TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.2: Day One 

Well, well, well. If Torchwood wanted to prove that it’s more grown up theme wasn’t the family friendly Doctor Who we all know, this is the episode that proves it. 

This is the first Torchwood story written by current Doctor Who showrunner Chris Chibnall. The whole theme of ‘Day One’ circulates around themes of sex, which for the Doctor Who Universe was a bold move to make.

‘Day One’ follows Gwen Cooper on her first day as part of team Torchwood. As a meteor crashes into Earth, Gwen leaves her very cute date with Rhys to join the gang where during some banter, Gwen quite literally throws a spanner (accidentally) in the works. It lands in the meteor letting out a purple gas cloud, which heads towards a very upset Carys Fletcher on the phone telling her boyfriend to die. This is when it all gets a bit weird.

The extra-terrestrial sex gas turns an unexpected Carys Fletcher into a killer by absorbing climatic energy. A sentence I thought I would never write… 

The episode really explores the themes of sexuality with Gwen kissing her first woman, Owen being a bit of a lad after recording both Carys and Gwen kissing and then being caught out himself by getting locked away without any clothes on. How about Tosh looking away from Owen without any clothes on, is she shy about her sexuality? The Torchwood team also question Captain Jack’s sexuality and his ties with the past again, cementing the overall story arc. It’s the start exploring the LGBTQ+ themes that will be revealed in full later on in the series.

What makes the episode very tongue in cheek but realistic, is the fact the cast play it seriously. You can tell that Carys Fletcher has a conflict in herself for control and the distress its causing to her when then alien kills people. Gwen faces the situation by using her police training to tell Captain Jack, eating a Chinese meal or Owen filming them kissing in the cell is not the way they should be handling any situation with a distressed person. The conflict makes a noble stance of their moral grounds, until they realise they’re both on the same level of respect, when Jack reveals he’s been analysing Carys Fletcher to get her the best help.

The scene in which Carys steals The Doctor’s hand and Captain Jack being incredibly protective of it, just shows the incredible bond both him and The Doctor have. This is very apparent when the jar is smashed and Jack cradles the hand as if he’s holding the hand of a loved one. It's provides a heartwarming and upsetting scenario and also reveals why Captain Jack is apart of Torchwood.

‘Day One’ has a dignified and emotional resolution with the alien dying, with a weirdly poignant quote ‘Travelling half way across the universe for the greatest sex… But still end up dying alone’. It again explores the overall arc of who is Captain Jack and what has happened in the past for him to think this way.

Even though this isn’t my favourite episode out of the series, I can understand the shock factor ‘Day One’ brings and its take on being different with its sexual themes Doctor Who hasn’t been able to do before. This is what Torchwood is all about.

Ellie (TARDISMonkey) 

 

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+ Follow @DrWhoOnline on Twitter!

[Source: DWO]

Doctor Who Magazine have sent DWO the cover and details for Issue 547 of DWM.

OUT OF THE TARDIS WITH BRADLEY WALSH! 

The latest issue of Doctor Who Magazine also includes:

•  The second part of an exclusive, in-depth interview with showrunner Chris Chibnall.
•  Interviews with the new writers of Series 12.
•  Exclusive previews of the next four episodes.
•  The untold story of Denis Alan Print, the Doctor Who merchandise company co-owned by Tom Baker.
•  Doctor Who’s top ten Master reveals.
•  Behind the scenes at the OFFSTAGE Theatre Group, whose Doctor Who plays and comedy sketches were popular at conventions from 2003 to 2013.
•  The Fact of Fiction begins an epic exploration of The Daleks’ Master Plan.
•  Part Five of Mistress of Chaos, a new comic-strip adventure featuring the Thirteenth Doctor and her friends.
•  The answers to DWM’s Christmas Quiz.
•  Reviews of the Season 26 Blu-ray box set and the new vinyl edition of The Web Planet.
•  Big Finish previews and reviews, news, prize-winning competitions, The Blogs of Doom and much more!

DWM 547 is also available as a strictly limited Deluxe Edition, exclusive to WH Smith and store.panini.co.uk priced £9.99.

In addition to the latest issue of DWM, the Deluxe Edition includes:

•  An exclusive 76-minute music CD, featuring 22 classic and rare tracks from 1963 to 1989.
•  A 32-page supplement, comprising classic comic-strip stories featuring the Master.
•  A giant double-sided poster.
•  A Series 12 art card.
•  Three Big Finish audio dramas to download.  
•  Big Finish stickers.

+  Doctor Who Magazine Issue #547 is Out Now, priced £5.99 (regular) / £9.99 (deluxe).
+  SUBSCRIBE to Doctor Who Magazine, digitally from just £2.69 a month!
+  Check Out The DWO Guide to Doctor Who Magazine!

[Source: Doctor Who Magazine]

The latest issue of Doctor Who Magazine (547) is out now and has confirmed the titles and synopsis' for episodes 4, 5 & 6 of Series 12.

12.4: Nikola Tesla's Night Of Terror
Written by: Nina Metivier. Directed by: Nida Manzoor.

Synopsis:
The time: the earliest years of the 20th century. The place: New York City. Inventor Nikola Tesla is at war with his rival Thomas Edison. However, there’s an even greater threat in their midst…

12.5: Fugitive Of The Judoon
Written by: Vinay Patel. Directed by: Nida Manzoor.

Synopsis:
Stomping their way into present-day Gloucester, the Judoon are on the hunt for someone on the run. Who is this fugitive? And why are these alien mercenaries after them? 

12.6: Praxeus
Written by: Pete McTighe. Directed by: Jamie Magnus Stone.

Synopsis:
The Doctor and her friends split up to investigate multiple mysteries across planet Earth. What they find will threaten all of humanity…

Further episode titles and synopsis' will be confirmed in due course.

+  Doctor Who Magazine Issue #547 is out Today, priced £5.99.
+  SUBSCRIBE to Doctor Who Magazine, digitally from just £2.69 a month!
+  Check Out The DWO Guide to Doctor Who Magazine!

[Source: Doctor Who Magazine]

Manufacturer: Big Finish Productions

Written By: Alan Terigo, Susan Dennom, Andrew Lias & Nev Fountain

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: December 2019

Reviewed by: Nick Mellish for Doctor Who Online

Blood On Santa's Claw by Alan Terigo

"The Doctor, Peri and Joe land on the planet Naxios, where they discover the body of Father Christmas.

Who killed him? The strange individuals dressed in Shakespearian costume or the talking animals wearing waistcoats digging in the tunnels?"

The Baby Awakes by Susan Dennom

"The Doctor, Peri and Joe visit the Ishtar institute, where the term 'designer babies' takes on a new and sinister meaning. Will our heroes survive Christmas day?"

I Wish It Could Be Christmas Every Day by Andrew Lias

"A Christmas party that's been going on for three years. Strange silver robots who guard the Christmas decorations with lethal force. What is the secret behind the festivities on Tate Galactic?" 

Brightly Shone The Moon That Night by Nev Fountain

"The TARDIS crew encounters a shameful secret of the Time Lords. History has been rewritten, and this time it's all the Doctor's fault."  

WARNING: The following review contains spoilers. You have been warned!

Ho ho ho! Just as Christmas is an annual event, so too is the Big Finish 4x4 play and this year we have Blood on Santa’s Claw.

In the past, some of these releases have given us completely standalone plays (such as Circular Time) and some have linked them (1001 Nights, for example). Blood does the latter whilst trying to trick you into believing it’s the former. (This subterfuge extends to just who wrote the various plays, with pseudonyms being used to try and throw you off track.) I’m not sure this trick entirely works seeing as the second play opens with beats very reminiscent of the first one, and that alone was enough to make me fairly sure that everything here was going to be connected, but hats off to them all the same for giving it a go, even if I am unsure why they did it. To give the plays an air of mystery? To try and make Joe, Peri’s boyfriend in these plays, feel more of a permanent fixture and less a one-shot character?

Perhaps the latter, though I cannot recall any publicity trying to hint at future appearances for him. Because of this, from the get go I was looking for hints that he was up to no good, so when this was revealed I was less than shocked, but then again I do listen to an awful lot of Big Finish Doctor Who releases, so this may not be the case for other fans.

The release kicks off with the titular Blood on Santa’s Claw, which is not only the best play in this anthology by some chalk but also the best play Big Finish have put out for ages now. I found myself laughing hard at times and wishing to know more about the world it painted. This sense of joy is enhanced by great performances across the board, but I’ll draw especial attention here to Heather Bleasdale as Cordelia and Becky Wright as Mole, all of whom impressively stand out in a cast that is universally brilliant.

The Baby Awakes was probably my least favourite of the plays, being one which puts Peri through the emotional wringer but which never really hit for me. It tries very hard to get a reaction and twinge from its listeners, and for me it felt like it perhaps tried too hard to do so, and was less natural in its intent.

