One of the contributors of a fantastic new Doctor Who book has been in touch with details of a new title, chronicling the history of the Blackpool Doctor Who Exhibition. Below is the press release from the website, where you can also download the books for FREE:

Blackpool Remembered and Blackpool Revisited are FREE digital publications, collated and edited by John Collier. They celebrate the original Doctor Who Exhibition on Blackpool’s Golden Mile, which ran from 1974 to 1985, and the Doctor Who Museum, which ran from 2004 to 2009.

Both books are a labour of love for their creator John Collier and project collaborator Alex Storer. These projects are the first of their kind: in-depth, full-colour, vividly detailed and illustrated accounts of the Doctor Who exhibitions as told by the fans who visited and the people who made them possible. Explore year-by-year floor plans and hundreds of photographs alongside personal recollections and nostalgia of the era, publicity materials, merchandise and everything that made visiting Doctor Who exhibitions so special.

Whether you visited either exhibition in the years gone by or missed out completely, now is your chance to step back in time to visit the TARDIS and defy the Daleks.

Although there have since been many Doctor Who exhibitions, Blackpool was unlike any other and remains fondly remembered by generations of fans. These are their stories.

+ Download the books via the Blackpool Remembered & Revisited website!
+ Follow @Blackpool7485 on Twitter!
+ Follow @DrWhoOnline on Twitter!

[Source: Philip Brennan]

Hello Doctor Who Online Community

My Name is Barry Aldridge and I did an article back in 2018 called “Doctor Who, Autism and Me” which I'm really happy to have put out there. Big thanks to the DWO team, including Seb Brook who believed in me to talk about the issue, which gave me real confidence.

Now I am back to talk about my favourite Doctor Who Story of all time. To me this is an all-time classic that I believe, 50 years on, still holds the test of the time. It stars my favourite Doctor, Patrick Troughton, and features my favourite villains of all time; The Daleks! It was broadcasted between 20th May 1967-1st July 1967. Only one of the episodes has survived in the archives and it was the first appearance of Deborah Watling as Victoria Waterfield, which was Episode 2. The story I am talking about is The Evil Of The Daleks, written by David Whitaker and directed by Derek Martinus.

It's a story/serial of 7 episodes or 7 parts, which I know can be a turn off for some people, but I love long stories that go on for many weeks - especially with Patrick Troughton at the helm.

I first heard about this story back in 2003/2004 - I think, when I was getting into the show after a rest between 1999-2003, as I was more focused on college and early University. This was good in a way as it meant I could get the excitement back for the show, which I needed. I was going through different shows and remember Troughton’s performances from stories like The Dominators, The Mind Robber and The War Games. Also, around that time I had a friend who had The Tomb Of The Cybermen DVD and I loved that story! I thought of looking at more of Troughton’s era of the show and found out the shocking news that a lot of his episodes were missing from the BBC archives.

I actually saw a clip of Episode 2 of The Evil Of The Daleks, where the Doctor, Edward Waterfield and Theodore Maxtible were discussing the villain, where the Doctor was finding out why he was sent back in time and where his TARDIS had gone. Then... the villians of the hour; The Daleks! I remember Troughton’s facial expressions going from fear to being brave in a matter of seconds and it was this reaction that was a major key to me wanting to find out what happens in this story.

Around 2006, when I watched Genesis Of The Daleks “Dalek Tapes” and they briefly touched on The Evil Of The Daleks, and they said how fantastic it is and admired David Whitaker’s writing, which was the first time I heard his name, strangely, but, again, it got me wanting to find out more.

I went back and forth with the story and was looking online for the The Evil Of The Daleks scripts, and I was blown away by how he was able to write the story and keep it going for 7 episodes / parts - which amazes me! It's not an easy feat to do, as some writers can find it hard to pull off even 6 episodes. I love how Whitaker was able to create characters and give them development throughout the story. John Bailey and Marius Goring (from Episode 2) were able to make their characters believable, owing to with Whitaker’s writing. I also only found out recently that it featured Windsor Davies who starred in It Ain’t Half Hot Mum.

In my view David Whitaker is one of the most underrated writers in the history of Doctor Who. As mentioned, he knows how to write great characters - other examples can be seen in The Edge Of Destruction and The Rescue from William Hartnell's era. He worked with Dalek creator, Terry Nation, quite a bit during his year as Script Editor - this surely lends itself to the fact he understood how to write for the Daleks, and keep up with the pace and make it in interesting to watch.

I saw the second episode for the first time in 2009 when I got the Lost In Time DVD box-set, which contained surviving episodes of missing stories, including The Crusade, The Daleks Master Plan, The Enemy Of The World (now complete), The Web Of Fear (now nearly complete) and The Space Pirates - to name a few. When watching the episode at the opening, then hearing Roy Skelton’s Dalek voice is, to me, one of the best Dalek voices ever

Whist not the best episode in the story, I loved everything about it! It featured brilliant performances from Patrick Troughton, Frazer Hines, John Bailey, Marius Goring, and Windsor Davies. It was really well put together through the direction of Derek Martinus, who knew how to put shots together and knew how to direct the actors on the screen -  especially when the Doctor found out the Daleks were behind the whole thing. Let's not forget the fantastic music cues from Dudley Simpson - so well done, and it really makes the episode much more tense.

The Lost In Time box-set did contain a rough version of the finale of Episode 7, and I thought it was amazing, and if this was going to be the final end of the Daleks, I think this would have been so perfect, making the Daleks eternally memorable in the audience’s eyes.

In the early 2010’s I decided to get the audio of the story on CD and I really enjoyed Frazer Hines' narration, which helped to bridge the gap with the story. I loved the tension between the Doctor and the Emperor of the Daleks in Episode 6. I won’t spoil what happens there but it leads into Episode 7 in such an epic way. The 3 hour adventure went by so quickly that it felt like 90 minutes which is what I want in an excellent story.

I remember winning the vinyl from Zoom back in August 2019 and I couldn’t believe that I had won the vinyl of my favourite Doctor Who Story of all time. I still haven’t played it as I need the record player and I will not be selling it. It's great to have another version of the story, that I'm yet to discover.

I would still put this story at the top for years to come. When they started to do more animations from 2016, when they were doing it for the 50th Anniversary of Patrick Troughton’s debut The Power Of The Daleks, I was thinking to myself that maybe one day The Evil Of The Daleks would get the animated treatment and I would be over the moon! After they finished working on Shada, The Macra Terror, The Faceless Ones, The Power Of The Daleks: Special Edition, Fury From The Deep and The Web Of Fear, and I read that the next animated adventure being worked on was The Evil Of The Daleks, I had one reaction... Holy [expletive]!

I found out on Thursday the 1st July 2021, when I was on my final day of holiday down in Weymouth, Dorset. I switched on YouTube and watched the trailer. I was blown away! 

I just want to finish up by saying that I think we should spread positivity within the Doctor Who community. Yes, we all have different opinions on how we feel in terms of favourite doctors, stories, companions, villains, aliens, character development, political messages e.t.c, but I feel we should be more respectful to each other and more kind to each other. Sometimes there can be tension in fandom, but I think overall, Doctor Who fans are wonderful, brilliant, kind, knowledgeable and great to be around. 

Thank you for reading!

Barry

+ Follow @BarryAldridge on Twitter!
+ Follow @DrWhoOnline on Twitter!

[Source: DWO]

Publisher: Self Published

Written By: Nathan Jones

RRP: £7.99 / $9.99 (Paperback) | £2.99 / $4.12 (Kindle)

Reviewed by: Sebastian J. Brook

Imagine, if you will, a world that blends The Matrix, Mortal Engines and TRON, - this would go some way to giving you just a taste of the mind-blowingly brilliant world that Nathan Jones has given us in Travelling Without Moving. In fact, it's fair to say that, right from the off, this book, even in light of the comparisons, is genuinely unlike anything we've ever read before.

Focusing on Napalm Carton, the story explores his self awareness of the world he lives in (Kaputt) and the suspicions he has about the very reality around him. A mystery that takes you right up to the last drops of ink to unravel.

The exploration of multi-faceted aspects of reality is realised in lavish detail. From the moment we see Mokey taking Napalm's Willy Wonka-esque, mind-enhancing concoction we are catapulted into his game like world - and like all good stories, it has a beginning, a middle and an end. Jones' world-building is king here; the lore, the sounds, the shapes and the very fabric of the detail he paints, enwraps the reader in totality. It's like putting on a VR headset and being immersed in a new world; you completely forget everything around you and focus only on everything before you.

The disparity between The Americas (the Western half of Kaputt) and Kaputt Real (the Eastern half), is almost akin to The Man In The High Castle; the West VS East 'us and them' duality, almost serves as an underlying theme throughout the book - in many different forms. On this front, Jones' work feels very much on a higher intellectual plain than you may at first think. There's purpose and planning that slowly reveals itself in several 'Aha!' moments, or even back-pocketed until the very end. It's impressive to say the least. 

There was a section in the book that reminded me of a kids TV show I watched, growing up, called Knightmare, in which a team of kids enter a virtual reality type game world, where they have to survive on their wits, whilst making smart choices along the way. Every now and then they would arrive in a room with a table which has a selection of items you need to choose from - I couldn't help but feel pangs on nostalgia as I read that paragraph:

"The scullery door, yes, a scullery door, was locked. He didn’t have the key, and he needed to get out. That was all that mattered. On the table sat a selection of items: a pocketknife, a compass, a box of matches, a tin pot of glue, a length of copper wire, and a hessian sack of quick-rice.   ‘Ok,’ he said, his voice flat and mechanical.  ‘Classic locked room puzzle, I reckon.  How do we get out of here?’

It also made me sit up and realise just how worrying the prospect is of being trapped somewhere you *know* just doesn’t feel right. That every move you make is somehow pre-determined or destined to be outplayed. It can be a real rabbit-hold moment for the reader if you truly allow yourself to be immersed in the allegory.

From the clockwork sun of Kaputt's bio-dome, to the rich tapestry of realities, characters, cultures and devices, Travelling Without Moving is truly a ground-breaking piece of literature that captivates the imagination, frees the mind and ensnares the reader in Jones' mastery.

There's a hell of a cliffhanger, too - one that Doctor Who itself would be proud of. With the seeming promise of more adventures to come, this epic work - and it really IS epic - will take some beating. 

+  Travelling Without Moving is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @NathanJonesBook (Nathan Jones) on Twitter.
+  Follow @SebastianJBrook (Sebastian J. Brook) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

Publisher: The Pencil Princess Workshop

Written By: R.L.S. Hoff

RRP: £9.44 / $12.99 (Paperback) | £2.43 / $3.34 (Kindle)

Reviewed by: Sebastian J. Brook

R.L.S. Hoff's Leaving Hope is a futuristic SciFi story that focuses on Anya - a strong female lead who is desperate to live up to the book's title by leaving the titular spaceship 'Hope' and join the team colonising the planet Shindashir. The wonderful thing about Anya’s s strength is how it builds throughout the course of the book - yes you have that strong-willed seed at the beginning, but there’s a hell of a journey for her. 

