are written. I hope that Big Finish continue to build upon this, as it is fast becoming one of my favourite Doctor and companion partnerships.

The supporting cast is good, particularly Laura Molyneaux in the dual role of Beryl and Professor Hilda Lutterthwaite but they are somewhat over-shadowed by guest star Ian McNeice as Harcourt. An intriguing villain, played excellently by the actor, especially when he and Baker get a verbal sparring, providing one of the highlights of the audio.

This brings us to the great man himself, Tom Baker. It has been a pleasure to listen to him return to the role of The Doctor, and he gives a brilliant performance here. In Destination: Nerva, The Doctor had to rely on luck and his wits, but here we see him relying on his keen intelligence, working things out way ahead of everyone else. He plays the fool and pulls the wool over everyone’s eyes before playing the detective with a great Christie-style revelation at the stories conclusion. Baker is witty, charming and brings out The Fourth Doctor’s moral centre beautifully, and the play is well worth your time based on his performance alone.

The main theme running through the story of knowledge versus experience is well realized. The darkest moment of the play, involving a character losing the knowledge which defines her, leading to a gruesome outcome, is rather powerful. This theme is explored very well and only seems to jar in the somewhat weaker epilogue.

Everything about The Renaissance Man is quintessential Doctor Who. It contains great ideas, two excellent lead performances and an intriguing story.

A highly recommended listen.

Manufacturer: BBC Worldwide Consumer Products

Written By: Guy Leopold

RRP: £20.42

Release Date: 26th March 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 29th February 2012

It's not often in Doctor Who's long history that a story is great, then great again, and then great for a third time, but this is very much the case with The Daemons. The original story was a triumph, but due to the infamous BBC junkings and burnings, only a black and white print of this tale existed... until a terrible quality NTSC (that's American Television) copy turned up courtesy of a fan. In 1993 BBC Video made a valiant attempt to restore the episodes, as featured in an extra on this release - more of that later. Now it's all been re-restored again, and beautiful it looks too.

The Doctor (Jon Pertwee) and Jo (Katy Manning) must battle to save the Earth from the alien Daemons, aided, abetted and very badly controlled by The Master (Roger Delgado), in the quaint little village of Devil's End. With BBC Three on location and UNIT stuck behind a heat barrier, time is running out for the Time Lord...

This double disc release from BBC Worldwide has superb restoration of the picture and sound quality - in fact the five-part story takes up all of Disc One (bar the Info Text and Commentary options) with all the Special Features on Disc Two. There are of course both Subtitles and Audio Navigation available on both discs, and the previously mentioned Info Text joins the Radio Times PDF Listings, and the Photo Gallery as standard included extras. 

Special Features - Disc One:

Commentary - Sitting around the table to discuss The Daemons this time are Christopher Barry, Katy Manning, Damaris Hayman, and Richard Franklin. The conversation is fun, loose and friendly, with plenty of laughs and lots of interesting and amusing reminiscences about the making of the story. Tales of theme tunes, Margaret Rutherford's cape, and warm fuzzy feelings abound. Great to listen to and thoroughly entertaining.

Special Features - Disc Two:

The Devil Rides Out - A look back at the making of The Daemons, with Christopher Barry and Katy Manning joining Terrance Dicks, some previously recorded footage of Barry Letts, and many more faces to look back at Aldbourne's finest hour. Discussed are the story's origins, Damaris Hayman's white witch being very switched on, and one or two displays of impatience from leading man; Jon Pertwee. It's an honest look at the show, but not a negative one, and it's clear that both cast and crew thought (and still think) the story is special and deserving of the 'Classic' status that The Daemons holds. They are, of course, absolutely right.

Remembering Barry Letts - Barry's sons, Dominic and Crispin Letts, discuss their late father's long career in film and television as an actor, director and producer. A fascinating glimpse at the life, outside of Doctor Who, of a man who is held in very high regard by family, friends and colleagues. Not cloying, or over-sentimental, this is a lovely piece giving a much more complete picture of Barry, who may be best known for producing the Pertwee era of Doctor Who; but who also had a lot more strings to his bow than Time Lords and Daleks. Featuring everything from green issues, to Zen Buddhism and The Navy, to BBC directing courses, right through to his final years. Truly a wonderful look back at an amazing man, who is much missed by friends, family and fans alike. A great, great piece.

Location Film - A reasonably short piece, but suitably nostalgic for this release. This is simply dome, mute, 8mm camera footage of Aldbourne, filmed during the location shooting of The Daemons. Not a great deal to say about it, because there's not a lot of it, but it holds the attention and isn't long enough to get boring. Very nice indeed.

Colourisation Test - The first attempt to recolour episode one in it's entirety. The slipping Doctor Who theme is enough to make you wince, but the recolourising is rather great if not of the quality that we now get as standard on these Classic Who releases. Interesting and holds the attention easily, and the colour looks great - even if it's a little brighter than it possibly should be.  

Tomorrow's World - A Doctor Who themed segment from 1993 looking at the first restoration of The Daemons, and how it was produced. Tomorrow's World was always very good at presenting these sort of explanations in an accessible and friendly way. Judith Hann introduces, and Howard Stableford walks us through how the first restoration was brought together via some spiffy TV technology. It's nice to see the TARDIS and the console turn up from an era when Doctor Who had already been off the air for four years, and it's a great look at how the restoration came to life.

Coming Soon Trailer - Silver cagouls!  Of course we should interfere; always do what you're best at!  Good boy K-9! Vraxoin! Name and date of birth! It's inexplicable! My arms, my legs, my everything! A veritable symphony of silliness, The Nightmare of Eden is the next release. it's time to play the music, it's time to light the lights...

It's hard to beat a Classic story, but a Classic story restored twice over and then given a great set of extras as an accompaniment wins hands down. The restoration is top notch and with the retrospective of The Daemons ticking all the right boxes, a look at how the first restoration was achieved, and a perfectly pitched look back at Barry Letts' life and career - this release is an absolute must for fans!