We end with what is in actuality a two-parter. Now, I mentioned earlier that I listen to a lot of Big Finish Doctor Who plays, so some things will inevitably strike me as repetitive or old in a way that would not occur for others who have listened to far less. This may help explain that when the antagonists overall were revealed to be werewolf-like creatures, I just sighed. Much like their obsession with Vardans, Big Finish seem to be using werewolves a lot at the moment, be it in the main range or in things like their War Master series, and I had an acute sense of déjà vu as a result. It doesn’t help that the same two or three wolf noises are used again and again in the background upon their revelation, looping, but I do wonder if that’s actually an in-joke of sorts as this looping wolf noise is near identical (if not the very same one) to one used in countless BBC TV shows, including The Time Meddler.  Perhaps this is just Big Finish poking fun and adding to a sense of televisual authenticity? I applaud them for it if it is that, and if not then… well, it’s irritating but I’ll let it pass. It’s Christmas, after all.

Speaking of, the Christmas theme felt slightly shoehorned in at times, but never to the extent that it was distracting. I do wonder though if this will herald in more Christmas specials as annual events now? I hope not. I’ve mentioned before that Big Finish often suffer from a feeling of revisiting past glories with threadbare results, and I’m not sure this should be encouraged further still.

As for this particular release, as a four-play series it didn’t wow me: but! It is worth the admission price for the opening story alone. Everything that comes after is fun enough and Nev Fountain (for it is he who wrote them all) is enjoying himself, but for a Christmas treat alone, Blood on Santa’s Claw as an individual episode is perhaps the best I could have received as a Doctor Who fan: inventive, clever, amusing, and brilliantly acted, this is the Christmas treat we’ve been craving and the best Christmas Special the show has had for a long time.

For that alone, I cannot help but leave this play with a smile.

+ Blood on Santa's Claw and Other Stories is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

+ ORDER this title on Amazon!

TARDISMonkey's Torchwood Diary - watching Torchwood an episode a week from the start...

1.1: Everything Changes 

Rewatching this episode has really shown how incredible Russell T. Davies is as a writer. You want a 'grown-up' version of Doctor Who? Well, look no further. Gwen Cooper; a police officer working her way up through the ranks and tackling hard cases, like a murder that has just happened outside a multi-story car park. But this is no ordinary case; a mysterious team enter the mists and bring a dead body back to life. Gwen Cooper's life has dramatically changed, forever.

Torchwood establishes its more grown up audience from the violence Gwen encounters when she meets her first alien, the Weevil. She tries to establish some normality to the situation by claiming the Weevil is a man in a mask, until some unfortunate soul gets his throat ripped apart.

Captain Jack takes up the 'Doctor' role in the episode, claiming to be a dark and mysterious person who wants to keep his past life a secret. Being an established character in the series really helps Torchwood have a familiar face that the audience can relate to and have some foreknowledge of Jack's history. The establishing scene that builds up the Torchwood team in their Cardiff base, when Gwen is delivering pizza, makes a nice little icebreaker when it plays on the stereotypical cheesy reveal scenes, making light hearted comedy of the situation. Seeing the teams camaraderie as Gwen enters the Torchwood base proves they are very tight knit, very much like the first episode of Doctor Who, An Unearthly Child – the existing chemistry of the gang proves they’ve already had many adventures.

Torchwood really builds itself as a series utilising these tropes, however it also throws in a grim twist to the universe we know and love from Doctor Who, with characters stealing, swearing and generally doing stuff that’s forbidden in a family show. This episode already has shocks, twists, turns and some amazing power poses from Captain Jack's figure on top of random buildings in Cardiff, which entices you to continue watching the next episode. You want to see Cardiff in all its glory? Well look no further than the fantastic amounts of establishing drone shots, which would make a good game someday.

(Also keep an eye out for the Doctor Who Experience sign in the background of some shots.) 

The first episode had everything it needed to establish characters, sets and the overall theme of the show. It’s still a little rough round the edges with slight exaggeration of the grown up themes.

Ellie (TARDISMonkey) 

 

+ Follow @Tardis_Monkey on Twitter!
+ Follow @DrWhoOnline on Twitter!

[Source: DWO]

Transport yourself back in time and space with Doctor Who: The Complete Fifth Series on Steelbook Blu-Ray, available to pre-order on Amazon now. The Steelbook will feature new and exclusive artwork and is being released on Monday 10th February.

Series Five welcomed the arrival of Matt Smith as the Eleventh Doctor and Karen Gillan as his new friend, Amy Pond.  

After his explosive regeneration, the Doctor awakes to discover his TARDIS is about to crash. Pulling himself out of the wreckage, he comes face-to-face with Amy Pond and promises to take her on a journey to the stars. Boarding the TARDIS, Amy and the Doctor embark on a series of adventures that will change her life forever.

Executive Produced by Steven Moffat, the series features Arthur Darvill as Amy’s fiancé Rory Williams and guest stars including Olivia Coleman, James Cordan, Bill Nighy, Ian McNeice, Annette Crosbie, Helen McCrory, Lucian Msamati, Alex Price, Sophie Okonedo, Nia Roberts, Meera Syal and Nina Wadia. 

Bonus features include two ‘Meanwhile in the Tardis’ additional scenes, four ‘The Monster Files’, a three-part video diary, thirteen ‘Doctor Who Confidential’ cut-downs, six in-vision commentaries, out-takes and over twenty teasers and trailers.

The 13 episodes are:

· The Eleventh Hour

· The Beast Below

· Victory of the Daleks

· The Time of Angels

· Flesh and Stone

· The Vampires of Venice

· Amy’s Choice

· The Hungry Earth

· Cold Blood

· Vincent and the Doctor

· The Lodger

· The Pandorica Opens

· The Big Bang

+  This title is released on Monday 10th February 2020, priced £35.73.
+  PREORDER this title from Amazon.co.uk for just £29.99! 

[Source: BBC Studios]

On Saturday 7th December 2019 'The Sisterhood of Karn’ held a special celebratory gathering to mark 25 years as the UK’s premiere LGBT Doctor Who fan group.

They were joined by actress Katy Manning, who played companion Jo Grant opposite Jon Pertwee’s Doctor in the 1970s, and were thrilled to present her with an award recognising her status as ‘A TRUE GAY ICON OF DOCTOR WHO’.

Organiser Richard Unwin said:

“Katy has been a staunch supporter of LGBT people for decades, and we are honoured to be joined by her for an evening - and to recognise her as a fabulous ally of the community. This is the first award of its kind that we have given out, but hopefully it won’t be the last.”

The Sisterhood of Karn hold regular meet-ups on the third Thursday of every month, in the upstairs bar of The Kings Arms pub in Soho, London. Newcomers are always welcome.

+  Facebook: facebook.com/SisterhoodofKarn
+  Twitter: twitter.com/sisterhood_karn

[Source: Richard Unwin]

BBC Studios and Immersive Everywhere today announced Doctor Who Time Fracture: An Immersive Adventure. The show will be based on global hit series Doctor Who and will give fans a chance to experience the Doctor’s adventures like never before.

From the team behind The Great Gatsby, the UK’s longest running immersive show, Doctor Who Time Fracture will premiere in late 2020 at a London location to be announced.

This ground-breaking immersive adventure puts you at the heart of the story, plunged into a journey across space and time. Featuring amazingly realised worlds - the universe as we know it is at stake. Audiences will discover a great challenge lies ahead and that it’s time to be a hero, step up, and save the planet!

Audiences can purchase Gallifreyan Coin tokens prior to general on-sale. Each token purchased equates to one ticket and will provide priority access to book for the date and time of your preferred performance when announced in February 2020. You will receive a code for each token purchased which can then be redeemed for your ticket(s), as well as an exclusive pin badge given to you at the venue on the date of your chosen performance.

+  Tokens are available at: https://www.immersivedoctorwho.com
+  Further details will be announced in February 2020.

[Source: BBC Studios]

Every month DWO like to take a little side-step from the Doctor Who universe to help spotlight an up and coming author who we feel shares something in common with the greater whoniverse. This month is the turn of Joe Basile; author of 'The Last Qumranian'.

"Time travel has been used to stop the birth of Christ, altering the timeline of human history.

Lukas is the last Qumranian, an ancient sect sworn to secrecy and to protect the prophecies that bind the worlds together. When they develop a powerful technology that can control time, their discovery attracts unwanted attention.

When the Unclean -- a militant force powered by dark magic -- attack the hidden Qumranian compound under what once was the Dead Sea, Lukas barely escapes. But at what cost? With his life intact, he finds himself a prisoner in an alternate timeline not his own.

Alone in a foreign landscape ravaged by wars, advanced by technology, oppressed by a corporation partnered with a ruthless religious group slaughtering any who oppose them in the streets, sinister supernatural forces, and an artifact that literally can -- and has -- changed human history, Lukas must not only struggle to stay alive, but locate the only thing that can prevent the Unclean and the powers that control them from destroying the world.