Hoff's world-building has to be commended first and foremost. Every word on the page has meaning and purpose and through her deliciously descriptive writing, Anya's life and her immediate world, jumps out of the book in such a rich, detailed way. 

Sometimes in life there are paths that are set before us that we don't want to take; choices that are made for us that we don't necessarily want to act on. This theme, for us at least, was the beating heart of Leaving Hope. The ability to know what is expected of you and the conflict of what you *really* want to do, was palpable here, and every wall Anya smashes through results in an air punch moment for the reader.

Leaving Hope lends a warm comparison to The Little Mermaid, but in space; a girl who has dreams and aspirations beyond her position, going against her father's wishes. This is no bad thing, by the way, it merely represents an interesting narrative that clearly follows a trend throughout history - even fictional nautical tales! Just like its comparative counterpart, you realise the safety and assurance in what's set before you, but long for the excitement of that alternative path.

Worthy of note is just how diverse the story is; there are a fantastic set of characters - each with poignance and purpose, and each with varying backgrounds. Ethnicity also plays an important role, and it's so refreshing that it isn't just touched on or glanced over, but intrinsic to plot points throughout.

The ending is magnificent; we won't spoil it, but despite being a book series, it's self contained and leaves the reader more than satisfied. We particularly loved the arc in which Anya has throughout the book, and where she ultimately ends up. So much can be said for strong female leads, but to see one written in such an interesting, intelligent, and well-thought-out way that Hoff manages to do so effortlessly, makes the journey she has, so much more poignant. A genuinely brilliant read and cannot wait to see what's next in store for the series.

+  Leaving Hope is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @RRachelH55965605 (R.L.S. Hoff) on Twitter.
+  Follow @SebastianJBrook (Sebastian J. Brook) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

Manufacturer: Big Finish Productions

Written By: Andy Frankham-Allen

RRP: £14.99 (CD) | £12.99 (Download)

Release Date: August 2021

Reviewed by: Robert Emlyn Slater for Doctor Who Online

“When the Doctor, Steven, and Dodo arrive in the Himalayas, they have no idea that they are about to set off a chain events that will haunt the Doctor throughout his many lives. 

Joining a pilgrimage to the nearby Det-Sen monastery, the traveller’s discover that everything isn’t as it seems. As the situation grows increasingly dire, they will have to uncover the secrets of Det-Sen before it’s too late.”

WARNING: The following review contains spoilers. You have been warned!

This may not be our first visit to the Det-Sen monastery on the slopes of the Himalayas, but for the First Doctor, it is, and events from this story are the catalyst for his troubles with the Great Intelligence throughout his various regenerations. 

The Secrets of Det-Sen, written by Andy Frankham-Allen, is a notable release by Big Finish for a couple of reasons. The first reason is that it acts as a direct (from the Doctor’s point of view) prequel to 1967s The Abominable Snowmen, and the second reason is that it’s the first appearance of 60s companion Dodo Chaplet in the Early Adventures range. Dodo, who was previously played by the late Jackie Lane, has now been recast, with regular Big Finish contributor, Lauren Cornelius now taking on the role. With Jackie Lane’s recent passing, it was very touching to hear that her character’s first appearance in the range was dedicated to the actress who bought Dodo to life so long ago.  

The Secrets of Det-Sen is set in the 1600s in what will one day become Det-Sen Monastery in the Himalayas. When the Doctor, Dodo, and Steven Taylor land in the Tibetan Mountains, they soon come across a group of pilgrims and decide to tag along with them on their trip to Det-Sen. Once there, things inevitably start to go wrong, and the TARDIS trio’s lives are put in danger when a group of bandits attack the monastery. 

This is pretty much a classic ‘pure historical’, something we don’t get anymore on TV. The villains are humans and there’s no alien or any other supernatural presence present. The only aspect of the story which would probably not make this a 'pure historical’ story is the yeti’s, who are in the background and don’t really have much to do until the final episode of the set. If you’re going into this boxset expecting a showdown with the Great Intelligence then you’re going to be disappointed, but if you’re going into this boxset looking for a historical story with characters at its heart, then you’ll be very happy indeed. 

The Secrets of Det-Sen is definitely a bit of a slow burner, and I hate to admit it, but I did find my attention wandering at times. There’s a lot of talking about Buddhism and the cultures and beliefs of those who live in the Det-Sen Monastery in the story, which I found to be a little excessive. Whilst the chats were quite interesting at times, it did tend to slow the story down and leave me a little bored. It’s a relatively simple story (which isn’t a bad thing in the slightest) that has been stretched out to 4 episodes, which I feel was perhaps an episode or two too long. 

This isn’t like the normal Big Finish audios that I listen to, as there was a narrator present for this piece. Peter Purves acts as the storyteller in this audio drama, and he also provides the voices for both the Doctor and Steven Taylor too. I was a little apprehensive going into this audio as I’m not the biggest fan of audiobooks, but I was pleasantly surprised at how smoothly integrated the narration of this story was. It didn’t slow the pace of the piece down, and it didn’t feel intrusive or annoying either. In fact, it helped keep the pace of the story up, cutting down bits of the story which could have ground the whole thing to a halt. Credit must be given to Frankham-Allen for this. The writer also deserves a lot of praise for his writing of the First Doctor, who I think he nails. He even gives him a little ‘sword fight’ halfway through the story too, which brought up some really amusing and entertaining mental images! 

As well as narrating, Purves does an excellent job with his impression of William Hartnell’s First Doctor. At times he sounded exactly like him, which was really quite cool. Overall, his impression was spot on enough for it not to detract from my immersion in the story, so I was very impressed. 

Lauren Cornelius also does a great job in the role of Dodo Chaplet. Dodo’s Mancunian accent is present in this story (I’ve read that it was replaced by RP on TV), and I felt as though the youthful energy of the character was portrayed very well. This is also a story where Dodo saves the day, which in hindsight, is very fitting. I hope to hear more of Cornelius as Dodo in the near future. 

Overall, this is an entertaining enough story that I do feel was stretched out a little too long. I did enjoy Dodo’s influential role in proceedings and I liked that Steven was a bit grumpy and like Ian does with the Thals in The Daleks, has to try and get the peace-loving Buddhist monks to take up arms and fight back to save their monastery, something they pretty much point blank refuse to do. However, I felt as though the story did drag at times with all the talk about Buddhism and the beliefs of the monks and pilgrims, though this may just be a personal thing, and you yourself may find those chats to be incredibly interesting and a rewarding listen. 

Ultimately, if you’re on the lookout for a ‘pure historical’ adventure for the First Doctor, then The Secrets of Det-Sen could well be the Big Finish audio drama for you! 

+ TEA 7.2: The Secrets Of Det-Sen is OUT NOW, priced £14.99 (CD) | £12.99 (D/L).

+ ORDER this title from Big Finish!

Publisher: Three Ravens Publishing

Written By: John Drake

RRP: £12.00 / $25.84 (Paperback) | £4.25 / $5.86 (Kindle)

Reviewed by: Nathan Jones

I’m definitely not the first person to compare John Drake’s Zoomers to the Hitchhiker’s Guide to the Galaxy books by Douglas Adams, and I certainly won’t be the last. The plot, after all, revolves around a typically English character being whisked away from Earth into a madcap, hilarious sci-fi adventure.

The Arcadian people—if you can call tentacled creatures people—have decided the end of the universe is nigh. Doubting their own ability to avert the ultimate disaster, General Buck—a tea and biscuit obsessed leader—and Professor Doubt, decide to enlist the aide of a human. Their logic is that, since Earthlings tend to obsess over meaningless details and often ignore the major devastating issues in life, a human might be able to provide a completely different viewpoint on the end of everything.    

So, Scratch, a Southend-on-Sea professional burglar, is “Zoomed”, mid-job, to Arcadia, by Pdnrtk (otherwise known as Terry). Unexpectedly, Scratch does not arrive alone. He’s accompanied by Mr. Reisback, a retired human resources manager who is obsessed with the imminent delivery of his new sofa, Cantina, a Swiss pharmacogenomicist, and Glorious, the well-groomed, female plumber to the king of Kenya.

Before they begin training Scratch et al to collect data from on the demise of individual planets, Corporal Cauliflower (a “miserable optimist”) and Sargent Bakewell must practice the task themselves, Zooming through space and time to various, unexpectedly dull planets, when all they really want to do is head to the Moon Shots bar for a glass of Pomplefitzer and “cheerful”.

Elsewhere, in the Arcadian Production Corporation, Jod, Quality Control Engineer, Fourth Class, has a regrettable accident with his iron wedding ring on the lithium bracelet production line. It results in the creation of the universe’s first conscious alloy. This gift of self-awareness and intelligence spreads quickly across inanimate items, resulting in attempts to overthrow their sentient overlords in ways you would never conceive.

Despite Zoomers obvious parallels with Adam’s works—is it possible to write a space comedy without such comparisons being made?—Drake definitely has his own, individual style. Firstly, his plot moves much faster, thereby cramming more comical content into a similar space. Secondly, he focuses much more on dialogue than description. And last but not least, if you can possibly imagine so, the plot is even more eccentric and ridiculous than those of the Hitchhiker’s series.

For me, the highlight of the book is definitely the farcical dialogue of a host of characters who all—except possibly Scratch—appear to have serious mental misgivings. Each and every scene seems comparable to a stand-up routine full of wordplay, quips, and humorous miscommunication. Following Scratch through the bizarre plot gives the reader a perfect grounding, however, as he’s a plain-speaking, no-nonsense kind of chap, with the ability to see through all the nonsense thrown at him to the heart of the matter.

If you’re in need of a seriously good laugh, Zoomers is for you.

+  Zoomers is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @RavensThree (Three Ravens Publishing) on Twitter.
+  Follow @NathanJonesBook (Nathan Jones) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

The team over at Arcbeatle Press have been in touch with details of their P.R.O.B.E.: Out of the Shadows, short story anthology, continuing from the BBV Doctor Who spin-off films, which is now available to purchase from Amazon.

"Welcome to the Preternatural Research Bureau, also known as P.R.O.B.E. For decades P.R.O.B.E. has defended Earth from the strange, the paranormal, and the alien. Hidden away from the eyes of the public. Times have changed. 

A threat looms in the dark, intent on utilising perihelion to further its goals. With budget cuts shuttering other organisations tailored to combat alien threats, P.R.O.B.E. alone must step out of the shadows to defend the very existence of humanity. 

