What an amazing 60 minutes of TV that was! Steven Moffat has capped off Series 10 in an utterly satisfying way, giving us a finale that will be remembered in the annals of Doctor Who history for some time to come.

We pick up pretty much where World Enough And Time left off, and thanks to some little flashback scenes to move the story forward a bit, we find The Doctor has been captured by Missy and The Master and that the Cybermen are planning an en-masse attack. The battle lines are drawn, and there is a feel of The Time Of The Doctor about this episode.

Missy and The Master are deliciously despicable together, but you sense the disparity between them. It is clear that Missy is conflicted and that she really does want to change, but The Master is so deeply rotten, that you don't know which way she will settle. There's a particularly poignant moment where The Doctor gives a passionate speech to the pair and you expect John Simm's Master to at least show a glimmer of hope, but even we were shocked at his response; it's pretty heart-breaking, actually. What happened that made these two best friends go down completely different paths, and what made The Master hate The Doctor so much?

We do learn a little more about what happened to The Master after the events of The End Of Time, and that after returning to Gallifrey there was a "mutual decision" to kick him out, in turn, removing the drum beat in his head. 

Both Missy and The Master's story / timelines are wrapped up by the end of The Doctor Falls, with maybe a little wiggle room for John Simm's Master to return. We have loved Michelle Gomez as Missy, but we're not quite ready to say goodbye to Simm's Master yet - he has found the sweet spot as The Master (possibly our favourite portrayal of the character to date) and if the show's producers can find a way to somehow retain him, they really must!

One final point regarding Missy / The Master is that Steven Moffat makes a decision that would have been so wonderful to see through to fruition, but, rather cruelly (and totally for the right reason), we never will.

Were not 100% sure, but we think this is our last episode with Nardole, played so wonderfully by Matt Lucas. He has been the comic relief that has been needed in a season with such high stakes, and whilst we fully admit we weren't a fan of his character at the very beginning, all the way back in The Husbands Of River Song, he has completely won us over. Nardole gets to show his mettle in The Doctor Falls, and there's even a glimmer of a happy ending. 

After the terrible events of the previous episode, Bill is coming to terms with what has happened to her, and its crushing to see. The big question is can she ever go back to the way she was before the cyber conversion? The answer lies somewhere in this spoiler-free preview!

In The Doctor Falls, Pearl Mackie has delivered her finest performance to date in Doctor Who, and after the events of this episode, we really hope it's not her last. What she has done for the role of the companion, equality and diversity is truly amazing, and she has inspired and empowered a whole new generation of fans. We've run this fan site for over 20 years now, and we've never seen a companion received as well as Bill Potts has!

And finally...Peter Capaldi as The Doctor; his final days are numbered, and with Christmas just a few months away, we have just a little longer to prepare ourselves for the inevitable regeneration that's coming - even if there may be a few false starts along the way ;) It was so good to see The Doctor share some decent screen time with Missy and The Master, and you'll want to lap up every second they are all in together.

There is very little we can say about the end of the episode except we end at the beginning.

Steven Moffat's contribution to Doctor Who has been immense; rich characters, scary monsters and plots that actually make you think and make you feel clever for following them through to conclusion. He's made gutsy decisions that take the show (and its characters) into bold new directions. But even with all that in mind, he has taken a show that we all love - including himself - and stayed true to its roots. We'd like to go on record by saying a big Thank You to Steven for all he has done, and we are going to be very sad to see him go. With just one episode to go at Christmas, we know he's going to go out with a bang, and the aftershocks will no doubt be felt throughout Doctor Who fandom for many years to come.

5 Things To Look Out For:

1)  Jelly Babies
2)  Guyliner
3)  "Where there's tears, there's hope..."
4)  "I don't want to go!"
5)  The _______ will ______ at _________.

+  10.12: The Doctor Falls airs This Saturday at 6:45pm on BBC One.

[Source: DWO]

And so it came to pass that the players took their final places, making ready the events that were to come...

We want to start off by saying just how hard this episode was to preview without spoiling anything; and as you will all know by now, this is the episode that John Simm's Master makes his return. It is this fact that the BBC wanted us all to know about, that we feel is the only real let-down in the whole story. If this could have been kept secret, the reveal would be right up there with Series Three's YANA!