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Manufacturer: BBC Worldwide Consumer Products

Written By: Chris Boucher

RRP: £20.42

Release Date: 5th March 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 28th February 2012

The TARDIS lands in Hyde Park... oh wait. That's not Hyde Park. Could be a nexial discontinuity. Anyway, The Doctor (Tom Baker) walks into trouble between the tribes of the Tesh and the Sevateem in the latest single disc release from BBC Worldwide. Teaming up with local friendly savage Leela (Louise Jameson), the Time Lord must pit his wits against local mad deity Xoanon; a demented creature with a very familiar appearance.

Special Features:

Feature Commentary - This time, the title music leads us into Toby Hadoke presiding over Louise Jameson, Leslie Schofield (Caleb), David Garfield, (Neeva), Harry H. Fielder (bloke who gets shot whilst trying to kill Leela) and John McGlashan (cameraman) round the table. Lots of talking here this time in a very busy commentary, but it's never too much, and Toby moderates very well, as usual. Entertaining, and informative, but Louise rightly steals the show.

Into The Wild - A look at the making of The Face Of Evil.  A remarkably strange opening using the mountain model of Tom Baker's head and some remarkably fun 3D text, leading into Philip Hinchcliffe talking into what led into the story's origins. Taking in the departure of Elisabeth Sladen, and Tom's desire to be assistant-less in the show.

Louise Jameson and Pennant Roberts talk abouth their long, intermeshed careers (see "Tenko"). Also covered are *that* costume, Mat Irvine's first run as Visual FX Designer, and how to make an impressive jungle out of ventilation hoses. An informative, calm but fun retropsective, with a rather fun cameo by Anthony Frieze; who, you may ask, is he? Watch and find out!! There's also a very touching and deserving tribute to the late Pennant Roberts, director extraordinaire, who died in 2010.

From The Cutting Room Floor - A short series of film trims from the story, very cleverly shown in context using the episodes themselves. The film itself and the camera angles used are archive in nature so somewhat scratchy and jumpy, but it's a nice chance to see how things were filmed and trimmed to make the episodes work in the best possible way. A couple of filming clangers make it onto the screen as well; and the music in the background is wonderfully epic, and really makes the piece fly.

Tomorrow's Times: The Fourth Doctor - The occasional series returns for a look at Tom Baker's Doctor. Starting with the tones of the late great, Nicholas Courtney, the Points of View style show is this time hosted by the lovely, and very calm Wendy Padbury (Zoe Herriot from the Patrick Troughton era of Doctor Who). The wonderfully cliched and hackneyed accents paraded out are hilarious. It does show just how ridiculous and venomous some of the tabloid press have been over the years to Tom Baker's Doctor. A very interesting look at the show's coverage in the press; notably for the press' negative reactions when audience figures were on the rise.

Doctor Who Stories: Louise Jameson - Taken from the 2003 documentary "The Story of Doctor Who", Louise Jameson talks about her casting as Leela. As laways, Louise is witty and very switched on as to her time on Who and is always lovely to listen to and watch, and her memories are fun-filled and thoroughly entertaining. To be completely honest, some of this is covered in the Into The Wild retrospective elsewhere on the disc, but Louise is so terribly sweet and enchanting you won't mind. This woman could read the phonebook aloud and it'd be a hit! Thankfully, this is a great deal more entertaining than the phone book! Robert Homes, Tom Baker, and as always, the costume, get mentions, and a glorious defence of robot superdog K-9.  

Swap Shop - The other perennial Saturday programme from the BBC in the mid 1970s was Multi Coloured Swap Shop. A three hour mix of cartoons, interviews and pop music helmed by Noel Edmonds, ably assisted by Posh Paws the dinosaur. Here, Louise Jameson joins Noel on the sofa to discuss energy levels, life with the Royal Theatre Company, and possibly the best fan letter I've ever seen from a young girl called Catherine. Great stuff, if very, very dated.  

Denys Fisher Toys Advert - Oh good Lord.  From an era when you could buy a large toy for £5.99 (that being "the famous TARDIS") comes this advert for the Denys Fisher range of Doctor Who toys. Ranging from an excellent Giant Robot to a dreadful Cyberman, complete with nose; and whilst Doctor Who leaves Leela in the lurch  by disappearing in the TARDIS in the face on an impending Dalek attack. Great stuff!

Coming Soon Trailer - BBC Three! As thy will so mote it be! Miss Hawthorn! The Cloven Hoof! "Jenkins, chap with the wings there; five rounds rapid!" - The Daemons is out on the 19th March, re-re-mastered and on a double disc release!

As always with the Classic Series releases, the sound and vision are spot on thanks to digital remastering, and comes complete with the usual regular features of Audio Navigation and Subtitles for those who may want or need them, and the usual Radio Times PDF listings. Also included as standard are a Photo Gallery of behind the scenes and publicity shots, and the Info Text option to bring up on-screen facts, figures and trivia  during the programme's run.

Thirty five years after its original airing on television, The Face Of Evil stands up incredibly well as a good solid story, and with some great moments from Tom Baker and Louise Jameson stealing the show. The DVD showcases the story perfectly with a great remastering, and the extras on the disc expand very nicely on the story, rightly focussing on the introduction of Leela; and giving the firm fan favourite a great chance to shine and enchant us all over again.

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Manufacturer: BBC DVD / 2|Entertain

Written By: Kit Pedler, Gerry Davis, Bob Baker, Dave Martin & Chris Boucher

RRP: £35.75

Release Date: 13th February 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 2nd February 2012

The Tomb of the Cybermen: Special Edition

Disc One:

Looking pin-sharp and sounding rich and vibrant on this two-disc BBC / 2|entertain release, as part of the Revisitations Box 3 set, Patrick Troughton's incarnation of The Doctor lands the TARDIS on Telos. He and his companions Jamie (Frazer Hines) and new arrival Victoria (Deborah Watling) run into an archaeological expedition and a lot of deep frozen, large silver chaps with handles on their heads with an arsenal of Cyberguns and robotic pets. However, even when the dreaded Cybermen start to awaken there's more danger to come, when the Cyber Controller arrives on the scene. Can the Doctor and his friends overcome the Telosian menaces and the hostile intentions of Kaftan and Klieg? Or will the Cyber Controller have his way and be able to put a converted Time Lord into his deep freeze Tomb?