Will Lukas manage to retrieve the artifact before more damage is done to the timeline of history, or will he be too late, forever lost in a nightmarish alternate reality?"

5 Question with... Joe Basile (Author)

1) When did you first get into writing, and did you have any influences / favourite authors?

I love writing!!! :) I wrote my first screenplay with some help from friends 16 years ago, which subsequently became this book...The Last Qumranian. Yay!

I have written sermons for 20 years and shorter stories, but this story has been my passion, and I had no idea how much I would LOVE writing it! A true joy! 

Edgar Rice Burroughs is my favorite author of all time! No rules. Dreamed so big, and his heroes were soooo noble and good that I wished I were them.

2) What was it like to get your first book published and to have a tangible copy?

A trip! Most people asked what it feels like, but I said it is a little weird, but that is the vehicle. The destination is people reading it and being swept away in an adventure. That’s my goal. Punished is the vehicle.

3) Can you tell us a bit about The Last Qumranian? What inspired you and who was responsible for that awesome cover?

Matthew Thrush commissioned an AMAZING artist and I LOVE IT! 

I just couldn’t fathom the idea of time travel and no one wanting to use to stop the birth of Christ! Seemed obvious to me. And then I dreamed about what that world would look like. I Set it in Israel, a secret society not affected by the birth of a Christ, and a hero with the strength and training to take on an army of evil with supernatural demonic powers, and a mission to get his time travel machine back to set things right. 

4) Are you a fan of Doctor Who, and if so, what was your earliest memory of the show? Do you have a particular favourite episode?

I LOVE Dr Who! My earliest memory of the show is watching it in black and white. But I became HUGE FAN during the David Tennant Era! LOVE Matt Smith too!!!

They risk soooo much and are able to weave it all together so creatively and satisfactorily. Time Travel stories are a recipe for disaster in lesser hands, but Dr Who crushes it!!! IMO, from one time travel dreamer to another.

5) Finally, if you could take a round trip in the TARDIS, anywhere in time and space, where would you go and why?

First of all, I really want to try and figure out how big it actually is on the inside! The resurrection of Christ! I want to be in that room. Put my fingers the holes in his hands and feet. I have faith, but I would LOVE to see it with my own eyes too!! Amazing!!!

+  BUY The Last Qumranian via Odyssey Books!
+  Facebook: facebook.com/JoeBasileAuthor
+  Twitter: twitter.com/jesustattoos

[Source: DWO]

Manufacturer: Big Finish Productions

Written By: Chris Chapman (Warzone) & Guy Adams (Conversion)

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: November 2019

Reviewed by: Nick Mellish for Doctor Who Online

Warzone by Chris Chapman

"At Warzone, competitors gather from across the galaxy to test the limits of their endurance and achieve their personal best. So, when the TARDIS materialises in the middle of a racetrack, the Doctor and his friends must literally run for their lives."

Conversion by Guy Adams

"On the fringes of the galaxy, techno-pirates and research medics fight for the secrets of advanced extra-terrestrial technology. For the Doctor, however, a more personal battle awaits as he confronts his own guilt and the creatures that killed a friend: the Cybermen."

WARNING: The following review contains spoilers for both plays. You have been warned!

Warzone 

Warzone and Conversion are the final two plays in this latest trilogy for the Fifth Doctor. We kicked things off with extended episodes in Tartarus, then had a pair of adventures last month. This follows that trend, but with the two stories joined at the hip. This varying story structure has felt like a breath of fresh air and a welcome kick to the range.

What of the stories themselves this time around though? We begin things with Warzone by Chris Chapman. Back when I reviewed Iron Bright, I said it was a good story but that I felt Chapman had something rather great to bring to the table. I think Warzone is possibly that play, and if it's not then it's pretty close to being.

Weaponising Parkrun (and the current trend for running, Couch To 5K training routines and suchlike) is a superbly Doctor Who-ish idea which Chapman melds with a comic book setting: a race to the death across a planet of pitfalls and killer obstacles. The idea may be familiar, but the execution is what counts and Chapman milks it for all it's worth.

Better still, the slow segue into the second story is well done. We all knew the Cybermen were back in Conversion but the reveal that their plans start here is a genuinely good and slightly unexpected surprise. The penny drops a couple of scenes before the reveal, and it's a thrill when the hunch is proven correct. Again, more of this is always welcome and credit must go to Chapman for hiding the reveal in plain sight and still pulling the wool over the listeners' eyes: or should that be ears?

Warzone ends with things looking bad for Marc, who is dying and has unwittingly started to become conversed into a Cybermen.



Conversion

Cue Conversion by Guy Adams, the final play in this run. We start with the Doctor uncharacteristically angry and hell bent on revenge; indeed, he does not so much exit the previous story as flee it.  Even Tegan comments on this and the Doctor admits he's not being rational. Back in Tartarus, the spectre of Adric was raised and a dark fate for Marc hinted at, and Conversion ties this all together.

It's a great idea in theory, but the play itself suffers where Chapman's flourished. Where that may have had familiar elements executed well, here such elements feel overfamiliar and as such a bit dull. It doesn't help that we've very clunky exposition at the start, with a supporting character speaking in a way no-one ever does in day-to-day life.  I know the listener needs to be brought up to speed about characters' roles and power dynamics, but there is surely a better way of doing this than having characters say things along the lines of "As well you know, my role here is leader and I'm an expert scientist and so you should trust me!"

It's awkward to listen to and drags the listener out. This isn't the first time I've raised this complaint, but it's a valid one all the same.

Unfortunately, the rest of the play feels similarly clunky in its execution. The idea of the companion turning into a Cyberman has been done better, by Gareth Roberts in Closing Time and Steven Moffat in The Doctor Falls (Craig counts for the sake of this comparison). Here in Conversion though, it feels under baked.

Arguably though, the true cardinal sin in this play comes from confusion thanks to several actors all sounding the same. I genuinely found it hard at times, especially near the cliffhanger to Part One, to work out who was talking, so similar are the accents and tones and line delivery. This is a huge no with audio, and I'm staggered it passed any sort of checks.

The release ends on a bit of a cliffhanger, if the Doctor leaving to mope alone while his companions are abandoned on a nice holiday location can get counted as such. He is sad; sad that Marc is now part Cyberman as he could not save the day, and sad because it reminds him of Adric. Whilst I appreciate the attempt to do something more with Adric's death, again I am not at all convinced it works as it feels very out of character for the Fifth Doctor to be as he is here. The desire for repercussions and more believable responses to trauma is not necessarily a bad thing, but trying to reconcile any of this with the show we saw on screen in this era is, at best, a bit of a leap. I'm not wanting my characters to be one-dimensional, but the lack of fidelity here leads to a lack of conviction. (Speaking of, the modulation on the Cybermen voices is off throughout. It's nearly but not quite close to being right, which makes it all the more distracting.)

There are hints at better things for the main range across these past five stories. Not every one hits it for six, but it's a start. I just hope the writing is a bit more consistent going forward.

+ Warzone / Conversion is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

+ ORDER this title on Amazon!

Doctor Who Infinity, the follow up to the fan favourite Doctor Who: Legacy video game by Tiny Rebel Games, which soft launched in late 2018, has gone live as a full, 5- story release today for mobile devices, PC, and Mac. The game brings the world of the Doctor to life with brand new, stand-alone, comic-book style interactive audio adventures. Players can now delve into all five episodes including The Silent Streets of Barry Island, The Horror of Flat Holm, The Dalek Invasion of Time, The Orphans of the Poloypotra, and The Lady of the Lake.

Each of the stories in Doctor Who Infinity was created as a collaboration between Tiny Rebel Games and Seed Studio; they include an incredible roster of primarily Wales-based artists and writers and each features narration and dialogue from well-known British actors.

Doctor Who Infinity episodes include:

 The Horror of Flat Holm: One of the new stories, this was written by the multi-talented Mike Collins, drawn by Patrick Goddard, and colored by John-Paul Bove. It is an epic U.N.I.T. Cyberman story told in several time periods with the Fourth Doctor joined by Captain Mike Yates (voiced by Richard Franklin) and with modern day Osgood (voiced by Ingrid Oliver) and Kate Stewart. The cast will be joined by a Cyberman (voiced by Nick Briggs).

 The Silent Streets of Barry Island: Another new adventure, this was written by Jacqueline Rayner, drawn by Emma Vieceli and colored by Kris Carter. It features the Eleventh Doctor, Amy Pond and Rory Williams in mods-n-rockers era Barry Island. It's a summertime love story in an unseasonably snowy Barry Island which is plagued by mysterious, gruesome deaths and disappearances. They've arrived for a planned holiday but quickly have to ditch the beach gear and blend in with the locals. Their guide is Ted, a down-on-his-luck fish ‘n’ chip shop owner, voiced by Steffan Rhodri. Look for a startling reveal for Doctor Who fans!

