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7.7: The Rings Of Akhaten - Overnight Viewing Figures

The overnight viewing figures are in for 7.7: The Rings Of Akhaten.

The episode achieved a figure of 5.5m viewers, with an audience share of 29%, and Doctor Who was the third most-watched programme for Saturday, winning its time-slot for the evening.

Top Overnights - Saturday 6th April:

1 - 7.3m - Saturday Night Takeaway - ITV1
2 - 6.4m - The Voice - BBC One 
3 - 5.5m - Doctor Who - BBC One

Final BARB ratings will be available within the next 10 days.

+  What did you think of the episode? Rate / Discuss in the DWO Forums!

[Source: Andy Parish]

The DWO WhoCast - Episode #286

Episode #286 of the DWO WhoCast, Doctor Who Podcast is Out Now!

In this week's episode of the DWO WhoCast...

Dave and Thomas are transported to The Rings of Akhaten where they witness The Doctor and Clara battle an ancient evil for the soul of a young girl meanwhile Elizabeth and Michelle are stuck in the past with The Doctor and Sarah Jane in Tom Baker's first adventure Robot.

It's like a podcast version of Mawdryn Undead except it isn't really.

Listen to Episode #286 of the DWO WhoCast in the player below:

+ Rate / Review the DWO WhoCast on iTunes!
Rate / Review the DWO WhoCast on the DWO Forums!
Follow the DWO WhoCast on Twitter!
Like the DWO WhoCast on Facebook!

[Source: DWO]

The 50 Year Diary - Day Ninety-Six - Horse of Destruction

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Six: Horse of Destruction (The Myth Makers, Episode Four)

Dear diary,

Can we please have a petition to change this episode's title back to Is there a Doctor in the Horse?, as Donald Cotton originally suggested? I'm willing to mount quite an aggressive campaign in favour of this.

Do you know, I'd completely forgotten about Katarina. I knew that this was Vicki's final episode. I knew that Katarina existed. And yet I'd not managed to put two and two together to remember that she was actually going to turn up in this story.

It's odd, considering how much time I spent yesterday praising the amount of care and attention given to the departure of companions in these early days, to then be confronted with a new addition to the TARDIS who simply turns up in the last episode, and doesn't even play a vital role until the very last scene! If anything, she feels like a temporary stop-gap companion, but that's possibly because I've always known her to be just that - but there'll be plenty of time to discuss Katarina's companion status during the next story, I'm sure.

Elsewhere, the departure of Vicki is still handled magnificently, right until the end. As I've said, I know that this is Vicki's last episode, but when we hear the TARDIS dematerialise, having seen the Doctor and Vicki venture inside it towards the end… it threw me. I wondered if I'd understood the terms of Vicki's departure wrongly for all these years, and that we might be getting what you might call a Time-Flight situation developing.

But when we cut from that to Trolius injured out on the plains, calling for his newfound love as the city burns before him, and Vicki appears to him, having opted to remain behind so that he wouldn't think she'd misled him… Oh, of course it's well handled. It's actually incredibly moving in a way that I wasn't expecting it to be, and the appearance of Trolius' cousin serves to suggest that there's a real future for Vicki here, in the same way that David's outstretched hand and Ian and Barbara laughing on a bus did for them.

Elsewhere, this is quite a dark episode, especially following the humour that I'd grown used to from the last few day's entries to the diary. The latter half of the episode basically consists of the city burning while the Trojans are massacred by the Greeks. Having experienced this entire story via the narrated soundtrack, I had grown used to the feel of listening to Doctor Who as audio again, and there's not much left to the imagination in this way.

It's perhaps another reason to be pleased that I'm experiencing the story in this way - there's a moment when Peter Purves' narration describes the Greeks opening the gates of the city, and a whole army flooding in to win the war. On screen, I can imagine this being a few extras running in, swords aloft. In my mind, it could almost look like a scene from Lord of the Rings. I do usually picture things as looking more-or-less the way I think they would have done on screen (that's the result of moving through the series at this pace and in this way!), but the sound design here is too good to not suggest more.

On the whole, The Myth Makers has been an odd one. It's moved from something that didn't really appeal to me, to being funny, dramatic and moving to varying degrees throughout it's last three parts. This is the first time in the marathon that I've encountered one of those stories that I really know little about - aside from the departure of Vicki - and so it's a very interesting time for me.

Hopefully, that'll be continuing into the next story. While I know it's the single longest story from the 1960s, features the Daleks and has a Christmas episode hovering around in the middle, I don't really know all that much about The Daleks' Master Plan. And so we move into what I'm likely to be calling Dalek Fortnight

Next Episode: The Nightmare Begins

Next Episode: The Nightmare Begins 

The 50 Year Diary - Day Ninety-Five - Death of a Spy

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Five: Death of a Spy (The Myth Makers, Episode Three)

Dear diary,

Something that I've found a little odd so far is the way the Doctor has reacted to being forced to make plans for getting the Grecian army into Troy. Yesterday, Steven suggested the obvious one - let's build a great, big, wooden horse. You know, like it says in all the legends of this war. The Doctor's dead set against the idea, because it was all made up and probably never even happened… and then he goes an suggests that they build gliders and flying machines to sail over the walls of the city!

Still, it's really only an excuse to give the Doctor something to play around with for an episode or so, until they're ready for him to announce his plan to use the wooden horse after all part-way into today's instalment. This way, everything is in place ready for the final episode. I can't complain, though, as we do get some rather nice comedy as the suggestion is made that the Doctor be the first man to fly into Troy, and he swiftly tries to back-track!

The comedy is a bit toned down for this episode compared to the last, although there's still plenty of it in evidence. There's a lovely discussion between Vicki and Steven as they find themselves locked away in the dungeon, where he protests that he's dressed as a Greek to come and rescue Vicki, and she droles 'You've done a beautiful job'. It's nice to see the pair getting some time together again here - I'm really going to miss the pairing of Steven and Vicki.

It's a period in the companionship of the programme that I've never really considered before. In my mind, the Hartnell era is usually Ian/Barbara/Susan - Ian/Barbara/Vicki - Steven/Dodo - Ben/Polly, and then onto the Second Doctor. I wonder if it's because this is such a short pairing together (only 13 episodes, if we count the end of The Chase)? A real shame, though. I even spent some time wondering if I could slip in a Big Finish adventure for the pair before embarking on this story, but it didn't seem right to have a more contemporary tale thrown in. It's definitely going to the top of my list for the future, though!

One of the most interesting aspects of this episode is sadly overlooked rather early on. While the Doctor is being given just one more day to devise a plan to invade Troy, Vicki is tasked to coms up with a way to stop a potential Grecian invasion, and to bring a swift end to the war. Steven sums it up best, when he says that it's Vicki against the Doctor, and knowing the Doctor, he's probably already got a good plan.

There's something quite intriguing about having the Doctor and his companions on opposite sides of a battlefield, each working against the other without truly realising it (come to think of it, isn't there a book along those lines? Though with a different incarnation of the Doctor on each side? Or did I imagine that? If there isn't then there should be!). It's a shame, then, that this is swept under the rug so quickly, when the Doctor's actions see Vicki released from prison and praised for winning the war, without ever lifting a finger.