But how will they cope? With the team struggling to get along, tensions fray. And for Azacca Dixon, P.R.O.B E.'s newest member, things will never be the same again. Darkness is waiting."

In conjunction with the release a short video prequel has been released to the Arcbeatle Press YouTube channel, starring Bill Baggs as Giles. 

+ YouTube: https://youtu.be/nYp4oeK8VKw
+ Ebook: https://www.amazon.com/dp/B09HMB1J6V
+ Paperback: https://www.amazon.com/dp/B09HQ7FDCQ

[Source: Arcbeetle Press]

BBC Studios has today announced the next instalment in the Doctor Who: The Collection range with Season 17, offering Doctor Who fans the opportunity to continue building their own home archive on Blu-ray. Starring Tom Baker in his penultimate season, Doctor Who – The Collection: Season 17 consists of:

DESTINY OF THE DALEKS
CITY OF DEATH
THE CREATURE FROM THE PIT
NIGHTMARE OF EDEN
THE HORNS OF NIMON
SHADA 

In 1979, Tom Baker’s Doctor was in full flight. With Douglas Adams (The Hitchhiker’s Guide To The Galaxy) as script editor, the series leaned into Baker’s penchant for humour, and paired his Doctor with a regenerated Romana (Lalla Ward) as his traveling companion. Together, they would form one of the most popular Doctor/companion duos of all time.

Although Season 17 was halted behind-the-scenes by strike action (resulting in the season finale being abandoned part-way through production), it remains a beloved slice of Doctor Who history, featuring the return of Davros and the Daleks, and one of the all-time classic stories, Douglas Adams’ own City Of Death. 

With all episodes newly remastered from the best available sources, this Blu-ray box set also includes extensive and exclusive Special Features including:

BRAND NEW DOCUMENTARIES
Including a Making-Of documentary for Destiny Of The Daleks, and new featurette for The Creature From The Pit.

TOM TALKS
A candid interview with Tom Baker as he gives us his unique take on life, the universe and everything.

DOUGLAS ADAMS TRIBUTE
Friends and colleagues remember the Doctor Who writer/script editor and creator of The Hitchhiker’s Guide To The Galaxy. 

IN CONVERSATION
Matthew Sweet chats to Bob Baker, writer of Nightmare Of Eden, co-creator of K9 and one of the creative forces behind Wallace & Gromit. 

BEHIND THE SOFA
New episodes with actors Colin Baker, Katy Manning, Matthew Waterhouse, Nicola Bryant, June Hudson, Graeme Harper & Mat Irvine

LALLA WARD INTERVIEW
An extensive interview discussing her first year on the programme.

UPDATED SPECIAL EFFECTS
View Nightmare Of Eden with optional new effects

SHADA
An updated version of the ‘lost’ story, completed with enhanced animation and presented in six episodes for the very first time, alongside the original 1992 VHS and 2017 versions

EXCLUSIVE NEW AUDIO COMMENTARIES
With Tom Baker on episodes of Destiny Of The Daleks and City Of Death, and Lalla Ward & Catherine Schell on City Of Death

EXTENDED EPISODE
An early cut of The Creature From The Pit Part Three

BLU-RAY TRAILER
A familiar face returns in a brand new mini-episode of classic Doctor Who

IMMERSIVE 5.1 SURROUND SOUND
On Destiny Of The Daleks and Shada

RARE GEMS FROM THE ARCHIVES
BBC archive material covering the promotion of this season

CONVENTION FOOTAGE
A triumphant 1997 appearance from Tom Baker

HD PHOTO GALLERIES
Including many previously unseen images

PRODUCTION SUBTITLES
Behind-the-scenes information and trivia on every episode

SCRIPTS, COSTUME DESIGNS, RARE BBC PRODUCTION FILES AND OTHER RARITIES FROM OUR PDF ARCHIVE AND LOTS MORE! 

The seven-disc box set also includes hours of special features previously released on DVD.

+ The Collection - Season 17 is released on 13th December 2021. 
+ PREORDER this title from Amazon.co.uk for just £44.99!

Watch the trailer for this set in the player below:

[Source: BBC Studios]

BBC Studios and Sarner International today announce a brand new exhibition, Doctor Who Worlds of Wonder: Where Science meets Fiction. The exhibit will explore the science behind the global hit series Doctor Who and will give fans a chance to experience the Doctor’s adventures from a scientific perspective.

Doctor Who Worlds of Wonder will be wowing audiences at several locations across the UK from May 2022, with an ambition to tour internationally.

This ground-breaking venture plunges fans of all ages into a scientific universe to explore the various ways in which science has played a part in the longest running science fiction show in the world, Doctor Who. 

The eight zones set within this educational exhibition cover a diverse selection of exciting scientific topics while drawing in content pieces from the full canon of the TV show.

Visitors can journey through Cosmic Curiosities, while discovering more about the time traveling Police Box in the TARDIS Tech room, learning about the science behind time travel and whether it is really possible. Or visit the Monster Vault to get up close with some of the weird and wonderful characters that have graced our screens.

The user journey for this engaging experience will take approximately 90 minutes, inspiring schools, family groups and fans of the show. Tickets will be available for purchase to the general public, from October 2021. 

Following their work on the hugely successful Doctor Who Experience in both London and Cardiff, Sarner worked closely with BBC Studios to design, create and produce this new experience, Doctor Who Worlds of Wonder, to WOW fans next year. Sarner, a renowned international experiential design and production practice are behind many world leading visitor attractions and will be sure to deliver a wonderous experience for ticket holders.

Paula Al-Lach, BBC Studios Events Director, Live Entertainment said that the team were:

“delighted to be working with Sarner again, following their creation of the Doctor Who Experience. It is really exciting to explore Doctor Who from this perspective and have the opportunity to take the exhibition to fans globally.”

Ed Cookson, Projects Director, Sarner International:

“We couldn’t be more thrilled with the opportunity to work with BBC Studios again. For almost 60 years Doctor Who has been exploring mind-bending scientific developments, and has also influenced a generation of scientists, engineers, and artists. The iconic characters, monsters, stories, and settings of the television series provide a perfect guide through the wondrous worlds of space, time and life sciences."

[Source: BBC Studios]

Publisher: Self Published

Written By: Jeremy Dwyer

RRP: £0.77 / $1.06 (Kindle)

Reviewed by: Sebastian J. Brook

Our latest fantasy review is for Jeremy Dwyer's Potion Voyages series, as we delve into Book 1: Castle & Conceit.

Right from the start the author launches straight into his world-building, and immediately paints a vivid  world, rich in detail and description. Hot blue suns, far-reaching oceans and jewel-encrusted palaces tease the menu of the delicacies to come in this epic fantasy series.

Written in third-person prose, the writing style works wonderfully in an almost 'Fighting Fantasy' type way, and any character interactions are made all the more prominent because of this.

Speaking of characters, we have a terrifically diverse cast here; from the magical Taesa, the conflicted historian, Judith, to the deliciously evil Prince Octavian and his equally despicable advisor Cassius, to the awful Keallach (Captain of the Burning Bones). There are many more, but these were among our favourites.

As with all good fantasy, this is a tale of good vs evil, but rather more than that, what's interesting is the various levels between each - on both sides, and the clever way in which Dwyer plays them off against each other. The empire that Octavian, and moreso, Cassius is building, neatly and cleverly ties into key players throughout the book, and it interesting seeing the conflict in those with better intentions.

There is a brilliant magic system, which isn't complex and really invigorates the plot through its perfectly peppered usage - rather genuinely it all ties into the water-based theme that is current throughout the story.

Perhaps most genius of all is Dwyer's ability to pull in an audible experience to the Potion Voyages series. Those of you with access to SoundCloud, will find a selection of free music that go hand-in-hand with those referenced in the book. Chapter 10's 'Praise Every Sun Upon The Sea' is a wonderful, almost lamentful song, sung by Taesa. It's incredibly immersive and genuinely adds to the overall experience, and we HIGHLY recommend you make use of it when reading.

When you get to the end you just know this is the start of something much bigger, and kudos to the author in his craftsmanship of this entire world and its rich detail and characters. Here's looking excitedly towards Book 2!

+  Potion Voyages - Book 1: Castle & Conceit is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @Jeremy_pv (Jeremy Dwyer) on Twitter.
+  Follow @SebastianJBrook (Sebastian J. Brook) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

Publisher: Fresh Ink Group

Written By: Robert G. Williscroft

RRP: £3.57 / $20.54 (Paperback) | £2.16 / $2.95 (Kindle)

Reviewed by: Sebastian J. Brook

Icicle: A Tensor Matrix, is the first book in the Oort Chronicles by Robert G. Williscroft - a story that holds no bars in its opening prologue. Right from the off we are thrown right into the action as our protagonist, Millionaire, Braxton Thorpe, dies of prostate cancer and is whisked off to have his head cryogenically preserved. And just like that...BOOM!...we head forward in time by 100 years, straight into the 22nd Century, where Braxton wakes to come to terms with his new *ahem* life.

This is a bold opening gambit from Williscroft, and one that works so well due to the 'matter of fact' drive in which he pushes the story forward. One could be forgiven for drawing comparisons to The Matrix and Tron, where similar themes are explored - however - it is our sincerest belief that Williscroft actually trumps the aforementioned with this thrilling new take on uploading one's consciousness to a digital mainframe.

Despite being told in third-person prose, you feel every moment of pain and anguish that Braxton goes through. In fact, anyone who has had paralytic sleep, will find a rather eerie parallel in some of the moments our protagonist goes through.

Let's make no mistake, this is Science Fiction - and really good SciFi at that, but Williscroft's evident knowledge of technology and science, shines through to make this feel more like a foreshadowing of what will come to pass. Every technological detail is described in such detail that it's almost tangible to the reader, which make feel all the more intimate a read.

There's interstellar travel, wormholes, aliens and the threat of inter-planetary war, which, together with Braxton's personal and wider quest, adds up to one hell of an adventure. Not bad for a dead man!

We're thrilled to report this is only the first book in a planned series, and eagerly await the follow-up!

+  Icicle: A Tensor Matrix: The First Oort Chronicle is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @RGWilliscroft (Robert G. Williscroft) on Twitter.
+  Follow @SebastianJBrook (Sebastian J. Brook) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

Publisher: Melange Books

Written By: Arrendle

RRP: £14.94 / $22.91 (Paperback) | £4.74 / $6.51 (Kindle)

Reviewed by: Nathan Jones

Arrendle's debut novel, The Dragon Within: The Threat of Crowns, is an incredibly engaging fantasy adventure story with a refreshing take on the standard tropes of the fantasy genre. I truly loved every moment of this read, and even skipped a meal to continue reading.