 The Dalek Invasion of Time: The first story to be released was written by George Mann, the critically-acclaimed author and screenwriter, including many Doctor Who stories; drawn by acclaimed artist and writer Mike Collins, known worldwide for his history of work with Doctor Who and other major comic properties; and colored by Kris Carter, who has a long history of working on brands such as Doctor Who, Torchwood and Shrek, among many others. The game is narrated by actors Michelle Gomez, who reprises her TV series role as Missy; Ingrid Oliver, who reprises her TV series role as Osgood; and Bella Ramsey, who voices new villain Freya in the game. 

 The Orphans of the Polyoptra: This adventure was written by Gary Russell, which he has stated is his final Doctor Who story.  He is well-known as a writer of Doctor Who novels producer and writer of Doctor Who audio dramas for Big Finish productions, formerly a Script Editor for Doctor Who, Sarah Jane Adventures, Torchwood and was formerly Editor of Doctor Who Magazine. The game’s art has been drawn by David Roach, noted inker of comic strips for Doctor Who Magazine; and also colored by Dylan Teague. The story is narrated by actor Katy Manning, who returns as Jo Grant, her role from the Doctor Who TV series, and also voices the enemy.

 The Lady of the Lake: This story was written by Scott Handcock, author of many Doctor Who audio dramas and short stories; drawn by Neil Edwards, noted comic book artist whose work includes Marvel, DC, Doctor Who, Titan Comics and many others; and colored by John-Paul Bove, known for his colorist work on G.I. Joe, Doctor Who, Transformers; and Dylan Teague, known for his work as a comics artist and colorist for Doctor Who Magazine, DC Comics.  The story is being narrated by Celyn Jones as Geraint, a critically acclaimed and award-winning actor and screenwriter, who is known for films such as Set Fire to the Stars and Submergence and the TV series Joe.  Other voices featured include Katy Manning as Delyth and Marilyn Le Conte as the eponymous “Lady of the Lake”.

Doctor Who Infinity is being published and developed by Tiny Rebel Games in collaboration with Seed Studio, and is under official license from BBC Studios. The new game was funded as a joint effort between the Welsh Government’s Media Investment Budget and British game publisher/developer Double Eleven Limited. 

The game is available on the App Store, Google Play, Steam, Humble Bundle, and Green Man Gaming.

Watch a trailer for the game in the player, below:



[Source: BBC Studios]

Publisher: Rude Cat LLC

Written By: Randy Smith

RRP: £15.99 / $17.99 (Paperback)

Reviewed by: Sebastian J. Brook

Review Posted: 24th November 2019

Something that Doctor Who and Star Trek has taught us is that Science Fiction doesn't always remain a fiction. Whilst Randy Smith's The Raffle may be nestled in a SciFi / Cyberpunk genre, the story itself is set in a dystopian future, just a few years from now (2026-2027), and serves more as a speculative glimpse into what could be.

There's an alternative history where on July 4th 2016, a multi-angle terror attack changed America forever; so much so that it is now known as the New United States. Our central character, Ramsey, has been separated from his wife and daughter for 10 years, and without trying to spoil anything, The Raffle sees his once-in-a-lifetie chance to be reunited with them.

Talk about prophetic; The Raffle predicted the election of Donald Trump, and there are many more instances within where the reader cannot help but feel spooked by the near-future clairvoyance in which author Randy Smith is worryingly good at.

If we could describe the series in a few words it's The Handmaids Tale meets The Matrix meets The Hunger Games. That being said, it's still very much its own thing and you will be swept along for the ride - a ride that is shocking, unpredictable and so addictive that you just want to keep reading and reading.

The Raffle was initially released as four separate novellas, and one can only imagine the torture as a reader as they got to the end of each book, desperately waiting to find out what happens to Ramsey next. Fortunately, this version brings all four novellas together, so you can tackle the saga in one sitting. The fourth part is considerably longer than the others and reads more like a full-on novel, and feels like a natural evolution of both the story and the author.

Perhaps, rather soberingly, The Raffle is the authors mouthpiece for the state of a country he so blatantly loves, and what could happen. Anyone that can predict the election of Trump NEEDS to be heard; The Raffle doesn't only serve as a fantastic piece of fiction, but a worryingly believable projection into where we are going if we don't change our ways.

After four distinct parts, there is still plenty more life in the series, and with an open ending, we really hope that Ramsey's journey continues!

+  The Raffle is Out Now!
+  Buy this book from Amazon.com or Amazon.co.uk!
+  Follow @TheRaffle2027 on Twitter.

A few years back, you helped DWO raise over £1000 for Children In Need and today being the official Children In Need TV campaign, we want your help to do it again!

This year, we've put together another bundle of Doctor Who goodies for you to bid on; something old, something new, something rare and all things WHO! 100% of the proceeds from the auction will go to Children In Need and we will even pick 3 runners up (who have all placed bids in this auction) to win a Doctor Who related consolation prize. HURRY as you have just 24 hours to place your bids. Our target is £1000 and anything you bid all goes towards the final total.

Up for auction in this special bundle is:

1 x Poster SIGNED by Karen Gillan

2 x FREE tickets to 'An Evening With Sylvester McCoy' at the Penny Cars Stadium in Airdrie, c/o The Ross Owen Show. (Date: Friday 17th January 2020 at 7:30pm)

1 x copy of Series 9: Volume 1 on Blu-ray
1 x copy of Series 9: Volume 2 on Blu-ray
1 x copy of SHADA on Blu-ray

1 x copy of The Lost TV Episodes: Collection Two - 1965-1966 on Audio CD
1 x copy of The Ten Doctor Novels on Audio CD
1 x copy of The Tenth Doctor Novels: Volume 4 on Audio CD
1 x copy of Scratchman (by Tom Baker) on Audio CD
1 x copy of The Daleks Masterplan LIMITED EDITION vinyl

1 x copy of The Target Storybook

1 x LIMITED EDITION The Two Doctors Collector Figure Toy set
1 x LIMITED EDITION The Seventh Doctor Collector Figure Toy set
1 x LIMITED EDITION The Seventh Doctor & Axis Strike Squad Dalek Action Figure Toy set
1 x LIMITED EDITION The Fourth Doctor And TARDIS From SHADA Collector Figure Toy set

DWO will be covering the postage, too, so there is nothing to pay except the final bid price :)

If you're feeling extra generous, please also consider donating directly on the Children In Need website. 

+  BID NOW on the DWO Children In Need eBay auction!

[Source: DWO]

Amazon.co.uk have confirmed that the upcoming Doctor Who: The Collection - Season 26 set (due out on 23rd December) has been delayed until 20th January 2020.

In an email to customers who have preordered the title, the company stated: 

Unfortunately, the release date for the item(s) listed below was changed by the supplier, and we need to provide you with a new estimated delivery date based on the new release date:

"Doctor Who - The Collection - Season 26 [Blu-ray] [2020]"

Estimated arrival date: January 20 2020

One of our aims is to provide a convenient and efficient service but in this case, we've fallen short. Please accept our sincere apologies.

The news didn't come as a surprise to many fans owing to the fact that previous releases in the collection series have all faced delays. That being said, the general consensus from fans is that, due to the fantastic quality of the sets, they are happy to wait a little longer for the release. On the plus side, we all have something to look forward to, to help get rid of the January blues!

+ PREORDER this title from Amazon.co.uk for just £39.99 (RRP: £56.16)!

[Source: Amazon.co.uk]

Demon Music Group presents The Web Planet (including an Amazon Exclusive version), a vintage six-part adventure starring William Hartnell as the Doctor in one of his most weird and wonderful adventures!

The records will be released in 2 versions; a Limited Edition Amazon Exclusive ‘Animus Splatter’ vinyl and standard edition pink vinyl.

In this vintage 6-part adventure, first shown on BBC TV in February and March 1965, a strange magnetic force pulls the TARDIS down to the craterous surface of Vortis. The Doctor and his friends learn that the planet has been invaded, and the parasitic Animus is slowly enveloping it in a web-like domain. The giant ant-like Zarbi are under its control, whilst the butterfly-like Menoptra are battling to reclaim their planet.

Presented across 3 x heavyweight 180g pieces of pink vinyl, this narrated TV soundtrack evokes a classic Doctor Who adventure in all its aural magnificence.

The alien ambience of Vortis, the insistent chirruping of the Zarbi, and the supernatural voice of the Animus are all accompanied by the eerie sonics of Ron Grainer & Delia Derbyshire’s theme tune.

Written by Bill Strutton, this was the Doctor’s most exotic and lavish adventure yet. Linking narration is provided by Maureen O’Brien (Vicki) and the cast includes William Russell as Ian, Jacqueline Hill as Barbara, Martin Jarvis as Hilio and Roslyn de Winter as Vrestin.

Accompanying the vinyl LPs are full episode billings, cast and credits, and eight illustrated panels form a superb artwork montage. This is a first-time audio release for this very special adventure.