Before she's released, though, we get a lovely scene between her and Trolius. I commented when Ian and Barbara left that the programme at this stage was still very good at setting up a companion's departure, and it's been really well handled again, here. Little hints yesterday that the pair may be falling for each other are enough to start the ball rolling, but it's really brought to the fore here, as they talk together - ignoring Steven for the most part - and Vicki sighs that she thinks she'd be very happy here, in time. I really can't fault the work being put into this area here, and special praise must be reserved for Maureen O'Brien, who turns in one of her very best performances in the programme for the scene.

Next Episode: Horse of Destruction

Next Episode: Horse of Destruction 

Eccleston Pulls Out Of 50th Anniversary Special?

Some conflicting reports have appeared online and in printed newspapers that Christopher Eccleston (The 9th Doctor) agreed to appear in the 50th Anniversary Special, and then pulled out.

The rumours, which were unsurprisingly started by The Daily Star newspaper, claimed Eccleston was all set to star in the special but as filming started, he apparently pulled out.

An official BBC source (speaking to Digital Spy) has reportedly claimed that: "Eccleston was never attached to the 50th and the decision has had no impact on production." The source was further quoted as saying the following:

"Chris met with Steven Moffat a couple of times to talk about Steven's plans for the Doctor Who 50th anniversary episode. After careful thought, Chris decided not to be in the episode. He wishes the team all the best."

Further rumours claim that Paul McGann has stepped in and the storyline originally intended for The 9th Doctor has simply been swapped for The 8th Doctor.

According to The Independent newspaper, The 9th Doctor may still have an appearance in the special:

"Fans might still get the chance to see Eccleston's portrayal of The Doctor as show bosses are rumoured to be planning to use old footage of previous doctors for the special show."

At this stage we would suggest taking all rumours with a pinch of salt until confirmed by the BBC.

[Sources: The Daily StarDigital Spy; The Independent; DWO]

The 50 Year Diary - Day Ninety-Four - Small Prophet, Quick Return

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Four: Small Prophet, Quick Return (The Myth Makers, Episode Two)

Dear diary,

Well today's episode has certainly picked things up a little for me! I still don't know enough about the events of Troy to get as much from it as I should, but with references to the wooden horse, and suggestions of things being brought into Troy with Greeks hidden inside… there's enough here for me to latch onto.

Perhaps the best thing about this episode, though, is the addition of the Troy characters. They've got a sense of humour to them that really struck a chord with me, creating a historical comedy that I'm enjoying, as opposed to something like The Romans, which didn't appeal. I wonder if it's because I knew that The Romans was supposed to be a comedy, and as such was waiting for it to make me laugh. With The Myth Makers, I was expecting a more traditional tale (and that's certainly what Episode One seemed to promise), so the comedy is an unexpected and happy addition.

I think Paris has to be my favourite of the characters on display, and he certainly gets the best of the more humorous moments from the script. The way he mocks Cassandra over her ability to tell the future ('I'm sure you don't have a monopoly on it') and his sense of pride at having captured the - unguarded - police box from the middle of the plains ('What use is it? What use is it? Well, I've not idea, really…').

It's nice to see Vicki brought back into the action again today, too, and given more of a presence in the story. The moment that she emerges from the TARDIS at just the right moment to be mistaken for a God is still fun, just as it was with the Doctor in the last episode, but it's nice to see her cutting though the pomposity almost instantly, telling the assembled crowd that she's nobody important, just a girl from the future.

All round, there seems to be a lot of open and honest talk about where our regulars have come from. Vicki tells the Trojans, while Steven explains their predicament with the Greeks (calling it a 'miscalculation' on the Doctor's part, who seems pretty pleased with himself to have managed to land on Earth at all). It's unusual to hear them talking like this - not something we're often shown. It's another (albeit minor) step down the road of this history-altering arc we've been on.

Next Episode: Death of a Spy

Next Episode: Death of a Spy 

Doctor Who Magazine - Issue #459

There's sssssomething very sssssspecial in the new isssssue of DWM!

The new issue of Doctor Who Magazine hits shops Today (Thursday 4th April), and features full previews of next few episodes to hit your screens over the next few weeks – and writer MARK GATISS tells DWM how excited he was to bring back one of Doctor’s Who’s iconic monsters in Cold War:

 “The Ice Warriors are back where they belong and I’m absolutely thrilled! Whilst absolutely respecting the source, the source has huge gaps in which you can invent. I was talking to a couple of members of the crew, and they had no idea the Ice Warriors were an old monster. It’s very powerful. You don’t need to know they first appeared in the 60s.

I thought, 'Why don't we put the Ice Warriors on a sub?'" Mark continues. "And suddenly it all clicked! The submarine set is amazing. Fantastic! The moment it's all lit and full of steam, it's incredibly believable."

Also in this issue:

HIDE AND SEEK - JESSICA RAINE, soon to be seen as Doctor Who’s original producer Verity Lambert in An Adventure in Space and Time and star of Call the Midwife, reveals all about guest-starring in the forthcoming episode Hide – and how she believes in ghosts!

WHERE THERE’S A WILLS ANNEKE WILLS looks back on her time as glam-girl Polly, companion to the First and Second Doctors – and how thrilling it was to be present at the first-ever regeneration.

THE MARTIAN CHRONICLES - As The Ice Warriors return to menace The Eleventh Doctor, DWM winds back the clock to 1967 and the Doctor’s first encounter with the Lords of the red planet. Discover a wealth of fascinating facts about what happened to The Second Doctor, Jamie and Victoria when they fought Varga on Britannicus Base as THE ICE WARRIORS is thawed out in The Fact of Fiction.

MAN AT THE TOP Doctor Who lead writer and executive producer STEVEN MOFFAT answers more of your questions – including what Blink and his his other stories were originally called...

ROAD RAGE - The Tenth Doctor and Martha Jones get stuck in traffic when they travel into the future for a visit to New Earth. THE TIME TEAM get caught in the Gridlock, but what will Will, Emma, Chris and Michael make of it all?

TRIBAL DANCE - The Doctor faces his past in more ways than one as the Hunters are revealed to be the unearthly Tribe of Gum! The Doctor, Ian and Barbara attempt to unravel the mystery in Part Four of our epic comic strip, HUNTERS OF THE BURNING STONE, written by SCOTT GREY and illustrated by MARTIN GERAGHTY.

SECOND HELPINGS - it’s 2006 and Doctor Who has become the most talked about show on TV! DAVID TENNANT is the new Doctor, BILLIE PIPER plays Rose – and the sky's the limit on the trip of the a lifetime. DWM's trip through five decades of adventure reaches Series 28 in COUNTDOWN TO 50!

PRACTICAL PARENTING - What do you do when your children swap Time Lords for another interest? JACQUELINE RAYNER soothes the fevered brow of Doctor Who-loving parents everywhere in RELATIVE DIMENSIONS.

CAUGHT IN A VACCUUM - The Watcher ponders the triangular nature of one of Doctor Who’s greatest design innovations in A History of Doctor Who in 100 Objects, jumps to the left for a Rocky Horror-themed Six Faces of Delusion and dazzles with more entries from the Stockbridge English Dictionary. Its WOTCHA!

PLUS! - All the latest official news, reviews and previews from the worlds of Doctor Who, prize-winning competitions and crossword, and, much, much more.

+  Doctor Who Magazine Issue #459 is out Out Now, priced £4.75.

+  Subscribe Worldwide to DWM from just £17.99 via Unique Magazines!

+  Check Out The DWO Guide to Doctor Who Magazine!