Special Features:

Commentary 1 - Deborah Watling and Frazer Hines give a gentle, calm and yet engrossing and enthralling voice-over to the story. It's all very calm and understated, and the two stars are entertaining, informative and give a unique perspective on the story. Simply lovely, and from the original release of this story.

Commentary 2 - The new commentary for this disc features Toby Hadoke in the captain's chair, with Victor Pemberton (Script Editor) and Bernard Holley (Peter Haydon) for episode one only, and then replaces them with Shirley Cooklin (Kaftan), Deborah Watling (Victoria) and Frazer Hines (Jamie) to discuss the story, behind the scenes, Cybermat chases and short skirts. A great new addition to the story, and filled with fun, laughter and insights into the production of The Tomb of the Cybermen.  

Morris Barry Introduction - Morris Barry (Director) talks about the trials of casting Cyber Controllers with no lines and explicit foam effects that upset the bosses. A short piece to camera that does exactly what it says on the tin, set in the middle of a Cyber head display.

Title Sequence Tests - Another 'does exactly what it says on the tin' piece. This time, test logos, howl-around sequences and photos of Patrick Troughton being messed around with to produce the second glorious opening to the world's longest running science fiction series. Simple (relatively!), but oh-so-effective, and set to the full original theme tune. Who needs CGI, hmm?

Late Night Line Up - The BBC2 magazine show takes a brief look a look at the visual effects department's output. With a very young Joan Bakewell looking at "children's science fiction" show Doctor Who - as opposed to "adult" science fiction and horror. Featuring Cyber Controllers and Cybermats, and a very familiar looking fly that was later repainted for The Green Death! Head of department Jack Kine shows us around in a short but fun piece.

The Final End - The Daleks manage to get a look-in here too, as the model and FX shots of the epic battle at the climax of The Evil of the Daleks get another airing. Featuring a lot of Louis Marx "Tricky Action" toy Daleks milling around, and some full size Dalek props - and the Emperor Dalek - meeting a large amount of explosives, and losing convincingly. Set to the original soundtrack taken from the story. Another short, fun piece taken from the original DVD release.

Info Text - Production notes, facts, figures and trivia along with actor biographies and behind the scenes snippets stream on-screen whilst the drama plays, and adds more fun to the story.  

Coming Soon Trailer - Not Hyde Park. Leela. Horda. Lots of men wearing very little indeed, and a mad computer called Xoanon. The next release is The Face of Evil, starring Tom Baker's Doctor and introducing Louise Jameson as the 'savage' Leela. Jelly babies and janis thorns not included.

Easter Egg - A little hidden gem hiding behind an emerald green Doctor Who logo on one of the menus that's guaranteed to raise a smile. Short but very, very sweet. 

As always. there's the usual Radio Times PDFs, and an extensive Photo Gallery of publicity and behind the scenes shots on the disc as well; with Subtitles and Audio Navigation for those who may want or need it.

But wait!! That's JUST disc one - and while that alone would be a top notch release with the amount crammed onto the DVD, there's a whole second disc to contend with!

Disc Two:

The Lost Giants - The making of Tomb is explored in this retrospective, with clips, and talking heads galore including Shirley Cooklin and Victor Pemberton. A fascinating look at where the story's origins lie, the direction and energy from Morris Barry, his methods of conducting people and much more. Covered in this half hour featurette are the production crew, the casting on the story, the evolution and the look of the 'Tomb' Cybermen and why the imagery has endured so well.

The backdrops used in the interviews - animated CGI from Rob Semenoff - are terribly clever and well done, with the Cyber energising room and the main control chamber being recreated very faithfully and cleverly... and then they start moving and doing little unexpected things that make you stop and stare.

This look back at how the Tomb was created and put together is both enterrtaining and informative, and a great new extra for this story.

The Curse of the Cybermen's Tomb - A look at the story's parallels with Egyptology and King Tut's tomb being discovered. It's very telling at just how close The Tomb of the Cybermen and the Tomb of King Tut are, design wise. Cybermats are scarab beetles, and of course the mummies (who would star in their own right much later on with the Pyramids of Mars) are the Cybermen. And then there's George Pastell who stars in the Hammer Horror Mummy films.

An interesting look at the origins of the story, curses of Pharoahs that may or may not exist, and where the Cybermen fit in, presented by two Egyptology experts who are engaging and affable.

Cybermen Extended Edition - With an opening shot that looks like it was taken straight out of the BBC's Sherlock, that then morphs into The Invasion's Cyber invasion in London. Matthew Sweet writes, narrates and presents this look at how the Cybermen evolved from humans to Cyber form in both Classic and New Who.  

Some very nice CGI work and what looks like the predecssor to Mister Smith from The Sarah Jane Adventures, help demonstrate the process graphically, which really [and possibly inadvertently] look like they could be taken from the old 1970s BBC version of The Hitch-Hikers Guide To The Galaxy.

Utilising clips from The Tenth Planet right through to the Pandorica's Cybermen and all inbetween, this should be a fun and interesting look at the Cybermen.. but there's a weak link here, and sadly, it's presenter Sweet himself and his supposedly clever and witty script. It's not great it has to be said. His narration is somewhat condescending and too self indulgent, and takes away from the true greatness and horror of these metallic giants. It pokes fun at, instead of being suitably reverential to Doctor Who's second most-memorable baddies. Perhaps if someone Cyber converted the presenter it would be rather more entertaining. Can't fault the clips, the graphics or the history, but the sardonic tone really lets this piece down.

As always. there's the usual Radio Times PDFs, and an extensive Photo Gallery of publicity and behind the scenes shots on the disc as well; with Subtitles and Audio Navigation for those who may want or need it.

The Tomb of the Cybermen: Special Edition is great, with excellent restoration and some amazing extras to back up the release. The story is strong and all but one of the extras are perfectly pitched and set out; it's just a real shame that the one piece that should have been the jewel in it's crown is let down by ridiculing rather than lauding these iconic men of steel, and as it's the last item on the disc, it may leave a slightly bitter taste to what is otherwise a perfect release.