+  The Web Planet is released on 13th December 2019, priced £49.99.

+  PREORDER the exclusive edition on Amazon.co.uk!

[Source: BBC Studios]

Our friends over at Character Options have been in touch to let us know about their brand new Doctor Who: Sonic Screwdriver Collection, which is available exclusively on Amazon!

The set includes 6 of the most iconic screwdrivers featured in the much loved TV series including replica toys of the 3rd, 4th, 5th, 7th/8th, 10th and 11th Doctor Sonic Screwdrivers, all featuring a variety of sound and light effects.

The team have even put together a little video showing off the set:
[youtube:r3WcI-wKsiM]
+  ORDER the set at Amazon.co.uk for £69.99.

[Source: Character Options]

At DWO there's nothing we love more than wrapping our brains around a puzzle, and these Doctor Who-themed puzzles from Say What You See, really captured both of our hearts. They're taken from the Official Doctor Who Say What You See app that was released a few years back, which was one of our favourite apps at the time.

If you've not played the game before, the Say What You See app is a bit like the TV show Catchphrase, only instead of trying to solve individual puzzles, you have a giant painting with 50 of them to solve. Take a look at this Tardis-themed painting for example:

This canvas contains references to both classic and modern Who, featuring puzzles that represent companions, planets, episode titles and monsters. Check out the "Sea Devil" in the bottom right - amazing, right?

Say What You See are currently running a Kickstarter to bring the app back, complete with the three Doctor Who paintings - That's 150 Doctor Who puzzles! They also have 47 other paintings which come with the game, on similarly geek-friendly subjects like Fantasy Movies, Superheroes, Super Villains, and Sci-Fi Movies.

This is the Fantasy Movies canvas: 

The artwork is really spectacular, and the puzzles are great fun to unravel. The Kickstarter is only running for two more weeks though, so unless you have your own TARDIS, you should head over to their page before time runs out altogether...

+  Kickstarter Link: https://www.kickstarter.com/projects/swys/say-what-you-see-ultimate-edition?ref=628b1j

[Source: www.swys.co.uk]

Publisher: Self Published

Written By: Marc W. Johnson

RRP: $12.99 (Paperback)

Reviewed by: Sebastian J. Brook

Review Posted: 6th November 2019

Back in early 2018 we discovered author, Marc W. Johnson and his 'Legacy' title. A chilling, yet thrilling horror that was incredibly intelligently put together. This is something that Johnson carries through perfectly in his latest offering; 'Husker', which focuses on our central character, Jennifer, her father's savage murder and how events from the past come back to play a part in Jennifer's life.

This is truly one of the most terrifying stories we've ever read; and we've read a LOT of Stephen King :) - Dare we say it, but even Mr King could learn a thing or two from Husker - it's as psychologically chilling as it is descriptively.

Johnson has such a talent as a writer; everything is so visual and has a real cinematic texture to the description and flow. In that respect, it really is unlike most horrors or thrillers we've read.

Below is an excerpt from Husker which encapsulates the suspenseful and cinematic genius of Johnsons words:

"Molly's ears perk up when a low wooden creak seeps through the dark, but the sleeping couple does not stir. Molly fixates on the rocker in the dark, she growls softly as she backs out into the hallway and sits, still extremely alert. The rocker sways without a sound while Molly watches." 

Earlier we mentioned about the authors intelligence in his writing, and this is heavily based in the way that, as a reader, you feel like you know where things are going (and feel rather clever in the process), only to have the rug pulled from under your feet and taken in a whole new direction. There's nothing more refreshing or exciting than surprise and Johnson knows exactly how to use it! 

You want settings, you got 'em; attics, corn festivals, parking lots (complete with chocolate pudding cups - something that you may find you have in common with the titular Husker). The characters are rich and drawn not from stereotypes, but complex palettes that make them feel the more genuine for it.

The journey that Jennifer goes on is both emotionally and psychologically draining and we're doing our very best not to give anything away, but every page is a step closer to the answers you are desperate to find out as the reader. The resolution, as with everything that goes before it, is a complete surprise, and, unlike some Stephen King novels, Johnson knows how to end his stories with reader satisfaction. 

We are genuinely terrified to see what Johnson comes up with next, and if form is anything to go by, we're probably going to need some holy water, a priest and a clean change of underwear!

+  Husker is Out Now!
+  Buy this book / Kindle from Amazon.co.uk!
+  Follow @WoordMan on Twitter.

Publisher: Self Published

Written By: J.H. Barron

RRP: £7.99 (Paperback)

Reviewed by: Sebastian J. Brook

Review Posted: 4th November 2019

It’s Sarah Penworthy’s sixteenth birthday! The sun is shining, the school bell is ringing, she’s got a birthday party to prepare and there’s that boy she really wants to ask out on a date... But all of Sarah’s plans are shattered when a strange silver ball comes crashing through her bedroom window.

Right from the off, J.H. Barron's 'Sarah: The Empress Of The Galaxy' calls out to Doctor Who fans. The main character's parents are called Ian and Barbara, there's a character called Alpha Centauri (although this one is quite different from the one we know in Doctor Who), and there's even a robot called 'Robot Holmes' - surely a nod to the much-loved Doctor Who script editor of the 1970's!

Peppered with tongue-in-cheek references to cult movies and tv (Doctor Who, Star Wars, Star Trek and Sapphire And Steel - to name just a few), oh - and even one for Kate Bush fans, this is a science fiction adventure that has a lot of fun along the way, and despite the genre, is surprisingly rooted in real moments, emotions and decisions.

Sarah, the central character, is 16 years old, and we get a very real glimpse of what it's like to be a girl of her age, and the struggles she faces in her day-to-day life. Barron makes the reader feel her frustration of the monotony of her life, and we too want more for her. It is also rather interesting the way that Barron plays things when Sarah finally does get an opportunity to mix thing up; despite wanting something new, she shows apprehension at the exciting path before her. This was an unpredictable, yet totally believable way of playing the situation.

One of our favourite bits in the whole book was the following exchange between Sarah and Robot Holmes:

“You are to accompany me to the Starship Hound of Love.”

“I can’t do that!” she said.

The robot hovered closer to Sarah’s face, its one great eye piercing into hers. “Do not worry, my Lady,” it assured her, “the teleportation beam is accurate to a degree of ninety-eight percent. The chances of molecular disintegration are very slim indeed.”

“No, no, no!” Sarah blabbed hastily. “You don’t understand— I can’t go anywhere like that! It’s my birthday and I’m going out tonight!”

Barron's use of description for places and people are terrific; there's a particular moment later in the book when Sarah arrives at Voxxen, and Barron's detailing really adds flesh to the world as you feel the almost claustrophobic atmosphere as they venture deeper into the bowels of Voxxen.

There are thrills, twists, turns and enough exciting changes in pace and setting to keep your interest throughout. We were genuinely sad to reach the end of the book and it most certainly left us wanting more.

Without spoiling too much, there's a rather sobering epilogue that addresses the consequences of Sarah's story, and with an ending that unquestionably paves the way for a sequel, we cannot wait to see what adventures Sarah gets up to next.

+  Sarah: The Empress Of The Galaxy is Out Now!
+  Buy this book from Amazon.co.uk!
+  Follow @JH_Barron on Twitter.

Speaking at MCM Comic Con in London, this weekend, BBC Studios have confirmed there will be a 'limited run' reissue of Doctor Who: The Collection - Season 12 sets to allow fans who missed out the first time around to complete their collection.

Season 12 was the first in the series of deluxe box-sets featuring whole seasons from the classic series of Doctor Who. It was also the very first season to feature Tom Baker as the hugely popular 4th Doctor.

Demand for a reissue has been incredibly high since its release in 2018, with some sets going for as much as £500 on eBay! 

A release date for the reissue is yet to be confirmed, but DWO will post more news as we get it...

[Source: BBC Studios]

BBC Studios has announced that Fury from the Deep will be released in 2020. It will follow the release of The Faceless Ones, announced earlier this year, and fill another gap in missing Doctor Who content.

Following the success of existing animations The Power of the Daleks, Shada and The Macra Terror, Fury from the Deep will be released on DVD, Blu-ray and as an exclusive Steelbook later next year. Pre-order will be available from midnight tonight on Amazon.

Fury from the Deep is the missing sixth serial of the fifth season of Doctor Who, which was first broadcast in six weekly parts from March to April 1968. Starring Patrick Troughton as the Doctor, the story concerns a colony of sentient, parasitic seaweed, last seen in the eighteenth century, returning to attack a number of gas instillations in the North Sea in an attempt to take over humanity.

No full episodes of this story exist within the BBC archives, and only snippets of footage and still images are still around to represent the story. However, off-air recordings of the soundtrack do exist, thus making the animation of a complete serial possible once again.