[Source: Doctor Who Magazine]

Doctor Who Executive Producer Job Advertised On BBC Careers Website

The BBC have advertised the role of Executive Producer for Doctor Who on their BBC Careers website.

The position which became available when Caroline Skinner stepped down earlier last month, has been temporarily occupied by Faith Penhale, while the replacement is found.

The role will be for a 20-Month contract, which confirms (in case anyone doubted) that Doctor Who will be in production in 2014, and the closing date for applications is 14th April at 11:59pm (to be precise).

Below are details of the role and its requirements, as per the posting:

The Role

"We are looking for someone with extensive experience in producing complex action packed drama which appeals to the broad BBC One audience, who will help develop, communicate and implement the creative vision for our show. 

As Executive Producer you will be responsible to the Head of Drama, Wales, for the editorial, production and financial management of Doctor Who. The successful candidate will therefore have extensive production experience in popular and complex primetime television series and be confident in leading and inspiring a team to create their best work.

Working closely with our Lead Writer you will consistently deliver fresh, original, high quality and high profile episodes of Doctor Who to BBC One."

Requirements

"If you are strong editorially, driven, self-motivated, approachable and passionate about making popular, ground-breaking television drama, we’d love to hear from you.

Experience of producing complex period dramas including effects is essential. You must have original and creative ideas for storylines and characters as well as the skills and abilities to communicate these to the team.  You need experience of leading a production team; an eye for detail and be used to working with internal and external stakeholders such as co-producers.  You’ll be privy to confidential and commercially sensitive information so it’s important you understand how to handle this. In addition you’ll have an awareness of our audiences and the knowledge of professionals within the industry including writers, directors, production teams and actors. This is not your normal 9-5 job, so you will need to be flexible with your time and duties and demonstrate resilience."

It is worth noting that advertising a vacant job role is a legal requirement and the role may very well be filled or partie(s) approached already.

[Source: BBC Careers website]

The 50 Year Diary - Day Ninety-Three - Temple of Secrets

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start... 

Day Ninety-Three: Temple of Secrets (The Myth Makers, Episode One)

Dear diary,

It's not a particularly original thing to say, but crikey this isn't half a tonal shift coming from Mission to the Unknown. It seems like such a culture shock to have spent an episode in an alien jungle, with Varga plants and Daleks, alongside a whole host of alien delegates… to suddenly find yourself on the plains of ancient Troy, where a couple of chaps are having at each other.

That said, it's the kind of trick I can imagine the new series pulling - two people from history engaged in battle, when one asks for a sign from the gods, and the TARDIS arrives, right in the middle of the battlefield! That's a more elaborate way of showing the events here (the narration on the soundtrack describes the pair as 'not even noticing' the blue police box. Hm, somewhat less impressive).

And then you've got the Doctor being mistaken for Zeus. It's quite fun, and I like how amused the Doctor is by this notion, especially considering the way that Barbara used a similar situation for her own ends two seasons ago. I like the way he pretends not to know Steven, but suggests that he be taken to his 'temple' (the TARDIS) for his execution, promising to show those who don't believe in him a miracle.

Otherwise, you could be forgiven for assuming that this episode was setting up a holiday for Maureen O'Brien. Having taken part in the early TARDIS scenes, Steven asks her to remain behind in the ship… and we don't hear from her again! Most unusual. I'm guessing that she'll have a bigger role to play in the next episode, though, now that the 'temple' has gone missing.

Now, I have to admit, I'm not particularly well-versed in my ancient Greek mythology, and so much of the stuff in this episode (and indeed through the rest of the story) is likely to go right over my head. I have to admit that there were parts of today's instalment that left me a little cold - longing for a Dalek, even! I dread to think how kids reacted in 1965, getting only a single week of the pepper pots before being plunged into such dense history, but I'm keeping an open mind. I've herd plenty of good stuff about this story in the past, so I'm hoping that it delivers!

Next Episode: Small Prophet, Quick Return

 

Series 7 Official Synopsis' For Episodes 10-13

BBC South Africa have unveiled brief, official synopsis' for the rest of Doctor Who Series 7 Part 2.

7.10: Journey To The Centre Of The TARDIS

The TARDIS has crashed, Clara is lost inside, and the Doctor has 30 minutes before his ship explodes!

7.11: The Crimson Horror

Something ghastly is afoot in Victorian Yorkshire, as bodies are found with their skin a waxy, glowing red.

7.12: Nightmare In Silver

Hedgewick's World of Wonders: the perfect theme park day out - and ground zero for a deadly silver resurrection.

7.13: The Name Of The Doctor (rumoured title)

Someone is kidnapping the Doctor's friends, leading him towards the one place in all of time and space that he should never go.

Check Out DWO's Guide to Series 7 Part 2, below:

 W = Written By / D = Directed By:

7.6: The Bells Of Saint John - [W: Steven Moffat / D: Colm McCarthy]
7.7: The Rings of Akhaten - [W: Neil Cross / D: Farren Blackburn]
7.8: Cold War - [W: Mark Gatiss / D: Douglas Mackinnon]
7.9: Hide - [W: Neil Cross / D: Jamie Payne]
7.10: Journey To The Centre Of The TARDIS - [W: Stephen Thompson / D: Mat King]
7.11: The Crimson Horror - [W: Mark Gatiss / D: Saul Metzstein]
7.12: Nightmare In Silver - [W: Neil Gaiman / D: Stephen Wolfenden]
7.13: The Name Of The Doctor - [W: Steven Moffat / D: Saul Metzstein] - Rumoured Title

[Source: BBC South Africa]

The 50 Year Diary - Day Ninety-Two - Mission to the Unknown

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Ninety-Two: Mission to the Unknown

Dear diary,

When you think about the early years of Doctor Who, the Dalek serials divide themselves up quite nicely. One in the first season, two in the second, a feature-length adventure for the third year, and then back to having two for the fourth, before they disappear from screens for a bit. Watching the marathon in order like this, though, you realise how darn quick this one comes around again - wasn't it only about a week ago that I last watched the Daleks trundling around in a jungle?

Much like the fantastic timings of The Reign of Terror and Galaxy 4 on DVD, this episode has come around just right for me, with the animated version being posted online about six weeks ago. I know there was a lot of talk about the episode at the time, but I purposely avoided it all. I wanted to wait and experience it in context with the rest of the marathon. It's also quite timely considering I realised yesterday that there's about as many missing episodes left to wade through as there are episodes that I've already experienced. That was a scary thought.

So then! This story has the infamous distinction of being the only episode of Doctor Who to feature neither the Doctor or any of his companions. Ellie found it a most bizarre concept to get her head around, and wondered why it was even considered a part of the series. In some ways, I figure that she probably has a point. I'm hoping that events of this story will prove to be integral to the upcoming Dalek epic, but I have a feeling that it could be boiled down to just a few bits of the scenes featuring the Daleks and the array of weird and wonderful alien delegates - something tells me that's all I'm going to need to know from this one.

And that's kind-of ok. Certainly the aliens turning up was one of the stronger parts of the episode. I have to confess that I found the opening to be more than little dull, and I wasn't relishing the project of a full episode of two new characters stood around repairing a spaceship. It's telling that it picks up for me once the Daleks start to pursue them through the jungle, and eventually kill them. The Daleks here are colder than we've seen them for a while, and that's an interesting development.