The Three Doctors: Special Edition

Disc One:

Something large and sinister is hunting The Doctor whilst threatening Gallifrey and the rest of the Universe in this two-disc release as part of the Revisitatons Box 3 set from the BBC / 2|entertain stable. With Gallifrey unable to assist the Time Lord, they organise a time stream merger so the Time Lord can help himself...several times over. Can three Doctors overcome the greatest threat they've ever faced?

Special Features:

Commentary - Oh, this one will tug at the heart strings as well and amusing and entertaining. Two dearly departed voices and one very much alive and kicking voice; Barry Letts, Nicholas Courtney and the ever fun Katy Manning discuss locations, trivia and filming of the story. It's light, fun, and not afraid to point out the somewhat less successful aspects of the production...like the Gel Guards movement. Thoroughly entertaining and informative, and a great remembrance for both Barry and Nick. Makes you very grateful Katy's still around, with that infectious laugh of hers!

Pebble Mill At One - Bernard Wilkie is the guest on this BBC lunchtime magazine show to talk about props, monsters and costumes, and brings with him a Death to the Daleks-style Dalek, a Cyberman, Spiridons, Gel Guards, a Draconian and various other rubber uglies from that era. An oft screened piece that shows the level of work that goes into the monsters, and showcases them rather well.

Blue Peter - Peter Purves (one Steven Taylor from the Hartnell era) introduces Jon Pertwee and his Whomobile in this 1973 edition of the children's show. Once Pertwee's been and gone in that insane car, there's a retrospective look back at ten years of Doctor Who with the previous Doctors, companions, monsters, and gadgets. Now infamous in Who fandom, as this was supposedly when The Tenth Planet episode four was lost, having been loaned to the Blue Peter office for use in clips.

BSB Highlights - 31 Who - The long since defunct Galaxy Channel of BSB (shortly after this it was taken over by the Murdoch empire) did a weekend-long marathon of Doctor Who, and here's the section relating to The Three Doctors. There's nothing new here, really, old facts recycled, and a taped interview with Jon Pertwee. Bob Baker and Dave Martin are there with their most famous creation, K-9, although it's not the original prop - it's the same one that's now in the Doctor Who Experience. They briefly discuss writing The Three Doctors, and the late John Nathan-Turner fills us in on the details. 31 Who's linking material has really not dated well...

The Five Faces Of Doctor Who Trailer - Fraud!  It's four faces and a team-up story!! The BBC2 season of repeats is plugged, almost to death, with this insanely overlong and boring trail. Running at around five minutes, the trail seems to pick the oddest moments to use as showcases for the stories themselves, and by the time it's gotten back to The Krotons you're losing the will to live.

BBC1 trailer - Unusual trailer in that it uses the Delaware version of the Doctor Who theme as the background music. A brief trailer for Episode One of The Three Doctors (at 5:45pm, after The Basil Brush Show at 5:15pm!).

40th Anniversary Promo Trail - Oh joy, another trailer. And in this case an entirely pointless one. Over-long, competely self-indulgent tosh made to advertise the DW40 video releases in 2003. Set to a rather badly edited version of Orbital's Doctor Who tribute (which, when not cut up and mucked around with, is a great piece). Frankly dreadful.

Into Text - More trivia and factoids, biographies and interesting tidbits served up onscreen during the story.

As always. there's the usual Radio Times PDFs, with Subtitles and Audio Navigation for those who may want or need it.

Disc Two:

Happy Birthday to Who - A 25 minute, new retrospctive of the anniversary adventure that reunited Doctors One, Two and Three. Terrance Dicks and the late, great Barry Letts discuss the problems faced with getting William Hartnell's performance, and what happen when the Doctor that was a stickler for lines and cues met the Doctor that liked things a little more free and flexible. Entertaining and despite the obvious negative elements that need to be addressed in the show, it never dwells or lets itself get too maudlin. 

Was Doctor Who Rubbish? - [sarcasm] Yes, of course it was. That's why we're buying the DVDs and still watching it almost fifty years later [/sarcasm]. Possibly the single most pointless extra ever to materialise on a Doctor Who DVD. In one of the worst cases witnessed of preaching to the converted, some fans of the show defend it against the criticism it has faced over the years relating to bad monsters, bad acting and wobbly sets; whilst shooting itself in the foot by running the footage of The Myrka from Warriors of the Deep being spectacularly awful. Doctor Who is not awful, but this lamentable fifteen minute list of 'things that don't suck about Doctor Who' (if you'll pardon the modern vernacular) most definitely is rubbish. Really, really rubbish.

Girls, Girls, Girls - the 1970s - And from the worst extra ever to one of the absolute best. The 1970s episode of this occasional series (started elsewhere on another DVD with the 1980s edition) has the scientist, the spy and the savage sitting together to discuss feminism, outfits, casting and Doctors. Caroline John (Liz Shaw), Katy Manning (Jo Grant) and Louise Jameson (Leela) provide a quality discussion that's always fun and light-hearted but clever, insightful and raises some valid points about not just Doctor Who, but acting in general. As with the 1980s edition, the simple format is magical in it's results, and shows that those lovely ladies who tagged along with The Doctor are far, far more than just a pretty woman to keep the Dads watching after Grandstand. Easily the best extra of the release. Nothing short of outstanding.

Photo Gallery - It's big, it's pretty, and it's been shunted to disc two this time. The promos, publicity and private shots of the tenth anniversary story. Plenty of shots of the Time Lords, those wonderfully daft Gel Guards, and the Doctors. Set to lots of lovely sound effects that will set your teeth on edge.

As always. there's the usual Radio Times PDFs, with Subtitles and Audio Navigation for those who may want or need it.

The Three Doctors works well as a story, however there's not as much that's new to watch on this release. Whilst it has one of the very best extras available, it also has one of the very worst, and you'll need to be a real trailer afficionado to work your way through some parts of this re-release. Honestly, however, it would be worth getting even if it was simply the story, the commentary and the 'Girls, Girls, Girls' segment. Less impressive than the other two stories in this set, but still a good release, rather than a great one.