The episode kicks off with one of the most jaw-dropping pre-titles sequences the show has ever had, and a scene which we will no doubt be revisiting thanks to some more timey-wimey magic from Steven Moffat. Yep - that's about all we can say about that!

The main episode itself is the Cyberman story that most fans have been waiting for. We get to see the original Mondasian Cybermen from The Tenth Planet, here, and crikey do they work well! Barely anything has changed - even their voices are exactly the same. These are hands-down the scariest, creepiest version of the Cybermen to have ever hit our screens, and we're so glad they are back!

The Doctor, Missy, Bill and Nardole land on a 400-mile long spaceship, perched at the edge of a black hole. The unique setting is a brilliant concept that means that the front of the ship is at a different point in time to the rear - something that is a key device throughout the story.

There is something quite shocking that happens quite early on, and the consequences of what happens lead to even more shocks that will likely make this episode of Doctor Who one of the most horrific in its entire history. The show quite possibly dips its toe over the line of what it can get away with, but we think it just about works. Yep - that's about all we can say about that!

Once again, Bill (Pearl Mackie) takes up a good chunk of the episode, which dips back and forth to The Doctor, Missy & Nardole. Pearl has been truly amazing in Series 10, so far, and this episode gets her digging deep and delivering everything that's thrown at her. Likewise, Missy (Michelle Gomez) further explores her nicer side, and it seems that The Doctor may have just brought her back to the light. It's so exciting to see this new facet of her character, and the obvious mercurial conflict she is facing within.

Peter Capaldi's Doctor continues to break our heart with the realisation we are just a couple of hours away from his final moments. This man was born to play The Doctor, and he has wiped the floor with all of the naysayers who thought an older actor couldn't carry the role in this modern era of Doctor Who. He actually doesn't have a great deal to do in this episode, but his presence in the scenes he is in adds important grounding and gravitas, which will carry through to The Doctor Falls.

But what about John Simm, you all ask? Well, despite some rumours online, The Master is very much back - not a dream, not a 'Moment-esque' type appearance - he is back, and at his evilest. There were flashes of redemption when he faced The 10th Doctor, and near the conclusion of The End Of Time, it seemed he had made a noble choice. We are still unsure of whereabouts in Simm's Master's timeline this episode sits, but it seems to be set after the events of The End Of Time (we may be wrong, though).

Rachel Talalay delivers another belter on the direction front; full of atmosphere and weight and everything that has always made her episodes stand out. Can we please bring her back for every finale?

As for the musical score, Murray Gold has given us something bigger and bolder, with hints of Series Three (his finest soundtrack in our opinion), and a chilling undertone that haunts throughout the episode. 

World Enough And Time gives us match point for Series 10 of Doctor Who, and it's all eyes on The Doctor Falls as to whether Moffat can cap off one of the strongest and most well-written series in its modern history.

5 Things To Look Out For:

1)  The Doctor emerges from the TARDIS...
2)  "Is your real name Doctor Who?"
3)  Venusian Aikido
4)  "Pain."
5)  "I'm very worried about my future."

+  10.11: World Enough And Time airs This Saturday at 6:45pm on BBC One.

[Source: DWO]

Wow...just...wow!

If this turns out to be Mark Gatiss' final script for Doctor Who, then he's going out on a massive high as we absolutely loved and adored Empress Of Mars!

There are so many classic series elements here that tick all the right boxes, and we don't just mean the Ice Warriors. The majority of the adventure is set in the caves underneath Mars, and thanks to the truly awesome locations used, the look and overall feel instantly pulls you in. There are elements of those cave scenes in Earthshock, but owing to the colour palette everything feels so much more other-worldly. This feels straight out of the classic series, but with all the trimmings of the new series and its budget.