One of the things I did pick up on during this one, and possibly as a result of this coming so close to The Chase*… Terry Nation does *really like the idea of plants that are part vegetation, part animal, doesn't he? I know that it's something of a joke within Doctor Who fandom - one of those ideas that he reuses time and time again, but actually, it's glaringly obvious when you sit down to watch it! We had a cliffhanger built around it in The Keys of Marinus, last week the Doctor was commenting on how fascinating it was on Mechanus, and now we've got the Vaaga plants here.

Actually, though, I'm not really complaining. The idea of the Vaaga plants is by far the most interesting one that Nation has given us in this theme. I like the idea that they are part animal because they've taken over a living creature, and it does make for quite a chilling moment as several of the plants move in on the spaceship and its remaining crew, even more so when you remember that one of the plants was their former crew-mate.

It's another area where it's perhaps better than this episode exists now as animation rather than physically in the archive. The effect of the Vaaga plant shuffling toward you, or as a person transforms into it, it rather well realised, here, though I'd imagine it could look less effective in the studio in 1965. The same is true for the moment that the Daleks destroy the spaceship, and it's described as 'just falling apart' - something that would either really work, or really not in the studio.

On the whole, I think I was rather fond of the animation used here. It took me a while to get over the fact that the Daleks all seem to have the wrong dimensions (but then, I'm a Doctor Who fan. Of course that was going to irritate me!), but I think it helped this episode fare better in my estimation than just the soundtrack might have. I don't think this was as polished at The Reign of Terror or The Invasion, but it's certainly nice to have it in existence.

Barring unforeseen miracles, this is the last time that things will fall into place just in time for the marathon. The other upcoming animations - for The Tenth Planet and The Ice Warriors - won't be available until long after I've passed those stories in the run. It's a shame, as I head deeper into the wastelands of 1960s Who, but it's been nice to have so many things arrive just in time so far.

Next Episode: Temple of Secrets

Don't forget to 'like' the 50 Year Diary Facebook page ! I'm sure I'll be using it to ask questions etc in relation to the marathon! 

The Zygons Return For The 50th Anniversary Special

The BBC have confirmed that Classic Series villain, The Zygons, are returning to Doctor Who for the show’s 50th Anniversary Special.

Aside from flashbacks these malevolent shape-shifters have only appeared once before, threatening Earth in the Fourth Doctor adventure, Terror of the Zygons.

Despite the fact that their solitary outing was over thirty years ago they remain a popular old enemy and in the 2010 episode, The Pandorica Opens, they were amongst the massed aliens said to be gathering above Stonehenge.

Later, in The Power of Three, we learnt that Zygons had one of their ships under the Savoy Hotel in 1890 and apparently replaced half the staff with imposters! But this time they really are back…

A promotional image (pictured-right) has been released showing the updated Zygon on set.

More 50th Anniversary related announcements will be made shortly...

[Source: BBC]

The Roots Of Evil - eBook Cover & Details

The fourth instalment in a sensational series of stories celebrating the 50th anniversary of Doctor Who is written by Philip Reeve, award-winning author of Mortal Engines, Here Lies Arthur and GOBLINS.

Speaking to DWO, Philip had the following to say on his upcoming title:

"It's been a great treat writing for The 4th Doctor and Leela. I've tried to include plenty of scarf and jelly baby action, a roll-on part for K9, and the sort of running around in corridors plot that made late 70s Saturday teatimes something to look forward to all week."

Synopsis:

When the Fourth Doctor takes Leela to visit an immense tree space station known as the Heligan Structure, little do they know that the tree has been asleep for centuries, dreaming of vengeance against a man in a blue box...

As the tree awakes, the Time Lord and his companion soon discover why they are such unwelcome guests.

Eleven Doctors, eleven months, eleven stories: a year-long celebration of Doctor Who! The most exciting names in children's fiction each create their own unique adventure about the time-travelling Time Lord.

The Roots of Evil features The Fourth Doctor and Leela, with Reeve deliberately trying to "imagine a Saturday teatime, circa 1979".

About the author:

Born in Brighton, Philip Reeve worked as a full-time illustrator before turning to writing. His first novel, Mortal Engines, won the Nestlé Smarties Gold Award (2002), the Blue Peter Book of the Year Award, and was shortlisted for both the Branford Boase Award and the Whitbread Children's Book Award. He has since won many more awards and accolades.

+  The Roots Of Evil is released on 23rd April 2013, Priced £1.99.

+  Preorder this eBook on Amazon for £1.99.
+  Preorder this eBook from iTunes for £1.99.

+  Check Out Philip Reeve's Blog.

[Source: Puffin Books]

The Doctor Exterminates Captain Birdseye For National Fish Fingers & Custard Day

Special Edition Fish Fingers with Captain Birdseye stepping aside for The Doctor have been created to celebrate the 50th anniversary of the hit TV show and mark the launch of National Fish Fingers and Custard Day (Wednesday 3rd April) - the favourite food of the eleventh incarnation of The Doctor.

The bespoke pack featuring The Doctor has been sent to Matt Smith, the eleventh incarnation of the famous character, along with a year¹s supply of Birds Eye Fish Fingers.

[Source: Mischief PR]

Doctor Who 50th Anniversary Special: The Read Through

The read through for the Doctor Who 50th Anniversary Special took place earlier this evening, (Monday 1st April), the BBC Doctor Who site confirmed.

Current Doctor Matt Smith was joined by David Tennant (pictured-right) and many more familiar faces including Jenna-Louise Coleman (Clara) and Doctor Who’s head writer and executive producer, Steven Moffat.

Over the weekend it was confirmed that David Tennant and Billie Piper would both be returning to the show for the eagerly anticipated 50th Anniversary Special. It was also revealed that screen legend John Hurt would also feature in the adventure.

The episode’s production continues all this week and the special is expected to air on the show's anniversary on 23rd November 2013.

UPDATE - Tuesday 2nd April @ 00:01am
A second image (also pictured-right) taken at the read through has now been released, simultaneously confirming the casting of Joanna Page (The SyndicateGavin And Stacey, Love Actually), for the 50th Anniversary Special. 

[Source: BBC]

The 50 Year Diary - Day Ninety-One - The Exploding Planet

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Ninety-One: The Exploding Planet (Galaxy 4, Episode Four)

Dear diary,

well here's a first for the 50 Year Diary - I watched today's episode twice. No, no, not because The Exploding Planet is the best episode of Doctor Who ever made, but because having listened to the narrated soundtrack release, I really wanted to see how the new recon on The Aztecs disc two held up.

The answer? It makes things seem a little rushed. It's odd, really, as I spent the audio version of the episode thinking on how little tension there is. They spend the time with Steven constantly asking the Doctor for a time update, and then they take a stroll back to the TARDIS before the world blows up. It's all very leisurely.

The recon, though, just makes the wrong things happen very quick. The Chumblies throw an ammonia bomb into the Drahvin's spaceship, so they all hurry outside, where they spend twenty seconds saying hello to the Chumblie, before they all turn on their heel and go back inside! At lest in the full length audio, they're outside for a while, and the Chumblie tells them when the air inside the ship is safe to enter again.

The other thing lost in the cut-down version, which really is a shame, is some depth to Steven's character. Everyone knows the big twist to Galaxy 4 - the beautiful aliens are evil, while the hideous ones are the good guys. You see it coming before you're halfway into Episode One. What's nice in the full-length Episode Four, though, is that when Steven is left alone with a Rill, he asks why he should trust the creature.