The Dragon Within is set on a world of five distinct and isolated realms: Ahan, home of the sparkling star people; Mazati Iskus, where the vibrational sound people live; Badari, home to animal-headed humans (with a clear nod to Ancient Egypt); Wazari Eren, the realm of humans; and Indu, home of the shadow people. Each realm also has its associated type of Dragon, but at the point the book begins, dragons are believed to be merely mythical creatures.

Arrendle provides us with a comprehensive historic set-up to the story, but I’m not going to spoil it by revealing it here. I’ll just say that rather than giving the history as inactive exposition, it’s told through wonderfully immersive real-time events.

Once we’ve been grounded, the story begins. We get to follow the cocky, arrogant antagonist, Samil, as he attempts to unleash a terrible power upon the world, and his mysterious “co-conspirator”. Aubra, a powerful, ancient wizard, sets off to re-form the Magnus Concilium (magic council) in order to stop Samil, and is aided by his adopted daughter, Eshney, and an old friend, Char. Eshney must make a brave journey into learning the skills of magic as Char struggles with the complex, confusing assault of emotions that spur from his recent transformation into human form. And, of course, there’s a charming story of blossoming love woven throughout the main plot.

The descriptions as we travel through the fantastical realms are nothing short of beautiful. Arrendle’s use of language to conjure up such intricately woven societies and breathe life into peoples who look, operate, move, speak, and even think differently is stunning. In fact, Arrendle’s descriptions are delightful throughout; I believe a forty-two word sentence to describe laughter may be a record breaker!

The second big highlight is the novel’s comprehensive, very real journey through the thoughts and emotions of the main characters. They’re some of the best painted characters I’ve encountered. It’s a real pity this is a stand-alone novel, as it would have made an excellent series of books.

I could wax lyrical about this book for some time, but I’ll conclude by saying the epic ending, expertly bringing together all the elements and diverse characters encountered throughout the book, is one of the most satisfying and rewarding endings I’ve ever read.

+  The Dragon Within: The Threat Of Crowns is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @Arrendle on Twitter.
+  Follow @NathanJonesBook (Nathan Jones) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

If, like us, you're a fan of CCGs - particularly Pokemon, then why not take a minute to check out the awesome products for sale over at our friends at Titan Cards www.titancards.co.uk. 

They have an awesome selection of Pokemon, Yu-Gi-Oh!, Cardfight!! Vanguard, Digimon CG, Flesh & Blood TCG and more! They even sell card sleeves, dice, coins and binders, so you can keep your collection safe and secure. 

Ever since the 2018 Doctor Who episode, 'The Tsuranga Conundrum', which featured a vicious but cute little alien called a 'Pting', we've seen an influx of fans asking if we sell Pokemon (which we don't) - hence why we're hooking you up with our friends at Titan Cards :) 

If you follow them on Instagram or Facebook you'll be among the first to hear when they have exciting new products coming out (like Pokemon Celebrations & Fusion Strike - which we're particularly looking forward to!) 

+ Check Out the Titan Cards website.
+ Follow Titan Cards on Instagram.
+ Follow Titan Cards on Facebook.

[Source: Titan Cards]

The team over at Unbound have been in touch with news of a new Kickstarter project to fund their Across Time and Space: An Unofficial Doctor Who Companion book - the ultimate journey through the Whoniverse by a life- long fan. The new beautifully designed 800-page book contains reviews of all 852 episodes of the televised Doctor Who story up to the end of the Jodie Whittaker era.

Head of Publishing for Unbound, Mathew Clayton developed the project with author Tony Cross based on his story-by-story blog The Patient Centurion which he began in 2011 and now runs to over 200,000 words. The epic undertaking includes an introduction from Doctor Who podcast host and Sunday Times bestselling author Daniel Hardcastle.

The Guinness Book of World Records cites Doctor Who as the longest-running science fiction television show in the world as well as the most successful science fiction series of all time, based on its overall broadcast ratings, DVD, and book sales.

Since the first episode was broadcast in 1963, the Doctor Who series has attracted a very large, loyal, and devoted fan base. This proudly unofficial book written by a fan for the fan community is about celebrating that fanbase in all its vibrant, vociferous, idiosyncratic, and argumentative glory. Many professional Doctor Who writers, for both the current TV series and the books began their careers writing for fanzines including Paul Cornell, Rob Shearman, Matt Jones, Marc Platt, and Stephen James Walker. Russell T Davies was himself a childhood fan of the series and wrote a Doctor Who novel before reviving the show.

Everyone that pledges for the book at the standard level will receive:

• 800-page large format book (234 x 153mm) and eBook.
• An Excel spreadsheet that lets you map your journey through the Whoniverse and keep a record of what you have watched and what you own.
• Your name printed in the book as a supporter (along with the name of the first episode you watched).
• Invitation to a series of watch parties hosted by Tony starting with the very first Dr Who episode 'An Unearthly Child' on November 23, 2021, the 60th anniversary of its first broadcast.

Mathew Clayton, who was also a former publisher of the official BBC Doctor Who books said:

“In a previous job I was lucky enough to be the commissioning editor for the official range of Doctor Who books. We published some great titles but being 'official' was also a straight- jacket - you can't offer opinions! You can't say who the best Doctor was (Tom Baker, obviously) or who the best companion (another no brainer: it has to be Rose). And it struck me that the best thing about being a fan is having opinions and sharing them (whether agreeing or disagreeing) with other fans. But in official books there is no room for a fan's point of view or expertise. This is not just a book by a fan - but there are various ways fans can become involved in the project whether attending watch parties with Tony or having their name and the first episode they watched printed in the book. The rest of the entertainment industry recognises the importance of fans - it's time that publishing caught up.”

Author Tony Cross said:

"Across Time and Space is a journey through all of televised Doctor Who. It began as a blog. I had decided to watch all of Doctor Who in order... It's not meant to be the final say on anything. They're my opinions. But I wanted something that might encourage others to take up the journey. To dip back into the William Hartnell era. Or find out why Sylvester McCoy is hard done by. It's why there's a spreadsheet with the book: you too can map your progress, if you're that way inclined. And I don't expect people to agree with my opinions. Indeed, I'd be disappointed if you did. You can use this as a guide or read the blogs once you've watched the story and curse my foolishness or praise my perspicacity. You can mock my attempts to compare stories to Shakespeare plays. You can see through my blatant nostalgic love for Tom Baker and (almost) all his works.”

+  Across Time and Space is now live on Kickstarter!
+  Follow @Unbounders (Ubound) on Twitter!
+  Follow @Mathew_Clayton (Matthew Clayton) on Twitter!
+  Follow @Lokster71 (Tony Cross) on Twitter!
+  Follow @DrWhoOnline on Twitter!

[Source: Unbound]

Doctor Who stars, David Bradley (The 1st Doctor) and Freema Agyeman (Martha Jones), have sketched original drawings for a charity eBay auction, which will be going under the hammer this Friday for National Doodle Day.

The auctions are to support Epilepsy Action and the 600,000 people across the UK who are living with epilepsy. The live auction will start on eBay on Friday afternoon and it runs until Sunday.

Philippa Cartwright, director of fundraising at Epilepsy Action, said:

“National Doodle Day is a fantastic event which whips fans and collectors into a bidding frenzy. This is their chance to buy original artwork from celebrities, artists and designers and every doodle sold raises vital funds for people affected by epilepsy.

Every year we are overwhelmed with submissions from all kinds of doodlers. Since launching National Doodle Day 17 years ago, we’ve had over 1,500 celebrities and artists support us. After all the lockdowns, we can’t wait to unveil their new creations. Don’t forget to get bidding on Friday 17 September and all weekend!”

Since National Doodle Day began in 2004, doodlers far and wide have raised over £180,000 for Epilepsy Action, all to improve the lives of people with epilepsy.

+ Click Here to visit the Epilepsy Action website.
+ Click Here to visit the National Doodle Day page.
+ Follow @EpilepsyAction on Twitter.
+ Follow @DrWhoOnline on Twitter. 

[Source: Epilepsy Action]

Publisher: There Is No Design LLC

Written By: K. Leigh

RRP: £8.44 / $12.06 (Paperback) | £4.31 / $5.97 (Kindle)

Reviewed by: Sebastian J. Brook

If Space Opera with an LGBTQ+ twist is your thing, you would go far to find a more satisfying story than that of K. Leigh's Constelis Voss Vol.1: Colour Theory.

Our story centres on Alex, a human who has been reincarnated as a robot on board the titular Constelis Voss - a planet-sized spaceship. We follow Alex' struggle for self-understanding and acceptance in his new form, as he ventures into a much wider mystery with good and evil in the balance. We flip-flop between the far future and 90's New York with both settings brought to life in meticulous detail.

Never before have we seen colour used in a story in such a beautiful way. First and foremost they are used as descriptors, but much more than that they almost act as a poetic canvas that highlights the LGBTQ+ beating heart of the book. At the beginning of Colour Theory, the author states:

"I aim to let my readers know I see them in all their complicated inner paintings"

It is this statement that constantly hits home throughout the story. No matter who you are, inside or out, you can't help but find some form of recognition and representation within the pages of this truly unique novel.

It's a given that there is diversity in the story, but nothing prepares you for just how vivid, real and almost tactile that these characters feel. There is an intimacy in Leigh's writing that makes you feel you are inches away from them and that you are more than just an observer.

There are some strong themes and scenes explored within (as outlined in the author's content warning at the start), as well as a fair few choice words, but nothing fans of Torchwood wouldn't be accustomed to. At no point, however, do they distract or feel out of place. In fact, nothing in Colour Theory feels like a happy accident; there is immense artistry in the broad strokes of Leigh's work, and it shines through every character, scene and page in the book.

Volume 1 ends on both a high note and a cliffhanger which very neatly leads us into Volume 2: Pattern Recognition. Whilst Colour Theory isn't necessarily a large book per se, you feel like you've been on a hell of an adventure with a lot to unpack. You would almost certainly benefit from a second reading, which is no bad thing, and just like a piece of art, it almost requires it so you can appreciate it from all of its wonderful angles.

Incredibly surprised and impressed with how much I enjoyed this book. Even if you don't hit one of those important letters or symbols in the LGBTQ+ acronym, you will find familiarity and relevance in Leigh's multi-layered work, as well as a much deeper love for the world and fellow humans around us.

+  Constelis Voss Vol.1: Colour Theory is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @KiraLeigh (K. Leigh) on Twitter.
+  Follow @SebastianJBrook (Sebastian J. Brook) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

DWO have received the cover art for the upcoming DVD, Blu-ray & Steelbook release of Doctor Who's mostly missing serial Galaxy 4, as well as a sneak peak of what's included in the release, which comes out on 15th November 2021.