In a nutshell, the year is 1881 and The Doctor, Bill and Nardole arrive on Mars to find Victorian soldiers from Earth in the subterranean cave network. Among them is a lone Ice Warrior who serves tea and even tidies up afterwards! It's not long before the army discover a long-lost tomb, but with dissension in the ranks, chaos is just around the corner. As promised by Gatiss, we are introduced to a new type of Ice Warrior, and how wonderful she is! Iraxxa not only adds a new vein to the Ice Warriors mythos, but she proves a powerful force to be reckoned with, whilst throwing a good old punch in the air for girl power. Bill bookends the girl power, thanks to her negotiation skills with Iraxxa; in fact women seem to rank higher than men in Ice Warrior culture.

Whilst historically The Ice Warriors have generally been considered a Doctor Who villain, we like how Gatiss has fleshed them out (quite literally in Cold War) and made them so much more than a slick, green, waddling "upright crocodile", and given them some redeeming qualities (beach ball kills, aside). In fact, in Empress Of Mars, we actually see an Ice Warrior run!

If there is just one gripe we have, it's the way in which the Ice Warrior's kill their victims. Gone are the days of the inverted, shaky mirror death, now they're turned into...well...human beach balls. That being said, I certainly wouldn't want to be turned into a human beach ball, so the threat element remains intact...in a roundabout way.

This is a relatively Nardole-light episode, with the main pocket of his scenes at the start, but when he does eventually turn up again, it sets the scene for a rather complex situation that The Doctor will have to resolve at the start of The Eaters Of Light.

Empress Of Mars is a textbook Doctor Who adventure that does a lot more than it seems at first glance. As well as being a rollicking good monster story, it actually incorporates many aspects of the show that has lead to its success over the years. There's time travel, rich characters, genuinely scary monsters, and, more importantly, a stonkingly good script. We really hope this isn't Mark Gatiss' final script for Doctor Who! This is probably our favourite episode of Series 10 so far! 

5 Things To Look Out For:

1)  Sleep No More.
2)  A nod to an actress last seen in Series 2.
3)  Not a good idea, Nardole...
4)  An old friend.
5)  "This can't happen. This...is not what we agreed to."

+  10.9: Empress Of Mars airs This Saturday at 7:15pm on BBC One.

[Source: DWO]

As we approach the halfway marker of Series 10, it's clear we've had a very strong season so far, but it's a point where we start to wonder how long the momentum can last. With the return of Missy, and an episode written by Steven Moffat, however, you may just have to wait a little longer as this series continues to deliver with Extremis.

From the off, Moffat is on fine form; the episode starts 'A long time ago' as we spiral in on an unknown planet that specialises in executions. To name either the executioner or the condemned would be giving too much away, but typical of Moffat's style, this little narrative which fades in and out of the main story is a pleasant distraction, and you keep wanting to know its resolution.

Ok..we can hear you asking... and YES - we do get to find out who or what is inside the vault, but as we read our checklist of what we can and can't mention in our preview, alas, the identity is something we cannot reveal - although the more astute among you will have probably guessed by now.

The episode is centred around a book called The Veritas - something that anyone who has read has soon after died. The way in which The Doctor is involved is straight out of a Dan Brown novel. In fact, The Doctor can very easily be compared to Robert Langdon (the central character in Brown's books); a smart man, called in by the Catholic church to solve a chilling mystery at its heart. There are scenes that appear to be straight out of Angels And Demons, and the adventure is all the richer for it. Previewing an episode like this is incredibly difficult without giving anything away, but, as you can expect, there is something much larger going on behind the scenes here, and you'll be left with way more questions before the titles roll.

There are so many elements that pull together to form a truly amazing episode of Doctor Who; you have the central season arc referenced, there are truly, TRULY terrifying villains, some amazing sets and locations and a terrific score that makes the adventure way larger than the sum of its parts. In many ways, Extremis feels more like a movie than it does an episode, and by the time the 48-minute timeframe is up, you are desperate for more. For the second time this season there are echoes of Silence In The Library; helped, in part, that there are several scenes set inside the Vatican library, and the re-emergence of a certain...ahem...diary.

We mentioned a couple of episodes back how the horror element has been ramped this season, something that is reminiscent of the Hinchcliffe years of Doctor Who, and as far as villains go, we think that the hooded monks are quite possibly the most frightening and chilling monsters the show has had to date. The look and feel of the monks, coupled with the way in which they talk will creep you out to the max.