He muses that they must have given the Doctor enough evidence to be working with them, but that he's less sure. How does he know they're any different to the Drahvins? This goes on for a few moment,s before he concludes that the Doctor will have made the right choice, and he agrees to help work on the power transfer. In the cut-down version, most of this exchange is cut, and he simply agrees to help out with the power transfer as soon as the Doctor leaves the room.

If anything, this makes me even more glad to have Airlock back in the archive. The story could fall very very flat: there's nothing particularly new and exciting about it, after all. One of the most interesting things in here, though, is the way that Maaga acts during the third episode. We've seen her as steely and uncaring, dishing out punishments to her crew if they fail to obey her orders. We've seen her talk down to them, and ruthlessly trap Steven in the airlock.

But then there's s moment in that third episode, when she laments being stuck on this planet with her soldiers because they are just that - soldiers. She talks of how she tried to tell her commanders that they weren't right for a mission like this, but that they sent them along anyway. The character is given in that scene far more depth than we see anywhere else in the story. It's the one moment when she's not just your cardboard cut-out villain of the week. It's something of a redeeming feature to the character, and to the story itself.

Of course, she then goes on to talk about the thrill of watching the Doctor, his friends, and the Rills as the planet explodes around them, so there's a chance that she's just plain mad, too.

And one last thing, is the serial called Galaxy 4, or Galaxy Four? I've gone with the former because it's the more common (and I seem to remember about five years ago, when they announced the episode 42, Russell T Davies described it as being the first Doctor Who story to feature a numerical character in the title since this one), but the Target book opts for the latter version. What's everyone's preference?

(You have no idea how tempted I was to give this a '10', just for April Fool's sake. But then I figured you'd all see the score, figure I was mad, and leave for ever. Come back! Come back, I cry!)

Next Episode: Mission to the Unknown

Next Episode: Mission to the Unknown 

7.7: The Rings of Akhaten - DWO Spoiler-Free Preview

 DWO reports from The Rings Of Akhaten, with a spoiler-free preview of episode 7.7:

DWO's spoiler-free preview for 7.7: The Rings Of Akhaten.

Having finally caught up with the impossible Clara Oswald, the Doctor is determined to solve her mystery. First, though, he has a date to keep, and offers to take Clara anywhere in time and space. Armed with her trusty guide of 101 Places to See, she only has one stipulation: somewhere ‘awesome’. 

Last year, much was made about Season 7 being comprised of stand-alone episodes. Big, individual, filmic ideas that can really take in the full scope of what Doctor Who can deliver. Taking us from a Dalek Asylum, to a spaceship filled with dinosaurs and back to the old west in the space of three weeks. 

The New Series, while having more of an on-going narrative than the final days of the Ponds, still retains this style. The Bells of Saint John was typified by being set against a backdrop of twenty-first-century London icons, while this episode takes us through to another end of the spectrum, with a rich and textured alien society, where they barter with memories rather than money, and live in a world ruled in part by songs and stories. 

It’s in the design that The Rings of Akhaten really excels, with the TARDIS landing on the inhabited rings of the title, an alien civilisation with an arabic vibe. The heart of the society is the bustling marketplace - crowded streets filled with a whole host of brand new aliens. While it’s perhaps a shame not to not see any familiar faces buried within the crowds, it’s hard not to find yourself drawn in by the sheer... alienness of these new creatures. 

There’s something of a vibe of the Russell T. Davies era present here, with our brand new companion out on her first adventure. The story serves the same purpose as The End of the World or The Fires of Pompeii, and there are elements of both those stories echoed here, opening Clara’s eyes to the wonder of the TARDIS. 

We’re also given the perfect opportunity for Jenna-Louise Coleman to shine on her own terms, removing The Doctor from the equation so we can can witness her first exposure to the universe though Clara’s eyes. Matt Smith continues to - impossibly - keep getting better at simply being the Doctor, and is given plenty of time to shine in this episode, too. 

As this version of Clara first steps out into the stars, The Rings of Akhaten doesn’t disappoint. If the rest of the series continues on in the same quality displayed here, then we’re certainly fulfilling Clara’s desire - we’re headed somewhere really, really, awesome... 

Five things to look out for...

1) The Doctor is a fan of The Beano.

2) Time isn’t made of strawberries.

3) Clara’s leaf is the ‘most important leaf in human history’.

4) The Doctor gets to imitate a certain famous archaeologist.

5) Reference is made to the Doctor’s first incarnation.

[Sources: DWO, Will Brooks]

The 50 Year Diary - Day Ninety - Airlock

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Ninety: Airlock (Galaxy 4, Episode Three)

Dear diary,

I've been a good boy with this marathon. I told myself that I'd take it an episode a day, and stick to the era that I'm currently in. That means that since January 1st, the only episodes of Doctor Who that I've watched are the ones you've seen me write about for Doctor Who Online. I caught a 30-second clip of a Colin Baker episode the other day when a friend was watching and it completely there me. Who was this strange man? Why does he call himself 'the Doctor'? And what's with all the colour!

Something that's come along quite nicely for the pace of my marathon is the DVD releases this year. The Reign of Terror came out just about a week before I needed to watch it, and The Aztecs special edition - including today's episode of Galaxy 4 - was out just a couple of weeks ago. The problem is that because I'm being a good boy and not skipping ahead, I've not been able to watch this one! It's only been back in the archive for 18 months, and so the thought that it was sitting on the shelf while I was wading my way through The Space Museum was slowly killing me.

And then, on the day of the DVD's release, my friend Nick Mellish (who's opinion on Doctor Who I'd trust any day of the week. Even if he is wrong about Time of the Daleks. We wrote a whole book about it once) popped up on Facebook: “I've just watched Air Lock! A new-old episode of Doctor Who! Amazing. I mean, sort of: fair to say that the episode and story itself are rather patchy affairs, but it has its moments. Some brilliant stuff hidden in there. But, Will! New Who! A new episode! Let's face it, that's bloody wonderful regardless of quality.

Now, for me, there's slightly less of a thrill about the episode. As I said the other day, Season Three is my weak area of the Hartnell-era. I've seen bits of it (The War Machines) before, and other bits (The Gunfighters) I've been holding off watching until I finally did a marathon like this. The rest of it just doesn't exist, so I've never sought to find it. That means that many of the episode this season are going to be 'new-old' episodes of Who. Heck, the last two episodes were! And the next several are!

But there's still something special about Airlock. I think it's the magic of knowing that it was sat, unknown, in a collection for years. Waiting patiently to be discovered and reappraised again. It also helps that until a few years ago, with the recovery of a single photograph, we didn't have a clue what the Rills actually looked like! There wasn't any surviving material to show us. Throughout the 80s and 90s, you could only speculate as to what these 'hideous' creatures resembled. And now we've got a whole episode which features them! Sure, they're behind a glass screen, but we get the basic idea.

And I think, on the whole, that's why I'd much rather see at least one episode from every missing story returned, rather than a single full story. Don't get me wrong - I'd love to have a full story come back to the archives, so that we can enjoy it as originally intended from start to finish, but being able to actually see this episode has helped, a bit, to raise my opinion of the story as a whole, just as the surviving Episode Three did during The Crusade.