The Robots Of Death: Special Edition

The Fourth Doctor (Tom Baker) and Leela (Louise Jameson) arrive on a Sandminer - a trundling behemoth of a vehicle designed to extract minerals from the surface of any given planet. However, something sinister is going on inside the miner, and the human crew are being killed one at a time, whilst their robot cohabitants carry on calmly with their duties of extracting minerals and being reprogrammed by an on-board traitor. This single disc release from the BBC / 2|Entertain, forms part of the Revisitations Box 3 set, with a raft of new and fun extras guaranteed to delight anyone (providing they're not a Voc).

Special Features:

Commentary 1 - Philip Hinchcliffe (Producer) and Chris Boucher (Writer) provide quite a serious voice-over track for this tale, taken from the original release of this DVD. Not much larking around in this commentary, it's all very calm and professional; however...

Commentary 2 - Tom Baker (The Doctor), Louise Jameson (Leela), Pamela Salem (Toos) and Michael Briant (Director) have a lot more fun in the second commentary; newly recorded for this special edition re-release. There's laughs and love a-plenty, and the warmth for the story shows through easily. Entertaining and slightly less informative than the first commentary, but it doesn't matter due to the wonderful atmosphere created, you can help but get lost in the mood. It's also evident that the cast hold Michael Briant in high esteem, from their recollections here and elsewhre on the disc.

The Sandmine Murders - A new retrospective of The Robots of Death, using many clips - very nicely framed on the TARDIS scanner of the time, with Tom Baker, Louise Jameson, Philip Hinchcliffe and a whole slew of other faces queue up to discuss the ups and downs of filming. The story's roots in Agatha Christie are also explored, as well as how the Sandminer came about.

There's an evident amount of affection for this story from all involved, both at the time and retrospectively. Costumes and set design, robot manufacturing and how to mollycoddle difficult leading men all come up in the course of this half hour featurette, but it's all kept very light and happy and holds the attention very well indeed.

Robophobia - Toby Hadoke presents a ridiculously funny look at the robot, as he puts it, "more specifically the Doctor Who variety". Unlike the attempts at humour on The Tomb of the Cybermen DVD, which came across as snide, this is a fun and affectionate look at the robot menaces in Doctor Who - mentioning, of course, the goodies too (who's a good dog?) as a balance. It's only a short piece at ten minutes or so, but it proves that some extras can be insanely funny when done properly, and Toby Hadoke pitches this one perfectly.

Hadoke's reverential yet very precisely silly humour is bang on target, and you get to see why it is that Hadoke's Moths Ate My Doctor Who Scarf is such an ongoing favourite wth fans, cast and crew alike; for Toby has a great line in comedy and an obvious love for the subject matter.  

Studio Sound - A short, interesting comparison of the sound as recorded in studio, with the original voice of SV7 as recorded on set from the actor inside the mask. The level in sound quality between the segment and the finished product is remarkable, as is the reduction in the background noise and things like doors shutting noisily before the sound effects are added. A very short piece at around two minutes, but it gives a rare insight into just how much work goes into making the most mundane everyday noises sound clear and crisp for television.

Model Shots - Unused model footage from The Robots of Death, including mute footage of the Sandminer in various views and zooms. The footage, being vintage itself, isn't of the best quality any more, but it's interesting to see various planetary views and shots of the mining vessel we didn't get to see on-screen. It's also very apparent that someone liked to be very liberal and generous with the dry ice machine...although as it creeps and rolls forward in one scene it's eerily reminiscent of the 1980 movie version of James Herbert's The Fog! There's around five or six minutes of this silent timecoded footage to sit through, but it's not too painful to endure.

Studio Floor Plan - A weird one, this. The studio floor plan that tells you what was where (for example the TARDIS control room set) and then lets you zoom into it for a closer look. Certainly something never done on these DVDs before, but really not that enthralling unless you're heavily into your sets and placing of consoles. An interesting curio however, and yet more information to the wealth already on the DVD.

Continuity - The 1970s BBC1 globe with voice over announces the start of a new four part adventure (this one!) and a caption slide as used for Season Fourteen of the show. Entertaining in showing the technology the spinning globe employed at the time in vivid blue and yellow. Short and wonderfully dated.

Photo Library - The usual range of publicity and behind the scenes stills from the story, shedding some light and some new angles on what was a very clever and novel design for the interiors of the Sandminer and the crew living quarters, and the robots themselves.  Nicely presented as always.

With the usual Radio Times PDFs and Audio Navigation and Subtitles for those who may need them, this repackaged and re-released DVD works really well on its own but as part of the Revisitations Box 3 set, slots very nicely into a growing range of exceptionally well-covered Doctor Who stories.

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Manufacturer: Big Finish Productions

Written By: Simon Guerrier

RRP: £12.99

Release Date: 31st January 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 29th January 2012

Whilst being pursued by the Daleks across time during the events of The Daleks Masterplan, Steven Taylor and Sara Kingdom have found a small moment to relax but as they know, travelling with the Doctor means it will not last long. 

Whilst in the vortex, an experimental time ship crashes into the TARDIS, ripping the time capsule apart. The Doctor and his companions, along with the crew of the other ship awake on a desert island, the TARDIS nowhere to be seen. The occupants of the ship are human pioneers, the first of their kind to travel in time. It isn’t long before mutual distrust begins to build with Steven and Sara caught in the middle.

Time then begins to run out for both of them as they then find themselves on the other side of the Berlin Wall in 1966. Why are they there and will they have to betray the Doctor to escape? Whatever they decide, they are certainly not alone as something is stalking them both; a legend of the Doctor’s home world, and one that may be all too real.

The Anachronauts is the first Companion Chronicle release this year and Big Finish seem to be celebrating as this is a special two disc release. The narrative structure Simon Guerrier has chosen for this story justifies the need for a double release as it is told between Steven and Sara, alternating narration duties over the four episodes. 

Guerrier’s script is intricate and full of many twists and turns. He is incredibly clever at littering clues to the outcome of the story which will reward repeated listens. However this complex intricacy can hamper some of the themes he touches upon. One theme in particular is the idea of Steven and Sara betraying the Doctor and what he believes in to keep themselves both alive. This is not explored as much as you would like it to be, as there is so much going on, it simply serves to work towards the twist in the play’s conclusion.