Not sure if it is deliberate, but look out for the familiar melody from the opening bars of Thunderball that repeat themeslves throughout Murray Gold's score for Extremis. The similarities to Bond don't end there either, as there's something very Thomas Newman-esque about it, and at one point near the end, there's another familiar Bond riff. Comparisons aside, Gold's music once again takes centre stage and accompanies the adventure with audible precision.

Extremis, although a slower episode than we're used to this season (which isn't a bad thing), is a wonderful reminder of just how good Steven Moffat is as a writer, and why we've been so lucky to have him at the heart of Doctor Who for the past 7 years. This feels like the beginning of his swan song and he is going out in a blaze of glory. But before all that, The Pyramid At The End Of The World beckons...

5 Things To Look Out For:

1) ”Prydonian Chapter”
2)  CERN
3)  Shhhh! Spoilers!
4)  Someone has the authority to "kick The Doctor's ass"!
5)  The return of a location The Doctor last visited in Series 6.

+  10.6: Extremis airs This Saturday at 7:25pm on BBC One.

[Source: DWO]

We're really loving the 'back in time for tea' element that Series 10 has brought; with The Doctor seemingly detained on Earth to watch over the mysterious vault. The impromptu trips with Bill have seen her travel to the future and the past, and now we get her very first space adventure - with Nardole along for the ride, too!

As the episode begins, you may be forgiven for thinking it was the start of a Star Trek adventure, with Peter Capaldi narrating a shot of space with the words "Space; the final frontier". There's something about those four words that instantly set the scene, and prepare you for something exciting, yet unknown. The pre-titles sequence makes use of some stunning visuals and there's a Kubrik-esque style to it that sets the precedent for everything that follows. We love our comparisons, and Oxygen feels like a mash-up of 2001: A Space Odyssey, Alien and The Walking Dead - all rolled into one!

The Doctor, Bill and Nardole arrive on a space station where almost all the crew have died and those that remain are being hunted down. Without giving too much away, as the title suggests, oxygen has an important part to play in the story. Let's just say that whilst we live in a time where bedroom tax is a real thing, the concept behind this episode, although slightly far-fetched, isn't exactly beyond the realms of possibility.

Writer, Jamie Mathieson (Mummy On The Orient Express, Flatline), has expertly woven an action-packed episode, with real horror and suspense, and there's more than one moment that will genuinely shock you - no matter how old you are! We did feel, however, that the episode has been a slight casualty of the editing process. There are some clunky cuts that sometimes makes the action on screen feel like it's moving ahead of the pace of the story. There's a lot going on in the episode, and much like with a Moffat-based story, you really have to pay attention to get everything that's happening.

The Doctor and Bill have definitely found their groove now, and it's a delight to see them sparring off each other on-screen. Pearl Mackie has continued to captivate us with her unique take on the Doctor Who companion template, and every frame she's in seems to sparkle with charisma.

If any of you are still undecided on Nardole (ok there are moments when he can be a little annoying), be prepared for a great scene, excellently executed by Matt Lucas, towards the end of the episode.

There's a lovely piece of music that kicks in about 5 minutes into the episode that dips beautifully from major to minor keys, and for the first time in a while, we get a taster of something anthemic building in Murray Gold's score. Music has played such a key role in Doctor Who since its return in 2005, and Gold has been at the heart of it. If we may embellish a (slightly cheesy) observation; Doctor Who glitters when Gold is at its beating heart.

Oxygen is a thrill-a-minute space adventure that will frighten, shock and surprise you. You definitely get the feeling that the production team are taking some risks and pushing the horror element, and whilst, at times, it sails perilously close to the border of what's acceptable for the kids pre-watershed time-slot, it reminds you that Doctor Who is perhaps at its best when it makes you feel slightly uncomfortable.

5 Things To Look Out For:

1) ”I want to have a baby with you!”
2)  Velma.
3) ”That is my theme tune! Otherwise known as a distress call.”
4)  A similar shot of a companion to one we saw in The Girl In The Fireplace.
5)  A rug-pull moment, just before the credits roll.

+  10.5: Oxygen airs This Saturday at 7:15pm on BBC One.