So! Anyway! The episode itself. My first port-of-call when loading up the DVD was to take a brief look at some of the recon bits from Episodes One and Two. Not the full thing, just snippets here and there. They look great, there's some really effective stuff in there, including the CGI Chumblies which are just adorable. Actually, that's true of the live-action Chumblies in the rest of Episode Three, too. I've long thought that Chumblies are meant to be a little bit naff, this kind of rubbish monster from the start of Season Three which doesn't quite work…

But they're ace! For a start, they've got lights inside them which flash around its body! I'm fairly sure that Peter Purves didn't describe that to me on the narrated soundtrack! They make them look far better than they might have otherwise. And the way they move is smooth and fun, gliding around the Rill's spaceship as they escort Vicki and the Doctor. Of course, it's not entirely flawless - I'm not keen on the way that the top 'dome' wobbles for a while when they come to a halt - but it's better than I'd anticipated.

Really, 'better than I'd anticipated' is a pretty good way to describe many of the things we see here. Catching the tail-end of the second episode on the recon, where the Doctor and Vicki explore the Rill ship, I was thinking how great it would be if the ship could have really looked as good as the backgrounds here, with the metallic frame and the sheets between them… and it does! That's what the ship really looks like throughout Episode Three!

On the whole, there's a lot of excitement associated with this episode, but the story itself still isn't the most fascinating thing in the world. I'm going to take the fair option and ration my excitement at actually seeing some of the story against how much the story itself is grabbing me, giving this episode:

Next Episode: The Exploding Planet

Next Episode: The Exploding Planet 

Summer Falls - Book Cover & Details

BBC Books have sent DWO the cover and details for the upcoming Doctor Who book title; Summer Falls.

Synopsis:

“When summer falls, the Lord of Winter will arise...”

In the seaside village of Watchcombe, young Kate is determined to make the most of her last week of summer holiday. But when she discovers a mysterious painting entitled ‘The Lord of Winter’ in a charity shop, it leads her on an adventure she never could have planned. Kate soon realises the old seacape, painted long ago by an eccentric local artist, is actually a puzzle. And with the help of some bizarre new acquaintances – including a museum curator's magical cat, a miserable neighbour, and a lonely boy – she plans on solving it. 

And then, one morning Kate wakes up to a world changed forever. For the Lord of Winter is coming – and Kate has a very important decision to make. 

Summer Falls’, a book written by Amelia Williams, is featured at the beginning of episode (The Bells of Saint John) of the new series of Doctor Who. It is being read by Artie, one of the children taken care of by Clara (as played by Jenna-Louise Coleman).

+  Summer Falls is released on 4th April 2013, Priced £1.99.

+  Preorder details will be available here soon.

[Source: BBC Books]

7.6: The Bells Of Saint John - Overnight Viewing Figures

The overnight viewing figures are in for 7.6: The Bells Of Saint John.

The episode achieved a figure of 6.2m viewers, with an audience share of 30%, and Doctor Who was the third most-watched programme for Saturday, winning its time-slot for the evening.

Top Overnights - Saturday 15th September:

1 - 7.2m - Saturday Night Takeaway - ITV1
2 - 6.24m - The Voice - BBC One 
3 - 6.2m - Doctor Who - BBC One

Final BARB ratings will be available within the next 10 days.

+  What did you think of the episode? Rate / Discuss in the DWO Forums!

[Source: Andy Parish]

The DWO WhoCast - Episode #285

Episode #285 of the DWO WhoCast, Doctor Who Podcast is Out Now!

In this week's episode of the DWO WhoCast...

Doctor Who returns to our screens in an adventure that sees him travel past (and up) some of London's most notable landmarks to save new companion Clara but has the latest episode been worth the wait?

Dave, Elizabeth and Michelle have a ding dong over The Bells of Saint John before our own Belles (see what we did there) Elizabeth and Michelle travel back to the era of Jon Pertwee to encounter The Daemons.

Listen to Episode #285 of the DWO WhoCast in the player below:

+ Rate / Review the DWO WhoCast on iTunes!
Follow the DWO WhoCast on Twitter!
Like the DWO WhoCast on Facebook!

[Source: DWO]

The 50 Year Diary - Day Eighty-Nine - Trap of Steel

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Eighty-Nine: Trap of Steel (Galaxy 4, Episode Two)

Dear diary,

This isn't likely to be a particularly popular comment, but I don't think that Galaxy 4 is one of the greatest losses among Doctor Who's missing episodes. That's not to say that I'm glad it's missing - I might be enjoying it even more were I able to see it properly - or that I wouldn't want to see more of it returned to the archives, but I'm glad that we've lost this one, as opposed to, say, The Time Meddler.

Yes, yes, I'm sure you can judge from that opening paragraph my feelings towards today's episode. It's that same sense of disappointment that I found myself experiencing during Season Two - It's not that there's anything wrong with the episode, it's all just too bland. The Doctor and Steven get caught in the TARDIS, where bombs are set off outside, but there never feels like any real threat.

Then the pair wander back to the Drahvin spaceship and discuss the poor quality of its design. Then they argue with Maaga a bit, before she takes one of the Doctor's companions hostages, and he goes for another walk. Ooh, exciting.

That's not to say that the episode doesn't have its merits. Steven still proves to be a real boon to the series, and his discussion with the Drahvin soldier, as he tries to convince her to go and get the better gun is fantastic. Steven knows the way that this works, and he's able and willing to play the situation to get the result he needs. It helps to give us a glimpse at his intelligence while painting a picture of the way the Drahvin society works.

I also have to give praise for the scene in which the Doctor and Vicki observe, note, collate, conclude… and then she throws a rock at a Chumblie. It's another example of the series injecting just the right amount of comedy, and I have to admit to laughing out loud when Vicki explained her method to the Doctor. It feels as though Vicki's character has been given a bit more of a rounding out over the last couple of stories again, which is nice to see.

But tomorrow is surely the bigger excitement. An episode of Doctor Who missing from the archives for several decades, and now back in its rightful home, fully restored and out on DVD just in time for me to reach it with this marathon. And just think, it's only a single dawn away!

Next Episode: Airlock

Next Episode: Airlock 

BBC And Intel Release New Doctor Who Mini-Game

As we begin a new season of Doctor Who, the BBC has teamed up with Intel to create a new mini game – giving away signed Doctor Who goodies and a Sony Ultrabook, along with 100 copies of the new Doctor Who game.

The mini-game celebrates the launch of the Doctor Who: The Eternity Clock game on Intel’s AppUp app centre (known as Knowhow in the UK). All players of the game will also receive 60% off the game.

The Knowhow and AppUp app centres, built for PCs, offer easily-downloadable programs and games – some paid-for and some free – much as the iOS and Google Play stores do for mobile. 

The mini-game and offer are only live until the end of the month, so get clicking!

+  Play Clock Quest at: http://www.doctorwho.tv/clockquest

[Source: Catalysis PR]

David Tennant And Billie Piper Confirmed For 50th Anniversary Special

The BBC has officially confirmed that David Tennant and Billie Piper will return for the Doctor Who 50th Anniversary Special.

Filming on the show, which will also star John Hurt (Labyrinth, Merlin, 1984), will start next week.

Tennant's successor, Matt Smith - also in the special with his new assistant played by Jenna-Louise Coleman - says fans "will not be disappointed" by the 3D show, due to air on 23rd November.

Tennant and Piper have long been rumoured to be making a return for the special, which is being written by the show's executive producer and lead writer Steven Moffat.