Galaxy 4 (alternatively spelled Galaxy Four) is from the third season of Doctor Who, which originally aired in four weekly episodes from 11th September to 2nd October 1965.

Following the success of the existing animations, Galaxy 4 fills another gap in the missing Doctor Who content lost from the BBC’s archive soon after the programme’s original transmission. However, audio-only recordings of all four episodes have survived and have been used here to create a brand new fully animated presentation of the entirety of this lost classic, alongside the original surviving Episode 3 and over five minutes of original footage from the otherwise lost Episode 1.

The Doctor (William Hartnell) stars alongside his travel companions Vicki (Maureen O'Brien) and Steven (Peter Purves) which sees the TARDIS landing on a planet on the verge of total annihilation as it drifts too close to the three suns which it orbits. Trapped on the planet with them are the Drahvins, a race of warrior women, and the reptilian Rills. The Drahvins want to steal the Rill spaceship to escape the planet's death throes, and enlist the Doctor's help, which he is forced to give when Maaga, the cunning Drahvin leader, keeps first Vicki and then later Steven as her hostage.  Even though the Doctor is determined to broker a peace deal between the two sides in this conflict and help everyone escape safely, Maaga doesn't trust him, or the Rills... 

The two disc release gives fans the opportunity to enjoy the four new animated episodes of Galaxy 4, in either colour or black and white.

The release will also include:

-  Remastered Surviving Original Episode 3
-  Remastered Surviving Clip from Episode 1
-  Telesnap Reconstructions of Episodes 1,2 and 4.
-  Audio Commentaries 
-  Making Of Documentary
-  Finding Galaxy 4 Documentary
-  Photo Gallery
-  Production Subtitles 

Gary Russell, Executive Producer from Big Finish Creative of the 2021 production said:

“After a gap of many years, it is very exciting to bring the era of the First Doctor back into the animation world. Galaxy 4 is one of the most traditional adventures of 1960s Doctor Who and it’s been a real honour to work on this alternative version which hopefully reflects those technicolour thrills that sci-fi moves of the '60s had but which Doctor Who’s monochrome TV limitations couldn’t yet achieve.” 

BFI Southbank will host a special screening of all 4 episodes of the newly animated story Galaxy 4 on 7th November 2021; tickets go on sale on 16th September at 11:30 to BFI Champions and Patrons, at 12:30 to BFI Members and at 16:00 to the general public.

+  Galaxy 4 is released on 15th November 2021.
+  PREORDER this title from Amazon.co.uk! 

[Source: BBC Studios]

The team over at Ten Acre Films have been in touch with news of a reprint of their Verity Lambert biogrpahy; Drama And Delight: The Life And Legacy Of Verity Lambert.

DRAMA AND DELIGHT: THE LIFE AND LEGACY OF VERITY LAMBERT

Richard Marson's acclaimed biography returns for a limited reprint.

For five decades, the name Verity Lambert appeared on the end credits of many of Britain’s most celebrated and talked about television dramas, among them Adam Adamant Lives!, Budgie, The Naked Civil Servant, Minder, Edward and Mrs Simpson, Eldorado, G.B.H. and Jonathan Creek. 

She was the very first producer of Doctor Who, which she nurtured through its formative years at a time when there were few women in positions of power in the television industry. Later, she worked within the troubled British film business and became a pioneering independent producer, founding her own highly-successful company, Cinema Verity.

Within her profession, she was hugely respected as an intensely driven, sometimes formidable but always stylish exponent of her craft, with the stamina and ability to combine quantity with quality. Many of her productions have had a lasting cultural and emotional impact on their audiences and continue to be enjoyed to this day.

But who was the woman behind all these television triumphs and what was the price she paid to achieve them?

Combining painstaking research and interviews with many of Lambert’s closest friends and colleagues, Drama and Delight will capture the energy and spirit of this remarkable woman and explore her phenomenal and lasting legacy.

2021 Reprint
Softcover: 380 pages in black and white, plus 28-page photo insert in black and white and colour.

+  Pre-orders for this title will be dispatched from 20th September 2021.
+  More information can be found at the Ten Acre Films, Big Cartel page. 

[Source: Stuart Manning]

Publisher: Silverback Books

Written By: A.T. Duguay

RRP: £11.61 / $16.17 (Paperback) | £1.71 / $2.33 (Kindle)

Reviewed by: Sebastian J. Brook

Beginning a new fantasy novel is always exciting; especially if the front cover is as striking as A.T. Duguay's 'The Guardian' - book 1 in his 'Soulstone' series. Somehow it ramps up the anticipation as you pick out elements from the cover and wonder how they will play out in the story.

Right from the off, our protagonist Gauthak, and his Night Jay (of which we discover, he has the ability to 'enter' to scan the path ahead), are hurled into the action, having just jumped off a waterfall to escape his giant pursuers. There is a sense of urgency and danger that is palpable to the reader, and you cannot help feeling it lurks around every corner. We then follow Gauthak on his journey to the city of New Alannah, where he soon lands himself in a spot of trouble...

As we delve further, we learn more about Gauthak's history and abilities, as well as discovering more about his own kind - the Northmen. For those who like magic in their fantasy stories, Duguay has you covered, but it's in a way more believable way. There's even a bit of romance thrown in for good measure too, and, again, it's done in such a realistic, meaningful way.

There's a great turning point in the plot, too - one you won't see coming, and it gives fresh focus to our character and the direction of the story. Kudos to the author for his skill here as everything in The Guardian seems to have such purpose and meaning. You don't feel like there's any padding and there is no character that feels like dead weight.

There is a mastery of description in Duguay's work; an almost poetic blend of rich detail through landscapes, colours, sights and sounds. This breathes life into his Medieval-esque world, which jumps off the pages of the book in the most vivid way.

The third-person style, together with the setting was almost reminiscent of the old school Fighting Fantasy books, and that sense of danger we mentioned earlier, further lends itself to this comparison. As such, there's a wonderful sense of familiarity, whilst obviously on a completely fresh and uncharted path.

As this is part of a trilogy, we hope it's not spoiling things by saying the story ends on a cliffhanger, of sorts. Whilst the reader feels content with the ending, there's a great springboard for the next book, and we know personally that we won't be content until we've read it :)

A final note we wanting to pick up on was in the book's acknowledgments at the end; in it, the author bravely explains his process in writing the book and the stress, depression and anxiety he suffered from. He cites his fears of change, risk, desires and for being himself. Having read the book, we genuinely believe he has triumphed in the very act of producing The Guardian. It is a testament to his hard work and persistence, in spite of those fears.

+  The Guardian is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @ATDuguay (A.T. Duguay) on Twitter.
+  Follow @SebastianJBrook (Sebastian J. Brook) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

Manufacturer: Big Finish Productions

Written By: Lisa McMullin, Tim Foley & Timothy X Atack

RRP: £24.99 (CD) | £19.99 (Download)

Release Date: August 2021

Reviewed by: Robert Emlyn Slater for Doctor Who Online

"Three brand new adventures featuring Christopher Eccleston as the Ninth Doctor.

2.1 Girl, Deconstructed by Lisa McMullin

Marnie is missing. But she hasn't run away, as her dad fears - Marnie is still very much at home. But not quite as she was.

The Doctor joins forces with Missing Persons detective Jana Lee to help solve the mystery of a girl who's gone to pieces.

2.2 Fright Motif by Tim Foley

In post-War Paris, musician Artie Berger has lost his mojo, but gained a predator - something that seeps through the cracks of dissonance to devour the unwary.

Luckily for Artie, the Doctor is here. Unluckily for everyone, he needs bait to trap a monster...

2.3 Planet Of The End by Timothy X Atack

The Doctor arrives on a mausoleum world for sightseeing and light pedantry, correcting its planetary records. The resident AI has other ideas.

Deep within a tomb, something stirs. Occasus is the last resting place of a species far too dangerous to exist. And the Doctor is its way back."

WARNING: The following review contains spoilers. You have been warned!

Christopher Eccleston is back again in Respond to All Calls, the second volume in Big Finish’s Ninth Doctor Adventures series. In three more adventures spanning the past, a future world, and Dundee, the Ninth Doctor literally does what the title of the boxset suggests, and responds to all distress calls that come his way.

The boxset gets off to a very strong start with Girl, Deconstructed, which was written by Lisa McMullin. Set in Dundee in 2004, this story follows Missing Persons detective Jana Lee (Pearl Appleby) who is on the hunt for children who have seemingly vanished into thin air. Meanwhile, the Doctor is tracking a distress call from Marnie (Mirren Mack), a young Scottish girl who’s disappeared too…or has she?

In my opinion, this is the strongest story of the set, and easily my favourite so far from both volumes. The story was engaging and kept me hooked right until the very end, the performances from all involved, Eccleston, Appleby, and Mack, in particular, were excellent, and I felt as though I knew the characters inside out by the time the end credits rolled. Unlike the stories from the last volume, this really did feel like it could have easily have slotted into Series One in 2005. That’s not a criticism of the last boxset, by the way, it’s just the down to Earth nature of Girl, Deconstructed was more in keeping with the feel of Series One, that’s all. 

The small cast of characters gave this story a more intimate, contained feel which I really enjoyed, and the dynamic between Doctor and Jana was fun and left me wanting more adventures with them. 

I also got series 1 vibes from the ‘antagonists’ (if you can call them that) of this story too. McMullin’s story features a race called the Serapheem, a species of tiny dust-like aliens that accidentally cause humans some issues without trying to, in a similar vein to what the Nanogenes did in The Empty Child and The Doctor Dances. Whilst the ‘misunderstood aliens’ theme does feel as though it’s been done a hundred times before now, it really didn’t take away from the story as a whole. 

The second episode, Fright Motif by Tim Foley, is set in Paris, 1946, and features a musician called Artie who’s lost his groove and is currently being stalked by a vicious inter-dimensional monster made of sound. Once again, this tight contained story could just as easily fit into Series One as the previous story, and its down to Earth nature is definitely one of its highlights. 

The limited cast of characters works in this story’s favour too, and once more gives us an opportunity to get to know the Doctor’s new friends over the 45-minute run time. Though Artie (Damian Lynch) is the main focus of this episode, and he does give a great performance where he actually does sound genuinely depressed about the loss of his muse, it’s Maurice Le Bon (Adrian Schiller), the grumpy, snooty hotel manager, who really steals the show. It’s his character who we learn the most about, and it's his character who goes on the biggest emotional journey. The scene where he visits the flat of the man he loved was very touching and extremely well done too. A definite highlight of the episode. 

Gemma Whelan is also in this episode, but not as the Meddling Nun as she was in Dalek Universe 1 (or the upcoming Missy 3). This time around she plays Zazie, Artie’s friend. I do feel as though she was sidelined a little in this story, with Lynch and Schiller getting the biggest chunks of emotion and story, but it’s still a top performance from Whelan. 