[Source: DWO]

Having seen what The Doctor and his TARDIS are capable of, Bill is given the choice to go into the future or into the past, as the second episode of Series 10 hits our screens this Saturday.

Having chosen the future, and when asked why by The Doctor, Bill retorts: “Why do you think? I want to see if it’s happy!”, and she is about to see just how happy the human race are (and the cost if you're not).

This episode feels like a cross between The Happiness Patrol and Silence In The Library. The emoji-bots, as we've all come to know them as, have more than one similarity with the Vashta Nerada, and we genuinely thought they were going to be revealed as being behind the events of the story, but the emoji bots are something new to the Doctor Who universe, and we can't help feeling this was perhaps an opportunity missed. That being said, there's still something rather sinister in their cute exterior, coupled with the emoji's they display on their faces.

If you were a fan of Bill's TARDIS observations in episode 1, get ready for some more classic one-liners as she critiques the point of the chairs being so far away from the console, and whether there are seat belts! It's great seeing how differently Bill sees things, and, rather amusingly, how The Doctor reacts.

One of the main stars of this episode is undoubtedly the setting, and the Doctor Who locations team deserve a pat of the back for what they came up with in Smile. The main white structure, coupled with the surrounding wheat fields in contrast with the blue sky, make for a striking visual, and you really feel like this could be a futuristic city in a far off world.

Ralph Little's role was much smaller than we were expecting - he only appears about 10 minutes before the end of the episode, but he does a great job - as does Kaizer Akhtar as Praiseworthy! Mina Anwar is also a little underused; she's so loveable and watchable, and you can't help wanting more screen time with her.

Murray Gold's music features a little more in this episode, and it really helps set the scene and pace, further. Without giving too much away in the scene, there's a great piece of music that plays after The Doctor tells Bill to stay away from his browser history. It's the first piece of music this season that we've got really excited about and it was worth waiting for. There's something quite Classic Who about it in feel, and has a touch of Mark Ayres about it.

This is the second offering from writer, Frank Cottrell-Boyce, and whilst his first episode (In The Forest Of The Night) divided some fans (not sure why - we actually loved it), this episode should have something everyone likes. There's great Doctor / Companion dialogue, and the main plot point was cleverly constructed, albeit slightly rushed at the end - but this feels more of a production decision than a writing decision.

Smile is a great episode that neatly checks the box for futuristic adventure, and is only let down by the speedy resolution at the end.

5 Things To Look Out For:

1) “You don’t steer the TARDIS. You negotiate with it.”
2) Bill refers to Nardole as 'Little Fella'
3) A magic Haddock!
4) There's something in the fertiliser.
5) Patch.

+  10.2: Smile airs This Saturday at 7:20pm on BBC One.

[Source: DWO]

Going into Series 10 was always going to be a bittersweet situation; there's the excitement of a brand new series, after what feels like an age away from our screens, coupled with the sadness - and reality - that Peter Capaldi will be leaving the show this year. Perhaps, what has made this a particularly bitter pill to swallow, is just how good Capaldi is in this opening episode. He is fully into his groove as The Doctor, and embodies the role with gusto, and you can't help reminding yourself after every little Doctor-y moment, that his days are numbered. Thankfully, we have new companion, Bill Potts (Pearl Mackie), to help distract us from the harsh reality of Capaldi's departure.

'The Pilot' takes Doctor Who back to its basics, and, much like 2005's 'Rose' was a companion-centric episode, Bill has a real chance to shine as she takes up the majority of the screen time in the episode. And just how good is Pearl Mackie as Bill?! She positively shines with energy, attitude, intelligence and...yes...that AMAZING hair! The lump in our throats from Clara's departure is very much still there, but hands-down, Bill Potts will win you over before the end titles roll. There's a heart-breaking scene set at Christmas that is played down wonderfully, allowing you to connect your own dots, but it really gets you in the feels, and Pearl plays it so, so well.

Matt Lucas' Nardole is definitely warming to us and he is fast becoming a character that you're glad to have in moments when The Doctor seems a little too 'alien' to Bill's emotions. There's a rather lovely little scene towards the end of the episode that stands out in particular. 