The six new animated episodes are being made in full colour, in the original black and white and in high definition and the release will include the surviving clips from the original 1968 production. It also stars Frazer Hines as Jamie McCrimmon and Deborah Watling as Victoria Waterfield.

Watch the announcement trailer in the player, below:
[youtube:grlk-ypKVps]

+ PREORDER this title on Amazon.co.uk!

[Source: BBC Studios]

Publisher: September Publishing

Written By: Marshall Julius

RRP: £12.99 (Paperback)

Reviewed by: Sebastian J. Brook

Review Posted: 23rd October 2019

Question: When is a quiz book not just any old quiz book?
Answer: When said quiz book is written by master of all things fandom, Marshall Julius.

Vintage Geek is quite literally the ultimate quiz book for fans of classic tv, film and comics, from 2000AD to Walt's Wonderful World Of Disney, Marshall has chosen topics you can tell he is passionate about.

The Doctor Who section, for example, sees Marshall focusing on arguably one of the most popular tenures of the shows history; the Tom Baker years, rather than it's wider 56+ year history. Likewise, with the James Bond section, he chooses to focus on the Roger Moore years.

Vintage Geek is split up into 2 main sections; the questions and the answers. Marshall starts off each section by introducing the topic and what it meant to him, making it feel like a journey through his love for each of the shows and movies - such a wonderfully fresh and personal take on the quiz book format.

Along the way there are questions from celebrity guest stars (some true crackers, too), and there's a real mix of questions that will have even the most die-hard fans questioning their encyclopaedic knowledge.

Marshall has included something for everyone in Vintage Geek; Star Wars, Star Trek, James Bond, Doctor Who, Jurassic Park, The Simpsons and Marvel (to name just a few) all get their own sections - each filled with 50 questions to test your fandom credentials.

Then we get to the answers, and this is where Marshall really brings home the goods. If you think you're going to get just the answer, think again (this is Marshall we're talking about!) - many of the answers are filled with detailed information and trivia, such as actors names, serial numbers and years.

We would be remiss not to acknowledge Mike Reiss' (Simpsons writer) hilarious foreword, followed by Marshall's own touching introduction that makes the reader feel an overwhelming sense of inclusion and 'its-ok-to-be-nerdy-ness'. One particular line really stood out to us, however, and it really is incredibly apt, poignant, and most of all, true:

"I've always felt that to completely grow up, to turn your back on the things that once meant the most to you, would be the most terrible betrayal of the child you once were."

Due to Marshall's immense fandom knowledge, and after educating us with quite a few fact-filled gaps in our own knowledge (that even surprised us), we genuinely felt like better fans after reading Vintage Geek! Go get a copy and add it to your life NOW!

+  Vintage Geek is Out Now!
+  Buy this book from Amazon.co.uk!
+  Follow @MarshallJulius on Twitter.

Manufacturer: Big Finish Productions

Written By: Carl Rowens & Martyn Waites

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: October 2019

Reviewed by: Nick Mellish for Doctor Who Online

Interstitial by Carl Rowens

"When the TARDIS is drawn off-course by temporal disruption, the Doctor and his companions discover a research facility conducting dangerous experiments. But how do you fight the future when time itself is being used as a weapon?"

Feast of Fear by Martyn Waites

"At the height of the Irish famine, a carnival travels the country bringing cheer to all they encounter. But it also brings something else along with them… and it already has the Doctor."

Doctor Who has not been shy of (at times) cribbing from its own past; be it with cast members (here's looking at you, Michael Wisher), titles (The Mutants does have a nice ring about it) or plots (Planet of the Daleks feels very familiar for a reason, after all).

Likewise, Big Finish have certainly never been shy about plundering the past. We've recently had an entire trilogy featuring one-shot character Mags, two outings across two ranges for the same trio of Masters and a Missy, giant maggots pestering Torchwood, and more besides. This trilogy is bookended by a guest star from Big Finish's own original series, and a story with the 1980s Cybermen. Here in the middle, we've two stories with rather familiar beats.

We begin with Interstitial by new writer Carl Rowens. The title conjures up memories of The Time Monster, experiments with time doing likewise, but what we get instead is a fairly generic sci-fi story of differing timelines and the responsibility one has if one can alter events. (That's not a criticism, just an observation.)

The story justifies its two-episode length, not outstaying its welcome and using a small cast well, even if the guest cast are largely familiar tropes with dialogue.

Having joined the TARDIS team in the previous adventure, with hints of a sad ending, Marc is all wide-eyed innocence, a traveller from the past flung into the future, and Rowens gets to toy with his fate at times. I'm not sure how Marc is going to play out yet: confusion and enthusiasm with a dash of bravery are all well and good, but I feel we've seen this before and he will need something more to really grab our affection.

The ending of Interstitial feels rather quick after the gentle pace across the rest of the tale, but all in all this one is not bad. It even manages to take one of my pet hates (people on screen or in audio reading aloud letters whilst writing them) and give it an amusing pay-off when Nyssa signs it off. Hats off to it.

* * * * *

Next up is Feast of Fear by Martyn Waites, another new author. It's always good to see new names in this range, so having two in this release is something to be praised.

Feast of Fear is an odd one though. We sadly begin things with two characters spouting exposition at one another as they run, which made my heart sink and attention wander: there are ways of filling in characters' backgrounds organically and this isn't it.

As for the play itself, you'll be forgiven for thinking you've heard this one before. A circus taken over by a malevolent evil from outer space? I guess any story set around a circus or carnival was going to invoke comparison with The Greatest Show in the Galaxy, but the way around this is surely to do something radically different? As it stands, it just makes it feel like the well is running dry.

Elsewhere, things feel very in tune with Doctor Who in its post-2005 guise. Love saving the day and people able to break conditioning through memories and friendship? Closing Time and The Rings of Akhaten spring to mind.

This makes the play feel derivative. Heck, even a plot thread about the Doctor unable to stop talking has strong echoes of Tell Me You Love Me from Big Finish's (underrated) Class plays.

In some ways, Feast of Fear feels like the most Chibnall-era play we've had so far, with a (very) lengthy justification by the Doctor before taking any action against the monster and an emphasis time and again on friendships and relationships. Even plundering stories from the past is in keeping, seeing as Chibnall has riffed on Doctor Who and the Silurians and The Green Death on screen rather heavily in two of his tales.

It doesn't make for a wholly successful play here, though, if you know the show's past, and let's be honest, most people listening to these plays do. Big Finish are even doing a prequel to Greatest Show in this very range, so I am left scratching my head at the approach taken here.

This release is a story of two halves in more than one respect, then. It boasts one of the best covers Big Finish have given us for years, throws two new authorial voices into the fray, and stumbles as often as it succeeds.

I think on balance that I am okay with this. This release is not going to get a huge score from me, but at least it's attempting to do something vaguely different, albeit by treading a well-beaten path. Perhaps the future will see more success down this route.

+ Interstitial / Feast of Fear is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

+ ORDER this title on Amazon!

On 5th November 2019, the first ever business selling nothing but official, BBC-licensed Doctor Who merchandise will launch; The Time Meddlers!

Based in the UK, but offering worldwide shipping, The Time Meddlers will not only sell merchandise via their online store, but also at their stand in the heart of London’s Covent Garden Jubilee Market which will open the very same day!

As well as that, The Time Meddlers will be attending conventions across the UK, with plans to expand to Europe & beyond in the very near future.

25% OFF PRE-LAUNCH SALE

From today, fans can register for access to the pre-launch online sale, which will gain them access to the site a few days before its official opening, with a whopping 25% off of ALL products!

To register, simply head to www.timemeddlers.co.uk - enter your name and email address, and you will then receive details on how to gain access to the site for the pre-launch sale which takes place November 1st through November 3rd.

SAVING THE UNIVERSE, ONE PLANET AT A TIME...

The fact that every single product available from The Time Meddlers is BBC-licensed means that the factories in which goods are produced are audited by the BBC (i.e. conditions are safe, workers are paid fairly etc.). This is one of the key principals of The Time Meddlers - that everything is done ethically, sustainably, and as environmentally-friendly as possible.

Products are never individually plastic-wrapped, T-Shirts will be packaged in 100% recyclable cardboard packaging which The Time Meddlers have designed and developed with the manufacturer exclusively. Goods being sent out via mail order are also packed using recyclable materials.

THE TIME MEDDLERS THEMSELVES

The business is owned and run by Shane and Dylan, both experienced in the world of retail and fan events/conventions. 

Speaking on the businesses’ launch, Dylan said:

“Enjoying what I do is one of the most important things for me, and ‘The Time Meddlers’ fills me with so much enthusiasm. Our goal is not only to give Doctor Who fans exactly what they’ve needed for years (a friendly service and affordable merchandise), but also grow & rejuvenate the community for everyone to enjoy and be a part of what we are doing. My main focus is making our stands look incredible, fun and modern. The days of displays looking like something at your local boot sale or a charity shop are gone!”