This story, again, has some similarities to what’s come before on TV. An artist who’s struggling with his muse being stalked by an invisible creature? Sound familiar? Whilst I do still think Vincent and the Doctor did this kind of story better, Fright Motif is still an entertaining way to pass an hour or so, and features yet another excellent performance from Christopher Eccleston, who, somehow, keeps going from strength to strength. Foley has nailed the Ninth Doctor in this episode, and the Time Lord's constant stream of witty one-liners and sarcastic comments give this episode a huge boost, especially at times when it feels like it’s slowing down. 

If Girl, Deconstructed and Fright Motif are very Series One-esque, then The Planet Of The End by Timothy X Atack is something else entirely. The great thing about Big Finish is that they can explore interesting, complex new worlds and stories that would perhaps be too expensive or complicated to put on tv. In this story, on the deserted cemetery world of Occasus, the Doctor is kept busy for a very long time as his regenerative abilities are exploited by the money-hungry Incorporation.  

The thing with exploring the Ninth Doctor pre-Rose is that he doesn’t have a full-time companion yet. Throughout this boxset, the Doctor has been meeting new temporary companions to help him in his adventures, and I think Fred (Margret Clunie) in this episode is my favourite of the lot. Fred is an AI who’s started to develop a personality and is so endearing, and her chemistry with the Doctor and growth as a character is so much fun to listen to, that I really wish we could have just a few more episodes with her.

This episode is a bit different from the others too in that it takes place over a very long period of time - 90 years in fact. The Doctor is incapacitated for a lot of the story, and parts of it take place inside his mind, which I thought was really interesting and very different from anything we saw on-screen back in 2005. 

I think this is the episode that stretches Eccleston’s acting chops as the Doctor the most (from the audio dramas) too. It gives him so much to do (including having a motivational chat with himself at one point), and I really do like to think that Eccleston was having a great time acting out this episode (and the boxset as a whole). 

The only factor that stops this episode from being my favourite is that it was a little too complex at times. I struggled to keep up in the last few minutes, but maybe that was just me not paying attention properly. I also feel as though the ‘evil businessmen/corporation who only care about money’ trope has been done a million times before too, so I wasn’t too interested in the villains of the piece unfortunately. 

Other than that these minor issues, this is a great end to the second volume of adventures in the Ninth Doctor series! 

The stand-out performance of this boxset is obviously Christopher Eccleston. I was worried that he wouldn’t sound as interested or as ‘into it’ as he did in the first boxset, but I was thankfully proven wrong, yet again. He’s amazing. He’s such a good actor and such a good Doctor, and I’m so, so glad that he decided to come back. He’s been tested in so many different ways already in the 6 episodes Big Finish have already provided us with, and I really can’t wait to see where they (and Eccleston) take his character next. The next boxset features the return of the Cybermen, so I’m really excited to see how the Ninth Doctor deals with them! 

Overall, this is yet another success from Big Finish. This is 3 more strong stories for the Ninth Doctor, written by three excellent writers who have nailed Eccleston’s Time Lord perfectly. Fantastic stuff! 

+ 9DA 1.2: Respond To All Calls is OUT NOW, priced £24.99 (CD) | £19.99 (D/L).

+ ORDER this title from Big Finish!

Publisher: Self Published

Written By: Terry Geo

RRP: £9.49 / $9.38 (Paperback) | £3.99 / $5.48 (Kindle)

Reviewed by: Sebastian J. Brook

When we think of Science Fiction, our first thought is almost always that of a futuristic plot, but Refraction by British author, Terry Geo, is a very different beast, set in our present, but still with all the bells and whistles you could hope for in a book of this genre.

At its heart, this is a story about dreams and how they can be harnessed, but, in fact, this only scratches the surface of what Geo explores, and the ramifications for our characters. Speaking of characters, there’s a wonderfully diverse mix, with rich backstories given for each of them. We're also given different aspects of dreams which are attributed to these characters - a fascinating way to explore the lucidity and yet complex nature of our dream world.

Despite being a science fiction story, there's so much reality in Geo's writing; not just the familiar around us, but the way in which characters interact with one another. Right off in Chapter One we go from San Francisco to Bedford in just a couple of pages - the first time we've ever seen Bedford in a SciFi novel :) It's then onto Yorkshire with a very real situation that a lot of family-owned farmers find themselves in; giving up their dreams to follow the family business. Without wanting to digress, the author hails from Derbyshire and the few people we do know from that part of the UK are as down-to-earth and 'keep it real' as you can get. Despite the SciFi nature of the book, that very same 'keep it real' approach, grounds Refraction at even its most 'out there' moments - and it's to the credit of the story (and Derbyshire)!

It's also in these mundane moments that the genius of Geo's writing blooms; the juxtaposition of these ordinary moments against the exciting world of dreams creates a richer story - just as lucid as the worlds we explore when we're sleeping.

It's clear the author enjoyed the process of writing Refraction; there are so many nods and winks to  TV programmes and Movies from yesteryear - even computer games we played as kids. Doctor Who, Star Wars, Star Trek, Jurassic Park, Harry Potter, Super Mario, Donkey Kong - heck, even Flight Of The Navigator all get a namecheck here, and every mention peppered throughout gives you a warm, Mr Kipling-esque feeling as you reconnect with moments from yesteryear.

There's a big rug-pull moment, which we won't spoil, but it's testament to the journey the author takes us on in Refraction. The skill in its execution and the journey it takes to get there in the set piece, is utter brilliance. This is Geo's first novel, and we were blown away by this fact due to the level of literary mastery and detail in the world-building. We highly recommend this book and eagerly await the author’s next release.

+  Refraction is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @TerryJGeo (Terry Geo) on Twitter.
+  Follow @SebastianJBrook (Sebastian J. Brook) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

Publisher: Self Published

Written By: Michael A. Gordon

RRP: £7.95 / $9.99 (Paperback) | £0.99p / $1.37 (Kindle)

Reviewed by: Sebastian J. Brook

Barnaby Brown And The Time Machine is the first instalment in Michael A. Gordon's thrilling time travel series. The story follows the titular Barnaby Brown - a 15-year-old boy from England - now living in New York (and very much missing his favourite brand of bread). As well as the bread, Barnaby is missing his old life; he lives with his Mother and mad scientist Uncle Finch, who spends most of his time in the basement.

It is in this basement that Barnaby discovers the doorway to a new, exciting life, and Gordon's way of introducing it is classically magical. Whether it's Lucy Pevensie discovering the wardrobe to Narnia or Kay Harker discovering the magic of the box of delights, you feel that same warmth and familiarity when Barnaby and his friends make their way down to his uncle's basement in Chapter Three.

Kudos to the author for his incredible detail behind the time travel elements; there's lots of science and common sense behind how the time machine actually works and the ramifications of altering history, and as the story progresses, you'd be forgiven for believing that time travel could actually be possible (who knows...perhaps it could be?!). 

There's such a wonderful balance of drama, humour and suspense; as for the humour in particular, there are several laugh out lout moments that spring to mind, namely the absolute corker of a line; "There’s no point turning up for the birth of Christ in jeans.".

With thrills, shocks, scares, rescues and a decidedly perfect villain to round things off, Barnaby Brown And The Time Machine is the time-hopping adventure tonic we could all do with right now.

At the time of writing there are five books in the series, with Barnaby Brown And The Dark Star being the most recent. After this first instalment, we cannot wait to see where Barnaby's adventures take him next!

+  Barnaby Brown And The Time Machine is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @MAGauthor (Michael A. Gordon) on Twitter.
+  Follow @SebastianJBrook (Sebastian J. Brook) on Twitter.
+  Follow @DrWhoOnline (Doctor Who Online) on Twitter.  

Publisher: Self Published

Written By: Giorgio Garofalo

RRP: £12.66 / $17.50 (Paperback) | £2.25 / $3.09 (Kindle)

Reviewed by: Nathan Jones

Giorgio Garofalo’s Korian: The Manian’s Spear - the first book in his Korian Epic Fantasy Adventure Series - is nothing short of a truly epic fantasy tale. 

An evil force approaches, casting darkness over the humans and ruids of Endura, thereby bringing an end to centuries of peace and stability. Although he remains entrapped in solitude, Adam Hades still wields considerable power. Through his envoy, Aaron, a hulking, deadly creature with burning eyes, and his army of stragoy (for want of a better word, zombies) and skines, Hades once again intends to take control of the planet Endura, and he seems intent on burning everything to the ground on his journey towards dominance.

In the face of such evil, humans and ruids are forced to retreat and hide into remote and isolated communities, their only real hope for salvation the legendary Azura, a saviour foretold to restore balance to the world. Otherwise, all will be lost, as Hades’ armies are sure to overwhelm the remaining pockets of humans and ruids eventually.

So, who might this Azura be? Three young boys named Doric, Will, and Korian are the most likely candidates. We follow these three boys on their decades-long, challenging, often tortuous journeys to adulthood. One of them, we hope, will pass through the mystical portal constructed by Crogan, a magical warrior or “manian”, to retrieve the legendary manian’s spear. 

Korian: The Mainan’s Spear is truly Homeric in its scope. Garofalo clearly worked hard to build a rich, convincing environment, full of detail, history, and complex, distinct characters. Readers are taken on a brief journey through time, from the days of Endura’s greatest leader, Zoren Ro (who defeated Adam Hades the first time), to “modern times” and even hints towards technology and civilised planets beyond “medieval” Endura. The story will keep you on your feet with unexpected plot twists, and some very dark, emotional moments sure to keep you invested in the complex story.

This is not just another standard, formulaic fantasy tale but an intense, intelligent, quite individual saga that sets the scene for a thrilling series. It’s a real page-turner, full of heartless villains, legendary battles, inventive flora and fauna, impressive scenery, and heroes that must undergo challenges so cruel and arduous they will make you wince in sympathy. Garofalo’s fluid, descriptive writing, entertaining from the first to last page, will transport you to a world you’ll swear you’ve walked on yourself.  

+  Korian: The Manian's Spear is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @GiorgioGarofa17 (Giorgio Garofalo) on Twitter.
+  Follow @NathanJonesBook (Nathan Jones) on Twitter. 

Our friends over at Chop Shop Store have been in touch with details of their new Kickstarter featuring Series 3 of their Robotic Spacecraft poster designs.

Due to huge popularity the project has already reached the funding goal, but there are still some great perks to be had by helping them to fund the collection further.

The new collection includes posters for Pioneer and an updated poster for Mars Science. Backers can also help choose the designs for posters 11 and 12.