The episode itself delivers in so many ways, and whilst it may not quite live up to the Series 10 opener, it sets up a new direction, a new companion and a new threat, fantastically. A typical device used by Steven Moffat is to take an everyday object and turn it into something sinister, and The Pilot is no exception. Without wanting to give too much away, there's a puddle that's...well....not *quite* a puddle, leading to some moments within the episode that will genuinely make you jump out of your seat. Oh...and taking a shower will never seem quite so appealing anymore. There's a neat little scene that almost mirror's Rose's descent into the basement in 'Rose', and whilst Bill is very different to Rose, you can't help feeling the connection here. Expect a very different reaction from Bill when she sees the interior of the TARDIS for the first time (rather frustratingly for The Doctor), but it's played out very well indeed, to comic effect.

Those of you expecting an all-out Dalek-filled romp will be disappointed as their appearance is fleeting, but you do get a rather nice cameo from some Classic Series characters who have a certain association with them. The scene that featured in the BBC One companion reveal of 'Pearl Mackie as Bill' does indeed find its way into the episode, albeit an edited version to suit the pacing.

What we are missing most from the episode is Murray Gold's amazing scores. Don't get us wrong, there is some new material here from Gold, mostly connected to Bill Potts, but the music isn't as anthemic as it used to be. For the record we absolutely adore Murray Gold's music for Doctor Who, and there's no denying we've been a little spoiled over the years with so many audible treasures, but the days when 'All The Strange, Strange Creatures' or 'I Am The Doctor' became set pieces that followed through the season, seem to be fading. There is a rousing snippet of the 12th Doctor's 'A Good Man?' theme, but it feels a little shoe-horned in, and what this episode is crying out for is something new and bold to push it above and beyond.

Overall we loved the episode and you definitely feel like you've been on an adventure by the end of it. Things feel renewed and refreshed, which goes hand-in-hand with this show and The Pilot wonderfully, and rather aptly creates a new stepping-on point for anyone wanting to start their own journey into the Doctor Who series.



5 Things To Look Out For:

1) A TARDIS trip to Australia!
2) A jar of Sonic Screwdrivers!
3) A present in the wardrobe.
4) What is The Doctor guarding?
5) "I fatted her!"

+. 10.1: The Pilot airs This Saturday at 7:20pm on BBC One.

[Source: DWO]

Following his hilarious appearance in The Husbands Of River Song, Matt Lucas returns to Doctor Who from the opening episode of series 10 which starts filming next week in Cardiff (Monday 20th June).

Commenting on his return to Doctor Who, Matt Lucas, said:

“I’m chuffed to bits that Nardole is returning to the TARDIS for some more adventures. I loved acting with Peter and I’m excited to work with Pearl.”

Bringing her energy and zest to the show, Pearl Mackie embarks on her first week of filming as she takes up the role of the Doctor’s companion. In her first major television role following her West End appearance in The Curious Incident of the Dog in the Night Time, she’ll be bursting on to screens in the opening episode.

Steven Moffat, lead writer and Executive Producer, added:

“Delighted and slightly amazed to be welcoming Matt Lucas back on to the TARDIS - and this time it’s not just for Christmas, he’s sticking around. One of the greatest comedy talents on planet Earth is being unleashed on all of time and space.” 

Stephanie Hyam will play a guest cast role in the new series and is recognised for her performance as Lily Clarke in Jekyll & Hyde. She’s also appeared in Peaky Blinders, Murdered by My Boyfriend, and Sherlock.

The opening episode of series 10 is written by Doctor Who showrunner Steven Moffat, executive produced by Brian Minchin, produced by Peter Bennett and directed by Lawrence Gough. The second episode in the new series has been crafted by award winning screenwriter Frank Cottrell-Boyce.

Block 2 writers are Sarah Dollard (writer of acclaimed episode Face the Raven) and Mike Bartlett (multi award winning Doctor Foster).                                                                                                                                                                              

Doctor Who is a BBC Cymru Wales produced drama for BBC One. It will return in December 2016 with a Christmas Special, followed by the new series in 2017.

+ Series 10 of Doctor Who airs in 2017.