Overall, the story feels a bit drawn out; this is due partially to the major change of location at the beginning of episode three. Whilst the adventure does go off in a new direction, the effect is rather jarring at first and seems to render the first two parts redundant. 

The strongest element of this story is the relationship between Steven and Sara, which is explored from each of their point of view. We get a fascinating insight into how these two characters have a growing respect and closeness which would never really been touched upon in the television series. This is the great strength of The Anachronauts, and the performances of Peter Purves and Jean Marsh bring it to life.

Both actors work wonderfully together, and Purves' impersonation of the first Doctor, William Hartnell is still a great joy to listen to. It is incredible just how vivid his characterisation is, successfully creates the illusion of a third actor being amongst the cast.

The Anachronauts is an interesting Companion Chronicle, with two very strong central performances, but despite a story that gets a little lost in its own intricacy, it is certainly worth a listen.

Manufacturer: Big Finish Productions

Written By: Jonathan Morris

RRP: £14.99

Release Date: 31st January 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 27th January 2012

It was just over a year ago that Philippa “Flip” Jackson found herself on an alien world being chased by giant robot mosquitoes in the company of a man known as “The Doctor”.

Now, stuck in a dead end job and relationship with her boyfriend Jared, she feels her life is going nowhere. So imagine her surprise when during a night on the town, a flying saucer crashes into the middle of London carrying one occupant, the Doctor.

However there is something not quite right about him; he is acting strangely and it doesn’t help that he is being hunted down by his old enemy, the Daleks.

With the Doctor a fugitive, Flip will soon be thrust into the real heart of the Dalek’s schemes; plans which are taking place two hundred years in the past on the fields of Waterloo. The fate of Europe hangs on this one moment in history and its outcome is threatened by the interference of the deranged creator of the Daleks; Davros.

This is a new year and we start the first release of the Big Finish Doctor Who main range with a brand new companion. To see Flip again, a character that originally appeared in The Crimes of Thomas Brewster, is a surprise to say the least. As returning characters go it was certainly not one I was expecting but after hearing the performance of Lisa Greenwood, it is soon obvious what a good decision it was.

Greenwood is utterly charming as Flip. Her streetwise attitude and accent could put you in mind of Rose from the new series, but she is so good in the role that any thought of comparison is brief. The character works as a great counterbalance to the Sixth Doctor, whose companions have been more of the, without wanting to sound snobbish, educated kind. Since Peri was a graduate and Evelyn an academic, it is nice to see that Flip is cut from a rougher side of the tracks. I have high hopes for her character working well with The Sixth Doctor.

Colin Baker is once again proving just how good a Doctor and skilled an actor he is. Without giving too much away, his performance of a Doctor not quite acting himself, is played with brilliant subtlety. He makes you question everything he does throughout so when the twist comes at the end of part two, even if you do figure it out before then, you appreciate just how well the actor kept you guessing.

This release is even more noteworthy for the return of Terry Molloy to Big Finish as Davros. Molloy is always a joy to listen to as the Dalek creator, particularly when the character is up against The Sixth Doctor. Baker and Molloy play off each other so well as they have done in previous Big Finish stories Davros and The Juggernauts, that the plot twist in this story only serves to strengthen that interplay.

The Curse of Davros is lucky to have an excellent supporting cast, and with special mention going to Jonathan Owen as Napoleon. His performance is a real highlight of this audio, especially towards its conclusion, as Owen’s very human but flawed Bonaparte is refreshing change to many previously unsympathetic dramatic portrayals of the French Emperor.

Nicholas Briggs holds the directing duties and once more voices the Daleks and to hear them again with their creator is great fun. One of the dangers of having Davros and the Daleks together is that sometimes their threat and menace can be lost. The Daleks can easily just become drones, and lose some of their cunning and malevolence. The Daleks in this story are indeed servants of Davros, but what is interesting is that they appear to be utterly terrified of him. One scene is particularly striking, when two Daleks admit their failure and are taught a lesson by their creator in a shockingly cruel way.

This simple twist helps to give Davros a much more dangerous edge and it is a credit to Briggs’ skill with the Dalek voices that he makes the fear of their creator very believable.

Jonathan Morris has written a fun and exciting story with some excellent character moments and an intriguing insight into the Davros character. It is difficult to find fault with this play, except to say I have some disappointment that the very well written character of Jared will be absent from the future audios, as Ashley Kumar was very good in the role.

Overall The Curse of Davros is a fantastic audio adventure and an excellent introduction to a what I’m sure will become a memorable companion.

Manufacturer: BBC DVD / 2|Entertain

Written By: Peter R. Newman

RRP: £20.42

Release Date: 23rd January 2012

Reviewed By: Dale Who for Doctor Who Online

Review Posted: 26th January 2012

The original TARDIS crew land aboard a spaceship in this latest single disc release from the BBC / 2|Entertain stable.  The Doctor (William Hartnell), his granddaughter (Carole Ann Ford) and that remarkably cool pair of school teachers Barbara (Jacqueline Hill) and Ian (William Russell) walk into a mystery of reanimatng corpses and strange atmospheres. Prevented from leaving by the theft of the entire TARDIS lock mechanism, the travellers must join forces with an Earth crew to do very quiet battle with a species that really don't like it when you shout...

As always, the print is fresh and sharp, and the audio quality excellent, and this often overlooked and undervalued story is a tight, claustrophobic and clever tale that's highly enjoyable - and is now backed up by a series of great extras.

Special Features:

Commentary - Toby Hadoke is once more in the Captain's Chair for this commentary with William Russell (Ian Chesterton), Carole Ann Ford (Susan Foreman) and designer and Dalek co-creator Ray Cusick as they gather together to discuss the story, the sets and the atmosphere. There's many giggles and laughs from Carole and William, with a little more serious talk from Mr Cusick. Always interesting, and informative - a really well brought together team enrich the release with ease. Very nicely done.