Shane added:

“This isn’t just a business to us. We’ve been involved in designing and developing new products (which are currently in production), getting really hands-on, because we are fans ourselves. Our goal is to become a part of the fan community and even get the fans involved in what we do. They are our customers, and they know exactly what they want. We have big plans for The Time Meddlers, including a YouTube series which is actually in production as we speak, where genuine fans unbox, review and discuss our products. We’re also working on additional content, but we will announce more in due course! Our priority right now is getting the online shop up and running on time.”

The site is launching with a modest collection of around 50 pieces, and will expand and evolve as new stock arrives and the  business grows. 

You have until midnight, October 31st (GMT) to register for access to the 25% off pre-launch sale.

Once launched, customers will be able to pay using all major credit and debit cards, as well as Paypal.

+  Website: www.timemeddlers.co.uk
+  Facebook: facebook.com/timemeddlers
+  Twitter: twitter.com/timemeddlers
+  Instagram: instagram.com/timemeddlers

[Source: The Time Meddlers]

Manufacturer: Big Finish Productions

Written By: David Llewellyn

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: September 2019

Reviewed by: Nick Mellish for Doctor Who Online

"63BC. Following the overthrow of Catiline, Cicero and his wife retire to the coastal town of Cumae, safe from the threats of Rome.

But when a stranger and his companions arrive at Cicero’s villa, new dangers lie in wait and Cicero finds himself plunged into a realm of gods and monsters.

His only hope of returning home lies with a man known as the Doctor. But can Cicero trust him?"

Every year, there is one month where Big Finish give us two main range releases at once instead of the usual solo effort. 2019 throws two historical pairings at our feet at the same time: the Doctor and Houdini in Harry Houdini’s War, and the Doctor and Cicero here in Tartarus.

I heard a few cynical rumblings when this play was announced along the lines of it being less a good idea for a Doctor Who play and more a good excuse for an extended advert for Cicero, Big Finish’s original series from 2018.

There is a decent enough Doctor Who story in here to silence the critics, in part because the series has taken elements of mythology and created a story from them before, as is the case here. It doesn’t necessarily feel overfamiliar though, partly because they’ve decided to buck this incarnation’s norms (Resurrection of the Daleks aside) and give Tartarus two episodes over 40 minutes in length each. It benefits this script, giving room for moments to really breathe and lending the tale a pace that’s gentle without being lazy.

I am not saying there isn’t an element of cynicism here, mind, and crossed fingers hoping people will jump from Tartarus to Cicero. Certain plot points clearly take their lead not just from history but from the series, and having the Doctor enthuse about how amazing Cicero is, while not out of character perhaps comes across as a bit too forced, ditto his arguments with him about who should be in charge and early scenes where the Doctor explains concepts from the future to him at a party. It’s the same with Nyssa and Tegan’s reactions to everything, and an observation and plot point about Adric’s death. It feels a tad like someone is trying really hard, and too self-consciously, to write ‘this is how they would react’ rather than creating something truly organic and true to the characters.

The ending of Tartarus points to more to come in, one presumes, a future trilogy. I’m not sure how keen or excited I am for this development, especially as it rather gives away the ending already. That said, I’m guessing the ending, as painted here, isn’t quite what it appears to be: and if it is, it’s almost identical to that which they’ve done before with post-Terminus Nyssa, which will seem a little lazy. Perhaps it will surprise me further down the line. Perhaps.

I do have to wonder. As of late, much of Big Finish’s output across its various ranges feels rather like we’ve seen this before, often riffing on something we have already had or filling blanks no-one really cared about and making a poor job of it. From Emissary of the Daleks to the sixth series of adventures for River Song to the fan fic slog that was Battle Scars, it feels utterly tried. Those are perhaps extreme examples of bad releases, but that weariness seeps in elsewhere more often than not nowadays, and that’s upsetting.

I genuinely hate writing reviews like these; so down and lacking in real joy or spark; I know people pour their heart and soul into writing words. But I also am not about to lie and pretend it’s all sunshine and roses, as it’s not. Every so often, we’ll be blown away by something really special or brilliant from Big Finish; The Master of Callous here, the genuinely touching Still Life there, the fun and atmospheric Krampus two-parter from Ravenous in the centre. It proves that there is life in the old dog yet, and exciting life it is, too. But with such releases few and far between, I do wonder how long it is before the well is truly dry.

Prove me wrong, Big Finish. I reckon, or at least I hope, that you can, because I know you’re brilliant when you really put your mind to it: you have been dozens upon dozens upon dozens of times before. It’s why I’m still going with you, all these years on. But perhaps I’m just tired of the increasing ‘that’ll do’ releases? And if I am, I’m sure I am not alone.

Prove me wrong. Please.

+ Tartarus is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

+ ORDER this title on Amazon!

54 years after the original BBC television broadcast, BBC Studios will premiere a new production of Mission to the Unknown, a missing Doctor Who episode that has been faithfully recreated by a team of students, graduates and staff of the University of Central Lancashire.

Mission to the Unknown will be premiered on the Doctor Who YouTube channel at exactly 5.50pm BST on the 9th October to mark the anniversary of the original broadcast of the episode, which was first aired on BBC One in 1965.

The episode will be followed by a making-of documentary short created by YouTuber Josh Snares featuring the cast and crew of Mission to the Unknown with voice of the Daleks, Nicholas Briggs, original cast member Edward de Souza and the classic Doctor Who companion Peter Purves (Steven Taylor) who played the companion to the First Doctor in the 1960s

Luke Spillane, Digital Publishing Manager for Doctor Who at BBC Studios, said:

“I’m delighted that we will be bringing the story of Space Security agent Marc Cory to our 1.3 million subscribers on the Doctor Who YouTube channel as it is such a fantastic recreation, made lovingly with real craft and expertise by everyone at the University of Central Lancashire. I hope audiences around the world can imagine that it’s tea time on the 9th October 1965 as they rather excitingly watch a black and white episode of Doctor Who premiere on their television sets, mobile phones and tablets.”

The project was master-minded by Andrew Ireland, Pro-Vice Chancellor of Digital and Creative Industries at the university, and brought together a dedicated group of students from a wide range of disciplines including film and television, acting, fashion, music, design and dance to recreate the episode from the original script as authentically as possible, carefully researching and reproducing as faithfully as possible the original 1960s production techniques to re-create the classic look of the series.

Andrew Ireland, Pro-Vice Chancellor of Digital and Creative Industries at the University of Central Lancashire, said:

“It is such a loss to our cultural heritage that so many episodes of 1960s Doctor Who are missing from the BBC archives. This project presented us with an exciting opportunity to address that, to explore a new way of bringing these missing slices of TV history to life, and in the process, help students learn their craft by comparing contemporary production methods with historical approaches. The project gave so many people great experiences, and it is wonderful to see the Daleks menacing a black and white jungle once more.”

The recreation caught the imagination of several Doctor Who luminaries including Nicholas Briggs, who has provided the Dalek voices for the recreated episode, and stars including Peter Purves, who played 1960s companion Steven Taylor, and Edward de Souza, who played Marc Cory in the original episode, visiting the new set to lend their support.

You can view the trailer in the player, below:
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[Source: BBC Studios]

Manufacturer: Big Finish Productions

Written By: Steve Lyons

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: September 2019

Reviewed by: Nick Mellish for Doctor Who Online

"The world is at war, and Harry Houdini wants to fight for his adoptive country. He might get the chance, when an old friend crashes his New York show.

The Doctor is on the trail of a Central Powers spy ring, which has somehow acquired unearthly technology. But he is also keeping a dangerous secret...

Finding himself on the run behind enemy lines, the world’s greatest escape artist has to work out who he can trust – and fast."

Harry Houdini’s War is the final play in the latest Sixth Doctor and Peri trilogy. Despite being pushed as pre-Trial tales, the use of Dominic Glynn’s theme tune arrangement quickly suggests things aren’t all they appear with this play (either that or someone in post-production has dropped the ball), which is either a clever clue or a bit of a twist killer. The jury is undecided.

We start off slightly on the back foot then, and pre-publicity highlighting that Harry Houdini and the Doctor have met before in Smoke and Mirrors (a play that was one of the better parts of the Destiny of the Doctor series from 2013) it may seem a little off-putting: does one need to know that to enjoy this? Thankfully not, and indeed the relationship between the two men is the most enjoyable aspect of this release.

The combination of Houdini and the Doctor is a rather neat one: the illusionist who wowed the world with the person who saves it. As celebrity and Time Lord duos go, it certainly makes for an easier pairing than the ‘Doctor and Churchill’ one which has to skirt around and turn a blind eye to numerous issues and (ironically) politics to really work, and in the case of the two Big Finish series, also decent scripts and a full cast. I just hope Big Finish resist a trilogy with this pair or an ‘enhanced audiobook’ set: there’s a fine line between being intrigued to see more and seeing far too much. Even Houdini couldn’t work his magic on this.