In January, Billie Piper, appearing on the Graham Norton Show, denied she would be appearing.

"I wasn't asked, no, I think Matt Smith may have said, in passing or in jest, it would be nice. I think maybe he said that and then it became something quite different, but no."

Matt Smith has said the show "manages to pay homage to everything - and look forward. I read it and I clapped at the end. I think it's hilarious, it's epic and it's vast."

Steven Moffat, meanwhile, has said he took special care to protect the secrets of the story.

"One length I've gone to which is a really good security measure - I make sure I don't get a script, because I will lose it, I forbid people to hand me one. It's on my computer under lock and key."

Other casting confirmations this week include Ken Bones as The General, Orlando James as Lord Bentham and Marshall Griffin in an, as yet, untitled role.

[Sources: BBC]

Limiteed Doctor Who Tees

Our friends over at Limiteed have some great treats lined up to celebrate the return of our favourite Time Lord today (30th March 2013).

Their Doctor Who week will feature 5 awesome T-Shirt designs from a number of talented artists and with each one being stylistically different, there's something for everyone.

Not only that, but there will be a chance for Limiteed's Facebook fans to win a free digitally signed poster of the featured day’s design, all they have to do is show the artists some love and like their Facebook pages.

This will be the first of many themed weeks that Limiteed will be running to create a buzz within fandoms alongside movie and game releases and returning series. 

We hope everyone is as excited as us for the return of the series, and will join us in supporting these awesome artists for their excellent designs. Allons-y!

To celebrate 50 years of Doctor Who, Limiteed have given DWO 50 coupon codes to get an awesome 10% discount on their tees, but hurry as once they're gone, they're gone! To take advantage of the offer, simply enter 'DWO10' at the checkout.

+  Check Out the Limiteed website.

[Source: Limiteed]

The 50 Year Diary - Day Eighty-Eight - Four Hundred Dawns

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Eighty-Eight: Four Hundred Dawns (Galaxy 4, Episode One)

Dear diary,

A nice shiny new recon of Galaxy 4 came out a couple of weeks back, as a special feature on the new release of The Aztecs DVD, as a place to house the recently-recovered third episode. Unfortunately, the recon on the DVD isn't a full length one, and the rest of the episodes have been cut down. In the interests of doing this marathon properly, I've therefore decided to stick with the audio release of the story - though I did get a nice 5-minute clip of real footage in today's episode…

One of the things I like about the narrated audios is that they allow my mind to wander a little, and take one-or-two liberties with the visual representation of the story. Having come from eighty-seven consecutive days of watching early Doctor Who evolve in its style, anything I'm imagining here isn't wildly different to what I'm used to them achieving in the studio (the planet isn't some far-flung alien visa, for example, with the suns blazing in the sky as though they were made of pure CGI), I am able to forget about any odd technical glitches, such as any damage to the set, or a snippet of boom shadow.

Imagine my surprise, then, when Peter Purves describes the world onto which the TARDIS has landed: 'the ground here is black and smooth'. I've worked in studio TC3 at the BBC Television Centre (may she rest in peace), and so the description of a studio floor was enough to pull me right out of things for a moment! I might not imagine a vast, sprawling landscape, but I might have at least imagined some sand on the ground…

In all, this first episode is something of a come-down from the highs I've had with The Time Meddler. It feels like a hangover from Season Two (which, being made at the end of that production period, I guess it is), and not one of the better examples of the run. There's some nice enough elements, but the whole thing is just a little bland.

The standout has to be the TARDIS crew, who have very quickly settled in, and who I'm liking a lot. The opening scenes here, in which Vicki cuts Steven's hair while the Doctor operates the ship are somewhat reminiscent of the first episode of The Chase, and suggest a team that are settled in with each other.

One of the complaints that I've often read about this story is that it was re-written at the last minute to incorporate Steven instead of Ian and Barbara, and that therefore, many of Babs' lines were relocated to the new arrival. While that may feel like the case in one or two places here, it helps to bed in the idea that Steven is comfortable in the TARDIS, and gives the impression that some time has passed since we left them at the end of the last season. I'd be willing to suggest that they've had one or two adventures together since then.

Steven's sense of sarcasm, which I so praised yesterday, is still in evidence, too, when he discusses Vicki's hair-cutting skills. All in all? A team I'm really enjoying, and I hope it continues through the rest of the story.

The one other thing that I wasn't expecting was a line from Maaga, when she describes her crew as 'products. Inferior products. Grown for a purpose and nothing more.' As soon as she said it, I was reminded of the Flesh from Matt Smith's second season - there's certainly something of a parallel! Are some of the Drahvins grown from the stuff? Assuming nothing comes along to contradict it further down the line, I'm going to be taking this as part of my own personal cannon from now on…

Next Episode: Trap of Steel

Next Episode: Trap of Steel 

Don't forget to 'like' the 50 Year Diary Facebook page ! I'm sure I'll be using it to ask questions etc in relation to the marathon! 

The 50 Year Diary - Day Eighty-Seven - Checkmate

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Eighty-Seven: Checkmate (The TIme Meddler, Episode Four)

Dear diary,

Ever since watching The Aztecs, I've made a lot of reference to a loose 'arc' that runs through these early stories, particularly in the historicals. For want of a better term, in my mind I've been calling it the 'altering history' arc. At various points since then, I've speculated that what we've been watching in these stories is the First Doctor learning about the way history works, shifting from a view that you cannot change it, to the dawning realisation that, actually, you can.

Where this episode is interesting, then, is in the way it gives a slightly different viewpoint to the whole thing. In The Aztecs, when Barbara tries to change sacrificial ways because she believes a more civilised society can be born, the Doctor is very blunt with her: 'You can't re-write history! Not one line!'. At the time, I said that during this stage, early on in his travels, that's what he believed. Across the following historical stories (and culminating in The Romans, in which he becomes the reason for the great fire of Rome), I've suggested that he's discovering for the first time that history is more malleable than he might have first thought.

Here, though, when talking to a member of his own race for the first time (or, at least, the first time that we have seen, and presumably the first time since he left home, Susan notwithstanding), he describes 'the golden rule of time/space travel' as being that you must 'never, never interfere with the course of history'. It would be far more in keeping with the early Doctor's personality for him to have known this all along, and to only be so blunt with Barbara because he didn't want her to mess around with established events.

Tell her that the rules say she can't alter history, and she may argue that rules are made to be broken. Tell her that she can't, or that it's impossible, and there's less of a debate to be had.

And yet, all of this still allows for a learning curve in the Doctor's case, albeit one which stretches far beyond these first two seasons of the show (but so broadly that it would be difficult to keep track of it after The Time Meddler). By the time that the Doctor reaches his Eighth incarnation in the Big Finish audios, he rips a hole in the Web of Time by saving his companion's life. By the time of The Waters of Mars and his Tenth incarnation, he's learnt that he can - or can at least try - to bend time to his own will.

Once he's regenerated into Matt Smith's incarnation, messing around with time to get the desired effect is all par-for-the-course. This little arc, which I've been following for a few months now, becomes a thread that links all of Doctor Who together, very loosely.

Quite apart from all this 'arc' stuff which I keep retro-actively shoe-horning into the early seasons, this has been another great episode. If anything, it all seemed to be over a little quick. The final confrontation between the Doctor and the Monk took place early on, and then the rest seems to fall to the Saxons and the Viking's battling it out, with the Monk caught in the middle.