Looking For Peter - The always engaging Toby Hadoke (yes, him again!) embarks upon a hunt for the Doctor Who writer Peter R Newman. Not going to be easy, considering there's not a lot written online - or aywhere else about the man. Calling in everyone from Rob Shearman (Dalek) to the mighty Doctor Who Magazine, Toby turns detective to look at this enigma in the Doctor Who world... Their results... well, you'll have to watch it and find out!  Little visual treats include a few Daleks and the occasional TARDIS in Toby's place, a split second glimpse of the Doctor Who scarf (sans moths) from his one-man show, and visual proof that he needs to clean his DVD remote control...

Vision On: Clive Doig - he of Jigsaw, and the aforenamed Vision On, talks about his time as a vision mixer on Doctor Who in the 1960s. With mentions on fluffed lines and things that didn't work (we're looking at you, TARDIS doors!) and producers' quirks to discussing Who's successes with the late, great Verity Lambert. A fun little piece on early Doctor Who, with possibly the best title music available. If you ever sent in a piece of artwork to The Gallery from Vision On or Take Hart; or if you remember Morph or the wonderful, much-missed Tony Hart, you'll recognise the music instantly!

Secret Voices of the Sense Sphere - A very short piece on a mystery voice talking behind Susan in The Sensorites, and what caused the technical blunder that let us hear her... quite interesting for a two minute featurette, really. Also lets you know just what the equipment was like in the studio during the early years of Who. Hardly vitally important information we all need to know, but like all the best little snippets of Doctor Who infomation, it sheds light on something fromt he show's past in a fun, entertaining way.

Coming Soon Trailer - Not one story, but three!  Revisitions Box 3: The Robots of Death, The Three Doctors, and The Tomb of the Cybermen all get a refreshed release with new extras and new techniques of restoration applied to them; and from the clips shown, all three look amazing!

Info Text - The usual on-screen text during the story gives facts, figures, biographies and trivia whilst the drama plays out; including in Episode One, a breakdown of a visually stunning and unique piece of camera trickery and scene cutting in classic Doctor Who, that lends a huge amount of credence to the idea of the TARDIS' dimensional properties.

Photo Gallery - The usual selection of publicity shots and behind the scenes shots of the cast, crew and sets from The Sensorites, all looking sharp and wonderful, and sets to a variety of strange and wonderful noises from the BBC Radiophonic Workshop that sound like a mix of the TARDIS going haywire mixed with a Hoover heading for a breakdown. The pictures also show how wonderfully daft the Sensorites' costumes are...especially their feet!

The usual Subtitles and Audio Navigation for those who may want or need it, and the PDF Radio Times clippings and programme segments finish off this release nicely.

The Sensorites DVD does a lot to redress the various injustices thrown at the story over the years, giving it a smart new makeover so it looks and sounds great, and some solid backup featurettes. It may never be the huge fan favourite it deserves to be, but there's a lot of love about this story, and indeed this release. A great addition to the First Doctor stories, and a worthwhile purchase for any fan of Doctor Who and it's early years.

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Manufacturer: Big Finish Productions

Written By: Robert Banks Stewart, adapted by John Dorney & Philip Hinchcliffe, adapted by Jonathan Morris

RRP: £55.00

Release Date: 31st January 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 13th January 2012

Tom Baker’s first Big Finish audio adventure is finally here and what better way to celebrate than with the simultaneous release of The Fourth Doctor Lost Stories Box-set.

Just as Destination: Nerva set out to celebrate one of the most iconic settings of the early Tom Baker era, this box-set unearths the lost contributions of two giants of that part of the show’s history.

Robert Banks Stewart was the man behind two classic Tom Baker stories; Terror of the Zygons and The Seeds of Doom. To see an unfinished story of his brought to completion is, for me, one of the great selling points of this set. If that wasn’t enough, the latter story was conceived by none other than Philip Hinchcliffe, one of the most celebrated of Doctor Who’s producers, and the man heavily associated with the success of the Tom Baker period of the show.

The Foe from the Future

By Robert Stewart Banks (adapted by John Dorney)

The TARDIS lands in the village of Staffham in 1977 and it isn’t long before the Doctor and Leela are caught up in strange goings on. The Grange, a stately home in the forest outside the village has long believed to be haunted and recently frightening visions of Highwaymen and Cavaliers are appearing at an alarming rate. The Doctor doesn’t believe in ghosts, but when a man turns up dead, his curiosity is piqued.

What do these haunting have to do with the rather mysterious owner of the Grange, Lord Jalnik, and what precisely is he up to? The Doctor soon uncovers a plot that spans across two thousand years, and if it succeeds, history will cease to exist.

The Foe from the Future was the story that was replaced by The Talons of Weng-Chiang and it is easy to see why as the scope of this tale would’ve stretched even the most generous BBC budget. It dashes backwards and forwards through time, has a rather large supporting cast and a creature whose impact may have suffered at the limitations of the decade’s special effects. But thank goodness Big Finish have brought it back to life as The Foe from the Future turns out to be one of the most enjoyable plays the company has produced.

Everything about this production is first rate. Tom Baker is quite simply brilliant and you can hear he is having a jolly good time with how mad the play gets. Louise Jameson is superb too, and both the leads are complimented by a fine supporting cast, the most notable member being Paul Freeman as Jalnik. Freeman is a joy to listen to in his portrayal of a rather unhinged and pathetic shadow of man, bringing easily to mind the more complex villains of this era of Doctor Who. Special mention must go to Lousie Brealey, who wonderfully plays the affectionately named “Charlotte from the Village”.

John Dorney is to be commended for his sterling adaptation of this story, as it is filled with action, mystery and a surprising but not unwelcome ghoulish sense of humour.

A six part story must have been a mammoth undertaking for Big Finish, but not one episode is dull or unnecessary. It is a remarkable achievement and it has already become a favourite of this reviewer. 

The Valley of Death

By Philip Hinchcliffe (adapted by Jonathan Morris)

The Victorian explorer, Cornelius Perkins, mysteriously vanished in the jungle whilst searching for the lost city of the Maygor Tribe. His diary however was recovered and fell into the hands of his Great Grandson Edward. Edward is now planning a new expedition to pick up the trail from where his ancestor left off, the entirety of which to be covered by photo journalist Valerie Carlton. The diary's descriptions of what appears to be a crashed spaceship alert UNIT who send along their scientific advisor and his savage companion to join Perkins in his quest.