When Chop Shop Store started their first series eight years ago… SpaceX was just starting out having won their first of several large contracts; and the European Space Agency was about to release its Philae lander to become the first mission to make a soft landing on a comet. Since that time SpaceX is now the clear industry leader; several nations have joined the interplanetary exploration club; and NASA expects the first manned moon missions since Apollo to begin in just three short years.

For anyone unfamiliar with the earlier campaigns, Series 1 successfully funded three mission posters for Voyager, Cassini, and Curiosity. The campaign went so well that they also funded another three posters as stretch goals for Sputnik, Mars Exploration Rovers, and LightSail for The Planetary Society. A year later they funded Series 2 and produced three more posters for New Horizons, Rosetta, and Galileo. Later they also funded their Giant Leaps in Space Series which featured the crewed missions Apollo 11, ISS, and Vostok 1.

As of today, a few missions are sold out in the screen printed variation. These include; Voyager, Cassini, Curiosity, and LightSail (not shown). If funded, this campaign will produce new copies of Voyager, and will replace Curiosity with Mars Science. Cassini will be reprinted at the stretch goal of 12K. 

All missions will always be available as giclée prints in various sizes.

+ SUPPORT Chop Shop Store's Kickstarter Campaign!
+ CHECK OUT the Chop Shop Store website!
+ FOLLOW @ChopShopStore on Twitter!

[Source: Chop Shop Store]

Manufacturer: Big Finish Productions

Written By: Roy Gill, John Dorney & Robert Valentine

RRP: £24.99 (CD) / £19.99 (Download)

Release Date: July 2021

Reviewed by: Robert Emlyn Slater for Doctor Who Online

"These tales take the Tenth Doctor, Anya Kingdom and Mark Seven deeper into family histories, aboard the strangest of space stations and to a truth that might tear them apart...

2.1 Cycle of Destruction by Roy Gill

After Mark starts behaving oddly, the Doctor and Anya find themselves on a strange planet with their friend missing. Searching for him they find their way to an isolated research base. The corridors show signs of animal incursions and the scientists are behaving strangely. But a big surprise is waiting for them.

Because this is where Mark Seven came from. They’re about to find out who he is. But is that information too dangerous to know?

2.2 The Trojan Dalek by John Dorney

The Doctor, Mark and Anya head for an SSS space station searching for the missing temporal scientist, Arborecc. But the officer in charge denies all knowledge of his presence and demands their departure.

Unwilling to leave so easily, the group split up to investigate... and uncover a heinous plot involving the Doctor’s oldest foes. Or do they?

2.3 The Lost by Robert Valentine

When the Doctor’s latest scheme to get back to the future fails, the team’s ship crashes on a strange world, potentially trapping them for ever.

Searching for replacement parts, they find their way to a building where heart-breakingly familiar faces await them.

Lies are about to be exposed. Everyone will learn the truth. And nothing will be the same again.

This boxset release contains all three stories, plus additional behind the scenes interviews."

WARNING: The following review contains spoilers. You have been warned!

The Tenth Doctor, Anya Kingdom, and Mark Seven’s adventures continue in the second volume of the Dalek Universe trilogy. In these three adventures, histories are explored, hearts are broken, secrets are revealed, and the Daleks finally turn up. Sort of. 

Last time out, the Daleks were nothing more than a 10-second cameo. Though their presence was felt throughout, it wasn’t their story just yet. Fans will therefore be pleased to know that they do have much more to do in this volume, though by the end of the boxset, you still don’t really feel as if they’re properly here yet. Everything seems to be leading into the final volume of the set, which looks like it’ll see the dastardly pepper-pots finally make their big entrance. I hope.

So if the Daleks don’t really feel as if they’ve arrived yet, then just what is Dalek Universe 2 actually about? Well, if anything, it’s an exploration of who the members of this TARDIS team actually are, what makes them act the way they do, and what they do when experiencing grief, loss, and anger. It really is as intriguing as it sounds. 

The first episode, The Cycle of Destruction by Roy Gill, gives us an opportunity to learn more about the android Mark Seven, and his ‘life’ before he joined the Space Security Services. 

Gill’s story follows straight on from the cliffhanger that we were left with at the end of the first boxset. Mark has started to behave oddly and has rendered the Doctor and Anya unconscious whilst flying a ship. The pair wake up to find that the ship has landed and Mark isn’t anywhere to be seen. It is here that we’re introduced to ALARC, an android development centre, and Mariah Six (Nina Toussaint-White), an android who wants freedom. 

Cycle of Destruction is essentially the counterpart of volume one’s House of Kingdom, in that it takes a detailed look at Mark Seven’s past, giving the character even more, well, character. We get glimpses of Mark’s past, which sounded utterly horrific and explains why he’s fighting against the Daleks and looks at how the lines blur between humans and life-like androids. Though this is a trope that has been done many times before, this is still an interesting take on it all the same.

Though this story does feel like more of a pit-stop than an integral part of the overall Dalek Universe arc, it’s a great addition to the story all the same, mainly due to how much it makes you care for Mark Seven, a literal robot. Gill’s script gives the listeners an opportunity to learn more about this particular TARDIS team and their dynamic, which just makes the next entry into the series that much more tragic.

The second episode, The Trojan Dalek by John Dorney throws us back into the Dalek Universe story proper with a trip to Beltros Station, with the TARDIS team in search of Arborrec, the temporal scientist who the Doctor is relying on to get him back to the right side of the Time War. 

We’re past the halfway point now in the Dalek Universe saga, and things are starting to get serious, and very, very dark. With shades of Revelation of the Daleks present, The Trojan Dalek sees the return of the Daleks, but not as we know them. 

The Trojan Dalek is excellent. As well as being a very disturbing story that left me feeling a little uncomfortable, this episode also features yet another brilliant performance from David Tennant. His fury at finding out what Major McLinn (Blake Ritson) and the SSS have been up to is spine-tingling, and his explosive confrontation with Ritson’s character when he learns the shocking truth about the ‘Daleks’ return is the highlight of the episode. 

Without going into too many spoilers, we learn that really nothing and nobody is safe in this episode, with a shocking twist in the final few minutes devastating our TARDIS team, leaving us wondering where the hell the story is going to go next. 

The third and final episode of this boxset is The Lost by Robert Valentine, and if you thought The Trojan Dalek was good, you ain’t seen nothin’ yet. This, for me, is the highlight of the boxset, though choosing my favourite episode was obviously a tough decision. 

When the Doctor’s plan to travel through time back to his time goes wrong, their ship crash lands in a bubble universe that is in the process of breaking apart. There they meet Lost, a god-like entity who wants to escape from his self-built domain and get back into the universe proper, a premise that sounds very similar to series eleven’s It Takes You Away. 

This story is very different from what’s come before in Dalek Universe 2, and is, essentially, an hour-long character piece with a minimal cast that examines, mainly, the Doctor’s psyche, grief for all those he’s lost, and guilt for all those he failed to save. 

Facing familiar faces from the past, as well as having devastating secrets revealed, this story changes the relationship of this particular TARDIS team forever. It also felt to me personally, like the last slower story we’re going to have before the third volume of adventures. 

And that cliffhanger? I loved it, though I wish Big Finish hadn’t revealed the cover and cast details for Dalek Universe 3 so far in advance. You’ll understand what I mean when you hear it. It’s still great though and has definitely left me counting down the days until the next volume is released in October. 

As with the first volume, and as is expected when Tennant is involved, the performances from all three main cast members (David Tennant, Jane Slavin, and Joe Sims) are of a very high quality, and by the end of this volume, I really felt as though I knew who these characters were, and was beginning to really enjoy their dynamic and bickering by the end. Nicholas Briggs somehow, yet again manages to find a new, interesting take on how to perform the Daleks, and the guest cast, in particular Blake Ritson, give excellent and enjoyable performances throughout. 

Overall, whilst I don’t feel as though this volume is any better than Dalek Universe 1, I don’t think it’s any worse either. It’s three enjoyable, well-written adventures that get progressively darker as the boxset goes on, and the volume as a whole is an interesting and emotional look at who these characters are and what makes them tick. Whilst these stories may not impact the overall arc in a big way (though this remains to be seen), the impact they have on the Doctor, Anya, and Mark, and their friendship, will be felt in the next volume for sure. Ultimately this an equally enjoyable volume as the first that has really whet my appetite now for whatever comes next in October.

+ Dalek Universe 2 is OUT NOW, priced £24.99 (CD) / £19.99 (Download).

+ ORDER this title from Big Finish!

Having been in charge of the TARDIS since filming for the Thirteenth Doctor began in 2017, Showrunner Chris Chibnall and the Thirteenth Doctor, Jodie Whittaker, have confirmed they will be moving on from the most famous police box on Earth - and the universe.

With a six-part Event Serial announced for the autumn, and two Specials already planned for 2022, BBC One has now asked for an additional final feature length adventure for the Thirteenth Doctor, to form a trio of Specials for 2022, before the Doctor regenerates once more.

After taking the helm of the show, Chris Chibnall made the groundbreaking decision to cast Jodie Whittaker as the first female Doctor. He also brought in ‘the fam’ of Tosin Cole (Ryan), Mandip Gill (Yaz) and Bradley Walsh (Graham), and cast the acclaimed Sacha Dhawan as the latest incarnation of The Master, plus Jo Martin as the mysterious Fugitive Doctor, adding new characters, layers and twists to the mythology of the show.

Episodes such as Rosa, Demons of the Punjab and Spyfall have thrilled audiences across the globe garnering critical acclaim and award recognition, including two BAFTA Must See Moment nominations, along with multiple National Television Award, BAFTA Cymru, TV Choice, Screen Nation, Hugo, Saturn. and Critics Choice nominations. Under Chris’ tenure, the series has been awarded the Visionary Awards TV Show of the Year, the Canadian Rockie Award from the BANFF Television Festival for best sci-fi and genre series, while Mandip Gill and Vinay Patel were recognised with wins from the Eastern Eye Awards. The 2020 series won Best Science Fiction Show voted for by readers at Radio Times.com, beating out competition from The Mandalorian, Lucifer and The Boys, as well as winning both Best Moment and Most Incredible Twist from the Digital Spy Reader Awards 2020, for Fugitive Of The Judoon and Ascension Of The Cybermen. In 2019, the entire current cast and crew were awarded Honorary Doctorates by Sheffield Hallam University for their work on the show.

As the Thirteenth Doctor, Jodie Whittaker stepped aboard the TARDIS to begin filming in 2017. As the first woman to play the iconic role, Jodie has thrilled audiences with her portrayal of the Time Lord, winning the hearts of Doctor Who fans across the globe. Jodie’s multi-layered, warm, funny and inspiring depiction of the Doctor not only created a first in Doctor Who history, but in 2020, Jodie was voted 2nd Most Popular Doctor of all time, coming within a whisker of her friend David Tennant, in a poll of more than 50,000 fans for Radio Times.