Aside from the Houdini/Doctor partnership, there is some nice colour to this play. Educational titbits and facts concerning Houdini are dropped in neatly in a way that would make Sydney Newman happy, and I rather like the reason that’s given for why the Doctor seems to be fighting for the opposition. All this said, the script itself feels rather flabby at times, which makes the episodes’ running times feel lengthier than they are in actuality. There is also a strange thing in the first two parts where you reach a cliffhanger... and then it goes on for another scene or two before wrapping things up with a far less effective ending.

More bizarrely, the sound design for Harry Houdini’s War lacks the usual polish which Big Finish brings to the party. There is a scene that especially stood out which cuts from people in an aeroplane to people watching the aeroplane, with what is essentially a fading down of an aeroplane sound effect to denote the transition. I can see what they’re going for here, suggesting more of a pull-back shot than a hard cut between scenes, but it’s too subtle, lacking the visual immediacy audio needs to really sell the moment and creating a slower and messier picture in the mind accordingly.

In the end, perhaps that sums the play up: good ideas and nice intentions, but the finished product is lacking. As mentioned before though, there is mileage to be had with Houdini as an occasional guest star in these main range plays, certainly more than some returning elements or partnerships we’ve seen Big Finish delve into in the past. This particular play may not have the magic one wishes, but perhaps an encore can do it justice.

+ Harry Houdini's War is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

+ ORDER this title on Amazon!

BBC Studios has announced its first licensing partnership with the popular global brand specialising in customisable stuffed animals, Build-A-Bear, to create a new collection of plush, outfits and accessories based on the Doctor Who franchise.

This is the first time that Doctor Who plush are going to be offered at Build-A-Bear Workshop, with products launching online in both the UK and USA in 2020.

Doctor Who is one of the longest running sci-fi television series in the world, spanning 55 years and winning over 100 awards. This quintessentially British show has a proven track-record in consumer products and live entertainment with over four and a half million Sonic Screwdrivers sold in the past eleven years, over 13 million action figures sold since 2005, over 19 million DVDs sold globally and over one million tickets sold for live events.

Julie Kekwick, Senior Licensing Manager, BBC Studios said:

“We’re excited to be partnering with Build-A-Bear to create a collection that will appeal to fans of the show both young and old. Doctor Who has a huge following and with the launch of Series 12 early next year we’re looking forward to this new range launching online.” 

Anjali Khosla, Senior Manager of Brand Management, Build-A-Bear Workshop said:

“We are thrilled to partner with BBC Studios to bring the iconic Doctor Who franchise to Build-A-Bear Workshop. We look forward to sharing our version of this beloved story with fans and collectors around the world in early 2020.”

The announcement follows the news that Series 12 of Doctor Who is due to air in early 2020 and will see the return of Jodie Whittaker as the Thirteenth Doctor.

[Source: BBC Studios]

Manufacturer: Big Finish Productions

Written By: Andrew Smith

RRP: £14.99 (CD) / £12.99 (Download)

Release Date: August 2019

Reviewed by: Nick Mellish for Doctor Who Online

"On the planet Omnia, a young man leads the Doctor and Peri through the battle-scarred ruins of a city. Among the rubble he shows them proof that their invaders and new masters, thought to be invincible, can be defeated. The proof is the blasted, burnt-out remains of a Dalek.

But this is a Dalek-occupied world like few others. For one thing, there are few Daleks to be seen. And for another, the Daleks have appointed an Omnian, Magister Carmen Rega, to govern the planet as their emissary.

Why are the Daleks not present in force? And can the Doctor and Peri risk helping the Omnians, when the least show of resistance will be met with devastating reprisals from space?"

There was a lot of buzz surrounding Emissary Of The Daleks, the latest play from Andrew Smith, when it was first announced. Rightly so, too, as the premise sounded very promising indeed: a world under Dalek rule which ticks along nicely, just so long as no-one rises up against them. As ideas go, it's a good one. Would you dare risk killing everyone if things are actually okay as-is?

There is a lot of potential there, with the Doctor and Peri in the role of possible antagonists. Do you risk it all just because they're Daleks, or accept the planet is fine right now with them in charge?

I was therefore excited to start this play, but that soon slipped into uncertainty and quickly into being unenthused. The trouble is, the premise is never really tapped into. Instead, we have a story we have seen a hundred times before. Daleks invade the planet; a well-meaning but ultimately flawed and foolish leader acts as human / Dalek liaison and does terrible things when trying to "do the right thing"; general population is terrified and live in fear and slavery; and the Doctor saves the day.

There was not one plot point or twist that I did not see coming at least two scenes earlier. Two of the cliffhangers involve screaming and what sounds like the death of the regulars… only they're fine. The character development and family relationships are as easy to guess as the plotting.

I really wanted to like this play, and there are definitely some good parts. I like the piece of Dalek mythology which Smith gives us, about how each Dalek sucker is as individual as a fingerprint. It ranks up with Trevor Baxendale's assertion in his novel Prisoner of the Daleks that Daleks could kill you quickly, they just choose to do it painfully, as good ideas that will be forever stuck in my mind as canonical now.

The story is something you've come across before, time and again, but the plot is at least free of holes, and whilst none of the characters made an impression, the cast have no weak links or performances on show.

Perhaps it's unfair to judge this play on what it is not, but what it is is so familiar as to be a bit dull. It may be told competently but I'm not sure you'd be able to call it exciting with any real sincerity.

As it stands, Emissary of the Daleks is by no means a disaster, but it's also entirely nonessential and overfamiliar to the brink of being boring. The buzz for the premise may be justified, but any for the execution is not.

+ Emissary Of The Daleks is OUT NOW, priced £14.99 (CD) / £12.99 (Download).

+ ORDER this title on Amazon!

BBC Studios continues to offer Doctor Who fans the opportunity to build their own home archive on Blu-ray. Debuting on Monday 23rd December is Doctor Who: The Collection - Season 26; the acclaimed final season from the series’ original run, starring Sylvester McCoy and Sophie Aldred.

The set includes four stories: 

BATTLEFIELD
GHOST LIGHT
THE CURSE OF FENRIC
SURVIVAL

In 1989, Doctor Who was on a creative high, with the Seventh Doctor and his companion Ace revitalising the programme for a new generation. Season 26 featured four epic adventures traversing a future Britain invaded by inter-dimensional knights, a strange Victorian house haunted by ghosts from Ace’s past, an alien world populated by Cheetah People and a 1940s army camp under siege from monstrous vampires.

With guest stars including Nicholas Courtney (Brigadier Lethbridge-Stewart), Anthony Ainley (The Master), Jean Marsh, Nicholas Parsons, Anne Reid, Ian Hogg, Sylvia Syms and comedy duo Hale & Pace, this fondly-remembered set of stories saw the end of an era for Doctor Who, and set the stage for its hugely successful revival.

With all episodes newly remastered from the best available sources, this Blu-ray box set also contains extensive and exclusive special features including:

Rare Restored Extended Cuts
The Curse of Fenric VHS Extended Version The Curse of Fenric DVD Special Edition Battlefield VHS Extended Version Battlefield DVD Special Edition, plus

5.1 surround sound & isolated scores
On all 14 broadcast episodes, plus 5.1 sound on all extended versions of The Curse Of Fenric and Battlefield.

Behind the Sofa
New episodes with Sylvester McCoy, Sophie Aldred, plus companions Janet Fielding, Sarah Sutton, Anneke Wills and Jodie Whittaker-era writers Pete McTighe & Joy Wilkinson.

Showman - the Life of John Nathan-Turner
A feature-length look at the life and career of Doctor Who’s longest-serving producer, who fought to keep the programme on-air during the 1980s. Contributors include Peter Davison and Colin Baker.

Making ‘The Curse of Fenric’
A brand new documentary featuring Sylvester McCoy, Sophie Aldred, Tomek Bork, Nicholas Parsons, Cory Pulman, Marek Anton, Ian Briggs, Andrew Cartmel, Mark Ayres and Ian Collins featuring unseen behind-the-scenes footage and photographs.

In Conversation
Matthew Sweet chats to companion Sophie Aldred.

The Writers’ Room
Ben Aaronovitch, Marc Platt, Ian Briggs, Rona Munro and Andrew Cartmel discuss their work on Season 26.

Becoming The Destroyer
Actor Marek Anton and prosthetics designer Stephen Mansfield recall the creation of one of Doctor Who’s best ever monsters.

Blu-Ray trailer
Sophie Aldred back in character as Ace.

Brand new Ghost Light extended workprint Unseen studio footage

Rare archive treats

Convention footage

HD photo galleries

Scripts, costume designs, rare BBC production files and other gems from our PDF archive

And lots more!

The seven-disc box set also includes hours of special features previously released on DVD.

+ PREORDER this title from Amazon.co.uk for just £39.99 (RRP: £56.16)!
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[Source: BBC Studios]