That's not to say that there isn't still some good stuff involved - Steven is still proving to be a great companion, and I've taken to him in the way I loved Ian in the early days. I hope the quality of writing for the character stays this high outside of a Dennis Spooner script. He's got a thick vein of sarcasm running through him, which helps to make the character seem all the more real.

The Doctor's joy at having tricked the Monk is fab, and it's great to see the Doctor behaving in this way. Throughout the story, it's felt like the Doctor has finally struck the perfect balance between the dark, sinister character from early Season One and the giggling fool we've seen lot so f in Season Two. Crucially, we've had to say goodbye to Ian and Barbara, who the Doctor himself said were treating him like a doddery old man. Perhaps now we're back to seeing a more 'true' Doctor, though still softened by the time he spent with them?

On the whole, the second season has been a bit of a let down for me. While there were several stand-out episodes, there were far more that really didn't chime with me particularly well. I'm excited to be moving onto the show's third season, though, and seeing what it will bring. Of all the Hartnell seasons, the third is the one I have the least prior exposure to (mostly due to the high number of missing bits!), so there could be anything waiting for me just around the corner…

Next Episode: Four Hundred Dawns

Next Episode: Four Hundred Dawns 

The Krotons - OST CD Cover & Details

Silva Screen Records have sent DWO the cover and details for the forthcoming Doctor Who Original Soundtrack CD release of The Krotons.

Product Synopsis: 

Originally transmitted in 4 episodes on BBC1 between 28th December 1968 and 18th January 1969, The Krotons starred PATRICK TROUGHTON as the second Doctor. The soundtrack (or “special sounds”) were created by Brian Hodgson and the BBC Radiophonic Workshop: 

“For this story I mainly used the “Crystal Palace”, so called because its case was made of clear Perspex which exposed its workings. This machine, created by our engineer Dave Young, could mechanically sample 16 inputs and combine them into a single output in 4 prearranged patterns. The progression of the patterns was deliberately slow to create textures of sound. I was very much interested in exploring changing aural textures in tracks such as “The Learning Hall” and “Kroton Theme”.” Brian Hodgson, 2012. 

This soundtrack will be released on CD and Digital Download on the 13th of May. A Limited Run of 10″ Vinyl will also be made available, to be released at the end of May.

+  The Krotons Original Television Soundtrack is released on 13th May 2013, priced £10.75 (CD).

+  Preorder this product on Amazon.co.uk for £8.51.

[Source: Silva Screen Records]

The 50 Year Diary - Day Eighty-Six - A Battle of Wits

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Eighty-Six: A Battle of Wits (The Time Meddler, Episode Three)

Dear diary,

I don't know if I just didn't notice it during The Crusade and the end of Planet of Giants, or if Douglas Camfield has suddenly stepped up a gear in his direction, but this episode continues to make The Time Meddler the absolute best direction that we've had in Doctor Who to date.

The scene where the Doctor confronts the Monk, with a stick to his back, is simply gorgeous, and the close-ups of the characters feel oddly out of place - the framing of them and the way that the camera cuts from shot, to shot, to shot… it's all far better than I've grown used to. It also has an interesting effect on the Doctor - Hartnell has never looked better in the role than he does here.

There's a shot, as the Monk steps outside for the second time, having been taunted by a ghostly knock to the door, when the Doctor steps up behind him, and fixes him in the back with the end of a branch. The way the Doctor stands, the way he acts, the way he speaks to the Monk… Hartnell performs the scene in a way quite unlike any other performance he's given, and it all really works.

And then there's that final shot, as Vicki and Steven crawl through a concealed door in the crypt and emerge out into the Monk's TARDIS. The way that the camera pulls backwards, the doors opening as the pair step inside. Frankly, there's something a little bit magical about that moment.

The problem is that I know it's coming! The cliffhanger to this episode is one of the more well-known from the programme's original run. It's a justly famous cliffhanger - it's fantastic! - but it means that the impact is slightly lessened for me. Imagine sitting down in 1965, having watched Doctor Who for just under two years, following it from the beginning, and then reaching this moment.

Everything you thought you knew is suddenly being re-written! I wondered just a few days ago at the Doctor's comment that he built the TARDIS. Even as late as that, there's still some indication that the ship is his, and it's the only one in the universe. Now we know otherwise.

I must admit, based on how much I'm enjoying this story so far, I was really worried about this cliffhanger. I was worried that it would just pass me by without feeling at all special, in the way that it rightly should do. Thankfully, a combination of the direction, Maureen O'Brien's performance and the way that the whole thing is handled really comes together to make give the scene a real impact, even if you do know what's coming.

Next Episode: Checkmate

Next Episode: Checkmate 

The 50 Year Diary - Day Eighty-Five - The Meddling Monk

Will Brooks’ 50 Year Diary - watching Doctor Who one episode a day from the very start...

Day Eighty-Five: The Meddling Monk (The Time Meddler, Episode Two)

Dear diary,

I panicked, after yesterday. The pattern lately seems to be of having a very strong opening episode, and then watching as it slowly goes to pot across the rest of the story. Or, at the very least, watching it revert to just being mediocre. Having come from such a strong episode yesterday (It's not the first '9' I've given to the marathon, but I spent a while debating wether or not to give it a full-on '10'…), I really didn't want to watch this one fall from favour so quick.

Thankfully, it hasn't. Weyhey! A large portion of the credit really must be given to the style and direction of the whole thing. These are - quite simply - the very best sets we've had in the series to date. All of them look fantastic, and the whole thing still has a real filmic quality to it.

The direction is first-rate, with the sad exception of the fight sequence toward the end, which just ends up falling a little flat. The problem with it, though, is that it looks like a fight from early 1960s Doctor Who, when everything around it looks like something far more polished than that.

The thing that struck me most has to be the absence of Hartnell. Not because it's badly covered (quite the opposite, in fact. The tape player just about gets away with it), but because it's only been a few episodes since we last saw him dip out for a week - during The Space Museum. It's not often you get two weeks of in such quick succession!

Perhaps the best thing about his holiday, though, has to be the cliffhanger itself. Coming as soon as it does after his last week away, Steven peering into the cell and suggesting that he thinks the Doctor is asleep, and then Vicki simply staring off-camera while she says the Doctor's name are all very reminiscent of Ian's surprised 'Doctor!' in The Space Museum.

Whereas there, though, we don't get to see what he's looking at (until the following episode, and Hartnell's return to work), here it's revealed that the lack of reply is indeed a lack of the Doctor - he's gone missing! It's a great subversion of my expectations, which helped to really make good use of the Doctor being missing for a bit.

Another subversion of my expectations came in the form of the Saxon who doesn't trust Vicki and Steven. As soon as he started to predict that they would regret letting the pair walk free, I knew they'd end up being framed for something. It was a bit of an eye-rolling moment, then, when Vikings came to assert themselves against the woman of the group (The implication seems to be rape, though that's perhaps a little strong for a Saturday tea-time!), and we're quickly being told that it was the work of 'the travellers'.

So it's fantastic that within a few minutes, they've been cleared of the crime by the woman herself, who comes round long enough to murmur 'Vikings'. I'm never much of a fan of 'the Doctor and his friends have to prove their innocence' in these historical stories, so it's great to see that idea being given a new spin here, too…

Next Episode: A Battle of Wits

Next Episode: A Battle of Wits