Chris Chibnall says:

“Jodie and I made a “three series and out” pact with each other at the start of this once-in-a-lifetime blast. So now our shift is done, and we’re handing back the TARDIS keys.

Jodie’s magnificent, iconic Doctor has exceeded all our high expectations. She’s been the gold standard leading actor, shouldering the responsibility of being the first female Doctor with style, strength, warmth, generosity and humour. She captured the public imagination and continues to inspire adoration around the world, as well as from everyone on the production. I can’t imagine working with a more inspiring Doctor – so I’m not going to!

For me, leading this exceptional team has been unrivalled creative fun, and one of the great joys of my career. I’m so proud of the people we’ve worked with and the stories we’ve told. To finish our time on the show with an additional Special, after the pandemic changed and challenged our production plans, is a lovely bonus. It’s great that the climax of the Thirteenth Doctor’s story will be at the heart(s) of the BBC’s centenary celebrations.

I wish our successors - whoever the BBC and BBC Studios choose - as much fun as we’ve had. They’re in for a treat!”

Jodie Whittaker adds:

“In 2017 I opened my glorious gift box of size 13 shoes. I could not have guessed the brilliant adventures, worlds and wonders I was to see in them. My heart is so full of love for this show, for the team who make it, for the fans who watch it and for what it has brought to my life. And I cannot thank Chris enough for entrusting me with his incredible stories. We knew that we wanted to ride this wave side by side, and pass on the baton together. So here we are, weeks away from wrapping on the best job I have ever had. I don’t think I’ll ever be able to express what this role has given me. I will carry the Doctor and the lessons I’ve learnt forever.

I know change can be scary and none of us know what’s out there. That’s why we keep looking. Travel Hopefully. The Universe will surprise you. Constantly.”

Piers Wenger, Director of BBC Drama says

“Over the last four years Chris and Jodie have made Doctor Who history and their time on the show is indelibly marked on our memories. From Rosa Parks to Ascension of the Cybermen, Chris and Jodie have given Doctor Who some of its most life-affirming and tear-jerking moments to date and we are beyond excited to see what they have in store for us in the new series this Autumn. Jodie's final adventure to mark the BBC's Centenary in 2022 is set to be a Doctor Who Special to remember. I’d like to thank them both for their incredible work on the show”

[Source: BBC Studios]

Publisher: Inklings Publishing

Written By: Fern Brady

RRP: £12.04 / $14.95 (Paperback) | £3.92 / $5.43 (Kindle)

Reviewed by: Nathan Jones

Fern Brady's United Vidden - the first book in her Thyreins’s Galactic Wall series - is a highly creative, compelling Science Fantasy / Space Opera story set in an imagined future of our universe, with a unique romance theme at its core.

The story revolves around Princess Verena, daughter of the widowed King Dekkyle, ruler of Dravidia—the northern half of the Vidden continent on planet Jorn, one of fifty-one major populated planets in Thyrien’s Galactic Wall (wall, we believe, meaning galaxy). The second major player is Prince Amiel, ruler of the southern half of the Vidden continent—Aulden. Amiel seems set on ruling over the whole continent and winning the heart of the fair and courageous Princess Verena. His motivations, however, are questionable.

Across the eastern Black Ocean, or western Green Ocean, the Gortive people of the Parthia continent seem to be preparing for war, so perhaps a United Vidden would be in favour its people, who usurped the aboriginal Gortive from “their” lands eons earlier.

More than anything else, United Vidden is a wonderful combination of royal court drama (reminiscent of Elizabethan times) and adventure. The changing allegiances of the aristocracy as the story progresses are captivating and led by the intriguing twists and turns of the masterful plot. The main characters are truly unforgettable and far from static, changing and developing as the gripping story unfolds. Their tempestuous journeys make this a real page-turner.

The machinations of the Wall’s magical religious sects (Rajin, Nijar, The Elamin Order, and more) overlay the plotting and romances of the book’s “ordinary” folk. And on a higher level than this, we get hints at The Wall’s interplanetary politics, between members of the Intergalactic Council such as planets Schol, Drulin, Fratern, and Fridgia. The various levels of power and influence give the read a true sense of being a space opera, along the lines of Frank Herbert’s Dune.

This book would make an amazing movie, it very much plays out like a blockbuster in the reader’s head. One that would appeal to both Sci-fi and Fantasy fans. Understandably, as this is the first book in a series, many of the plot lines remain open at the climax, but the ending of the novel is very satisfying regardless.

As this was released in June, 2020, we’re very much hoping the sequel will be released sometime soon.

+  United Vidden is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @Fbrady03 (Fern Brady) on Twitter.
+  Follow @NathanJonesBook (Nathan Jones) on Twitter. 

Back in May, a section from the old BBC Doctor Who 'FAQ' page turned up online, with fans concerned at the policy on fan fiction and artwork. The policy read as follows:

Can I create Doctor Who fan fiction?
You are welcome to write Doctor Who fiction for your own enjoyment, but we should remind you that it is not permitted for you to publish this work either in print or online.

Following a growing number of worried tweets from fans wanting to know if this was still current policy, DWO got in touch with the BBC Brand Protection Team for clarification on the matter. Yesterday we received their official reply:

Hi Sebastian,

Thank you for your email.

In answer to your question, while we do not have objections to fans creating and publishing their own Doctor Who inspired fiction, artwork or other content, we request that these do not copy a substantial part of the Doctor Who TV programmes or other official Doctor Who content such as scripts, books, magazines, artwork or photography.

Also, we request to avoid use of official Doctor Who or BBC logos and would appreciate if the fan art is not presented in a way as to suggest or confuse viewers into believing that the fan creations are ‘official’ Doctor Who content, or are endorsed by or associated with the BBC. In this regard, we ask fans to add a clear and visible disclaimer stating that the content is fan-made and un-official. 

As for the old BBC FAQ section you have attached in your correspondence, we confirm this is no longer available.

We trust this is helpful for you.

Kind regards

Content & Brand Protection Team

The response definitely shows a shift in policy, and whilst there are some important requests from the BBC in way of the use of logos and existing text, they appear to be embracing the creativity of fandom more. This is a truly positive step from the BBC, and one that many fans will appreciate.

[Sources: DWO, BBC Content & Brand Protection Team]

Publisher: Journey Fiction

Written By: Grimly Darkwood

RRP: £9.99 / $9.99 (Paperback) | £1.46 / $2.01 (Kindle)

Reviewed by: Sebastian J. Brook

Grimly Darkwood's 'The Shop On Peculiar Hill' (book 1 in his 'The Vale Of Strange' series), is a captivating children's fantasy that equally and wonderfully captures the imaginations of adults alike.

The story focuses on Peter - an orphan who has been sent to live with his Uncle Bob and Aunt Maggie, who are shop owners in (the awesomely named) Peculiarshire. Lurking within Peculiarshire is the mysterious Vale Of Strange - a foreboding place where tourists go missing and are never heard of again. A young boy goes missing and Peter, together with new-found friend, Amanda, begin a truly thrilling journey to discover what is really going on...

The author has peppered the mystery, intrigue and suspense perfectly throughout the book, and despite being aimed at kids, even as an adult I have to admit that it had me on the edge of my seat on several occasions. There are shocks and scares and Heeble-Greebs and...ahem...Bogeys (no, not those kind), and at every turn, there’s a genius new plot twist or device that propels the reader into the adventure further.

Whilst there is darkness, Darkwood gives us a much needed dose of humour throughout. Actual laugh-out-loud moments, that make you question whether the author had a previous life as a comedian! This balance of dark and light sews together a truly charming adventure that feels so much larger than the sum of its parts.

Everything is so vivid and visual - even in the darker places, and you cannot help but hope that this gets turned into a tv series or movie. Its practically begging for the big screen!

The reader can be forgiven for drawing parallels to Lemony Snickett's Series of Unfortunate Events, as there is definitely a similar vibe here, also flavours of Harry Potter with the in-depth, in-world characters and ecology, but Darkwood very much cuts his own creepy path here. 

Book 2 ('Stranger Days On Peculiar Hill') is already out, and you better believe we're going to be along for the ride to find out what happens next in this brilliantly bonkers fantasy for all!

+  The Shop On Peculiar Hill is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @DarkwoodGrimly (Grimly Darkwood) on Twitter.

Publisher: Self Published

Written By: Jim Hamilton

RRP: £8.09 / $9.95 (Paperback) | £1.64 / $2.27 (Kindle)

Reviewed by: Sebastian J. Brook

Back in April we had the pleasure of reviewing Jim Hamilton's first entry in his Chaos Trilogy; The Chaos Machine - an epic Science Fiction adventure that spans 7000 years. For book 2; Second Contact, Hamilton brings down the timeframe from 7000 years (in the first book) to a much smaller one here, but don't think that you get short-changed on any of the action... It's all here in spades, and we'd actually argue that this is an ever better story than the first.

"When aliens from different parts of the Universe encounter each other in 5342 AB, old friendships are renewed and new friendships begin as 19-year-old Cassiopeia upends the ancient Shoomaran Empire. And when she's done, nothing in the Universe will ever be the same again."

Set mainly in the year 5342AB, we follow our protagonist, Cassiopeia (and by god what a great, strong female lead she is) who is at the centre of a multi-faceted fight for Human / Shoomaran acceptance and harmony. This is moreso a political tale that its precursor (akin to Star Wars: The Phantom Menace), where you can almost foresee the foreboding ramifications if our heroine isn't successful in her mission.

Ultimately, this is a story of hope - something that in a year of viruses and restrictions and lockdowns, we can all sympathise with. That hope resonates with the reader - not just because of the events in the story, but for the parallels of our own world.

Once again we have clear-cut characters who are believable and naturalistic in the way they're described as well as their inter-species dialogue. Sure there are aliens, but Hamilton paints them in such a real way that suspends your disbelief without question.

As with The Chaos Machine, the author's use of timelines is genius; whilst on the outside it may look complex with all the many strands, Hamilton's peripheral hand-holding (without patronising) really makes you feel like you are present in the action, and it somehow all somehow feels transpicuous.

This is an author who is clearly full of great ideas and knows exactly how to execute them. He also knows how to hold onto ideas and put them in his back pocket for use later. Little things from book 1 come back here for book 2, and its not hard to see how the events in Second Contact are going to play out in the third part of the trilogy (Mankind 2.0). Another palpable hit here from Hamilton!

+  Second Contact is Out Now!
+  Buy this book from Amazon.co.uk!
+  Buy this book from Amazon.com!
+  Follow @Chaosity8 (Jim Hamilton) on Twitter.