When their plane crash lands in the middle of the jungle, things begin to go from bad to worse. Amongst the thickness of the trees and vines, strange creatures are waiting and tribesmen are watching, as the Doctor, Edward, Valerie and Leela step ever closer towards the fabled Valley of Death. What they find there, will be far more deadly than mere legend.

The Valley of Death is great fun, particularly the opening two episodes. They have the feel of a Boys’ Own adventure with some dashes of Indiana Jones and a deliciously science fiction twist. The cast are quite clearly enjoying themselves throughout and Tom Baker and Louise Jameson are building an incredibly strong partnership in these plays already. The genuine affection and mutual respect the Doctor and Leela afford to one another is played beautifully and I really hope these Lost Stories and the first Series of Fourth Doctor adventures will not be the last we see of them.

The best performance of the play is by far Nigel Carrington as the central antagonist of the piece Emissary Godrin. He is a wonderfully fiendish creation; a warped genius with a cruel sense of humour, which makes him an excellent opponent for the Fourth Doctor.

A story of two halves, the first two episodes of The Valley of Death are based exclusively in the jungle and the play shifts not only location but tone for the last two episodes. There could have been a danger in losing the momentum and atmosphere created by the opening episodes but this change only serves to enrich the adventure.

Although is not as strong as The Foe from the Future, The Valley of Death is a highly enjoyable adventure and a great closing story for the box-set.

If you have never listened to any of the Lost Stories or even bought any of Big Finish’s box sets, this is would be the place to start for any true fan as it is a brilliant recreation of classic era Doctor Who.

Despite some minor niggles here and there this box set it is as close to perfection as you can get with well deserved full marks. 

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Manufacturer: Big Finish Productions

Written By: Nicholas Briggs

RRP: £10.99

Release Date: 31st January 2012

Reviewed by: Matthew Davis for Doctor Who Online

Review Posted: 12th January 2012

The wait is over. This is the moment many Doctor Who fans have longed for: Tom Baker’s first Big Finish Doctor Who audio adventure. The weight of expectation for this release is enormous and it shows just how important Tom Baker is in the history of Doctor Who and to its many fans.

After years of resisting, and with a little encouraging from Nicholas Briggs, Louise Jameson, and even DWO itself, Tom Baker finally came round to working with Big Finish - and not just for a one off. Destination: Nerva marks the first in many more adventures to come and from the evidence of this release; it is a rather jolly good start.

After the defeat of Magnus Greel (in the televised story; The Talons of Weng-Chiang), The Doctor intends to further Leela’s education, but is interrupted when the TARDIS receives a mysterious signal. Leading them to a Victorian mansion owned by the mysterious Lord Jack, they discover a massacre inside the house; Soldiers and Alien beings lie dead at each other’s hands. The words of the last dying creature, a Drelleran, spur the Doctor and Leela on the trail of a stolen spaceship, little knowning the chase will bring the Doctor back to a familiar place from his past.

The newly built Nerva space dock is undergoing constant repairs and as a maintenance ship arrives to sort out the problems, a mysterious pod arrives carrying with it something so deadly that it could destroy the whole human race. As the threat consumes Nerva, The Doctor must try to figure out how the evils of the past may have a dangerous impact on the future of mankind.

Now it must be said, as delighted as fans were that Baker was to make his Big Finish debut, there were one or two concerns from others. How would Baker be in the productions? Would he ham it up and not take it seriously? Would he sound bored and unmoved by what he was performing?

Fortunately all would prove unfounded, as Baker’s performance is fantastic! He slips back into the role of the Fourth Doctor with such ease it's almost as if he never stopped playing the part. He is funny, moody, mad and just as heroic as you remember him. It is quite clear from listening to him here that Baker is having the time of his life in the part once again. It is this enthusiasm for the role that reignites his excellent chemistry with Louise Jameson as Leela, and the two of them carry the play beautifully. Despite the passage of time, they sound almost exactly as they did back in 1977, and you cannot help but be captivated by their performances. The benefit of audio has allowed The Doctor and Leela’s relationship to deepen, and if this develops throughout the rest of the series, they are going to make an excellent TARDIS team once again.

As for the supporting cast, many of whom are in roles that are seemingly more to serve the progression of the story than anything else; all do well, with special mention going to Raquel Cassidy. As Dr Alison Foster, Cassidy puts in a lovely, subtle and moving performance which is a perfect counterbalance to the big personality of Tom Baker’s Doctor. But this is Baker and Jameson’s show, and every time they are not present in the story, you are yearning for their immediate return.

Writer and director Nicholas Briggs, knows that this story has to lay down a mission statement for the Fourth Doctor adventures as a series. Destination: Nerva is not always successful in its approach but it is still highly entertaining. The opening sequence in the mansion is very effective and engrossing and the sudden jump to Nerva is at first a little jarring. The play then takes a while for the pace to pick back up, as it carefully sets up the events that are to play out in the second episode. But by the action-packed and rather gruesome episode two, the story finds itself back on track.

Briggs has recreated an authentic atmosphere of the latter part of the Hinchcliffe era and there is also a whiff of The Ark in Space. This is not just with the inclusion of Nerva, but the rather horrible moments of body horror as, without giving too much away, human beings are consumed by a biological threat.

The ultimate revelation of the enemy’s identity is not too surprising but Brigg’s idea of what would happen if the jingoistic policies of the British Empire went to space is highly intriguing. It is not explored as much as you would like, given the two episode format, but Briggs gives us just enough to turn what could have been another base under siege story into something more thoughtful.

Everything about the production seems keen to recreate the feel of the Tom Baker era, right down to the old Radiophonic Workshop sound effects and Jamie Robertson’s Dudley Simpson-esque musical score. Technically, the production is flawless, and if you were a viewer back in the seventies, it is indeed like Saturday Night Teatime all over again.

Destination: Nerva, is a story which has a bit of the old and a bit of the new, and while not everything about the story works perfectly, it is still very good fun and a fantastic debut for Tom Baker at Big Finish.